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reeling bringing together a generation of prices, not bypassing for our dry belarus 20 shatyrs

my name is ekaterina nikolaevna dulova general director of the national academic bolshoi opera and ballet theatre. it seems to me very important today

to talk about the history of the development of the bolshoi theater about its glorious anniversary and about those tendencies that seem to me very important in his later life. hello, on the air, the program, say, do not be silent in the studio svetlana smolonskaya and tatyana shcherbina and today our guests ekaterina dulova good afternoon. hello ekaterina nikolaevna, we are very glad to see you in our studio. thank you so much for taking the time out of your busy schedule to visit us. we are very pleased. thank you, the 90th anniversary of the bolshoi theater in belarus is celebrated . the team congratulated the president on may 19

, a grand evening took place, and let's see a fragment the plot of our colleagues from the agency or the news. the stars aligned. it is not a matter of one act of such a concentration of folk and honored artists not to boast of a single stage, most of the performances favored by state awards cannot be heard here, not a single random note. for nine decades in great art, the theater filigreely guessed all the appetites of the viewer finale of the second act of aida verdi scene of a peasant wedding from the ballet zhysel, and even from the purtac of a scene from don quixote today, the jeweler allows you to vary the virtuoso dictates his plot twist quotes the most seductive of the repertoire. full house subconniment full house uh, tickets were impossible to get. well, on may 25, actually, directly on the birthday of the theater, carmen will be given on

stage, this is the very production with which the history of the bolshoi theater actually began, it was the very so el production, of course, is different and, as far as i remember, the historical facts are as follows , that the performance has withstood, in my opinion, nine productions, that is, we are talking about director's concepts. and the fact that such a tradition is preserved. it notices on and know in uh, there is a poster in the theater archive, it is very modest. i would say even quite small by today's standards. uh, where is it indicated that the bolshoi drama theater will take place? this is how the show opens. ah, the opera house. this is amazing. uh, the big dramatic connection, that is, now - this is the yanka kupala theater, that's where we started together. yes, that is, the venue was single, and then already, of course, we moved to our building, so these performances are somehow a talisman, and he is always with us, he is in great

demand, but why and how, but if this it will be interesting, i can say more about this longevity of this performance. in what you know it is akin to a concept that is in uh literature a bestseller , that is, uh, what is most in demand for one simple reason, it means you like it, but this does not mean that it is a bad product or what -that. eh, here. uh, you know such a general need for nothing like a deal. it's just that there is a special format for the availability of brightness. there is real passion here. uh, there's a true life story of love here, and in addition, after all, initially, uh, meringue conceived, she wrote this composition as uh , a french lyric opera. that is, this is an opera that went with dialogues. this is what we know today as, well, operettas hmm and uh , only later appeared thanks to the composition of the rake-maker, gro,

connections appeared that turned it, deprived it of dialogue and made it such a performance, so it definitely carries in itself. here is the connection. you understand the drama in it. and, of course, the brightest, completely memorable literally from the first bars in music by georges meringue. but you are very beautiful. they said that this is a theatrical bestseller with a little bit of history during the great patriotic war , the auditorium of the theater was destroyed by an air bomb , and the german invaders turned the dilapidated building into a stable, which, of course, was very impressive. it roars, and the decoration was looted and taken to germany, but nevertheless the theater survived, it rose up from the ruins and ashes. have you ever wondered why art has been like this forever? yes, you can argue completely different positions, because not only did the theater survive, historians talk about it, i will not delve into it, because i am not

an expert in architecture, and the government house and the academy of sciences survived. uh, in general, i work with ilan bordeaux, they also resisted, this is some kind of special sign. if we talk about the theater, then there is even more. ah, dramatic plot. uh, because not only the bomb inside , uh, which did not explode, but also 250 shells that were discovered after the liberation of minsk, which came to wear their own and clear mines, so to speak, and so on. that is, in essence. here is all the evidence that there was such an ardent desire, you know, to destroy and now the destruction of a monument to the destruction of culture, because this is a trend that look like it is today. in general, so to speak, it is absolutely reflected. we understand what kind of verse we are talking about, you see, today the emphasis was made exactly like this and you are looking at the frames of these photographs. uh, the exhibition

