so there was some kind of a little hmm excitement. here, well, the score is 2:2, and then in the elite , the excellent performance of the girls. i think they deserved this victory and the tickets intervened in the third match in the bronze series. as a result , the victory and awards went to the hockey players of minsk , the capital ones, who were stronger than tekstilshchik from baranovichi, kirill valevsky. champion of europe in greco-roman wrestling among juniors competitions for athletes who are not older than 17 years old took place in tirana in the final of the weight category up to 60 kg, belarus confidently won turkish response to halilacinar 8.0 for our wrestlers, this tournament was the first after the official return to the world arena. everything was at the european championships up to 15 years, but it was bronze then now it is gold. so this is a more significant medal for me , i think the team performed well, of course,

i would like to get better more medals, in principle, guys. well, there is one gold medal, a very valuable medal. here are the main wrestling powers. a country like georgia russia armenia azerbaijan these guys, in principle, always win big in the top the number of medals are our main ones, they are the rival gold medal for the first time in the sovereign republic, we have not had such a result before and of course i want to be happy for the team of the first season together with the belarusian federation

the sun is shining. would like to have a look. and discover something new every day. 'cause we cut it out with love. with love to belarus each person, opening the refrigerator, without hesitation takes sausage, milk, cheese yogurt, no matter what he thinks. where did it come from? how did it get to them fridge, and how was it grown. how much effort and work was invested in

all this, so that as a result this product is on the table for every person thanks to the people who work on the ground, people in cities do not feel any lack. look at the hands of a man who works on the earth. they are all in corns in black oil and have no hair, but thanks to these hands, our country is enough on its own. in agriculture, i studied for 16 years before that, in the city, i was drawn home to my homeland. to my little one, i returned home and worked at a psy factory. then she gradually moved to the collective farm. i work here. i give credit to my land. this is where i learned to walk. so my life activity continues here in my native agro-town. she's working. i leave at

5:05. i stand at 4:30 zero five on bicycles, let's go. we have our own work there. we just don't have livestock. we have a small room with 220 heads, so we have two replacement milkmaids and a locksmith. we all draw this room ourselves a working day. started only from six to ten and from 5:30 pm to 9:00 pm labor operator, the watering machine is complex, there is a very high requirement for milk, so that the quality is good. this also gives its load its imprint. well, nothing, everything hurts. for her own good, she is for the good of the country of the spk. if

a man with nature is laid down that he is physically strong, a woman has wisdom, endurance in that place. yes, i’m not that much , which you need to remember in a short time, but the cow remembers quickly, for example, i’m not very fast and she always told me, it’s like this, it’s said like this, somewhere some came, brand new. i don't know forever will say somewhere roman somewhere she will tell you, you need to show her doctor a cow, how people with each with their own character, it’s especially hard at first with heifers who show their nose very much like that, the obstinate can both knock and press if it’s unsuccessful to approach them. and so, if with them in an amicable way, they are kind to you, reaching out. this is olympia , she took all the first place, when the farm opened. from the first days, when she was even

a student, i realized that she came to us, a very good person, a very good environment among the people, they say about such people, that these are workaholics, this is such a special responsibility and knowledge of their work and love for their work over time , there is one concept to be equal to her side, it means it is necessary. as soon as i came, you know , i worked relatively little, i began to receive diplomas and diplomas, and somehow our entire leadership rolled like this. he says that the highest is necessary. and we were offered a year, probably three years ago, to go higher to get an education. well, you know, no, everything will already be the heads of the leaders, someone has to milk the cow. i am very proud of my mom. she is at i was the best in such used to be called the leader of labor, but for us she is just

a gentle loving mother. it's not just working all day, and then we still have to take care of. we love her very much. she is a very strong woman at work, she does not work hard at all, a woman, of course, sits in any way. to be honest, then it plays a very important role attentiveness, firstly, responsibility. it depends on the quality of the milk, how will they look in time? i am very proud now, and here it happens here. you have this yura shown on tv. i say, of course, when at the end of the month hmm sums up the results and you understand that you have completed everything, what was put in front of you, then it is your leadership that pleases you most of all, that you gave your all 100 put your soul and strength into your work while the minister of agriculture presenting me with the woman of the year award. and when he heard our indicators of 12,000 per cow , he said that if each collective farm gives such

