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and discover, belarus the space of non-standard techniques of the form of materials recognized masters and young authors today you will see an artistic rethinking of the traditions of textile art. we are at the textile bouquet festival with you julia burlo. and this is a fashion project for culture. artistic textile festival

textile bouquet has gained recognition among world-class artists and has taken its prestigious place in the geography of international festivals, contemporary textile art. here you can see works made in both traditional and experimental textile materials and patchwork techniques, quality embroidery applique knitting doll costume textile collages of textile sculpture avant-garde products within the framework of the festival there are master classes defile excursions, lectures, art historians and author's presentations of participants' projects textile art brought together more than 100 professional artists and craftsmen from belarus, russia and austria to the present. olesya alexandrovna good afternoon. hello festival of these stylish bouquets this year is 5 years mini anniversary. tell me, please, remember how it all began, it seems that it was only recently, and in the nineteenth

year, an initiative group came to us, these were representatives of the voloshki quill club in minsk and the author of the idea of ​​\u200b\u200bthis festival. this is natalya borisovna gagarina, who then represented, as it were, the russian country and it was originally planned that the festival would be belarusian russian authors , textile artists from both countries, as if they would show their works. well, however, as soon as we announced that there would be such a festival and started accepting applications, we immediately began to receive applications from different countries from the first year the festival immediately became an international idea of ​​the festival was to have exhibitions in one space. here in one of some forums to combine e, the work of artists and non-professionals. why are festivals named textile beech? this is such an interpretation that, as in a bouquet of wild flowers, and some modest cell can get here. yes, as we say, or maybe just a magnificent royal flower, the participants

of the festival are recognized masters. or do you give young authors the opportunity to show itself, this is an open festival, and we have been acting according to such an established trend since the first year that anyone, a can take part, well, if his work passes the selection of an expert commission, it is open to young people, it is open to professional artists who have already taken place, it is open to masters of beginners, who have no special education since last year. we have carried out such an experiment. we allowed children to participate in the festival, that is, children's work by children's groups. this year , the works of the children's studio, the master of them, are presented. from bobruisk, these are dolls that children themselves make traditional our dolls, which are created without sewing. and of course, uh, what our festival is. eh, every year more and more professional, internationally recognized artists visit it, which means that

this idea justified itself, probably not without reason. you have chosen the motto of the festival this year from tradition to modernity, of course, but here it must be said that in general textiles and textile art are originally women's art of textiles. our great-grandmothers were engaged in our female ancestors originally from the ages. this, of course, is a ghost. this is exactly the thread. itself yes there from flax or from a yarn, then this quality of the girl from early years. they learned to create their own clothes for their household, a dowry and this is embroidery. of course, this is an adornment of oneself, therefore traditions are all that we see today in modern psycho art, which is becoming more and more male and there are a lot of male artists. often, but nevertheless, of course, it all takes its roots from those first principles. well, we wanted to show all this diversity, including the belarusian culture, because we have something to be proud of.

at one of the festivals, our unique cultural phenomenon was shown - these are lions. which presented traditional technique and modern patchwork or patchwork is quild. this is an applique textile culture, textile art objects are embroidery and even a costume here are very interesting this one on a historical theme. uh, belarusian belarusian costume. shlyakh yes, part of the collection is presented here and, of course, our traditional quality and the belarusian school tekstilnaya school, and it is famous and deserved recognition in the world directly for its very highly professional qualities. that is our tapestries. i, uh, for 5 years have noticed such a trend that, after all, the belarusian school. it's more quality, huh? the russian school, the russians, what comes to us is more work from the fabric, that is , directly scanned, this patchwork and other techniques. paintings painted with cloth

should be considered the works of the artist of decorative and applied arts , a member of the union of artists of belarus lyubov kirill's works adorn the interiors of the halls of the all saints parish of the palace of independence of the supreme court of the wedding palace, and are also in private collections. love good afternoon, hello, please tell us why the art of textiles is again included in the module today. it seems to me that he did not go out of fashion textiles, this is eternal, to be honest, even the first icons from textiles were made from fabric, that is, textile icons were not painted, that is, in general, working with fabric is the love of all peoples of the world, probably work with textiles. it's actually a very warm material. and if to apply to it some more skill, love , work and the ability to fantasize

about experimenting, then something in the end, it turns out we are at your personal exhibition at the textile bouquet festival. please tell us about your work and the technique in which you work. i work in my own technique of artistic textiles. what is different, my technique. maybe from other topics that are present, the volume , let's say, uh, the finish is on. by all sorts decorative ribbons with golden silver cords and volume gives an additional play of chiaroscuro, which greatly enlivens the work and gives it a watercolor look. let's put it mildly, here are works from a long period of creativity, because mmm each work requires, let's say so. e, at the beginning, a personal idea, then a cardboard embodiment in a pencil, and then work with a fabric begins, a selection of fabrics and work already on the material and fabric. there is

