a step towards distortion is the average belarusian , he will always sort out provocative details and answers to the challenges of the time, now in society there is a very strong demand for justice. no need to make excuses. do you know why? because when a person has learned the four basic rules of management, yes, then in general it doesn’t matter what he manages. he just has to have his head on his shoulders, they serve in three structures. this is in the army in the church and in the theater, so i'll put it this way, but there is a concept, operational artificiality, theatrical art. how do you stand not to become an actor in someone else's game is the main conclusion. you don't have to wait for a command, you don't have to be afraid to take responsibility. i, probably, should once again emphasize two things that they reproduced. i liked

the decency and the replacement of the markov project. nothing personal. only the truth, which is always more interesting than conjectures. watch on tv channel belarus 24. the right morning should start with the right breakfast. sounds interesting, but i think it's complicated slow carbohydrates protein and good fats plus on top of that, there are plenty of vegetables. that is, we also get fiber, a balanced healthy meal that will give you energy for the whole day. we'll help you choose the right ingredients and make your first meal tasty and healthy so let's start with color and tactile sensations to determine if our avocados are ripe. if you 're tired of boring porridge omelettes every morning. you can sometimes pamper you with pizza , and let's not forget the invigorating exercise. if you

feel that your lumbar region does not allow you to bend far, we work with the military plitude. naturally, yes, and in my mode there are fingers, as i trained. we do special exercises for opponents with expander handles. you need to clamp the expanders. watch the breakfast of champions program on belarus 24 tv channel

. i am a very self-sufficient person. i know that i'm mater but i'm not an artist. i am not anyone's handler. i am something so enchanting, and

i lack fortune today, but i do not sit idle. that is, i want to create a new collection of works. wherever the sail, wherever the mana is. e picasso e. essence, they are all we will put our korovin where they would be together, but they were in paris at that time. eh, plot. i have everything, they are in my head and like a sail. it works, and on the philadelphia pennsylvania motor ship, i have been going to this for more than 30 years, so this is almost my whole life, and my life began, in general, in the soviet period. uh, i am ross in a family of intelligent parents. they had a job that was not related to art in any way. my father was a lawyer, my mother, and hmm taught, and at the university hmm, as it were, geography and some

kind of m-m treatment for art. they don't give me instilled. although, well, the period was difficult , it was the sixties, and hmm, a few years have passed since the great patriotic war , people still lived in memories. hmm but i was drawn to art, a was drawn. why, because my grandmother had a small but very serious collection of works. i will be silent in this place. but these works impressed everyone who came. i was also in love with one of these pictures. this is truly a work of art that could not leave indifferent anyone who was somehow hmm well rewarded

almighty to contemplate the beautiful and this love somehow passed to me and in the end, when i already became a hobby with a pirate, and collecting beautifully and painting took possession of me. despite the fact that there was not much money, but at the same time i was passionate. i was fascinated by going to various exhibitions. went to galleries. and if i managed to buy some works, then i can say that i bought them. well, i will say at that time, i had already bought my daughter. you see, these are serious, and our artist is more than fate, i found myself. the polytechnic institute had an immediately noticeable figure in terms of some kind of economic innovations such as proposals for improvement in the introduction of scientific developments and so on. i was introduced

to the rector and, in the end, was in demand precisely for the implementation of some technical know-how, i was invited hmm by our young scientists, who worked more with steels, and in metallurgical production. i quickly entered their team , i can say this. uh, through uh, a very short period of time is a month. and i ran this company. she was the first at that time were technical institute. i headed this firm and already somewhere in a month three-four. they began to melt tool steel at our belarusian metallurgical plant, although before that scientists fought about this topic, that is, about implementation for almost more than 10 years, you see, that is, that is how my basic science helped in the implementation

of scientific and technical developments related to asts when i went out already into the world of business, and the world of business. well , the opportunity did not arise, but the construction of an individual house for that period. this is 90 years old. it was very relevant and fashionable in every house had to be a stone. i am a very mobile person in terms of, uh, some of my own inventions. for me it's interesting fireplaces. we didn't see it at the time. naturally, stones, as such , we did not have either marble or granite, that is, we did not know this. imagine that the nineties were together with brick and now my first production began of a fireplace, and for our individual, er, precisely the needs of such. uh, with a brick hmm, i designed the most when i came up with it myself. these were open fireplaces. many

then laughed at this question. in particular , they laughed the most. ah, two french firms, that is, representatives of these finn already me philip as you remember now igodin. ah , i mean, they heard about some weirdo starting brick fireplaces, uh, but uh, those are open-air open-air fireplaces. it certainly was. e well, kind of. eh, well, it was ugly with my art, but already there were some elements of some of my findings and so on. well, we did not pose a threat to these french firms for the moment, but when, after 2 years, we opened our own salon. uh, it was clear to the french that their end would come soon, and indeed it came in less than six months. we have already mastered

