tv [untitled] BELARUSTV June 3, 2023 6:45am-7:31am MSK
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they are creative in writing church slavic wise-leaved liters from the creation of auster notes by old-timers in a book style. i give a master class on drop caps and bookmarks from these letters drop cap - this is not just a letter. and this is a beautiful letter that decorated books. mostly church, i tell the children that books were not printed before, they were copied and not just copied, but beautifully, for example, now children are drawing initial letters. from the vetka museum. this is our belarusian museum in the gomel region. and with such letters singing books were decorated, and so that the girls who sing, and feel themselves in paradise and sing like akilas children really like them, they are imbued, firstly, they understand some kind of work. uh rewrite the book. and that it
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was written very carefully painstakingly with the prayer of the children, basically, which everyone liked very much today, and they left with bookmarks. i think i will remember our master class for a long time and will make some small works of art at home. quiet, who demonstrated the creation of home-made orthodox volumes. a special haste from the find brought together a handicraft book competition for his fishing rod dozens. vyhovantsy savage sadko among schoolchildren and students of the minsk region of minsk region did not impress with such only fantasies, the young perfect writing was filed in one hour , they chose alive and slept behind our clouds. they pollinate and not your shakan i work in the musical director of novoselsky if the kindergarten of the minsk region and a competition was announced in our region. ah, a
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do-it-yourself book is unusual, as much as a book, it was necessary to make a book with your own hands according to the scriptures. we we chose the text ourselves, it was necessary that there be a cover, by the way, our cover was made of linen before the war period. we have our own museum. and this is self-woven linen before the war period, and it was imperative that there be a flyleaf and that the text be printed. well, the way we work in kindergarten. we tried to make the children understand the word of god, so we have all the interactive birds we have unstuck. you see, they peck at grains, for example, here, the sun. we also get up and down. and now, when the sun has not yet risen with us sprouted. and when the sun rose, and the seeds that fell on the stones, they withered and dried up. well, here we are. all the boys
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really like these thorns. they turned out to be cute. they also peel off. here are hidden spikelets that all of them have grown. i think the children who will study this booklet will remember for a while and the grains will fall on favorable ground and spikelets will grow that will give. 60 times 100 times, 30 times. here we hope thank you of course, mom is a team effort. we have mother sveta who the children go with us arseniy and darina, she did the main work, she did it, but everyone helped and therefore we are very happy to participate in such a competition. and today we found out that we took first place together with the mothers' school. thanks a lot. we are very pleased. it is very joyful that our work was not in vain for the left-wingers
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to die and recognize the vegetable gardens. the simple reading project will have good days of the orthodox book . no, at the end of the project, the project lost its viiki, and he is tikao, and he is only a tetrabov for a part-time job. and now there is a mile in the breath to popularize the right spiritual literature based on our jazz-tested nightmares, our ark hosted an exhibition reading mountains. e. missed a lot of people, including excursions. where schoolchildren, students from different universities came, including people from the minsk region, but only from minsk, and for the children , as usual, we had master classes, you could create e, write drop caps, create notebooks with your own hands. here for adults, too , their own special program at a meeting with people of various means, therefore the exhibition showed by the writers and tv presenters that people in the modern world continue
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to love and read and love a book, and our book cafe was very popular, where you had to guess the work of russian classics, and for this you were rewarded with tea with a sweet treat. that is, as a rule, people really like such events - the orthodox book days project, that they are ready to let down nicknames, the organizers are already thinking about the concept will be shefmomukova. because of this year, the hyper will be so noise and amatrusla. on the books this criminal matta and mara and powers and churches and our belarusian agro-madness.