is taking place today at the bolshoi theatre. we specially showed, uh, unique materials from the collection of vladimir likhodev. uh, where you can just watch how attempts are made, you know such efforts, unbelievable, but which lead to nothing , therefore, of course, we can conclude that god bless my country art, culture and tradition, which you do not touch, because it is like this. well, in the forty-eighth year it was great, restored, large-scale reconstruction was carried out in 2009. we remember how the state invested in everything, this is a considerable means. you remember very well the support provided by the state. uh, the academy of music and other philharmonic institutions also had a global overhaul. kupalovsky theater, again let's remember, and therefore that was really enough. it's strange when in the twentieth year , e, individual artists opposed the state, that is, they don't know how

to appreciate. oh, again, after they were actually washed away from the cultural space with this foam. some of them are trying to make their way onto the stage again. that is , they did not appreciate what they have, you know, there is always such a nuance, in and in the artistic environment. yes, everything is created for you alone, so that you appear on stage. you were your talent sparkled, and then such an inner feeling, therefore, this one, if you want hmm, is not even called artistic, but such, uh, theatrical egoism. yes, when everything should spin and belong to you, if something is wrong, then uh, accordingly, uh, i have to destroy it. it seems to me that if you live with this idea, not creative, but destructive, then what happened will happen. and what took place, it seems to me, is such a profound short-sightedness, first of all, and a misunderstanding of what was behind all these

processes. uh, what's more, i'm being. in in general, as if in the depth of events, because in that period too. in general, passed such. m-m stages, i will be the director of the conservatory. e, i understood perfectly how many of us, and above all cultural figures, lack elementary education, in general, an understanding of the history of knowledge of history. e some such real feeling hmm patriotism in the best sense of the word. in the deepest sense of the word, behind which stands well, the feeling of the value of something you possess is not the repeatability of what surrounds you. take care i remember this very well in our first meeting. here is your phrase. i was so deeply struck and hooked, and i remember her very often. passing by the academy of music, what did you say, and after the war the city

was destroyed, everything was in ruins and the state was building. temple of music absolutely. and today the theater makes a mesmerizing impression in this sense, you know, it literally performs the most important function , not only the one that we are directly involved in as a theatrical entertainment institution, but also, uh, such a grandiose educational he tells absolutely all of us and our guests to our children , he tells about our country, because it is enough just to think. why is it so? why are such materials used? why is the building like this? why are such funds being invested here? why is it today? create and encourage the creation of 100 luxury supplies. well, this is the answer to a very simple question. so the state needs it and we must understand. what is this mission and how

difficult it is, so i am very grateful relate. here's to such a position of the state, believe me. i'm already being, uh, ceo now. i traveled, including the countries of the former soviet union, i looked. what is the condition of the theatre , specifically the theatres, thousands of people are still coming, because people come to our theatre. uh, hmm, to get an incredible, uh, feeling of direct contact with the beauty of not only the stage, but also the external one at the entrance to the theater. worth it magnificent halls. uh, so uh hmm you understand? i even think about well, this is a brand, a component of a big one. theater today it is very high and i appreciate it very much, for example, uh, prominent international politicians who meet with our president in the mandatory morning meeting. in the evening. they often

visit the bolshoi theater, because it means that something is happening here and there is. uh, that integral component that you want to show, but you are talking about the theater and your eyes are burning. you headed the theater a year and a half ago, the general director is already, and he became for your second home, your home, or still getting used to. you know, in general , here is such a domestication of uh one's own activity. it seems to me that this is the way, uh, this is not very correct. and why? because really, there comes a state when you can afford, uh, slippers and pajamas, you know those moments when you have to be as focused and concentrated as possible, therefore, in general, i always perceive. e his post as director and in general his stay at the conservatory, to which he was exactly 33 years old. here i am, anyway, i always perceived it as a service, and the same applies to

today's stay. uh, in the theatre. first of all, i think about people so that they do as much as possible what god has given them, so that, uh, we benefit absolutely everyone, who needs us and, uh, so today, of course, i have a certain comfort zone i see among those people are an overwhelming number of familiar faces, that is, these are my students, my former students of absolutely different generations, so there are even my very first students. we talked about them in somehow with you. that's why, uh, of course, in this sense, i'm somewhere, so to speak, joyfully and comfortably. but there are, of course, uh, some new u positions that i just get used to and do my thing. since you have already said about students and say that these are your former students, but now they are already established artists and is it difficult for you to find a common language with them? the great happiness of the theater and so we

