the farm is the second time. you need to think about all this. sveta svetka light s no, it's clear that you don't know anything already.

go home, i'll look. go home. i said, go search, and you, mother, are very worried. what log to stand on

. he went for his daughter, you have already returned. where is he? i have always been with my daughter. i always raised her, and he always has things to do. and i know what kind of business he has in the fields under the stars he has fun, but the wife is on you. and you should take advantage of your position, not draw him out like a lost dog. clear

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a handler for anyone, of course, such an enchanting, and i lack fortune today, but i do not sit idle. that is, i want to create a new collection of works, wherever there is a barus, wherever cezanne manet and picasso, in fact, they are all and we will put our korovin wherever they are together, but the plot was in paris at that time. i have everything, they are in my head and how the leopard carries work, and on the philadelphia ship pennsylvania, i have been moving towards this for more than 30 years, so this is practically my entire life, and my life began, in general, in the soviet period. i grew up. e is an intellectual in the family. coolers they had a job that was not related to art in any way. my father was a lawyer mother uh

hmm taught, and at the university hmm like geography and some kind of m-m treatment for art. they didn't vaccinate me. although, well, the period was difficult, it was the sixties, and hmm, a few years have passed since the great patriotic war, people still lived in memories hmm but me to art drawn. eh, it dragged on. why? because my grandmother had a small but very serious collection of works. i will be silent in this place. but these works impressed everyone who came. uh, i was also in love with one of those paintings.

this is really a work of art that could not leave indifferent anyone who was somehow hmm well rewarded by the almighty to contemplate the beautiful and this love for me somehow passed and in the end, when i already became a hobby with a pirate, and collecting is beautiful and painting by me mastered. despite the fact that there was not much money, but at the same time i was passionate. i was fascinated by going to various exhibitions and going to galleries. and if i managed to buy some works, then i can say that i bought them. well, i will say at that time, i had already acquired i had a daughter from you understand this is serious, and our artist is more fate, i found myself. at the polytechnic institute, he was immediately a prominent figure in terms of his own economic activities. such innovations are proposals

for improving the introduction of scientific developments and so on. i was introduced to the rector and, in the end, was in demand precisely for the implementation of some technical know-how, i was invited by our young scientists. hmm. uh, who worked more with steels, and in metallurgical production. i quickly entered their team , i can say this. uh, through uh, a very short period of time is a month. and hmm, i headed this firm. she was the first at that time were a technical institute. i headed this firm and already somewhere in a month three-four. started to melt the tool steel on our belarusian metallurgical plant, although before that scientists fought about this topic, that is, about the implementation of almost 10 years,

you know, that is, that is how my basic science helped in the implementation of scientific and technical developments related to compositions, when i went out already to the world of business, a world of business. well , the opportunity did not arise, but the construction of an individual house for that period. this is 90 years old. it was very relevant and fashionable in every house there should have been a stone. i am a very mobile person in terms of uh, some of his own inventions. for me it's interesting fireplaces. we didn't see it at the time. naturally, stones, as such , we did not have either marble or granite, that is, we did not know this. imagine that the nineties were together with brick and now my first production began of a fireplace, and for our individual ones, it was precisely the need for such bricks

hmm i designed the most when i came up with it myself. these were open fireplaces. many then laughed at this question. in particular , they laughed the most. ah, two french firms, that is, representatives of these firms , i already remember philip, as i remember. now igodin. ah , i mean, they heard about some weirdo starting brick fireplaces, uh, but uh, those are open-air open-air fireplaces. it certainly was. e well, kind of. e, well, i amazed e with my art, but there were already some elements of some of my findings and so on. well, for the moment we did not pose a threat to these french firms, but when, after 2 years, we opened our own salon, it was clear to the french that soon

their end will come and indeed it has come in less than six months. we have already mastered marble granite and escaped. uh, to the open spaces of processing stones. for us. it was all new. we searched. we were looking for equipment. we created, and we ourselves bought many magazines from this production, that is, we were hungry for everything that was a discovery for us, and in this case, all of ours. that's purposeful. we worked on the creation, namely , fireplace portals of new fireplace portals, which belarusians had not seen at that time originally. we went down into the mine, our metropolitan metro and watched. and there are processing machines for me, they were small. how water is supplied, how stone is cut, that is, we acquired the first

skills. uh, for cutting directly the material and granite and brick. here from our domestic production, which was so simple enough, but it was already present in our subway and then hmm. and my sons went to italy, uh, looked at the equipment there. there were studies and so on and with new skills came back here. i spent almost a day at the enterprise from morning to evening and at some point i was left alone. here. eh, this circumstance prompted me hmm to comprehend that life lived, and which was already behind. i experienced this period very deeply in addition, not a single year my table changed

