y. well, that's it, it's scored handed over. for me, for this photo, dina the little frog is at the forties on the fortieth day after leaving him.

of our motherland, our family, the indefatigable plum of the creator, amal, of the middle conductors of belarus, and the youth of the generation cheerful labor pyotr vonzilovsky we came together somewhere in february of the ninety -ninth year during the staging of a musical performance along with the song of leonid utyosov in the office of the nemiga orchestra at the base, which we carried out this setting. alain delovsky should be, so to speak, the musical director of the production. i read the administration of the orchestra to the general laughter of the musicians. ah, the script. everyone laughed a lot gradually in the process, so to speak,

the relationship during work learned a lot about him. well, he was born in the village of malinovka, belynichsky district, mogilev region, that everyone in the family was musicians, grandfather, father victor, uncle, mother sang very well , moreover, father victor wanted to acquire for himself not a single rural fun, a necessity without harmonists. he decided to have a real saratov harmonica. and behind this harmonica. victor, son of peter bandera , they went to saratov and bought

a real saratov harmonica. it is still kept in the petrov family. the saratov harmonica can be counted. the start of the creative path, the outstanding musician, the wonderful conductor pyotr vonzilovsky, in the belarusian musical art, the bayanist boy had only one button accordion, a music school, a music school, a conservatory, which he graduated from in the accordion class and immediately he entered the conducting department, the conservatory, which graduated in 1992 as a conductor of an orchestra of folk instruments, but this was not enough for him. he always dreamed of becoming a conductor. the philharmonic opera

symphony orchestra, but there was no such department at the belarusian conservatory at that time. moreover, even if there was such a department, they would not have accepted him, even the documents would not have been taken, why a he already had a diploma. a dead end , the collapse of dreams, but fortunately for him at that time in minsk since 1984 the star of the wonderful shone. soviet conductor gennady panteleimonovich

pravotorov, he once graduated from the conservatory in piano at the galdonweier himself, and graduated from the conducting department with kirill kondrashin and alexander gauk gauk, by the way, he was a student of richard wagner, you know this handshake a generation from richard wagner, right? gennady provodorov

kondilovsky literally went for the rightness watched asked, learned, comprehended literally followed him and ended up on the stage of the opera house. vandilovsky was entrusted with conducting the opera the tsar's bride. this is petra acrylic walking on instances. preparation of some documents in letters one of such petitions to moscow to the ministry of education then it was all decided by moscow signed by the rector of the conservatory vladimir vladimirovich lobnikov, a letter of petition was sent to allow, as a great exception, the conductor of an orchestra of folk instruments to study to the conductor of an opera

symphony orchestra in moscow the fact that i villa allowed such mercy and now in our conservatory. the only teacher, a quarter-time conductor , gennady pravotorov, and the only student appear. the only student peter in 1995 petrzhirovanie fate an ordinary

teacher there was gennady wires. under the hand of the conductor of the vanzilovsky orchestra, the play is performed by vladimir ulyan’s clock, the works by galina gorelova of my neighbor viktor, the vogue oleg khodovsky, are performed, and dmitry smolsky states in an interview that without pyotr vandilovsky, many works written for the chamber orchestra of belarus would not have been recognized at all.

along with the performance of such monumental works with choirs by an orchestra as the messiah handel, by the way, the first performance in belarus , peter is engaged in less complex. as for us listeners it would seem like projects, for example, 2 years in a row, starting from february 2014, mario stefan petra darki comes to minsk. with the bondanion instrument, an amazing concert in 2014 or 2015, however, they say that in addition to the task of acquainting minsk residents with

the composer, the author unknown at that time. from the demonstration to our viewers of an instrument unprecedented in our country , the bondanion, the italian harmonist had personal sympathies, some amorous deeds here and you know it's not surprising that i have not seen such beautiful girls of belarus here. although i travel a lot in europe and i have something to compare. in