tried on the anniversary days and especially at the gala concert to show the meeting of generations, that is, to show, ah, absolutely all the steps that the theater takes, here towards the artists, that is, we have young specialists who are already soloists, firstly, and they are already entering the big stage, that is, they are mastering the serious one. uh, operatic ballet repertoire. of course, we already have such a generation. e, mature, but, so to speak, experiences, they can still borrow about e others, and we have e, completely outstanding. uh, you know, like in the conservatories of universities, everywhere in the world. there is such a thing as a professor has an ace, that is, you are, as it were, the status of a pensioner, but you are acting and you always turn to your help resort. if this state works for you, of course. imagine such

an opportunity, and often in the theatrical environment, that is, we have a soloist who is 78 years old. you see, vasily vasilyevich kovalchuk, who appears in the performance in the most difficult roles and in longrini, for example, that is, but since there is a voice and there is this charge of energy and professionalism, which he simply will not go anywhere, then, of course, for young people. this is uh, this is not just an example of this here is your future life. that's the slime to be. although, of course, this is an exception. we are all fine. we understand this ekaterina nikolaevna well, the administrative work of you is scheduled to the minute for many days, and for creativity, for mentoring. don't miss some part of being. maybe, yes, well, i didn't fully quit my job, but, of course, today it is already such a scientific tackle. i mean, i'm supervising, uh, doctoral dissertations and i'm already talking. accomplished scientists, uh, you understand? there is also a reason to talk here, i mean in the theater and

talk to both the artists and e. hmm, for those who come to the theater, i am very pleased with the excursions, which are very numerous in the theater and schoolchildren from e, in general, small children, schoolchildren, students. so, when i see them, i, in general, try to approach somewhere to ask, what exactly led? why was it like this and uh, in a way, in a way, i think it's in me. eh, there is still this can not be avoided. but of course, i try to communicate with adults already, of course, on professional topics. here is the idea of ​​mentorship. she at all hmm eat in the theatre. it's just that we spoke with the leaders of the creative corpse about how to make it, which means more alive. what is it about when a student comes to the theater. it doesn't matter, it's an orchestra artist, it's a dancer , it's hmm the vocalist. eh, you need a little of it, or it's

a choir that you got into it. you. well, you don't know how to do anything yet. and at this moment, uh, so that the person does not get confused, so that he does not lose faith in himself. yes, how important, very subtly, very competently, but of course, we already talked to him, how an adult with a professional who has to do a certain job. but in parallel. here, all your, in fact , teachers work. here is one of those creative specialties that i said next to you among the dancers. the same story, you know , ballerinas and our uh, wonderful uh, ballet dancers. uh, the male dancers there are over 40 years old. yes , it is clear that there are thirty and twenty and eighteen-year-olds nearby. here they all know each other very well, and in a number of cases. it seems to me that the underlining is very important. here with that so that a person lingers in the profession, so that he does not get disappointed, so that he does not leave, therefore, to some extent, maybe i am this line so i

try to withstand all cases they think about it, but it is also very difficult for you, on the one hand, you have mentors with other students. and you are in the middle, and i, as it were, over this situation and, uh, i try. eh, you know not to interfere. er, the creative process in no way anywhere, of course, er, because i'm a musician. i can't help but see and hear what uh hmm cause me questions somewhere i can adjust and hmm i think this is correct and important. yes, today we certainly have an artistic leadership in the theater, as in any theater. there is an artistic director. nikolayevich has the main specialists, that is, the chief choirmaster. chief sick place chief director. here we are waiting for the chief conductor. there is, of course, this community that makes the final decision. but uh, i'm included, of course, i believe that not only can, but i should look at it from

a variety of positions, because i have their own information about the professionalism of certain figures who are involved. i have my own idea of ​​what the repertoire should be. i do not say that i am his god to fall, i dictate there and so on, but my word. i, of course, find it necessary to say, e, because, well, let's put it this way. simply, i will be responsible for this later. usually. if i hear something or see something that , as it seems to me, contradicts some artistic tasks, of course, i turn directly to eh, the heads of creative corpses. this applies to the opera and ballet orchestra somewhere and memes. well, a number of such questions. we discuss, of course, artistic advice. you have already mentioned that there is a chief director, there is a chief blettmeister, chief armmasters, and a chief conductor, but we still didn’t have one. everyone , yuri karavaev, and that's when we also asked a question about the chief conductor. he

says that i am not ready to take it on yet, because i think that i have little experience. that is, it is really so difficult for us to do this really. it’s difficult, because the profession is absolutely exclusive, in the part that her a special kind of requirement. you know there is a so-called qualification requirement. there to some position. yes, that's all that concerns the chief conductor, in addition to the fact that these are usually people with two educations, two higher educations. well, such was the tradition of the soviet school of conductors, and we, in general, inherited it. that is, this is the so-called profession of the second half of life. that is, uh, while you master something like a pianist or, uh, like a choir player or, as a violinist, you get such a higher musical education with a special sphere. everything that concerns conducting is already a special world connected with it