marble granite and escaped. uh, to the open spaces of processing stones. for us. it was all new. we searched. we were looking for equipment. we created, and we ourselves bought many magazines from this production, that is, we were hungry for everything that was a discovery for us, and in this case, all of our mm. that's purposeful. we have been working on creating namely portals, fireplaces of new portals of fireplaces, which belarusians at that time did not see initially. we went down into the mine, our metropolitan metro and watched. and there are processing machines for me, they were small. how water is supplied, how stone is cut, that is, we acquired the first skills, and by cutting directly the material and granite and brick. here from our

domestic production, which was so simple enough, but it was already present in our subway and then already hmm. and my sons went to italy, uh, looked at the equipment there. there were studies and so on, and they returned here with new skills. i spent almost a day at the enterprise from morning to evening and at some point i was left alone. this circumstance prompted me hmm to comprehend that life lived, and which was already behind. i very deeply experienced this period in addition, not a single year, but my table has changed , my approach has changed. uh to life. well,

banal things, how would they look like this, uh, the table changes and the audience, which sits by the table. that is, i became a vegetarian became a vegetarian. i stopped uh any libations. you understand here. uh, that's already a completely sober lifestyle. a sober lifestyle - this is even more. it turns out you have free time to think about how to live on, because old habits go away and new habits are acquired. you see, it's very difficult. and why because there is a certain internal contradiction, and between his consciousness and subconsciousness, through the subconsciousness , the lord says what needs to be done, so they are different, when i saw the locher icon and realized that i

could make it. here is the harmony between my inner world, and between my subconscious and consciousness, i have acquired it. but this is an icon, and this harmony, that i found a new one, because the old business no longer fascinated me. life, personal did not work out and there was no development , you know, and here i saw something new that shocked me, when we made this icon to bargain, vladyka brought the monastery, and we were met by thousands of pilgrims. parishioners, maybe from this monastery they darkened this icon, it was all solemn. this worked for me. such a strong impression, and i realized that i would continue to devote my work.

only i didn’t stop making icons for these icons until i heard in the eighteenth year purely on the radio that patriarch kirill was coming to us, and when i heard that kirill himself was coming , i made a decision for myself that i should definitely give, and our zhirovichi icon to the patriarch. i was sure that our icon would impress him, of course. well it so happened that she that moment i was unknown to anyone. and to nobody it was the eighteenth year of november. but it was a call from above that i needed to present our already created icons to people, and first of all to the hierarch of the church. i came home. i took, uh, the phone number of the secretary of the zhirovichi monastery and asked me to submit my work to the guria through the website on the internet. the guria is the archimandrite rector of the zharoisky monastery, that is, well,

a serious figure, so that he pays attention if my icons and our work. e can be a subject for conversation. i asked him divisions. an hour later, a call came back to me where vladyka guriy said through his secretary, come. tomorrow vladyka is waiting for you exactly the same lightning was, and the entry and the bishops, and i gave paul our icon at one window and asked vladik from paul to speak out, therefore, about the letter. i explained what our icon represents. and how do they do it? how are they different from traditional icons, what can they do? in general , in the end, and already as a scientist of my sciences, i came to the conclusion that, in general, the heroic icon of the mother of god is spiritual symbol of the belarusian people and its

territorial integrity as well as its sovereignty. and therefore, this is a kind of banner, moreover, all our neighbors and belarusians have this banner. it seems to be present, but uh it is in such a state, and as if it is still in motion, well, the poles of the chistokhov cavalry have the lithuanian of the starbramskaya icon, so, uh, our russian neighbors, it means that there are five whole icons - this is vladimirskaya the central icon, smolensk which is directly in contact with belarus tikhvin and on north of the kaz. the icon of the east protects its maphors of russia and the south of the territory of southern russia is guarded by the iberian icon. this is all very symbolic and at the same time

significant in history, because where the zakikons ended and ended the orthodox world. we can say that icons are the outpost of the orthodox world, and at the same time , our zhirovichi icon is very relevant today. she will allow, if u give her the appropriate support like this, she will let us hold out. a certain energy brain to the whole world so that it understands our blue-eyed belarus and its people theme, orthodoxy was and came to me. here is a bright representative of the jewish diaspora, uh, who also asked to do something similar, indicating the roles of the place, which means, uh. here is the jewish diaspora in the life of the belarusian nation, its formation, and here my work began, and

a really very interesting collection of works dedicated to the cold synagogue was created. and minsk - this is the first stone building in minsk , this is the medieval defense synagogue, which stood in minsk for 450 years this year is its anniversary. it was made with me from jerusalem travertine. there i already worked in the volume of the window. they are so long and they are made by sonics. it is all luminous, it spins, it is an exact copy of that synagogue - this is a module on a scale of 1:10, which used to stand on the nemiga river for 450 years. and then, in general, i myself, e, somewhere turned to the knowledge of judaism. uh, hmm, and other sacred values ​​that were supposed

to be overflowing, belarus was, in fact, walking by their friend, a fashion model. these are contemporary artists. moreover, olympus through which i could bring closer. these are the sacred values ​​of judaism for our contemporaries. and i seem to have succeeded.

