[000:00:00;00] hockey player watch an intellectual sports show heading on belarus 24 tv channel what has led the world to the current stage of insanity , together with experts, are following the formation of new economic and political borders? focus solely on differences history shouldn't be humiliated because you're mired in modern drapery for discussing the current issues that concern society the most. and why are these it would seem that large states of power are so powerless economically. that's true, as you have our answer will be simply more kindness more peacefulness more support. it is important for us that the cosmos develop

for the benefit of the future project objectively. do not miss new releases on belarus 24 tv channel . i served in several theaters. this yanka kupala theater listened a little, 21 years old, the army theater i was there the belarusian army in the modern art theater a new drama theater. this is in minsk in moscow this is the center meyerhold there i was a director. i played

many roles, probably 30 theatrical ones. mostly. now i work in cinema. i remember my first role in the theater, yanka kupala it was a forest of bulano, won by maria georgievna zakharevich, the people's artist played the hormonal one. it was a very difficult performance for me, because i just came from the institute. i was actually appointed to the main role and well, everyone was worried about me, the whole corpse was also very supportive of me. august milovanov back then, dubashinsky beautiful, in general magnificent people's artists and after the performance. i realized that this is mine, that i really like it. and perhaps something will work. here's another, well, role. i have different ones, it can be heroes and lovers, if they are theatrical, yes , and old people and some characteristic roles , the diverse spectrum is very interesting to me and one of my

favorite books is theophrastus characters it happens that characters are not themselves at all, because the theater he is unique in that viewers want to see themselves in other characters for trauma. we need a different spectrum of absolutely different spectrum of people. and we need specialists who can play different, not only the same type. yes, of course, we want to play rich successful young people always, and lovers with a goal like that, but for the performance we need 5-7 different roles and i play different things. it was quite difficult work for me. the role of st. vladimir kherask was created with the blessing of bishop benjamin, the films were a blessing for the role, because here is the degree of responsibility colossal. the audience

will come to watch and need to play. how to play even this word will not say such a thing, but to be reliable and convincing in this, that is , you need to so much appropriate the inner feelings of the hero’s action so that the audience believes in this story in the feat of this man who became a saint. did it happen to you, son? that's in terms of dream roles. i have already played

a lot and, probably, almost everything that even ostap bender has played in the musical theater yes, ah, but now i'm going in the direction of deepening. many roles are refined, deepened and made easier. more voluminous and i am now waiting and here is the proposal of the directors. uh, or maybe i'll write a play myself. and by the way, i forgot to mention this. i wrote a play about yakub kolas, yanku kupala, played the role of yakuboks. it was on the smolnaya farm , right where they really met a hundred years ago. together with the actor sergei navisky, we played this one. this is the first act of the play and relatives were present and there were many spectators. this is for me, for example, this role is also a coca-cola commercial. she is very iconic, and i love her very much and even my granddaughter said that i looked like

a grandfather. do you see what you say? back so there, with lunch, the bees already said the issue had long been resolved that he was both a voice and a collective farm. that’s what a spikelet is, but every day you just need to work hard to work, not to get tired of accepting with gratitude every role, every job that we are entrusted with, and then perhaps something will work out, the most important thing is to work constantly and at least be able to do something. and what he knows how to do , you need to know a lot by heart by heart all the time, and the teacher of new information, so that the viewer here is the audience, why does he admire us, he must see us some qualities that he would like to have, but he may be just developing them. only still in

the initial stage, therefore, here is an artist, and he must constantly spin, then there will be a result, but i want to say that our belarusian artists. they are very much appreciated from abroad, including. because they were brought up here in our environment , which assumes that inner modesty and great industriousness, therefore, great accuracy, that’s why belarusian actors, what else distinguishes them in their characteristic, they are not ready just to play the main role of some kind powerful they can be different. they are very mobile, so the world market. this is in great demand, because in a play or in a film there must be a different range of characters of different character inspectors, and they know how to do it. and of course, we can say that there are no small roles, there are small actors, as the classic of the theater once said, and there is just an actor. in my opinion, he should be able to play both small and medium and main