an amount of milk for the country's food security, there is no need to worry. for every woman, of course, in the first place worth her family. children. well, then work, the glasses were forgotten. yes, nothing terrible from the can, as before in childhood. after 10 to the village they know that they bought an ear from a can, we combine kvass with milk. this, of course, needs to be combined, because the children need to pay attention and ask how things are going and you need to talk with your husband . discuss everything, or even go at all. to be honest, the demobilization did not want to swim at all , they noted something like this. i'm stuck at this moment. he says let's go. well, i persuaded you. well, that's all. it somehow hit. well, here is ira just said that she would just be mine, that's all and i will achieve. well, so she turned out to be able to. she's from here hear for the first time. yes, here by bus, if you come to a meeting, well, back at 2:00 there is not a lot for a bunch, so 5 km

universal. in what normal we passed. if so, in our usual way , a kindergarten was born and a school is here, my mother worked at a poultry farm, she took us to work when she was little. we saw, uh, chicken chickens. we had it all at home since childhood, a pig of a cow. everything, it was laid with us to work to help parents since childhood, we have never had rural work at all; it is in our blood, or something, we lived with my mother in one apartment with three rooms. three families in one room. the four of us needed to separate. well, everything, and where did you live gives out on our collective farms? well, that's all. good wages have gone now in everyone with a pc hmm, conditions are being created for a person to come to work, social, housing packages are provided

, kindergartens of the school are also working, so that it is convenient for young families to raise children in the countryside there is, uh, everything for people to live to the fullest , like people in the city without needing anything, and having everything at hand, and i don’t need more in the village, you know, we all know each other. it's easier for us, as it were, to turn to someone. if you suddenly need some kind of help, people still in the city do not treat each other as much as in the countryside even village people in public transport. it’s even immediately noticeable, because it’s not what’s out there in terms of clothes, but we ’ll say more often, hello, when you sing with a child in the city. they are not small yet. understand. they also say hello to everyone. hello, here we are, we are so rural all of us, apparently, are growing and kinder before our eyes, or something, you probably sincerely go

walking the dog, you understand? how beautifully beautiful it is that people come to us and catch, and we live here. we see it all, every day, we enjoy it, we breathe, i love my country with fresh air because we can live in peace, our children go to school in peace. hmm, do not be afraid of anything , that we are here. peaceful and the fact that our country is developing does not stand still, that a lot has been done and in the cities. when you arrive, you see that the city is blooming in its colors, that people are also investing there, to the fullest, so that people can live comfortably, conveniently and beautifully.

throwing blue grains to the sky early, that in the rules of the race, mlesse ponadzhs, the eyes take off and wash the creatures. yes, the shrine will fade. the heavens , having thrown lakes on the tire with charotins behind a woven fabric , smile under the sun. you look, he and nick are nizmura. but what about gold sandy beer? drank would be from their infinity, throwing lakes at the tire. i have a small belly, all the more so, i just want from stress, so that not after the mountain, the sea of ​​\u200b\u200bazerbaijan , nicole does not forget, loves brocco.

my name is kristina vysotskaya, i am a textile designer for art exhibitions, an art critic, a researcher, a lecturer, and an assistant professor at the department of arts and crafts and costume at the belarusian state academy of arts. today we will talk about the modern art of textiles, and let's talk about the tree of knowledge, the largest textile culture in belarus, which in dubai took second place at expo 2020, but let's talk about what is happening, but the regions in belarus, but about what is happening at the academy of arts and what is contemporary

art like? hello, you are watching the program of distortions be silent in the studio of victoria popova and tatyana shcherbina and visiting. today we have christina vysotskaya good afternoon. hello friends, christina, we know that you can start talking about textiles. uh, if you have a lecture of 1.5 hours, then it can last a day and this conversation will never end, but we too today we need to start somewhere and i propose to start my work, which won me over. i am very many in belarus and not only all over the world. this is the tree of knowledge, your nine-meter sculpture that you presented in dubai at expo 2020, and we will watch a video now so that the audience can also imagine what

it looks like. you can look at it endlessly i have a few questions about this sculpture. first, i'll ask you. how much fun she

has in total the tree of knowledge is visloton, and half of that weight is textiles, and the second half is the supporting structure. it was a metal load-bearing structure, and the framework for its creation was invited to soft2 by sculptor alexander dats. this is a well-known master, and belarusian bronze sculptures can also be found in minsk in many of his works. it was such a very interesting collaboration in the project. so yes, no one guessed the weight. you asked this question on social networks and no one answered. yes, there were almost four thousand fifth in the cotton rope, which was so far that you are very well, but four thousand. a meta too. well, such a figure, around which everything somehow moves. there were m-th threads to the ions that were created by hand, there is wrapping, and hand-made hmm with cotton, too, and well, of