, my approach changed. uh to life. well, a banal thing, how would it look like, uh, the table changes and the audience that sits at the table changes. that is, i became a vegetarian became a vegetarian. i stopped uh any libations. you understand here. eh, this is already an absolutely sober way of life, most likely a way of life. it's even more. it turns out you have free time to think about how to live on, because old habits are leaving and new habits are being acquired. you see, it's very difficult. uh, why? because there is a certain internal contradiction? uh, between your consciousness and subconsciousness, through the subconscious mind, the lord says what you need to do, so they are different, when i saw

the fucking icon and realized that i can do it do. this is harmony between my inner world, and between my subconscious and consciousness, i have acquired it. and here is the icon. but this is harmony, that i found a new one, because the old business no longer fascinated me. life, personal, did not work out and there was no development, you know, but here i saw something new that shocked me, when we made this icon under the guidance of vladyka brought the mo you and we were met by thousands of pilgrims parishioners, maybe the monks brought this icon from this monastery everything was solemn. this worked for me. such a strong impression, and i realized that i would continue

to devote my work. only these icons. i did not stop making icons until, in 1918, i heard purely on the radio that patriarch kirill was coming to us, and when i heard that kirill himself was coming, i made a decision for myself that i should definitely give our zhirovichi icon to the patriarch. i was sure that our icon would impress him, of course. well, it so happened that at that moment i was unknown to anyone. e nobody. it was the eighteenth year of the month of november, and here it was some kind of call from above that i needed. our already created icons are presented to the people and first of all to the hierarch of the church. i arrived home, dialed the secretary's telephone number at the zhirovichi monastery. he asked me to submit my work to the guria, through a site

on the internet, grief - this is the archimandrite, the rector of a human monastery, that is, well , a serious figure, so that he pays attention if my icons and our work. e can be a subject for conversation. i asked him for dictions. an hour later the call came back to me where vladyka guriy said through his secretary, come. tomorrow vladyka is waiting for you exactly the same lightning was, and the entry and the bishops, and i gave paul our icon at one window and asked vladyka paul to speak out, therefore, about the letter. i explained what ours is. how are they made? how are they different from traditional icons, what can they do? in general, in the end, and already as a scientist in my science, i came to the conclusion that, in general, the zhirovichi icon

of the mother of god is a spiritual symbol belarusian people, and its territorial integrity as well as its sovereignty. and therefore, this kind of knowledge is not only that, all our neighbors have this banner, the belarusians. it seems to be present, but e it is in such a, and how would it still have such a movement, well, the poles of the chistokhov kona , the lithuanians have a brama icon, which means our russian neighbors, it means that there are five whole icons - this is the vladimir central icon, smolensk which, through tikhvin, touches belorussia, and in the north of the kazan icon, the east guards its pillars of russia and the south and the territory of southern russia is guarded by

the iberian icon. all of this hmm is very symbolic and at the same time significant in history, because where the zak-icons ended and ended the orthodox world. we can say that icons are the outpost of the orthodox world, and at the same time , our zhirovichi icon is very relevant today. she will allow, if the traitors appropriate such support, she will allow us to stretch. a certain energy brain to the whole world, so that it understands our blue-eye and belarus and its people , the topic, orthodoxy was and came to me. here bright representative of the jewish diaspora. e, who also asked to do something similar, indicating, e, the roles of the place, which means, e. here is the jewish diaspora in the life of the belarusian

nation, its formation, and here my work began, and a really very interesting collection of works dedicated to the cold synagogue was created. and minsk - this is the first stone building in minsk, this is the medieval defense synagogue, which stood in minsk for 450 years this year is its anniversary. it was made with me from jerusalem travertine. there i am already worked within the window. they're so long. they 're made by sonics. she's all glowing, she's spinning, she's a replica of that synagogue. this is a 1:10 scale module that used to stand on the river. nega 450 years. and then , in general, i myself, e, somewhere turned to the knowledge of judaism. uh, hmm, and