roles. that is, he must be a specialist in various fields and not only specialize in small or only on large ones then the theater will develop, it will live. should you buy a house or not? if yes, then yes, if not, why not? because i love him every day, that i can sit here all evening to hear such a person to harden. you know today. it seems to me that the time has come when the person must become a multi-specialist. for example, how it happened for me i worked in the theater, i was invited to graduate school to study at the academy of arts and i completed graduate school, and wrote a dissertation on the topic of directorial principles in the structure of the performance and working here in leninsk, we are looking for materials about great directors. i realized that i wanted to apply this more and more in practice, and then i was accepted for directing at the academy of arts. i staged a graduation performance, squaring a circle, in the theater the idea

is now a new drama theater, and right there i was invited to a higher director's course in moscow at school. it was difficult for the moscow art theater to leave everything. here. i worked in several theaters and hosted a program on television to go there completely unfamiliar city. i have never been to moscow before. and now i do not regret it, because there were many periods when for several years i staged a premiere once a month. and from whom i learned this from meyerhold, i note everything merkhold, a student of stanislavsky, just a grandson of peter the mercurial, i was friends. ah. we met at the merhold museum and talked a lot with him, my main teacher in the theater was boris vladimirovich erin, he created the theater, yanka kupala, he gave me a lot, that is , some very accurate secrets like a surgeon’s moments, they can only pass and here is one person to another. if you think about whether i had some kind of boiling point when i would like to quit, no, because i

work in three to four specialties. you constantly switch from one thing to another and there is no moment when you are standing near the wall and thinking what to do with it. why? so it seems to me that every person should move forward towards his goal. the museum of the great patriotic war is a special place for me, because my grandparents were tankers, they took berlin and i i think that for each of us this museum is a place of valor and glory of our glorious ancestors. i am grateful to the museum management for inviting me to be here as the voice of an audio guide in russian and belarusian , now this guide has been recorded. i invite everyone to listen to this wonderful work, which

speaks of the memory of our ancestors. we are glad to welcome you to the belarusian state museum of the history of the great patriotic war. the uniqueness of the museum lies in the fact that it was created and opened during the war years on october 22, 1944, when belarus had already been liberated from the nazi invaders, but almost half a year remained before the victory. the museum has already started its work for 20 years. i record audiobooks for blind people, you know, people with disabilities, they live only because they want to wait for something new in terms of creativity. here are the speakers. i remember when they even called, this is a beltist society, and they called and asked to record new

books. and for me, these people are also special people, perhaps the role of st. volodymyr heresk. she rhymes with it too, because that he worked, if blind people, he created a choir from the children of blind children, and now there is a choir, the joy of the soul, we also work with them, we omit the performance. these are also people who require our attention and our support. skin who has the belarusian korans of the belarusian land was quite a bunch of such partisan formations and one of the largest houses is the whole partisan zone. this is the so -called reason, the scalepel partisan zone in this mocina. uh, the sculptor serves me as a reprieve and the architects realized it

full measures, the sculptors could conceive on pedestrians more of the heroism of our ancestors and what memorials and memorials are immortalized, most on my medallions down the street in the pits. this is the uniform worn by the saints, right there we bam and simonov mogilev e, theirs is, as it were, not the defense itself. this is the memory of the defense. this is already a memorialization project , the memory of my land, pack it. we are aware of our memory of our ancestors, our history, and the tragic and heroic will still be good, we will be disputes on earth. ruts, we will not

forget ukraine or the people and there is no us, look at tv channel belarus 20 shatyry. we will recognize you behind the architectural monuments of the belarusian eras and shoot to place, it’s just that one palace doesn’t make much sense. that is, in any case , they also had to earn money, as if for a beautiful life, so ivan was nearby, external and internal, and baking, uh, architecture, baroque of the eighteenth, we will share in the history of ticking facts of architecture, in general, in ancient architecture, any element, is divided into three parts. moon means there is a base of architecture specifically for the temple afrotishka to advice, and here, but i’m great and come from arming not only with the scale of the facade