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then she shuffled the cards again, laid them out again. gathered them and said, but not the fate of the woman in question olya karenkova. try to guess what it's about speech. the image she created was characterized by dramatic richness. high technical skill was always aimed at revealing the essence of the depicted character; they didn’t guess it’s impossible to guess, because this wording is suitable for any actress of a romantic opera, moreover
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, the one who danced with the heroine of my today’s story was only the professor of the future was an ordinary soviet swan, and alya korzinkova was dressed alone. along the avenue just renamed with the name of stalin in the name of lenin between rare muscovites and the first volga, even with deer on the radiator, a scooter rushes, he is
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a contemporary it is difficult to imagine this rarity, what kind of youth vehicle this scooter was. you can see him in motion in the film siderics or not the sweet life, there is a photojournalist named paparazzi with a camera. on this motor scooter they rush after the movie star continuously, taking pictures on such a bright red motor scooter, a young woman is rushing on her long -haired bright red synthetic fur coat from this one. tissue cap bright crimson boots and the impression, when she logs between these cars, overtaking them, that a crimson comet rushes along the avenue. this is olya korsenkova in the newspaper for us youth of january 4
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, 1960, a young novice journalist sasha rodovsky. the article lives student pop. this is a pineapple. we were members of the quartet, we bought up circulation, this and newspapers, and handed them out to friends and spoke so majestically. well, we just started playing, we have already been recorded twice on the radio. and now the press is already writing us. and when we take this note, you can i learned to say almost by heart, suddenly i noticed that next to me was literally next to me. uh, an article called dancing alla korzinkova. i looked like that, well, in a newspaper photo, it’s unclear some kind of ballet, such
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an artsy habitual pose there, and it all ended with the phrase i’m coming with mature masters alla korzinkova brightly showed herself, they listed her first roles and especially noted the role of a certain kamenkus people in the ballet la bayadère. the note ended with the phrase next to the honored masters of ballet, pleased us with their art, young hello basketkukova. what kind of alla , what kind of young girl became interested on a student card , i went to see this performance rushing around the stage, dark-skinned girls, black-haired dancers, and suddenly, like a light, she appears on this stage . she enchants everyone. it is as if she is flying
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around the stage in anticipation of love and he appears solo - these are her future partners for many years valery mironov and she is all enlightened dancing with him, but now he is not there. well, you know that all the plots of a ballet can fit into a telegraphic plan. they are all short unpretentious. what matters is how it's done. and so, when your beloved was gone, you know, it feels like another person, another girl, has appeared. she is somehow all broken, these broken hand movements. and so. this is her environment. in some just dubious bully dance. it was here. could i know what is the fate of us? will get along with her.
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work will bring you closer will your heart be late? zhenya glebov led me to the circle of minsk bohemia ; he was then called on the radio and in concerts, representing the young belarusian composer and last time. we laughed with him that he was called that when he was 42 years old. he then worked very hard and fruitfully, earned good money, and since he was not connected with family ties, he often invited friends to the restaurant, including me, a restaurant student, then he was in minsk very little
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more often. we were on the first floor in the hotel restaurant. and then one day during such a dinner feast. i was introduced to e korzenkova. not alla, as she was called in this newspaper, but her name was alevtina and they had a ballet dream at the exit, and they always talked. in general, about this. i looked and saw these subtle facial features, very modest eye make-up, which, as it were , studied you and at the same time radiated some kind of warmth, sometimes there was some kind of inquisitiveness in them, these thin trembling lips.
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and this is some kind of wandering smile, either it suggested some kind of disposition towards you, or it was some kind of irony, i did not listen. what they say, i was just fascinated by her. he was sure, and in his judgments he told some cases. eh, was verbose. i understand that he really wanted ali will like it. maybe she liked it, i don't know. she listened calmly. and sometimes, when he finished his rune there , she quietly asks this very active one. he began to bewildered again something to say something to prove, and she again calmly. so, somehow, even a little ironically, she looked at him at me, no matter how she paid attention to who i ate as a student, she didn’t smoke much, we
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didn’t smoke at all. although at that time it was possible to smoke in restaurants, there were ashtrays, they dispersed at 23:30, when all metropolitan restaurants. i think that's the mode for a ballerina. it's so late to get home yet, but i was invited the next day to her performance. here are the main topics that aroused the greatest interest of our viewers and subscribers in social networks at one time, konstantin
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tsiolkovsky was not afraid to predict space flights. well, let's ask glazkov at once for the banner from the minsk planetarium. we also introduce you to amazing people who live in belarus and do everything for its development. let them talk for milk shoveling and shoveling ryazhenka aired 24/7 a project that everyone should see, watch on belarus 24 tv channel to make a decision.
