go on no traces, forgery packing, both rysoglebskaya churches were lined with majolica tiles. at the barysoglebsk church, the door and window openings were given a warm patchwork and what kind of gift lintels are reduced without the development of kolya’s profile and small arches called for the window, the chervon based on the window and the background with a glanced masonry with prounically wide white seams was not closed along the squirrel and the courtyard had a magnificent improvements with schmat-coller stones and dull molyk just attract that the skin board can be demolished with your own kerun and there with flushing the truth at critically small. kolkost is inventory. sip later. she cannot give her appearance about that

kaluga tsarva there on the twelfth cob of the thirteenth year, we get the 16th year there . uh, for example, slavuta and engravings gorodny. tyunka on this engraving. we finish this sixteenth-year-old hatysh style on the renaissance hipped roof of this church. eh, whole. yes this church, walking problem. so kim yong could have 128. we can tell her god by 2000 there was a byzantine kryzhova, such a domed tradition of shares of the loaves was lost. uh, junior, robbin, see at 16:00, and the old round second system. uh, zenith or box swedes participated in the night war from the victorious already 17-18 sailing. moreover,

archaeologists have investigated, shi-good. i finished this church that the end of the rumors of the columns are dated, there are as many as 16-17. from the victories on the waters, not only the dah, but the alley and the system itself. uh, as if from a louper goosebump changed for a stretch of an hour, i measured the church of borisoglebsk in the twentieth century, i showed her the pirogos of the wall, opanulis not perpendicular dedal's analysis showed that the ghetto is not a consequence of the most recent washing, but except for one of the early christian operas in all churches. i toil, so is the pie, if before or dentada it was not a warehouse to put the right one in the corner with the help of the egyptian troch of the dismissal. abu detect however, you have at the heart of this symbolic objects to live a watchful concept of symmetry and jealous of them in all christian churches are guilty of being oriented with an altar on

the ear. and lena against the year of the sun can no longer walk along the same path. have the same chances at the zenith, and it may not be changed. the azimuth of potassium annoys about the breakdown of the mammoth by the continued axis already in the course of the sun, and the zenith of the papyro umomandzyago becomes a reasonable cause for the perakos of the plan of the tragedy by syktynkham. this is a thousand 1850 years, far from us, the shmat has come, and these have a chance and, uh, true and urban arrangements and power. i got all worked up about it, you know, you know, and hawal blond virah that cool guy went down was cut down. such a dobudova, cop. do not overload

they gave moisture and hooves to birah not in sauce under a heavy one, it could be easily wrung out, because they will, uh, the addition goes and works on the restoration of what has been hauled, and there the story is hiding the door to the bunavod climbers should be afraid in this temple. what kind of name is rabit to liquidate. they are this very history , just that overgrown and science, and express the torture of everything that i did not succeed in the rebellion of the earth gledzhane , the geology of the places of the conscience of the temple from bodovanakh to the narrow edge of the tall araki, indicated the constant safety of the collapse during the day, he, undermining the thunder in 1720, one wall was heeling alle landslide-dusty. however , a beautiful knife in 1853 has a duck wall and is often a gateway, breaking off in 1889. fell about him. he is midday. psina in

the future gt walls were replaced by etching.

we agreed to meet on yagub kolas square. a film crew in a car drives up a zhigul, the door swings open

, and a fit, smiling, handsome, slightly gray-haired man comes out, extends his hand to me and greets me. this is a participant in my new film , along with him, nikolai nikolaevich eremenko people's artist of the soviet union i tell him, kolya, you had the volga. he says, yes, here i am, how did the deputy achieve there , how did the people's artist achieve that i had the volga well, you know, it was prestigious, i say , well, what, but he says, she often broke down and ate a lot of gasoline. here zhigul is a good good machine. okay, so i thought

to go. we needed to go back. we will sit there with the operator with the driver. i say, kohl come on, let the operator sit down with us, too, we will go in your car. he says okay. our company car was left on the square jacob kolas operator behind. we are going with him , we are going, where are we going, we are going, but to the private sector. on the street named after korzh sablin, we drive up to the house, on which there is a private one-story house, on which there is a memorial plaque here there some post-war years there forty-four there some fiftieth. there lived a people's artist in the church, director vladimir vladimirovich nikolai nikolayevich attaches them to this memorial plaque with flowers. that is, one people's