, the architecture of belarus on the tv channel, belarus you will probably be surprised, why are we here near the building of the beltele radio company, i will answer this question. because besides the fact that i am an actor in the theater of cinema, i am now leading the cultural you day projects on belarus 3 and the history of the facts program, which few can simultaneously work in the theater in cinema or on television, because there are nuances everywhere, in the theater, these are some big gestures. well, such plans the whole body works in the movie. these are smart eyes on a calm face, and the announcer is very beautiful, a well-balanced voice of accurate information and an accurate presentation of what is needed . this place belarusian television is a symbolic favorite for me, because

since childhood. i sang here in the ensemble of the hotel. this is for 7 years. we ran as kids. here we went to the cafe along the corridor. big tangerines were sold here for the new year, then they were nowhere to be found, but it was such a happiness, we children could bring home to buy mandarin. it was a miracle, and this place for me is associated with the first friendship with the first love. this is a special place for me here. i have been teaching speech techniques to tv announcers for 4 or 5 years now, and i proposed my candidacy for the presenter. i really love to communicate. i really love to share the joy of something good on television. it is possible to communicate with a large number of people any business, but it arises and in general, it is possible from positive thinking, that is , in order to build a house, for example, you need so that everyone is friends or does not quarrel so much in joy, then there is an opportunity. here

is the result and on television there are just a lot of programs that help people live, help to become better and more interesting , the difference between cinema and television. she is. what is it in a television announcer. he streamlines the mind of the listener, he has some pressure. she should have 4-5 colors mainly from positive emotions. in the cinema, this is a large spectrum of emotions, there the transitions are somewhat unfortunately constant there to a greater extent immersion in the role. that is, there is nothing to play, you just need to live with the inner inner feelings of the character. most importantly, and in the announcer of the announcer, it is important the information that we have here selected, which is made to convey to the mind of the viewer. well, the fact that i'm always in the frame is constantly in sight. for me, this is no longer a problem . at first, i was worried, afraid, of course, like everyone else, maybe specialists. then you just

understand the specifics of the work, you start to just be relaxed inside well face. in terms of yes, the face of the eye, but collected inside in the mind and feelings. i acquired my tapping skills at the academy of arts before dancing at 7 in the morning , i invited a tap teacher viktor petrovich isakov, he worked for many years on warships , toured in australia. he was a very good tap dancer and for about a year. i learned to dance and thanks to this , i was chosen for the main role in the film who is the next dreamers, where sergey orly castepisco played, now in fact in the cis , please, that's my age from dramatic artists. there is only a yacht dancing. they often ask me. is it possible to become a director at the age of 30? that is, before 30 years to go to direct or

take place at an early age, it’s probably possible, but not for long, when ivan moskvin was asked once a young actor, what was the difference he asked you. trish tampa, and i have 103 because that is, this skill is some kind of skills they are necessary in order to be in demand, well, if we know one or two things, they were realized in a year for two everything, and then people start to worry. why? it seems to be became a star and so on? and why? what's next? yes, therefore, you need to be able to know as much as possible and start as early as possible, then there are chances for something to be implemented. but we need this for a good school in a real school, we need to keep a diary of emotions, which we need to specifically record our joyful and sad moments. and then when we are faced with a situation where you need to be very precise especially in the cinema. there needs to be

just accuracy to play something for sure. we go there we look into this diary and we have specific decoys. why is he bad are we playing? first, we try, we want to do it faster to be better than we really are. and for example, we play everything, in general , some kind of fear in general, but you need it specifically. well, to be afraid of something in particular, or to imagine the loss of some specific one , or or did it happen, for example? yes, and an actor should have a lot of these stamps. well, as a stamp of paint developments, these are paints that can be immediately replaced with other paints, exchanged for watercolor for gouache, and for oil paints. to do this, you need to love and be able to draw together. this, of course, with the director. if an actor, and if he is a director , then he should distribute these colors to everyone and teach everyone to understand, in what system we work,