course, 7 m² of tapestry, and author's textiles, which i myself spun. mm on a loom in the workshop and there were also a lot of interesting stories. here's how the conversation immediately turned into technology. and what, for example, to weave these canvases. they had to be solid, and i specifically ordered a loom with a working surface of 1.5 m, and a traditional weaving loom and each cloth fun on average, and 15 kg. a. well, it seems to be a little, but when it comes to textiles, it is there 15 there 15 10, and you immediately yes, it should be 9 m, yes, well, that was one of the conditions, but the fact is that into the zone. this wow-zone was called the pavilion, and it was planned that there would be a tree and the tree of knowledge. it was named after the concept

of the pavilion, which was earned by the national miketing center and and it was developed jointly with a swiss company, which was responsible for the construction in dubai and when i had already begun work directly, then all negotiations, all approvals went on immediately, and it turns out both from the swiss company and from the belarusian side by the customer, in fact. immediately and the ministry of cult was affirmed. well, in general, there was a lot, that is, a project. it is immediately offered to you like this, yes, and you need to realize it, it turned out such a story that in april of the nineteenth year i did in minsk in an art gallery, leonidovishche, millev, i did an exhibition at that exhibition. i showed my sculptures that dimensions. a meter of 1.5 m is not higher and the organizers got on it. that's exactly the pavilion and they saw my work and

then i was invited to give a tour, but i did not know what they would be. eh, actually they are, but i saw that my eyes were tanned, that something had come up with an idea, and then after 2 months they already contacted me, and in fact that they invited, uh, to make a tree. it sounded like we would like you to do and see how it should look like, it turns out, see my work and theirs. that's aesthetics. here is a visual row. he lay down on what they were looking for, just at that moment they were looking for filling for the pavilion. that is, the whole concept was. eh, as it were, where it will be about what it will be , what will be the ideological component, and the moment came when it was necessary to look for the content of the material. i don’t know, yes, and if we have already started talking about numbers so tightly. how long did it take you to create this. well, due to the fact that

covid happened, the exhibition was postponed for a year. and it helped us a lot, because it's really hard work and everything worked out. do it very well. so there was no glue there. that is. well, this is not discussed at all, that is, into textiles, and everything is sewn together. everything is done firmly and tightly, what do you know about slaves? kristina you tell the students there. let's girls 15 m in a week. and here's the automatic. yes, it will be dishonest in relation to work and to everything, because i still do it through love and through this energy that i want to convey. no, nothing is more pleasant than watching other works look. eh, how will you earn?

well, and you already said, uh, there are probably few of them who realize that all your work is done by hand. and so, as you noticed, maybe when people find out that, and all your sculptures are hand made from the beginning to the end, their attitude changed, of course, the attitude changes immediately. it's just, well, someone's jaw drops. so now you can take a picture with you. and when i

came to the opening, and i went twice while the exhibition was working and standing at work, because there is nothing better than when you story about your work people. they just go , someone takes pictures, someone will suit dad. there, he will feel inside , take a picture and move on. and i say, and this is my job, and it's just that it's a shock right away, then the next phone gets out to take a picture or starts asking. and what guys, what is it, and how is it, and who did it, it’s also difficult to imagine, it’s so perfect and large-scale this work, that it’s handmade , it’s true, but it seems that it’s some kind of industrial tree. yes, by installed e brought from somewhere and it is called. many have told me. what, what 's new? in any way, some kind of design studio. there are big people there, and when

they asked me how much it costs and called me, i don’t tell anyone how much it costs, but they told me such numbers that more than the whole pavilion drank russians just for this . i think it's so interesting. well, the relationship is simple. and how do people see it? you understand that people see values ​​​​in this and prices are not only in manual work, but in what meanings are laid, what materials are used? which way? what kind of history did this work go through the concept of the tree of knowledge, and it starts from the fact that it is a tree frying pan, but at the same time it is also a very important symbol of belarusian mythology for his life of the tree of life, which means connection with roots with generations of ancestors with the future with space with that, m-m. what is the hope for the future generation, would you dare to evaluate this work as a christian? and i

would not want to do it myself, because in principle. well, any work of art, really priceless. it's just that the questions of the market are already going further, to whom what, how more profitable, how to present it all. and in general, the idea of ​​what is done by hand, it is now, it was especially relevant, and the dock of the species is even now, especially when the time of artificial intelligence began and the question arises not only made by a person or by machine, but even made invented by a person and made by a person and passed through the hands and how much energy in it and how much sense in it immediately appears it's just i think that this is a trend that will be for a very long time, playing and we will be more, but you talk a lot about it. isn't it artificial intelligence? now the trend is artificial intelligence, on the one hand, on the other hand