such a bunch of huge fabric on the table that you pick up for some particular work, there are always the main three or four, and the rest in the course of work, that is, the work itself accepts the fabrics that it needs according to the plan . uh, you just have to fall in love with the idea of ​​the work itself and just do it. if love, and then it turns out, and you use different fabrics. yes, this is velvet and brocade ion and silk and organza and all kinds of accessories that accompany textiles. this is stra. you braid and all sorts of embroidery beads and metal, i use everything, what is possible, because this is precisely the difference in textures, which is the most important thing to do in the works, so that one texture works for another, that velvet worked, alen found parchment, and this combination is interesting for you in work, that you want

to consider them. and how it is done and in the process of work, all these fabrics. they are already acquiring the properties of a completely different material, so many at the exhibitions want to try it again, because now the lighting has been turned on. they provide many fabrics. mm, metallic luster, even nonsense somewhere metallic yes, because damage and fabrics are used. eh, the light is enveloping. tell us how the image of your paintings is born. primary thoughts come here, and you start thinking, here is some interesting topic, for example, the mistress of the copper mountain is the hostess - this is yes to fairy tales, which are in large numbers. i read as a child. she is from there the origins of fantasy. let's say. the work of the golden city, she, uh, was created. eh, these here for work are a golden city and a temple a monument in honor of all the saints in our fatherland who have planted this bowl dedicated to work. uh, because that according to the legend of thomas campanella plano city of the sun post-war minsk was built up as

the city of the sun is round. the square is the sun from it by the rays of the street. well, further and further, but of course i did not make plans. i made my own vision of this legend, but i collected iconic buildings that are in our city and now through a couple of gorky bridges. i showed here our city, but according to this legend. and you have a favorite job, in general, for all yours all this is all your favorite, because you work, i repeat once again somehow for a long time you work above. let's just say to the works, there are no passing works here. here, each work in itself holds the interior. i love all the works, because without love, without love for the work that you do, probably nothing would have worked out for your entire creative life. you have already defined for yourself some kind of philosophy of textiles. it's not just technology that has already become for you, i'll tell you, yes, it's the joy of being. eh, that is, works in general, if you do them, they are created for something. here is for me.

the most important thing is that work brings joy, to looking for work man. i wanted to look at it, feel it and understand that art, of course, is different, but it should not even be what it should be. that's what i always notice from my exhibitions. people leave all smiling, it is important what they come from the exhibition, they always leave with shining eyes and smiling. the belarusian school of textiles is now known all over the world and a strong vector is set here by vitebsk state university named after masherov tatyana good afternoon, please tell me what is different the vitebsk school of textiles from the minsk school of textiles is famous for its traditions, that is, in most cases, we implement all creative works through the embodiment of traditions and transformation using modern materials, the modern capabilities of these materials and move as much as possible into two-dimensional compositions that

create a certain relief on plane. this vitebsk state university is famous for the fact that we preserve, embody , multiply, namely our traditions at the department of decorative and applied arts and technical graphics. it is actively used there, a museum of arts and crafts , and there are collected all kinds of arts and crafts. a special place is given to textiles, including and tell us what techniques are taught at your university, a very diverse number of techniques, and here it starts from traditional ones. that is, we have straw weaving, ceramics and felting of wool, and manual quality and quality, and on the machine. and embroidery is decorative embroidery, and traditional belarusian embroidery, but special, probably popular among all our students , felting wool and batik is used, because this is a rather unpredictable material, especially wet

felting, that is, it is very, very difficult to predict the result. do you use any modern technologies in your work? yes, it is absolutely impossible to do without it at the present time. moreover, and technical capabilities allow. today, at the department, we are working on an art fund project and are trying to create a fund of our theses with the help of 3d digitization, which are collected in museum in our department and this makes it possible through virtual reality. through uh, the internet space to consider to the smallest detail. all all works zoom in to consider technology details. and well, in the whole composition itself. thus, we got there. we encourage, and the creativity of our students and those who are encouraged to further development and creative success exquisite color, emphasized texture of the material and national motifs, combining materials and digital technologies using

traditional techniques and techniques each author creates its own textile history. today , textiles acquire their own artistic language and the means of its expression are endless. and let the brightest textile bouquet grow for you. julia burlo was with you, we follow the cultural path together . see you again in exactly a week. to get the world to our children time. and

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