other sacred values ​​that should have been overflowing, belarus, and in fact their friend-model walked, they are modern artists. moreover, olympus through which i could bring closer. these are the sacred values ​​of judaism to our contemporaries. and i seem to have succeeded. you and i are in one of the exhibition pavilions of our enterprise, where one of our collections and , or rather, part of it, is located, this is an icon made of stone - this is the largest collection of icons made of stone in the world . icons are presented in various techniques . first of all, these are voluminous

heavy temple icons. this combined icons are all icons made from natural stones. it's basically marble it's travertine. this is onyx, this is quartzites, various of these icons were illuminated by metropolitan pavel and we have quite a lot of him. i have already said such a collection is not about a thousand icons central to our collection. controversially occupies our beloved miraculous, zhirovichi icon of the mother of god with great love. we have come to its implementation. we received a blessing from metropolitan pavel, i must say, a real metropolitan. vladyka veniamin was at our enterprise more than once and when he was still in the course of bishop marina gorsky borisovsky. he, uh, lit up both the factory and took an active part in the creation of

the icon. basically. i can say that metropolitan veniamin is the godfather of the icon we created, he is the first icon that was in the lachera icon of the mother of god. i created under his direct supervision. finding myself in certain circumstances, i had to fill this void. uh, they say that they don’t go to church and to god out of joy; they all go out of some certain sadness out of grief, and so on. here is such a moment of mental illness. he's at i was also present. and this circumstance me. uh, led directly to the sermon on the mount bible. i worked on yes for a long time and the text at the sermon on the mount itself thought, somehow by chance pay attention to the open book. i saw the acher icon of the mother of god , it is a three-dimensional icon. for a stone-cutter

, volume is extremely important, and plane e does not attract. e masters of my level. why because it's all simple, and when i saw the volume, i realized what an icon we can do. and here is the most difficult icon that it was only possible to start doing it, we started it with her the lachersky icon of the mother of god inscribed in icons. there are quite strong color schemes. with us, the nature of the stone allowed us to present the icon in all its diversity. just imagine one econographic image of the heroic icon of the mother of god presented in various color schemes. the beauty of the icons, like a meadow, appears before you and delights. i would say and is a delight for the eyes and opens the soul to the glory of the lord well, the center of our a-and mine, or rather thoughts and in general a dream to make the

largest icon in the world. this is primarily human food. and which would glorify our blue beloved belarus, the icons at the same time appeared as such a prologue for our subsequent creativity. we are in one of the history museums. minsk - this city museum is located on rakovskaya 17. there is a fairly large exhibition of works here. this is a painting in stone by a maji quite a legendary artist dedicated. they are the amazons of the essence of the model and our more one compatriot shamark walked at the heart of these amazites, and my

phantasmagoric stories lie, but relatively. uh, in the life of these great masters of the artistic olympus, and mash itself , there is one of the versions, this is partly plagiarism, who is well acquainted with the essence of us, he, of course, recognizes putin's works in our about mash. he recognizes the modillas. he recognizes undeniably a chagall, but the obvious fact is that ours are fundamentally different from the works of these legendary authors. if we talk about the essence, no, he is an artist not narrative his portrait painting. she is lonely enough. you can say that it is impossible to confuse it with anything. it's a vibrating canvas. this pen is a brush. am vague outlines of hands, big eyes, ears, but and

so on. this is what attracts. in our cars, we see a completely different story. this is story work. this return of the essence to belarus, he returns with his all, and the characters, which hmm, in principle, are his portrait heroes in belarus, he receives a letter from his mother. who wants to say goodbye to him and we see smilovichi. we see minsk, we see paris, that is, we see the entire history in which the artist lived here. we see our belarus in particular, something that this artist never depicted. if we are talking about the mothers of the essence, well, and the model, then there you can see the work of two artists in one work, that is, the essence and modeling,