. because here there should be charisma , an incredible authority. you have to own already with hundreds of people to manage them to be convincing and to be wealthy, therefore , yuri alexandrovich is absolutely right of the part that he is gaining experience. he is very talented

for sure. in general, the belarusian school speaks for itself, but it so happened that at the moment, yes, we, uh hmm uh, use the experience and, above all, our russian colleagues. eh, basically it's absolutely normal uh, the situation for all the theaters in the world, and we know how uh hmm long short ones. uh, all the outstanding conductors had contracts and the same levine or er. valera gergiev e. hmm in various theaters of the world, sometimes even in several theaters, therefore. uh, you understand, here, uh, the approach must be uh, definitely a high professionalism of a person and benefit for hmm a our theater, that's why it's so difficult, yes, at first we looked at the young conductors who came to us from the bolshoi theater from the mariinsky theater not only from theaters, uh, our uh, republics of the commonwealth of independent states. and now the competition has been announced and

the results have been summed up. right now we're working with them because we have, uh, some disagreements, but i hope they can be sorted out, uh. so, e, it seems to me that in the near future we will get such a creative unit. it is absolutely necessary . hmm uh, because this specialist performs not only the functions of a conductor, but in a number of theaters he is also called the musical director of the dash, the chief conductor. why because in his field of view of the corpse of the opera, the corpse of orchestras, and the corpse of the choir, that is, three creative corpses. now, if the main painmaster, after all, he works mainly ballet trumpets, and the main director. thor works with the opera and the choir, then the conductor. here it incorporates a much more complex this format of duties, and therefore it is so difficult that we will wait for this moment, because when you listed these high requirements for this person. i even

thought about whether it exists at all in nature. well i hope there is and those who wish to eat just, uh, agree that the opinion of the orchestra is also important and in many countries of the world, uh, european countries, the conductor, in general, they choose arches, orchestras. here is today. we also have such an uh, the choice is allowed. well, in no way definitively, but in any case, we deserve musicians, and for me, by the way, this is a very important moment. e hmm to see if i'm making a mistake. a fair approach in the meantime, we will take a short pause, i remind you of our telegram channel, tell me to be quiet. subscribe suggest us guests, ask your questions. we are in touch. the right morning should start with

the right breakfast. isn't our breakfast too hearty for a busy day full of workouts and chores. i think the most important thing is that we will help make the first meal tasty and healthy. if you buy nuts in a package, then appreciate the quality of the product, you can store vegetables through a small window, you need to unwashed in the refrigerator in a plastic bag and you need to store no more than one week. and also very interesting. now, let's talk more about ourselves. fitness tours, because as i understand it, this is not only fitness, fitness. first of all, of course, we have a rest, travel , get to know each other, learn something new, a new country , a new place, and in addition to all this, we train, we will not forget. we are an invigorating exercise. i want in the morning not only to stretch the muscles a little, but also to give them activity to give them. see the tone in

the champion's breakfast program on belarus 24 tv channel. they are ready to amaze everyone with their erudition, let our answer be the brain. yes, why the brain because we think with the head, if that, if that, if the construction site is waiting for you, we will focus on the version of the apple, the apple is absolutely the correct answer. this apple is a score for your team, our participants will compete for the main prize and the title of being the best, if you create absolute silence in front of the tv, you can easily hear how the brain gears of our participants are moving. who will win the intellectual fight this time, irony of fate or enjoy your bath? why is intuition a literary question for you, in what city did romeo and juliet live? i assure you with my eyes the name of which chinese river is translated into russian as the yellow river, see the

intellectual entertainment project tower on our tv channel. on the air say it again, don't be silent. today our guest is the general director of the bolshoi opera and ballet theater of belarus ekaterina dulova ekaterina nikolaevna in june we are expecting a ballet summer, the audience will see productions of the voronezh and bashkir state opera and ballet theaters and also the famous mariinsky at a gala concert in a month. uh, well, half the tickets are definitely sold out already. here, gray marked what is already sold out, how would you assess the level of interest of the belarusian audience. for this project , the level is consistently high. eh, because there is. uh, there is always a very important