1999 he leads the conservatory, the student chamber orchestra, of course, the turnover. you yourself understand that students are finishing up, new musicians are graduating , and pyotr conducted and led this chamber orchestra until his last performance. at the beginning of 2020 in 2001, i brought petra directly to his class. on chicherin brought him an invitation card

for your creative evening. peter took it, but for some reason he didn’t come, it hurt me a little. how come? i go to all his concerts, he visited all my creative evenings before that, then he suddenly did not come and began to find out peter dissuaded himself said, well, there are reasons for that. for what reason, i found out a little later and forgave peter for his absence, the reason was a divorce. understandably, this is a difficult situation. well, you know, it's a private matter. the italian diva katya comes to minsk at the end of her operatic career and piotr a accompanies her on the stage of our theater for young spectators it's not so complicated anymore. katya has been singing italian songs for many years, at that time

it was probably 2001 with his future wife. dina was, of course, noticeably younger than peter, but she chose him in fact. as they say, dowryless, because , of course, he left his apartment to that family, but dina believed him, believed his assurances that everything would be fine with us and everything worked out. in

our program, the most active schoolchildren from all over belarus minsk is mentioned in the chronicles in 1067. this is the eleventh century respectively, well the correct answer. no, i have a substance card at home and i, when i read the card, it seems that such a tarot card hangs. personally, i believe that yes, as in the transition. uh, but now i'm not sure anymore and try to answer all the questions

continuously plus, then this point is the minimum point of the maximum function belarus 24. how does the fire element turn into art? secrets, myths and legends the atmosphere of medieval culture and the theater of fire unforgettable emotions await you at a grandiose festival near the castle. culture fashion project

watch this weekend on belarus 24 tv channel. in july 2004, vonzilovsky invited me and my wife to a restaurant for his fiftieth birthday. in which little polina is already swaying, that's interesting. but where? a young family will go after this festivity, but all of us family will go home, and where are they filming? the apartment at the beginning is a one-room apartment,

and then, when sasha was born, the son of peter idi already had a two-room apartment. we visited them , we visited them very often for these, how to say, alien square meters that peter mastered and made them his own. why, with some partitions from the shelves, he created in these few square meters some zones for children for himself for an office where you have to work to write procedures to study music in the kitchen, somehow everything was arranged, and i saw that it was all done by my own hands. peter is acquainted with my wife, who at that time was in charge of the section.

he was admitted to the warehouse, and there he chose boards, shields, my wife inspected the beams so that there was no skew, so that the layers were even, where such skill in rural lad, it turns out that once at the conservatory they received an application, as was customary in soviet times for construction students from the city of achinsk. after that, peter 10 years in a row with his father, who turned out to be not only a skilled rural harmonist, but also a nugget civil engineer . went to siberia well, as they said at the sabbath just to make money, one of peter

visited us we visited them in these private apartments. moreover, not often having the opportunity to invite us to their small apartments with two children. he took from there a folding brazier a folding table folding chairs dishes, that is, this is a thoroughness of everyday life, he also had it in music. here he was, a meticulous detailed person.

when visiting the orlovs' apartment or my creative evenings, pyotr came with gifts, knowing that all the walls of my apartment were hung. he knew what to give me. albums to visit. the personality of christ in russian fine art of the 15th-20th centuries . for some reason, the album was published in the republic of san marino of amazing reproduction quality.

that the publication is very expensive and it seems to me that this is probably the only thing interesting in minsk. for some reason, a lot of initiatives always came from him. here i have a creative evening at the theater of film actors , a presentation of my book, their portrait with the doomed emperor, a screening of films by groups peter says, alexandrovich, if you want. the lobby was then a cinema theater moscow theater actor will play a string quartet and my daughter will be there, she says. i say, well, i want, please, my next creative evening is all to ring vandilovsky, but if you want, a chamber orchestra will play in the foyer before the start of your creative evening. i speak as the chamber orchestra, whatever it is, says it's not your problem. not

your concern. it simply says, will my students conduct. and i tell them, then i’ll give a credit for this, everything was not well looked after. i say, well, it’s necessary to bring some instruments to the double bass. he says it's none of your concern students. for the sake of credit, it will bring 40 minutes of beautiful and beautiful music on the shoulders of a chamber orchestra.