, it is confronted in art. what? even more begins the emphasis on man-made, hand-made. i don't think it's started yet. can you feel it acutely? as an artist, curators, as a master, opposition to this art, really? everything, on the contrary, in simplification, of course, is going on now. well, i see it after all, how do these two such lines begin, and such very important ones. and yes, perhaps, just people who, for example, are more connected with technology in life or well, less about art in general, they think, it seems that here, here it is the answer to everything. ah, artificial intelligence. yes, i am as an artist a and yes an art critic. i see this guest side. i just see a lot of reactions. and what is happening in the world, how there are projects now, but new ones appear, that is, on the one

hand, for example, projects of the correct ft, yes, that is, those who have exhibitions there, yes or exhibitions? completely in an online format, which takes place or virtual reality where it is no longer necessary, even to do nothing in the material, but on the other hand, as the opposite. behind such scales, even more attention is intensified to the fact that this was done by man. something was done with some historical techniques, which, perhaps, were practiced there in the 18th century, but were forgotten for 50 years, and now they are restoring it again. and this is our story. well, let's remember your very first sculpture on a biblical theme is the creation of eve and how? it seems to me that it is already beginning to appear, but the outlines of anxiety. she is precious to you. this is work. she is very important to me. this was the nineteenth year and i did this work especially for the ural three. find the art i never did. uh, theme is related to the description. but then in that exhibition there was a condition that the creation of the world. this was the theme

of the concept. i thought, i'll take the creation of eve as a topic that almost no one talks about, everyone knows the creation of adam michelangelo, for example, this fragment from his creation of the world, and which in the sistine chapel turns out here, that's the theme of feminism on the one hand, but for me it doesn't matter. it is not as important as it is possible for someone else for me, this theme of love was more important, and here they are, how the next will consist of one. well, you can trace it in the image , so this work was at my polaroid exhibition just in the nineteenth year of a solo exhibition. yes, and when they saw her, and the organizers of the pavilion told me directly. here we want only 10 m, and that it was a tree. that's right under the color in texture. it is clear that in the process of work. i strengthened the facts, because there was needed even more this action of emphasis on handmade, it is noteworthy that these topics

are somehow connected, because the tree of knowledge is a topic that i immediately identified. she, as it were , is also about the same thing, this is also a continuation of the story of adam and eve on the one hand. this is the tree in the garden of eden. and how, ra , is the garden of eden, the tree from which here is the tree of knowledge, which gives knowledge to everything that is they are you have already chosen a topic. yes, and the theme chose me idiot. yes, yes, of course, it turns out hmm in life and helps to achieve. generally significant results. in general, well, in general, this topic is very important, of course, and then everything coincided so. somehow fate. and here, let's see more examples of your work and a question. in this regard, when at the exhibition, uh, the viewer passes by your works and says, well, this is schizophrenia. how do you react to it laughing or crying? well, it makes me smile a

lot. well, on the one hand it's cute, i'm different i heard the conversation once, but i heard what they said, for example. well, that's it, they're showing off now. all these artisans come up with something for themselves , or sometimes i just see that people stop for photos or touch them. here, at any time, this is also a very good sign for me that this is activity, indeed. yes, the tactility of textiles. she, but something made a person touch reflex yes, i want to produce different words, artisan. do you consider yourself an artist or a craftsman? there are different too about it in this topic. you can go in different directions, but leave, but i am an artist, this is a professional artist. we have other tasks not to do, eh? qualitatively, for example, to repeat how it was, there is my handbrake, as it was done 100 years ago, but

the artist still sets the idea, the idea, which is about modernity, and the world, the idea that the viewer should. well, to something, but how to suggest a thought to him, that is, for some reason to think it, and in which direction it will be, the artist decides, but i consider myself a conceptual artist, that is, for me a concept, a my works is hmm the first based i don't just do it because i wanted to make such a form, for example. well, i have, for example, the shape is very, and they are so natural at the same time abstract, because the abstraction of hmm, in my opinion, is unique in general for the appearance, because we can everyone can finish both with how he feels he sees and especially now is the time when a spectator. he didn’t just look apart and go, but he takes part, he