component, first of all, there is, and hmm, the performance of entire theaters. are there hmm participating stars in our performances? and this is always very interesting, because, well, imagine coming and fitting into a completely alien team. do you somehow find yourself in a stage situation at all, do you know this edition, always this also causes such an unprecedented interest, and finally, the third is always the final gala concert. e, which always has e, invited guests. and in particular the guests from the mariinsky theatre. and not only will there be a program in this concert. it develops very e is not easy, because it must be unconditional, incendiary and extremely interesting and such fireworks at the end of the whole festival everything that concerns our guests and the name is here, too, here i am experiencing the second season and uh, always u speech there are two

such stable categories. the first is so far own premiere of the latest in ballet. therefore, there will be a subtle move, this beautiful wonderful one of ours. bright and uh, of course, uh, there will be titles that are not ours, posters, and uh, a convincing request was also made to our uh guests so that these were not only new names, but that there were also performances for children, therefore this is the trend. she's obvious now. if you notice, then under two names. yes, and carmen new-r-licks new is generally so intriguing. uh, here are these inserts that relate to what come on in look, something you think you know everything about being sick. no, it's not. that's why i'm very glad that here are my fellow directors. uh, the theaters of voronezh and ufa so they agreed to our terms. and uh, bring

the bodies in here. this is a whole event, so, of course, i can only rejoice, but how easily your colleagues agreed, let's say, to participate in this project. that is, how long are you? negotiating with them , the only visible obstacle is always finances. here, as soon as this topic is resolved, and in the russian federation now, uh, supported. uh, a wonderful program, which is called the big tour, that is, in the absence of tours. uh, those countries that have decided to abolish our culture. here, uh, of course, for the countries that would like to see it at home. here is such a separate funding is being undertaken. and uh. for us. it is very important. of course, on certain conditions, we enter into financial ones. but as soon as this issue is resolved, then, so to speak, everything starts to play, and in october last year

, the bolshoi theater of belarus was on tour in moscow, how can you evaluate this experience and how did moscow sophisticated spectators receive belarusian artists? this is such a very modest word, so to speak, because the corpse is more than 40 years old. uh, the bolshoi theater , uh, hmm, belarus was not on this historical stage. and uh. well, we can imagine that this is the stage where all the great artists of the world performed. uh , the agreements that we had with vladimir urin, general director of the bolshoi theater of russia, uh, concerned only two things. the first one is mandatory national opera and the second, and hmm paragraph - this is the original. e, a ballet production, the author's analogues, which we suppose are not, e in on the russian stage. it was october. hmm

and uh, we thought that the nutcracker was the version of valentin nikolaevich lizarev. its absolutely, not having really analogues. it will be ideal here, and from the point of view of the presentation of the national opera, then the most advantageous is such a modern bright one. and, of course, it did. wild hunt, king of fear, and i have to tell you something like uh this process started when i received information starting from the month of august that tickets are being sold out and sold out very actively and fearfully were sold out completely. that's what, i realized that they really are waiting for us, that they missed us, including the unconditionally belarusian performer, and of course, it was amazing to hear the clares that, well, in vain the belarusians started a running line. still, we made sure and, of course, in the royal suite they gave a russian translation,

which is perfectly understandable. all clear. and in general, such beauty and melodiousness belarusian music. here is such, uh, brightness and modernity of the production with all sorts of new technical computer technologies. they couldn't help but evoke a response. so i have such a real, you know, such creative satisfaction from what was happening in moscow, and already in october of this year i will perform on the belarusian stage. eh, the staff of the bolshoi theater of russia, what is it interesting for you and your husband to see and hear? you know, it so happened that this is the format? which was announced to us in general, projected on the e-e bolshoi theater of russia, so we are talking about national russian opera and original choreographic production. and i'll say . so, well, here, the negotiations are almost complete, but i assure you that this will be extremely

interesting, if you will, i will not open yet. mm, a secret, because once we said this and then it turned out that there are some obstacles, they are of an absolutely technical nature, not related to our stage, related to some other phenomena that are not interesting to the audience. and so, therefore, let's wait a little, time is still yes, but i think it will be a real event in my life. but after the tour in moscow, you, of course, talked, and with the general director of the bolshoi theater of russia, you looked at everything from the inside, how does the russian bolshoi theater work? but, if we compare the level, let's say, yes, we are far behind the two theaters. and let's put it this way, the equipment itself, probably, the technical capabilities of our theater are maximum, that is, it is impossible to exaggerate them, that is, what can the stage allow, yes, how

can we turn it into a circle can open, so to speak, a variety of positions, levels, the so-called plunger system. yes, that’s all we have as much as possible, e, everything that concerns is present. uh, sound lights of some uh components, which uh, hmm are quite expensive and which uh suppose. well, the budget of the bolshoi theater a and their board of trustees can afford the sponsors. that's it in a number of cases , somewhere we are still, uh, still lagging behind, and but this is objective, because uh, it's just the budget of the bolshoi theater , so to speak, it's different, it's different, but and i he i must say that we simply attract specialists and try to fill each specific project. eh, after all, the content to raise the necessary funds so that in no way lost. well, in general