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, something like this one emitted a certain note, which was woven into the music of the orchestra. it was just great. invented and not so long ago a retired ballerina. raisa krasovskaya once entered the props room and later told me that she saw one such glass. that's about the same as i showed and says, volodechka. i even called. it still rings like the sound of our youth. after this performance, it did not seem that there was lazy. she left the seventh office entrance. i already gave it. and accompanied her to the house, but unfortunately, seeing off was short-lived. leaving the theatre. we
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crossed the street and went down through the square. marat goat, we walked along the embankment to her house. her house was directly across from the house of the first congress. she lived on the second floor in the head apartment. in this one with such a large loggia, her husband was a talented architect, but for some reason they knew him not as the creator of the project of the mound of glory, not as a laureate of the state prize. not as the son of a famous belarusian writer. but just as a life partner. prima hurt, who is this, and this is the husband’s basket oh from meeting to meeting, i felt that she somehow opens up to me, tells me some interesting things about herself about the past, about ballet , no gossip, nothing and, as it were
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, expected the same from me, and i also opened up . she also told some secret things. although my biography was still so rather short, to say the least, i tried to somehow correspond to the intellect, feeling and openness of this woman, interesting. i learned that the name alevtina in greek means one who anointed the world. i don't know how the world. she anointed me, but her openness and passion was quite obvious. i don't
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know. like any girl, she wanted to become an artist. she wore long dresses to her aunts , gave concerts in them, why in her aunts? because my mother didn’t have such dresses, my mother was a driver, there was no music, which is interesting, she adjusted her concerts to music broadcasts from the radio station and then danced to them. what kind of artist i wanted to become, and it doesn’t matter which artist, yes, that’s all. and at the age of 10, dad, taking alevtina by the hand. brought her to the vaganova school. for some reason , she remembered her father as lyudmila gurchenko more often than her mother. and so she said, thank you that dad brought me to this school and aresla to study. she listed the famous names, known
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even to me, in general, not the same ballet fanatic, and she especially noted the ped. who taught her, well, not only technique, it means ballet, but also taught her acting skills boris fenstr. and alya said, i then realized that the human body is an instrument that can transmit music with the plasticity of the body, and this is very good for her. succeeded in his subsequent work, graduating from college. she decided to break away from her parents and at distribution. fortunately, for us, for all, minsk chose nelya, a ballerina, valery mironov’s wife, as korzkov’s partner
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, and for 20 years she has been saying that when korzkova first appeared in the theater she says she shocked us all provincials with her appearance with her manners and this one here is a crimson red long-haired fur coat, such a long one, then alya will cut it off and cut it off from the lower part make her own hat. and she began to enter the repertoire of the theater. nelya says korshkinkova dances these famous 32 fouets, but all are ballerinas. after each turn , they come to the heel, make a push and then make the next one. uh, this one here means, uh, the cycle of the basket did not come to the heel, she kept dancing on half-toes. that is how we talk on tiptoe. nelya says that alevtina's basket had
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extraordinary jumping ability. that is, she now came to the hands of a partner, there for support from such a big jump jumping such directly with hovering. it would seem with some speaks in the air at the school. ale was trained as a character actress, that is, a performer of some kind of inserted bright dances, which she brilliantly turned out to be. it was mercedes and a street dancer in don quixote. it was an oriental dance, and in the nutcracker. it was a joke in a corsair, where she again danced with valera mironov, and after these, well, let's say so. episodic roles, as they say in the movies, right? korzinkova approached the performance of the main parts. it is, of course, dressed up
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swan lake. it was juliet, she was the performer of these roles. finally , on october 7, 1961, at the opera house , the long-awaited premiere of glebov's ballet is slezenko's dream of the main role, you know, a bright idea to combine latin american rhythms with belarusian melos. this idea belonged to gleb and he set such a task for the lebretist yevgeny romanovich. then, you know, the descendants
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of belarusians returned to belarus, who once emigrated from belarus in search of paradise and earth to south america. well, as you know, there is no paradise on earth nowhere and even in argentina, and now they are the descendants of those first belarusians began to return to us. many have become famous. it was the composer sergei cortes, it was the singer eleonora sieger. it was a painter. mikhail molchin these were two cameramen, two brothers vladimir iosif pronkov. and here is the same fate of the girls who returned from latin america to belarus. well, the same fate was supposed to be realized by the basket. in any