as one could imagine these two artists in one work, but if you look they are very harmonious, because what art critics wrote about it, and who studied these two artists. they said they have a kind of soul mate written about these artists. quite a lot, but no one has ever tried to make amaju not the essence, not the model. yana, this was an idea that i got sick of overnight. waking up in the morning, i have already seen almost 12 works , the remaining six. i was already, as it were, thinking out and finishing at home, but in my head the fact is that our work is timeless. this is a fact, obvious let's say a successful me or an unsuccessful master. i can say this criteria very much, maybe say a lot. here he was unsuccessful in modeling during his lifetime, but today, and his paintings are only slightly inferior. there pablo

picassoli leonardo da vinci but i want to say the following that these are the works that we have done about these artists. they will remain for centuries with people will pass 100-200 300,000 years. and these works will testify in the same way to their mastery, just as today, on this day, their painting is, in general , immortalized in our museums. all the last years that i clearly remember, they were dedicated. to these creatures, this collection, everything else seemed. eh, abandoned by me. i didn't give it any attention. i can give many specific examples. to spend, starting from the house of the apartment, but not

to mention such more sacred things, like grandchildren and relatives and so on. but this art requires sacrifice. i had very little time to leave such a mark. we have created a whole metadology. ah, the technique. as anyone can. show the artist of any musician, and through a work of art in stone, you just need to create a new phantasmagoric story that is born here and now, and everything is exactly the same, if time allows me. i have there is an idea next to our essence to us and

the modelers to approach their good friend picasso. you understand, there it will come to add it. i was given over constantly to ideas. i moved all the time, being illuminated by this idea. you see, i was its carrier. i was the demiurge. uh, the reversal from his enterprise to a new one, you understand, it is very difficult for people not to understand this to catch up with the already lost with grandchildren with children. this is impossible. this, too, must be understood, but you can take the last carriage. ah, in the last compartment of this outgoing train and try there, uh, it means finding a place for yourself, and watering and tying up tomatoes in a greenhouse, and walking with a fishing rod into the forest, and so on and so forth, this is not for

me. either all or nothing i can say, i am a lonely person, that's in the full sense of the word, but in this loneliness you can only create. therefore, significant things can be created only by being concentrated on the main goal, and now i have a new period of time that is very important, where i feel a certain surge of strength and i feel that things will work out. i'm sometimes demolished and they things once. i dreamed of the virgin, so it turned out what it is, and recently i had another dream. and, probably, will also be in the hands. in short, watch us. look for the world already in the open spaces. i know where i want to go.

every week, the heroes go in search of adventure, a two-hour drive from minsk by private car and you find yourself in the beautiful clean city. they must complete all the tasks and go through the quest, and the next task sounds like they are tired, which means it's time to relax with them, we will learn the history of the belarusian mystices. according to legend,

supposedly this source once had a huge mighty spruce from under the roots, which it just beat. this same source and admire the sights, this catholic church was erected at the expense of the local headman, the owners of the old melya. anthony peel. watch the program stone, paper scissors on our tv channel. in our studio, we gathered who are the brave guys and each of them has a question for an adult. you know, it's very exciting, because it's hard to expect. what questions will be asked, but the most important thing is in front of the audience. it always made me laugh when the doctor asked , uh, stick out your tongue to look at your throat,

could you do the same now. i can do this. the main task is to honestly answer all the original, and sometimes uncomfortable questions. you promise to speak, only swear at the truth, if you swear look at the project 100 questions for an adult on belarus tv channel 24 belarusians in training.

watch the project one day on our tv channel.

belarus is an amazing country with many interesting places and a unique atmosphere, it is not only the kreis with a rich history, but also

about people who sincerely love the earth on which they live and the business they are engaged in , we invite you to go on a full-fledged tour of our country together. naya square, it's freedom square is here many centuries ago. this visit to the interesting locations of the building of the former treasury. after the revolution, the filmmaker was located here . he suggests that it was in this place that the euphrosyne of polotsk found a cross to see unique cultural objects and sights. km travel with us to belarus 24. belarus through the eyes of foreigners

uh, you are subconsciously impressed with cleanliness, first of all, cleanliness, neatness, and belarus consciously, because belarus gave me everything . you are watching the news now with you tatyana king. hello , it is necessary to prove the professional suitability of the head of any link in a word, but in deed, today the president held a meeting to improve work with personnel. as before, they decide everything, and the development of the economy depends on their activity and participation. well-being of people time does not stand still, and with personnel work.