[000:00:00;00] what are completed with domes and are teased by a figured, stepped pediment with a budovaniy pomishevil their vertical dynamic lacquering under the armchair and tie into narrow and high arched openings at once with sweet crepes; pilastral, and the hornette of three in a coal pediment. openwork of the facade over aliski different openings and pediments at once with deep niches belorussian e, sacral bahitecture architecture, and it ideally recreated, just at this junction there were more european markets in the xviii we scored the height we scored

for how to be something original and original, what is the villian baroque? of course, there are apologists for me, getaga of terms, otherwise they seem to think that this is a mythologeme created by belarusian and polish do-pilots of the 920-30s, and i sing, uh, the truth cannot be said in the middle that our baroque is from alyabanai and all the lynxes of our revolutions , but teasing from the european, not nevyaki scum. there was a sweeping european context, the yaki of the battle are very meaty relics and the first raukhie, just at the local version and the baroque of the temple, cylindrical rivetings of formwork above the reel of the temple are formed, the choirs for the wall are mixed with a characteristic raskopulka, belyastromia and wide cornice belts decor, such as

stirrups representing the darian thrust . from the handy motifs of the hallu of the façade for the decor of the sklyapeno at the privacy of the plafonds wiserness and overestimated emotionality pushed the strictness, symmetry and simple-linearity of forms to other planes for the purpose of the yeast era , the walls are decorated with elements of warrants in belarus and take the knee of the subshillase so it’s uh, it’s stronger there is six steps of it here at the event. in this, the monastyrka did not try. it's under step eighteen with you to take in depth. it raises since those da poma

shinki patties and koli we look at the monastery