can, in general, unfold this whole message artists on the other side. this will also be very valuable, but let me show you a collage that i myself made while scrolling through your instagram and i think everything is clear here. well, you take from nature all the best is cut off all unnecessary, if you paraphrase something like this, a well-known phrase or express it in textiles. yes, class, i really like one in the photo, leafing through the second, then i think that his wife saw the same thing in a slightly different color. yes, yes, i do the theme of trees is nature. she is very important to me. i wonder what i am i didn’t immediately see that i had trees, people started talking to me. horses also make some trees, but i didn’t see this until they began to pay attention to me. what did you think you were doing? and i had my own some abstract deep themes there. for example

, what was now blue. this is work. eh, far away. outside. this is part of a series inside and out. it consists of four parts , it was still yellow before that, and on a white background, and for me it was an idea. she started with yellow at the beginning, that this is the inner world in which we we dive. here is the yellow color, this color of thought is mental and that when we go deep into our thoughts, we begin to dig into the past, maybe in some kind of anxiety experiences. here it is black begins to eat away from you and now it goes down from the yellow, like a well into the black outside it is white. well, as if you are also closing something from the world. here is some of my own experiences. and this is about the inside. outwardly, it was blue. and for me it's like oskol yes, somewhere an image, maybe, like when hmm lightning hits a tree. it is so splits so here in this work the idea

is that humanity is constantly looking for new technologies. well, it follows science. that is, we are trying to cognize the universe, to cognize the unknowable and constantly. this is such a circular one. here, we have opened something new, but new positions. and it gives rise to new questions, then we open it again. well, this is how science moves, but the tree appears. yes, look, the lightning splits it, so you couldn't help but inevitably encounter this form. yes, now there is an identification tree, maybe people will see it in minsk knowledge. and he is interesting, the story is in the sense that and now the fabrics are tapestries. these are the ones we talked about, and they go around in my studio at home. but these 70 square meters of tapestry, and the fact is that when the budget for the construction was laid, the pavilion was not budgeted for the fact that

the tree would be transported back to belarus. so, this question turned out to be from the outside, but she herself had to face the choice of what to save and she decided in this nine-meter magnificence to save her tapestries, which she had threatened more than two and a half years of life and now they are not in demand lie in the workshop. although it seems to me, well, i 'll take it upon myself to say that this is a crime, because in any shopping center, instead of arranging some kind of artificial christmas tree every year. you can make a good one once, and the installation that wins, by the way, wins yes, for the first time in dubai at expo 22, yes. we won a prize, belarus in principle, and keep this beauty at home and this is a crime. but we 'll think about it and take a break for a while. we have telegram channel. say, do not be silent

signed. give questions and suggest guests we are in touch. we set off on an expedition through the patches of our ukraine, dipping together the stingers sticking traces of our traffic jams, and novopole, remembering the buzzing of their voices until the next story, the name of originality, and the month is cut out for how the young waited for the young. i’m a wife on the day, and at night they’re all the same bride, the alarm clocks are grumpy, loaf cured with her fists, and something you breathe will beat your ass and give you a new little chick.

it was on tv channel belarus 204 what to cut polissya such a unique and unlike the naked place of belarus, our people are generally wonderful, they are, firstly, good-natured well, the village. do you know everyone's name? what was the name of his parents, the names of his grandfathers, necronoty nature and unique architecture. the history of the village is quite rich in 2013. this village is 500 years old, the celebration of this event

was brought and set up with huge blocks of such meat tradition of mova and cheering. on tv channel belarus 24 on the air say again, don't be silent. today we have an associate professor department of arts and crafts and costume of the belarusian state academy of arts kristina vysotskaya and we promised to tell you about where in minsk you can see your work, kristina ah. i remembered that once the national art museum directly against the backdrop of the famous painting unequal marriage. i saw these bizarre forms of your authorship. and i must say that the ambiguous