, there have been cases in your practice during these one and a half years, when we invite hmm some invited artists. they say, we cannot come to you, because your theater does not have the technical capabilities for our production. there were such cases. no, this has never happened. uh, there were proposals related to the fact that you will not allow can you bring us your own, well, only because, for example, it is now a very common trend. this is the format of the show. uh, when instead of decorations on the stage , powerful screens are lined up, which give an incredibly bright picture and, uh, hmm, the possibilities are absolutely incredible. yes, it's really true, uh , assembling such screens takes a day, for example, but what offers are there as one-time they are quite acceptable exactly how the show was, for example. petersburg big show of the petersburg ballet in the days of petersburg in minsk and we went for it because

we understood that this is really such a firework, but such a conclusion. eh, these days. uh, probably, petersburg sees it in such-and-such, but if we talk about this phenomenon, and this technical equipment is very expensive. that is, i don’t even know if theaters in the world today have it as their own property or rent it every time, but these are some kind of powerful computers, uh, that are installed on the stage like this. eh, you see, the theater is still not a cinema, and we are not in the cinema in the hall. and we are in a theater where there should be scenery, where there should be some kind of living life scenery that should change not a picture, but this very, er, the very format of that. you see that it's made, that it's made for you, for your eye, not for, uh, that's the general use of computers. it is possible today and i say to use it where in huge arenas

in stadiums and so on. you try theatrical scenery there to make this format disappear right away, so, of course, we allow in a number of ours such very bright, but it is projects that we use this, but in isolated, but in isolated cases, and i am not such an adherent , here are such performances, what else will please the bolshoi theater in the anniversary season, what surprises and gifts can we still expect, well, of course, from our gifts, this our premiere and from the four premieres planned for this year did not take place, one by the end of the season will be the second and on the sixth and seventh of june this year the long-awaited, very beloved one will take place. eh, opera by all. bye. opera e jaqui by rossini the barber of seville e to the production of the directed by our italian colleagues. and if we are talking about the twenty-third year, as an anniversary as a whole,

then these are two more premieres. this is ballet. uh, the games are the flask of our chief pancake master. e under the name of illusions of love. e. it will probably be something original to the music of shostakovich and frederic chopin and finally, uh, the final season. e hmm mozart's opera don giovanni that is so far in all cases. these are the plans we have, but, if we talk about trends, we could return. by the way, here are these performances of ballets to music. this is also a trend of the times. here we will see. if possible. all i hope, in any case, the artistic council heard and supported. the concept of our chief choreographer. today, there is no such phenomenon that is gaining momentum, that is, using already known, understandable music close to the listener and

suggesting traditions from the time to act under it. e of the beginning of the 20th century, but now it’s literally such an erenaissance and mozart and beethovens, tchaikovsky is especially popular and ballets that are called by names there, for example, rachmaninov or is there tchaikovsky himself , the ballet is called that? yes, there are some trends. well, now we are somehow now, probably, capturing this trend of our own. and tell me, please, the schedule is busy, very tight, but nonetheless . eh, if we are talking about tours, then today these are tours only in belarus and russia, or there are some friendly countries where they are waiting for us and where we perform, no, of course. we are over the past year. in general, we visited both oman and thailand and e recent. the wonderful and brilliant spartacus directed by valentin nikolayevich elizario was presented on stage. uh, the tashkent opera and ballet theater, that is, in uzbekistan , uh further. already discussed and there are

plans. uh, the so-called eastern vector and, of course, we are building it. this , of course, is the people's republic of china, where belarusian ballet is very well known, and, in principle, opera is also in demand, because the chinese know that we have, uh, the so-called russian tradition. so they are called for themselves russian italian tradition of singing. it is here historically, therefore. i hope that by the autumn we will have already decided whether to negotiate, but finally. uh, of course, this is the east. in the truest sense of the east. this is the emirates , this is qatar, now again. uh, negotiations are underway. and, uh, in this direction it is a little more difficult, of course, to imagine it to the east. in the scenes, because our art is generally european, there are nuances associated with the representation of the human body with the possibilities of what can be shown. it is impossible, but i think we will agree, but as