in my house. asked what i'm going to further, well, apart from the cinema, what am i going to do next on the stage. i say, this is the 100th anniversary of the birth of alexander tsfasman. and i want to put this program on the centenary of aleksandrovna in andilovsky right away. and who will play? what orchestra? here i will stop and make a little bit of such a retrospection. back i got into the hands of a vinyl record, a branded melody released for the fiftieth anniversary of alexander spasmin by simple means. i figured out the calculations that it has already been 100 years since you and i have been fulfilled. this is an old record. who am i calling, of course, arcadia threw off the world-class musician jazz pionists. they say that your idol and teacher arkasha turns 100 years old, you need to do

a pop program. where, how, when with what orchestra. it didn't matter anymore. the main thing is that we were together. there were two of us. we knew what we want and how we will do it for the beginning was already enough. and here i am answering peter's question, what am i going to do. i say, here is a pop production of the centenary of alexander tsfasman piano, jazz. he says what kind of orchestra, but not yet we know skins. he says, let's go with my chamber orchestra. i say how he talks to chamber marquez, right? yes, he knew why he

enjoyed playing eskin in the renaissance restaurant, which is right opposite the conservatory, and often he and dina, after finishing work at the conservatory, crossed the street and dined at the renaissance restaurant where? he played the arcadian piano and two musicians, peter and dina , simply enjoyed his caviar. so, in this way, there were already three of us, as it were, cape eskin plus vonzilovsky, but

then the question arose of how jazz scores to shift the on-camera composition the fact is that with fasman's repertoire in the same composition i heard bent performed by bend georgy garanyan. yes, you know from the notes under fasman, but everything was played very accurately there. well, you know what it was like, there was no feeling of primacy of some kind of freshness. that is, as if everything was this and that, i shared this with vandilovsky. he thought and said, but you know, let's go then, let everything be different. i say, well, like this, he says, you understand? need to make special jazz arrangements for chamber structure.

well, we both knew, both peter and i, that there was only one person who was able to transcribe a jazz score to a chamber orchestra in minsk, this was the former pesnyary . you know, tkachenko agreed that it seemed creatively interesting to him, he began to bring the scores, peter taught them by the trumpets. from vasmonovsky, fat. the violins played for the trombones. cellos added there, the drummer, a wonderful saxophonist, tenor saxophonist, virtuoso, vitaly emteev. every time peter came with a rehearsal and said how everything was already beginning to sound like everything was beginning. but there weren't four of us. that

was four. minus one was gone. arkady eskin the most difficult most difficult piano pieces by alexander tsfasman, who, of course, he played on that record and who played arkady eskin played in our musical performance, beloved, eskin's student taught at the variety art department at the university of culture lyudmila bogdanova it was generally a wild success.

further, of ​​course, something happened in the chamber orchestra that had a great influence. i also think about the health of piotr vonzilovsky. the opposition of the orchestra opposed him leading the orchestra, he was reminded of everything and the fact that he began to work there part-time. and the fact that he was in general in the last fight and that he

had saved from the classics of chamber music to jazz, she remembered everything. and peter was forced to leave this position, remaining at the philharmonic, but just another conductor for some time chamber choir. and then he said such a very sad phrase to me. you know a corpse orchestra, in general, any creative team is happy twice when a new leader comes to them, and when they get rid of him.