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case, the performer of the role of mary is a role, not something that involved the combination of latin american dances with some classical, but the role even demanded this , and the ballet master of the ballet alexei andreev oriented the performers of the role of maria yes in this way, the temperamental bright habanera, as it were , symbolized her past life, and the lyrical waltz marvelous waltz, melodic, written by glebov. he assumed. here is the expectation of love, here in the new homeland or something in the homeland of the ancestors here in belarus, and here it all came together in this sickness there was another topic there. october of the sixty-first year, six months ago, gagarin flew into space and therefore the topic of space evgeny grigorievich
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chemodurov, the stage designer created scenery that is very reminiscent somehow intuitively. and now here in the monument, which stands in the stars of the town. it was a time when boys were still called yuri, restaurants were satellites of the pioneer camp, they called rockets there, a time when the theme of space was simply on the tongue and in the ear of the whole world. and this is where it all came together. this is where the success of the ballet was, stunning gleb in my film of 1999, the sketches are written here , it shows that when they got the ticket , people were not sitting on the steps ready generally hang on chandeliers.
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and somehow, by itself, glebov and i had an idea, at that time he was writing music for my course performance at the theater for young spectators. uh calico baltoryu. the name is somewhere svetlana excuse me, a very weak play was in the hands of others then there was no idea. i will not invite ale karasenkova as a lethmeister or dance director. this was done at the next feast. in the restaurant, allo of course, gladly agreed and became so literally frenzied at working and of course completing it. well my shkalyarsky simple performance on a very primitive dramaturgy. but there was
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a marvelous ball scene staged by her, then there was no concept of a disco, there was a concept for dancing. and then the girls went to dances in my performance. it was only girls, those same unmarried weavers who in the song make up the majority walked through the dark, not yet lit, dusty, dirty streets , walked in boots in boots, and shoes were brought either wrapped in a newspaper or in a bag or in a bag of some kind and that's it. it was they who left their shoes on the dark corners of the floor. and there are the scenes. they changed their shoes into heeled shoes and entered the brightly lit, beautifully designed stage and
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these very staged aleytanians began. this same chintz ball, and at that time also a good find, we had with the artist from behind descended infinitely six meters wide, chintz panels. and here comes the ball, there are all sorts of glare, which means that it was then possible to change filters on these primitive lighting devices, then to do and so it slid down. this is the cloth in the final. so i remember that the hall got up, because sitting in the hall. it was a performance for adults, having already piled themselves up dancing, and on the stage, our joint work ended like this. aleyka’s bolitmeister, zynkova’s more interesting were our walks with alya after the tuz rehearsals. we walked from here.
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yes, victory square was now walking and talking all the time about art, cinema, ballet in general, about art. she somehow accepted with childish joy the offer of a one-cheeked boy to ride his sled down the hill. it's near the officers' house. uh, the bishop's house, where was at the actor's house then. and so she happily rolled down this hill right onto the sidewalk. just about jumped out on the avenue. she turned down my offer of a country ski trip. why? she said, but from a ski walk, not those non-ballet muscles will tense up on the leg, by the way, the subtleties that we walked slowly. they went and died. victory square then it was called round, and where they sell now, expensive clothes were
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a grocery store. she used to go there, buy herself a can of canned, uh, colored cabbage, seeing her home, we said goodbye and she dined on this cauliflower and rested before the evening performance, to which, of course, i was always invited. their way of life cannot be called familiar to most people, i say a super part-time job, i worked three nights at home, all my friends are like that, they are all moving, we don’t have enough time. well, he calls. where are you
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? flares up on him. that is, it is for scrap metal, marina is melted down. and i give them a second life tugari, this metal burns and melts sparks beautifully. i like stereotypes. watch on tv channel belarus 24. the strength of the body strengthens the spirit, and our program will strengthen your knowledge about sports at 15:03.00400. what sport are we talking about? cyril answer tennis absolutely right, we are talking about tennis, how the abbreviation trp defense is deciphered , program participants will fight in the battle of the mind, which is raised at the awards ceremony in