artist lays flowers on a memorial plaque to another people's artist. it's good now they say no more, no streets. this is not this house, because there are already such hammocks, which means high-rise buildings are built, we get into his car. let's go further. suddenly he speaks. don't you understand volodya that the senator is taking you? that is, he was then a deputy of some elected body. it's the house of representatives, i think. i tell him, kolya , that you will be forgotten the next day as a senator, how will you stop being one. and the fact that you are an artist will be remembered thanks to the movie where you starred and thanks to the film in which you are filming now, here i have a film together with we drive through the city into the courtyard of the house where korzh sablin lived, this is the corner, and komsomolskaya and

central book garni avenue there is a memorial plaque, damn it, we drove into the courtyard. suddenly kolya says, you know, you're right. i say wait, what are you talking about? am i right? well, here's what you said about the senator and the actor for so long he mastered this idea, mastered my general statement. here we go up the stairs. and there were no intercoms. well , he approached the door where korzh sablin lived in a two-room apartment and took the handle. after i edited the episode right away. there, as it were, the door opens and there is an episode from the film the first test of the ball is narrow.

i see everything, you would be happy. oh, right , right, and gave my heart to the school watchman and the old lady, dear colleague. all this is true, but do not believe her, lobanovich is not such a simpleton. and so it happened that in his first film in his film biography and in the last, i took at least some part, i mean, it was all with me, his first appearance on a movie camera and the last. there was a rumor

that in the vitebsk theater there is a very interesting artist and here on the telegram and the film crew the first tests, where i was under the guidance of my teacher vladimir vladimirovich korsablin for six months, worked as an assistant trainee. according to this telegram , artist nikolai eremenko arrives from vitebsk . such a little bit closed , very reserved. i would say even a little bit severe some kind. what these traits showed in him, we learned only from his next film, people and animals, it turns out, it turns out, it was a war. he was a front-line soldier, and it was captured, and when sergei

polinovich gerasimov publicly announced in the press that he was looking for the main character for the film people and beasts. nikolai eremenko wrote him a letter. where he outlined his biography, which exactly lay down on the biography of the movie hero and gerasimov took, and nikolai for this main role in the film, people are animals, but our meeting was before this film. wolf these hare are also animals. and then all at once the whole company. well, which one is the most dangerous? yes

, i think it's a rabbit. on the steering wheel of the teacher todorik, this is the role i would say, it was somewhat schematic discharged. uh, yakub kolas but kolya, of his individuality, revealed into the network those potential character traits and situations that were outlined in this classic

in general work of belarusian literature , the teacher, todorik, he, as it were, started along with the rest of the characters, teachers , university graduates, but it gradually descends in this life. he crashes. he even comes to the point of betrayal once upon a time when i was asked why negative characters are better remembered than positive ones. here is my fellow composer. serezha map said an interesting thing. he says, you know, he says, the fact is that minor in music is richer than major well, i don’t know, there is a musician , you know better, maybe this is a controversial thing, but for some reason in films here, uh, always in dramaturgy, in general why something always so more are remembered, negative characters. and the tarik performed by eremenko is exactly what i remember. thank you, you can

have a drink with you, sit down with others.

when someone at creative meetings, where kolya showed videos of his canaries, they ask oh, what is this? kolya spoke? and this is my debut in the cinema , korzh sablin opened me for cinema, this is my favorite todorik and the first character, uh, that i played in a movie. you know, unfortunately. great regret. kolya was potentially a very wide-ranging actor with very broad possibilities. well, this role is the first role of todorik. unfortunately, she remained the only

brightly characteristic role in his huge film biography, because thanks to her appearance. let's just say the beauty of the elegance of imposingness. kolya played ministers, generals, marshals, directors. the ditch of the factory secretary of pompons, who just did not play. well, it was all people either in uniform or in a hat, which means they harnessed themselves. here, as if such a gallery of little-remembered characters. every week we review the main topics that aroused the greatest interest among our viewers and subscribers on social networks. we offer you

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