all the glory of yankovsky on the stage of the russian theater for almost six decades, he outplayed all the best there. uh, what was in general in theatrical dramaturgy, whom only he was not. he survived the manifestation, well, of all feelings, he was a villain, satan, a seducer , a sincere cunning. changing images. he became a general, ministers, from the king of the proletarian. intellectualov, the son of the murderer by peter the official. the bureaucrat of his characters acted at all times in all eras. year after year , skills were honed, some acting techniques, what i remember i saw, well

, not all, probably, but probably his most striking performances. this, of course, was the traumatic role of victor in the once noisy performance irkutsk history. this play of watermelon entered the theater of the entire soviet union , of course, macbeth directed by boris lutsenko is a performance that, as is customary now , put the whole of moscow on ears because moscow was breaking into these performances. uh, newspapers and theater magazines choked with enthusiasm for this performance. this performance was shown with great success in germany.

on a golden lake two on a swing, which he played there with a brand, then he was self-confident. it was a very interesting dinner performance, where two french courtiers. it means that the prime minister and the minister of finance, two such cynics sit and talk, in general, they decide the policy of the country. power and money. here they

are together, what kind of king is there? so they decided here, and the play was called dinner, interestingly, all the dishes were just museum pieces. well , the food was also appropriate for how exquisite the performance was very interesting. it was yuri vladimirovich sidorov who was his partner, but you and i do not pull the strings in this game, we know how to do something. you seem to have expressed something in the sense that jacquema zulia and jean vincent are devoted to you in body and soul. your lackey what do you mean they work for your department? what is more interesting, when he came to our theater, slava zelenobada, he had a lot of anecdotes and stories related to some central asian roles and events this year. and what are these creatures? no one here came

to talk to anyone. e asian central asian let's listen. this is comrade, what are you doing there, huh? in the banya , staged by boris lutsenko, he played stanko optins and spoke such a means of trasyanka with a ukrainian accent. it was such a mocking image. eh, an optimistic bureaucrat official, he was like that even when hmm was already there five years before his death. eh, in a review. i read that yes, in the panic-hank , yankovsky showed himself in comedy in episodes of a comedic nature. i think, wow people. well , you would poison everyone that you didn’t see his optimist in the bath. that's where the treasure was humor, he was subject to all the terrible role of peter peter when he tries his son

we are talking about the play christ and the antichrist of merezhkovsky directed by boris lutsenko is not up to us ah. and finally, it was a role in the stage version. films of the famous film by ingmar bergman, strawberry meadow, where slava played this uh, the main main role was a very touching production , and especially, of course it's great. the casting finale was invented by the director, when all the characters of his life line up, as for a collective photo. this was the final stage setting for this performance. and slava would come and sit in the center. and just like that

, the show ended. applause of course, no one bowed there like this applause sounded for a long, long time in this collective photo, in the center of which was a wonderful artist. we all listen to people 's artist of the soviet union well, famusov was in woe from wit and was in the play of the same name, here we had a small conflict with slava. look war and peace tolstoy love natasha andrey there throwing pierre bezrukov but this is all against the backdrop of the great patriotic war wars of 1812. great film gone with the wind scarlett red butler but against the backdrop of the civil war, remember even vysotsky's song on the table deck of the lord marked

deck you replaced it count when you drank water, and what refrain, and at that time bonaparte crossed the border. here, as i see it, any local, significant history must necessarily have some kind of historical background , preferably tragic in a panic from my point of view, it was all written out very worthily, but at that time suvorov was already storming warsaw in a few months this king throws off the crown ceases to be king. and in general, the great commonwealth remained to exist for several months. so i wrote a review ordered to me in a scale magazine for this performance, where i praised everyone, but said

that this hmm historical tragic background is not enough to somehow highlight this, in general, a local story, but the glory, accustomed to the fact that he is always only praised and, probably, a little twisted by someone in the theater. well, volodya did not care about the performance. i briefly told him reminded. here is what i just said to you and finished. i say the words tell me, but what is not true in my review? he was so silent as he says. no, no, it's all true. subway have you seen such weather, in general

it seems, everything tasty, right? nothing, what is it? herring at last the performance before sunset was beautiful , again, acting work.

do i agree to marry inkin peters to live with her in joy and in sorrow until death separates me, as i agree now i want to take and crush. you are my happiness, you are my lord good, how good it is to live in the world. oh my god. and with the performance, i had to hear somewhere to go on tour, yankovsky literally came from his hospital bed and went on tour. with this show. just like in a hospital bed. he somehow went to the opening of the film festival, falling leaves in the same way from a hospital bed. i came to shoot in

karelia in shchors. in my series, the damn cozy house. it was november 10, 1994. well, i don’t know, if they stopped by the house in their house in minsk after the borovlyans, then, probably, very briefly. or maybe, i don’t remember anymore, maybe they came straight from the hospital, they came straight to me to shoot. i saw him. he was thin, pale with a kind of yellowish-matte skin color , haggard. but i realized that i had done the right thing. i knew it was the best. healing an actor is a role to be played and the best medicine is to give him the opportunity to play that role. no, god, i told someone

to stand up. i'm just a tired soldier. i will be the same as you. ah, the same guy. you're there grabbing someone else's lead. and you already mine swallowed. can't you see that i'm wounded, slava asked. where do we start filming? i say, over there in the bedroom, then over here in the kitchen. and here i say, no, this room is such a walk-through. she is good nina his wife is coming to me. volodya may we occupy this room with slava. here he says, here he will rest. there's a sofa here, right there, so-and-so, i say. yes, of course, please, and they went there. they closed the door, probably didn’t give him any medical, maybe

some physiological procedures. don't know i. but after a while, when we put the light on, everything went out. glory in this uniform in this hairstyle. this is a mustache, gentry down, hanging here is a saber. i understood that even his haggard appearance was necessary, everything worked for the image. well, you know, the director’s profession is such that even when something is bad for someone, if it benefits the film, it means that it doesn’t heal early in other people’s crops. in the forest , comrat should lie down on the damp earth to breathe in the spirit of the forest. it pulls out bullets of pine needles and heals wounds. what else do we need a soldier? let's go buddy. and

one more small detail. actors appear on set. there the first replica of my assistant oksanka throw the text oksanka there with a squadron a squadron on horseback at a trot march. appears on set. donata with banionis viktor tarasov rostislav yankovsky for everyone, in fact, duet scenes of 23 to 27 pages of text of duet prices all scenes are all 27 pages learned by heart, why did he cite these three artists as an example, because these three artists are people's artists of the ussr, here are the relations of ordinary people actors to work. and here is the relationship

of folk artists, first of all professionalism to learn the text, then we will talk about everything else, as for a musician at the beginning, play it cleanly, then we will already arrange strokes for the piano crescendo, diminuendo. you see, first of all you need to know the text. you need to know the notes, that's what the people's artists of the ussr are like wolves we load you shoot. sometimes we change the way. let's confuse. do you know how much we have been like this,

you know? but before that, we also had a meeting in the picture all the royal army, which we filmed at the mosfilm film studio slava played role. stepfather of the protagonist protagonist it was jack byrne mikhail kazakov a. he played his stepfather as his mom's partner and jack was an old partner.