reaction, in general, in the property was it was brave of you. maybe tell me a little bit what kind of project this form of love is, and love shape - this is a series of these stylish sculptures. it consists of four e works, and for me it was important here to show how i see, and in what forms, in fact, with the title. maybe uh love to go out it, for example maybe that's very much for me. ah, something like first love, yes, the feeling is like that. what kind of feeling does a person immediately have. here i have this, what kind of blue green? yes, this is a story from school they read that it is very tender, that's just barely touching each other there, you're afraid for take a hand to hug, and i'm my ashki. yes, this is through the light green color and maybe the orange color is light. for me, color is very important. or for example, red passion, scarlet colors. they are so very heavy twisted that this is

love. it's just when everything inside burns out. or, for example, when you love so much that it suffocates. that's when the distortions already begin. and when someone has more than some kind of pressure, or one person begins to break, as if some kind of violence begins, but it can still be. eh, how not consciously, that is, not even on purpose. he can show himself like that, but there can be such moments, and here i am for myself four. i brought out these forms and showed them in this series. and i was invited here for this project. it was he who passed the national museum in the twenty-first year and the idea was that young sculptors were invited to the classical halls of the national museum, their works were placed in such interesting situations in space. and here's m. just a form of love opposite unequal marriage. uh, i think it's the perfect combination. maybe i wouldn’t even have thought of it like that, because they also called me

from the national and said they were upset. just have all the formulas. yes. and you also foresaw them in those strongly, but some of your colleagues said that you came up with a vulgar one. well, let's say they were scared, as you think. well, i don't know who exactly said that. well, who understand? the fact is that this is a general action and everyone sees it. uh, what are you talking about? yes? everyone thinks he sees me for his descent. that's for sure. for example, i do not see this past style. that is, it's just that our brain finishes the abstraction, as it thinks. and what do you think, do all works of contemporary art require explanation by the author? conceptual art, yes, an explanation is required and this is one of the positions. why are labels hung, for example, with concepts? because now is the time when a if you make a picture in which everything is immediately clear, it will be an advertisement

, it will be, uh, some very functional story. and yet we are. well art, it should develop. it should provide food for thought. it may, perhaps, be more primitive, but here the question is what is art, that is, for we must adapt to different levels of intelligence, after all, art is high art, it must carry a high bar, to which the viewer needs to catch up, but there is the moment of distortions, when denial begins, that i don’t understand this, then this is bad. well , christina, in any person far from art, will say, and so i will twist the lace. what is this art? yes, but surely you face, of course, what is here? how to open your eyes? where to start at all, well, to pronounce, at least creative meetings with the artist? it is very useful when a can directly tell his vision here.

and of course. now, by the way, it has become a popular story when people go to art courses. that's when art history is there, for example, for 10 pm. yes , to put it bluntly, it's great. this is an indicator that there is a need, what people wonder is that when i see when people read there more reading age. yes, they write these are lazybones go to such courses. and that they see nothing in it. they find, but, yes, two such big ones can be half empty for me, that is, how to look at everything. i still want to look at it from a positive point of view. how do you react to these things that how did vika say correctly that i am a lace? i’m also twisting you trying to convey your point of view to convince a person and already letting go , there will always be those who will not like you and there will always be those who will

support you. if everyone likes you. to me it seems, means already this issue, that is, means no growth and no development, because art. in fact, it must go ahead, it must be ahead of time, at least a little bit, and raise questions that may come a little later, but they will come anyway. that's how u can be a banal example of a vangologist, but everyone knows wangyu. now, yes, it is there on any cup you can find sunflowers. that is , even if people do not know that this is van gogh, they know that these sunflowers are yellow, well, or starry night, for example hmm and if you think about what life situations van gogh faced when he lived, that his brother, in fact, he completely supported him, well, he lived in very difficult conditions, because everyone said that no one recognized it, because he took it in open yellow . yes, how can we mix everything here

and work in the workshops, and he went into the field. well, that's it, against the background of what you say, you are very lucky, christina, what did the connoisseurs of what you do understand? that is, people somehow responded about it. yes their vision to your work. here it is, what do you think, luck is so creative there can be many facts, but luck is luck fate. eh, it's time. well, somehow somehow it's still scary when an artist worked life, for example, i die from him, and about him. only then do they begin to talk, and happiness for an artist, when he is alive, how he is appreciated, then, look, you predicted just recently. this is what the birth of this era of textiles will be, and indeed, after covid, we all wanted the warmth of comfort, as we say, and now you have a new prediction, how do the artist do? what is handmade? and in general