and that the girls are tractor drivers, that there are a lot. oh, i'm going to the wrong place in yolki. accident is the final service is not only a service, it's also life. here we are right on the edge. tension, of course, i smile, but this is the border and it's not that anyone with a taste of childhood can come on an excursion, he says, not ilyushka, who how old are you. well done 20 go sing this song in my head. the fields are my homeland. see good differences belarus with svetlana borovskaya on our tv channel.

you and i are in one of the exhibition pavilions of our enterprise, where one of our collections and, or rather , part of it, is located, this is an icon made of stone - this is the largest collection of icons made of stone in the world. icons are presented in various techniques. first of all, these are volumetric heavy temple icons. these are combined icons, all icons are made of natural stones. it's basically marble it's travertine. this is onyx, this is quartzite. these various icons were illuminated by the metropolitan. we have quite a lot of paul's icons. i have already said there is no such collection, about a thousand icons , the beloved miraculous

, zhirovichi icon of the mother of god undoubtedly occupies a central place in our collection. with great love, we approached its execution, we received a blessing from metropolitan pavel , i must say that the real metropolitan. vladyka veniamin was at our enterprise several times, when he was still bishop marina gorsky borisovsky, and he also illuminated the factory and took an active part in the creation. eh, and coav. basically. i i can say that metropolitan geniamin is the godfather of the icon we created, he is the first icon that was in the lakher icon of the mother of god. i created it with direct supervision. i found myself in certain circumstances, i had to fill this void. ah, they say that they don’t go to church and to god out of joy; they all go out of some certain sadness from grief,

and so on. here is such a moment of mental illness. he was also present with me. and this circumstance, uh, led me directly to the sermon on the mount bible. i worked on the text of the sermon on the mount for a long time, and i thought, somehow by chance . pay attention to the open book. i saw the acher icon of the mother of god, it is a three-dimensional icon. for me, the handler is extremely important in volume, and the e plane does not attract. e masters of my level. why because it's all simple, and when i saw the volume, i realized what an icon we can do. and here is the most difficult icon, which could only be started to make, we started it from it in the lachersk icon of the mother of god inscribed icons. there are quite hard colors solutions. with us, the nature of the stone allowed us to present the icon in all its diversity.

just imagine one econographic image of the heroic icon of the mother of god presented in various color schemes. the beauty of the icons, like a meadow, appears before you and delights. i would say it is a delight for the eyes and opens the soul to the glory of the lord well, the center of our a-and mine, or rather thoughts and in general a dream to make the largest icon in the world. this is, first of all, zhirovich, and who would glorify our blue beloved belarus icons at the same time were such a prologue for our subsequent work. we are in one of the history museums. minsk - this

city museum is located on rakovskaya 17. there is a fairly large exhibition of works here. this is a painting in stone by a maji quite a legendary artist dedicated. they amazhi the essence of the model and our another compatriot, shamarka, walked at the heart of these, but ama lies, but my phantasmagoric stories lie, but relatively. uh, in the life of these great masters of the artistic olympus, and mash on his own there is one of the versions, this is partly plagiarism, who is well acquainted with the essence of us, he, of course, recognizes the work of a bitch in our ohms. he recognizes the modillas. he recognizes undeniably a chagall, but the obvious fact is that ours are

fundamentally different from the works of these legendary authors. speaking about the essence, no, he is an artist not native to his portraiture . she is lonely enough. you can say that it is impossible to confuse it with anything. it's a vibrating canvas. this e pen is a brush, and hmm , the indistinct outlines of the hands are big eyes, ears, but and so on. this is what attracts. in our wave, we see a completely different story. this is story work. this return of the essence to belarus, he returns with his all, and the characters, which hmm, in principle, are his portrait heroes in belarus, he receives a letter from his mother. who wants to ask with him and we see smilovichi.

we see minsk, we see paris, that is, we see the whole history in which that artist lived , we see our belarus, in particular, what this artist never depicted, if we say omah, essence, well, modelers, then there can see.