for the experiments that we have already touched upon. yes, some innovation. but where do you think there is a line between innovations and bad taste. i think where the art ends. so, as soon as e, something applied and commonly used begins, what pushkin called went, what went to the people, that is, it is really perceived and, uh, everyone has it, uh, as soon as it ends. here is this moment of amazement at what is done by human hands by intellect. here it is, here it is, uh it is very easy to cross this line, and it can be in a variety of things in what is sung, how it is sung, how it is designed. but as? it's like dancing and professionals instantly see it , feel it inside, so i won't let anyone knock on our stage.

it’s nothing like that, it’s all about modern bright interesting trends, somewhere you can even compromise with the fact that maybe not everyone will like it, but we will recruit an audience at other performances, but there should also be a direction that is interesting and modern youth. they want to see it, they want to hear it. you understand and see them, by the way, in some of our projects when we invite guests. how can you dance, what else can you sing and so on, therefore, in general, here are these connections. after all, they are important not only in order to invite the public and see how we live widely. and how many friends we have nothing like that. this is very useful for corpses, because they communicate with each other and the dancers and vocalists and conductors of the arch are strange, because if there are cases, they know each other. and this is such a never-ending communication process. i think it enriches us a lot. let 's break the tradition for a while, after a short pause , we will return to this studio again, while subscribe to our telegram channel. say don't be silent. leave your comments.

offer us guests, and look for all our releases on the youtube channel, belarus is alone on the air again, say the program, don’t be silent, and our guest is the general director of the bolshoi theater of belarus ekaterina dulova ekaterina nikolaevna, we have already talked a little about canceled russian culture. you said today the countries of the collective west are really trying in international culture, international relations to ban all russian , russian culture, russian literature, russian art. and this applies to those works that make up the world's world heritage today. how can we resist this? well, in addition to what you said, we are now shifting our vector a little to the east. this, probably, is also a kind of confrontation. how to resist this phenomenon? uh, it can be said very simply there is nothing to change this first, and the second, as a confrontation with human stupidity. it's

absolutely. we will remove something from museums, we will remove books from libraries. hey, this is analog. this is similar to how the world heritage was burned at the stake to take away. it is for the people of the world that it is to cause damage, as it seems to me, first of all to themselves and their culture, including us , in no way and there is no even thought of canceling anything, for example, absolutely everything sounds in the theater today languages ​​and french and german and italian we need to perform this or that composition, they are performed in uh the original language. i mean operas. there is not a second and no thought of making any adjustments to the repertoire of ballet or horror, because we are well aware that this is part of the culture we

exist in it, so there is only one way to fight prove in every possible way that this is absolutely. and your parents, ekaterina nikolaevna, are natives of donbass, as far as we know, mother was born in mariupol, father slavyansk, but with what thoughts feelings? you are now watching the events taking place there. here we are now seeing what the mariupol drama theater has turned into immediately after the digression aloud. that's what journalists found out? how it is in your heart that everything that happens all this is monstrous, of course , according to the force of destruction, and these are not only physical, but also spiritual, of course. and so, you know, we are returning to the thought with which we started. why should museums and theaters be destroyed? yes , libraries understand if the centers are hit

culture, it becomes clear that these are some very important ideological points in the life of any country, you understand. when we lived in the space of the great soviet union , the question of whether it was donbass or ukraine was never emphasized in the family. yes , cities were called, where you were born once lived. i'm just from, uh, documents and memories of my parents. i just knew that, uh, these were just those same russian families, that uh, lived, so to speak , for decades. e were in these territories. so, and then there just happened to be a move, not all close to russia, and then my parents ended up in minsk where i was born. but today, uh, you understand, right? this is such a special, well, as if the point of return here in my life to these events. eh, probably, eh, this is not by chance given to realize. eh, where did hmm roots come from? e, where e did your ancestors grow up,

where did it take place? well, uh, if we talk about pain, then it is certainly present, because u understand, of course, everything can be revived , we saw what our city minsk was like when we came here troops have already entered, and we have seen the red army, what has been turned into e and not only culture, in general, all our countries. but meanwhile we have been reborn. i live in the hope that i will get to mariupol i really want to see, this is a different city, and i will visit this theater. hmm i think it's important for me to do this for myself. eh, so far it is difficult to explain such uneasy things. you do not lose hope that it is really just like our theater many years ago, it will revive from the ashes. it will appear there. this