, the theme of handmade, it will be in demand. yes, but it will be here, but, and here there will be handmade on the one hand, which can go into ultra handmade. we don’t even know what, that is , it’s very, that is, there can be quite such aykhaism there. this is very only natural materials, completely only natural or only those that are ecologically grown on this farm and dyed only organic herbs jokes. in fact, this is already happening in our country, but on the other hand, it’s different, as it were , again. that's who they returned to you, but this is important on the other hand, as with a collaboration with artificial intelligence, for example, a collaboration with digital machines , digital jacks and places that are forged. and there are any drawings of any complexity and printing and any surfaces there and on two windows, and when it is woven and the color changes, the pattern or, for example, soft screens. they are also woven.

in fact. this is also a fabric only from non-woven materials. uh, here are the new ones. technological materials. and these are such parallel worlds. that is, there will not be the same color. but i like it. here it is at the junction of balancing. it seems to me that you shouldn’t go into one and be just such a tyrant, that’s just how it should be. it seems to me that in general it is so open that everything has the right to exist, it can exist simultaneously classically galen according to all laws , what else alexander akishchenko will be, and this is normal, but he can easily exist with uh, soft sculpture, at least at least uh, what i do, if you go. what the chinese are doing, for example, chinese artists of modern textiles, they work with ultra with modern materials, they calmly have nanofibers there. it's moving there. maybe even sensitive lights are inserted there.

hmm, there is also electronics there, which reacts to movement, for example, you went and the fabric often passed by and it ’s normal when i see these dresses that change lighting, yes, that is, it came out in daylight in one color. she reacts to fibers on lighting, then another in general, this, of course, is fantastic. we have not yet reached such miracles. maybe this is good, kristina what do you think, but i think that we just have our own way, yes, and you have your own course of the author, and you teach the belarusian state academy of arts, uh, once two years, yes, girls choose. yes, yes, we recruit six people every two years, uh-huh and a 5. there is no training, but next year it will be four a little bit now it is decreasing. uh, i just wanted to draw your attention to your comments. subscribers on instagram, she wrote that i studied at the department of costume. but now

i thought that textiles are no less interesting, they say, there have been so many interesting applications for the art of textiles. do you agree with subscriber? i agree, of course, it's not very pleasant when i get such feedback and more often and even from my classmates. i hear that they would like to study at the department now and that i would be their teacher. i am very pleased. yes, because christina allows her students everything and even participate in exhibitions. yes, you now have the opportunity to present the bouquet that the festival is taking place in minsk, just the same, your students work, and hmm, we talked the day before with the girls and it's amazing how they think , they already think both in space and in volume, and i taught christians them to formulate the concept in one paragraph, because without it today's contemporary artist is nowhere. well, uh, i understand correctly that this festival, belarus, is the only

opportunity for realization of a textile bouquet. ah, well, not really. there are, uh, a lot of textile exhibitions, but uh, this is the only exhibition of this format. firstly, it has an open acceptance of applications and is unique in that it brings together professional artists. and just such a master craftsmen. that's what we 've been talking about before, and here the idea is to push them together somehow. uh, in the same space, or at least in neighboring rooms. yeah, this is a unique project, there are simply no analogues, but in fact, not everyone unambiguously relates to it either. i periodically hear from my artists, that it doesn't sound like it's done professionally. well, why not now is the time for the experiment? when, on the contrary, it is interesting to show in a different way, but how to do it professionally, so that tapestries? yes, we have a union of artists, and we will only show members of the union such, as it were, well, in this

regard, this is a very interesting project, and it has been in its fifth year. i am in it, and in the expert council from the first year. so, when it was just opened , i was immediately invited, and to be on the jury at the end of the day, to participate in the work, and here is the fifth year. and they invite me. this is such a very good tradition, and it seems to me that a good trend that your main student sees. well , how would the practical implementation of its further for well, what kind of bar should an artist have, if he takes it, then he will be able to work. at any enterprise in any year at the union of artists to be a member, after all, this is not the point. the point is to awaken ideas in artists. in general , at least one thought, yes, uh, for the sake of which it would be worth getting up in the morning and going to work. they stamp. i think it's the same