their task is to give the correct answer and thereby avoid construction. name the lowest sounding bowed musical instrument. double bass, double bass here we are not building , we do not like the viewers. an empty tower whoever you tell will be laughed at, but it’s impossible to know everything, so the participants have to work not only with the head, but also with the hands. learn the picture from the fragment. what

is the name of the painting? yes? vinci so da vinci attraction i'm all right. no attraction no more beautiful creation lady blizzard tower test your erudition. each of the heroes of the project is engaged in a very important matter from different places in the heart and are trying to catch where this impulse passes in the wrong place, where the breakdown of the wiring and we have to repair it, that is our work. it's like an electrician at heart. we will introduce you to people who have found their

calling doctor. it's a way of life. i'm all 25 years old. i want to go to work. i want to help athletes. there is an awareness today in the world of the scientific community that the achievement of cardiology allows you to shed life , we offer you to spend one day with specialists and learn all about the intricacies of their work now. the moment he runs on the anti-gravity track is equal to half his real weight. it allows us, uh, to put athletes on their feet literally 5 days after the operation, the atmosphere around us is right for prolonging our lives watch on tv channel belarus 24. 10 years in rented apartments, how long can children grow up and after some time? peter

gets an apartment. finally, they have a family of four with them. his own apartment, his nest, of course, peter is a handy man, again he made himself again boards, shields , beams, there, and so on and so forth, he transforms. the loggia is insulated; it conducts electricity there; it makes its own office there. there he has a computer shelves with disks shelves with musical procedures he writes a fresco in the children's room in the kitchen. something transforms. that is, he turns a typical apartment out of typical ones; we come to visit, as always, we are greeted by a joyful radiant one.

their daughter polina rushes to us with hugs yes, and the music sounds is classical music, and ten-year-old sasha conducts the boy conducts. we watch a boy conduct. well , excuse me. what else can a child do to a boy in a family of two conductors. dina also teaches conducting. we waited for the end of conducting. you know, this was the conductor's karaoke. applauded sasha, he majestically bowed down and we were invited to the table. the vandilovskys always had some gourmet dishes, recipes, which, of course , pyotr borrowed from somewhere while touring

abroad, and pyotr, as a rule, cooked them himself, which he was very proud of. well, a handy man and there were always some fine wines. well, they didn’t know that the orlovs would appreciate both food and drinks, and then, of course, conversations about art, and music in general about life. what is always so nice? these conversations are with the soul friends of your home.

tour routes for orchestras led by petrov is hard to list portugal spain barcelona royal theater of madrid 770 performance 70 performances of traviates on tour, in france three performances in

the congress hall 4,000 seats audience is all orchestras of dnepropetrovsk volgograd rostov-on-don peter got minsk musicians vocalists there. he knew everyone , he formed this program and drove it around europe, but not only around europe, in the last feast at their house in 2019. who knew it would be the last? peter told how his birthday is in july. he met in tour time. and that it was a tour in syria in damascus concert in the temple of the first century? in the amphitheater, the syrians of the russian military in a domask, a concert by the opera house, the last concert in january 2020. well, who knew

he was the last? well, again, in the amphitheater behind the fence, i'm sitting next to me. with dina vandilovskaya, who, of course, is worried and we are listening to the concert instrumental music is very beautiful music, but like a highlight, or what? it was a divertissement by mikhail glinka on the theme of the opera berline somnambulist. orchestra under led by vandilovsky and pianist vladimir dulov. you know, in such creative ecstasy , they joined together, merged together, that the hall simply chanted.

on april 17, 2020, peter turned red as a donkey somehow at home, the only thing was, dina said, call an ambulance, a wild pressure surge , an ambulance took him immediately to the hospital. at first, peter was still talking, then he began to plunge into irrevocable fellow countrymen and students of peter at the music school at the conservatory. they told me that recently peter has been working with a colossal overload

several orchestras several positions pupils some public duties. his last present here is this photo. with the grave of federicophilia the last present humble such a president always such a generous battle humble present well very bright

prepare music applause

i want to warn you that according to the rules of our program. if for some reason you are unable or unwilling to respond. you have the right to refuse a question three times, of course and be very careful about the questions at the end of the program you have to choose best. but, and now oleg olegovich you have 1 minute to briefly tell about yourself time has gone. good afternoon. my name is oleg and i am 52 years old. i love my family very much. very. i love my job. i love my country and my friends very much.