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honor of the athletes who won the competition flag absolutely right this time no questions for correct answers. they will get points, and for the wrong to lose their sports equipment, the name of which is literally translated from english as a snow board. denis conor mcgregor is certainly a very talented hockey player , watch the intellectual sports show heading on belarus 24 tv channel . in february 1962, we
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decided to go to leningrad, ali had a few free days between performances. she decided to visit her parents, and i next written for my favorite artist arkady sakcha raikin with whom i have known for 3 years with these reprises with these scenes that seemed funny to me along with her. we went to leningrad , and my author semyon kurs, the author of these most ridiculous scenes, also arrived from grodno. we met in a hospitable house on the street named after marshal govorov at my godmother's, aunt morgo was stung and aunt moroz was delighted. i looked at my compatriot. alya, in many of her jokes, her judgment, then she told me that just in volodya from your girlfriend, but i spent all two days on february 16-17 in the theater
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of my beloved arkady raikin, listening to what he says, what he says, how his director gets me. how do they work? how do they work? and, of course, i attended both performances about two to fifty on the sixteenth and seventeenth of february. here is the program for the show. she's covered in black. with a collet pencil with a brown rod where i hastily crossed out something , rearranged something, wrote some of my comments , some ideas of my own, some impressions and next to the figure of the seventeenth of february of the sixty -second year it was written alya, which means i begged and they gave me a third invitation card to me, semyon kura, and also alina's newspaper. the janitor
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work by ali and glebov based on the alpine ballad plot. vasily bykov danced in a pair she and clara malysheva ballerina, alive. she is still working at the choreographic school , their partner was leonid chekhovsky, this ballet went on for many, many years and the third work, in which zhenya glebov and alya krasenkova, dear to me, united. it was a ballet chosen one. it was, in general, a ballet based on the poem by yanka kupala and glebov. at the next feast , alya and i said that they demand that they make masheka such a revolutionary, you know, almost chapaev kotovsky? no, he's a bandit, he's a bandit and reads bathing. light carrier
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culture of some ideals craftsman of love - this is the prince, and she and we were more than simply drawn to him. this is what connected them, and therefore natalka stabbed the bandit's midge, because she was in love with the prince and karenkov. according to the nod, i unconditionally accepted this interpretation of the gleb. well, you know, when something goes wrong, feuds immediately begin, and then something started to go wrong, then the performance went wrong a couple of times , they filmed something, added something to the libretto. i remember writing something glebov changed the name. but as the question arose about, damn it, together or a flock of grandfather liana, either he was removed, or someone was given to help him. in general, the slippage was complete glebov was nervous in august, 19. in the sixty-fifth year glebov
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got married, i was a witness in the registry office and therefore our feasts for three alya glebov and i stopped glebov is already a family man. well, in the end, after all, in the sixty-ninth year , the premiere took place. i did not see a partner who danced on talc paired with aliyah. the only thing i still see when she appears on stage is some kind of you know magic mysticism of some kind of mystical artistry, or maybe i just perceived it that way. well, this is how i saw her on stage.
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the last time i saw her somewhere in the early eighties, a strange situation was the premiere. a couple of lovers and oleg baskets juliet and romeo and in the hall in a dark passage two mothers stood two former prima ballerinas. clara malysheva, mother of grandfather shkilyane, and alya korzenkova, mother of oleg korzenko’s son, and these two mothers were standing whispering in the aisle , standing almost at the entrance to the hall, whispering, apparently, noticing the mistakes of their children. it means that
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they are led only by two wonderful ballerinas. i somehow accidentally just sat nearby and heard snippets of them. fragments of them in a whisper oleg korsenkov, it was ali's son from her second marriage, her husband was sasha ostapchik, such a very average dancer, soon oleg, like zenkov's son, was invited to the kremlin palace and left for moscow, alya went after him and began to work there as a tutor and worked. pretty successful, as they say. well, oleg sprained, either his leg, or some other injury. he already could not dance, and he moved to rostov and there he created and organized a dance troupe and led it in the musical theater created there until the last days. now, uh, i was that person to her.
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