very tiring, of course, and and here i just decided for myself, when i just started working at the department, i have been working for 8 years that i will give my students sharpening it, i didn’t have it, that’s me, yeah. what was not given to me at the department and i continue to do it. i just got to everything myself. uh, before participating in exhibitions, i would like to know how to submit these applications in general, the teachers suggested something to me, but it wasn’t like we are all friendly now. here is an exhibition. let's go for her. here let's take part, that's all, somehow it was somewhere, someone didn't say something. you are kind of random. that’s how i learned the internet didn’t work like that, but now i’m just already i’m very well versed in what is happening not only in belarus in this regard, but also ah, well, the international textile community and i can kind of help my students not pass. this is the difficult path that, well, i had to go through myself, and when they left

the academy, they are already better than me than i was. this is how i ended up, because they they know what i came to with very great difficulty. you are doing a very great job , in my opinion, it’s very cool that you have them like that, i just heard them, and i was very pleased that you really succeed, it turns out to make them already different. well, it turns out to make them fall in love, so that they fall in love with the profession for me. if each of them remains in the profession, it will be such happiness, because it does not mean everything in vain. mosbuild 2023 is called at the largest exhibition of building finishing materials in russia. uh, your tree of life won in the nomination of the best stand design. can you tell us about this project. it was a unique project, and it took 6 weeks from concept to implementation in the pavilion. this is the fastest project that i have participated in so far, that a company that deals with

textiles has invited me to collaborate with me to develop the concept. here in the creation of the stand and here, and i continued the theme of the tree of life. yes, i am your russian heron , our topic is very important. ah, the connection of the generation , the connection with the roots and the connection with the cosmos, and it is so it does not let go so much, even after the tree of knowledge, where all these ideas are also there, that further i proposed an idea, and the tree of life in the spectrum of color, when color is a wave it is, well, we all know, yes, what is not. la color , if you saw it, well, what kind of rainbow will turn out 7 flowers and this tree it was, in fact, it was a wave, threads, and all colors and rainbows that twisted in a spiral and a four-meter trunk. we got it from a thread. this string-ite is called direction. and this energy, like a wave of color of pure color , creates here into an immaterial tree and from

it, but it turns out that they also come out like, uh, the fruits of this tree of cain. and these are cylinders of fabric from this company, and there was also an interesting idea there. it's in this tree of life that it's like a mimic connection. mika and dipping the world. i put in a lot of the topic of space and physics, but in my work and at the entrance there were, but there was a zone with, uh, such, but huge bacteria or cells. that is, they were this size, soft, like plush, and these were areas for photographs and people. they just stood in line to get into this zone. and among these cells huge mirrors were used somewhere, and to touch them. and now we will take a short break, after a short pause we will return to this studio again, for now subscribe to our telegram channel. that's what it 's called. say don't be silent. leave your comments. offer us guests, and look for all our releases on the youtube channel belarus

1. on the air say again, do not be silent, and our curator, master of art history, associate professor, is our guest. christina vysotskaya christina xx century presented us with luxurious tapestries zhanna lyursa alexandra kishchenko where are the thoughts of artists heading in the 21st century? what trends are now generally visible in the art of textile trends? well, they are very different, that is, there is no such one line. well, first of all, let's continue to expand into volume, and the soft sculpture textile has been bought up by the textile installation, invading the space that you enter. and here it is all around you. you are in this new reality in another reality you find yourself in the material. and also when different types of art are mixed.

when a, for example, video art appears or virtual reality somehow come up with how to embed an audio installation when it somehow? well, this is, if it’s directly global trends, i say, ah, that is, this is one thing, that is, more technology or another trend, more care return to the roots and, for example, the tendency to study one’s own is very strong in the world. we also have it very well, but such a cool movement is now going in this direction, when it’s not just what everyone is doing that is being studied? and here's what they did. here we have how why are there some oddities? what drawings? even right here this small motherland yes, although before that, it is precisely in this village that this grandmother is. these were her flowers, as they say. here, in general, the research position is very important. that is, what kind of research did the artist do in order to come up with something that could be, here

we see, as if speaking, there is a line, yes , some kind of yes before that they said twisted. something in the volume of threads, and there is a concept. here is such and he came to this, because there, maybe, he studied for 2 years. how, how, how ropes were woven, for example, or nets in some village? uh-huh and someone is still doing it there, maybe, or maybe only akhil, you survived, this historical part is very important. by the way, about the small motherland since 2011. you have participated in more than 110 art exhibitions and uh, it was a variety of countries, belarus in russia or two ukraine slovakia italy usa or turkey and uae for sure. and you were invited by christian , i don’t even doubt it, to live somewhere to teach artificially textiles, but you remain a patriot, you live in belarus and here you teach your favorite students.