creative environment, and i saw an interesting interview with artists. about how they don't tell what they saved, who kept musical instruments somewhere, who the scenery , someone's costumes . it seemed to me that this was something impossible. now, and today you understand that i think that these people will be able to return life and return culture. hmm to this territory, so i live in such a very very warm hope that everything will work out. we hope so too let's let's go back to our theatre. we found such interesting information on the site, plus you already said that there are excursions, you yourself go out to the guests. but the fact that there are excursions from a creative meeting and shown less than a concert surprised us how much

in demand. let's just say it's a service. it would seem that the tour is absolutely such an informational phenomenon, the children came. here we had children from the gomel region, 30 people, the maximum group was small. there was from seven years somewhere to thirteen, which all day, so they spent the night there on the road. then they walked around the city. they had a sightseeing tour. here, but they were brought to the theater. i hear this noise and they were going upstairs in hamburg, and since the tour took place at the level of the office, i can hear it perfectly. it was i who went out to see the artists standing behind the screen and preparing for the performance. and there was ours and the people's artist of irina and romkin. and our honored artist chairs have salmon, a wonderful harness and a whole range of our uh, musicians. the children were sitting. after the inspection, there was a small concert for them. you in front of them stood a ballerina, in front of them stood, he was an ensemble of flute players. it was necessary

to shoot these faces open literally open. mouths of some kind of impossible delight, they even stopped communicating with each other there or something like that, yes, what will put the children, because they ended up in a special world. you see, this is for me. well, such a great happiness. now, if the theater is able to perform such a function, because this event is not only in the life of this child and not only in the life of his family and not only in the life of the school or that industry, which we are working. this is very important for the country, because these children will remember forever and will know where they experienced. these incredibly, high feelings are no other, therefore, a meeting with a real live artist who is in front of you and who can do something that seems to you, but absolutely magical. namely. that's how they perceive it. it seems to me that this is worth a lot. and that's worth working for. she is in one of the interviews immediately after being appointed

ceo. they said that the buffet in the theater is also very important, uh, i will quote how it would be it's great that we have the most delicious coffee in the city or some special chocolate, especially chocolate. you see, there was a cake. so i can't say that it's special. in terms of the original name. that is, this is a cake that i have taken many in the theaters of the world and are in many pastry shops. but we , uh, still offered our absolutely our anna pavlova, yeah. here are the famous such a theatrical dessert. it is associated with the image of the famous ballerina. that's all there is to chocolate. now we've just taken attempt, but for the anniversary celebrations. uh, just make chocolate bars together with the kommunarka factory. but this is still traditional chocolate. but uh, it's branded. that is, there is, uh, an indication that this is the bolshoi theater and our, uh, wonderful partner. uh, the white service that joined the general

partners in our anniversary celebrations. that's all that concerns such a specific taste. what are you talking about? i think it's still ahead. i will definitely make this simple. well, while there is not much in the bustle, why? yes i did not have time to. yes, there is something to strive for, it’s true, but we wish you that all this will take place and i think that we will soon try some new desserts and chocolate, in which we aspired and enjoy new productions and get to know the new chief conductor . everything will be ekaterina nikolaevna a great pleasure, as always, to communicate with you. thank you very much for coming to us through this difficult time. she is really very hot for you, many anniversary events, great success to the bolshoi theater, we wish and thank you personally and we are tatyana shcherbina svetlana from malamanskaya we say goodbye to you until the next broadcast. goodbye.

goodbye, and now ekaterina dulova says it would seem that the theater of the life of each of us is something fleeting, something for relaxation. something for pastime i really want the bolshoi theater of belarus to become an unforgettable phenomenon in your life, because this building is not only incredibly beautiful. but first of all, the people are the talent of our country, which lives and thrives there. the more you will communicate with talent, the richer your inner world will be. come to the bolshoi theater of belarus and be with us.

belarus is an amazing country with many interesting places and a unique atmosphere, it is also about people who sincerely love the land they live on and the business they do. on the central square, it is also freedom square, this is where this city was born many centuries ago to visit interesting locations. the building of the former treasury. after the revolution, the filmmaker was located here suggests that it was

in this place in atzlakh. plastovsky found the euphrosyne cross. polotsk to see unique cultural sites and sights - it's under. earthly fool kl 25 km travel with us to belarus

24. live main news at noon in the studio sergei lugovsky hello, see in our issue the progress of implementation of decisions on strategic directions of development and the results of the international activities of the union today the eu summit in moscow