if their commanders, as you and i accurately argued, come to us and experiments will help us. well, listen, it's on the front lines of the assault squads. tell us what's important now? for the last time, putin told me that this is a counter-battery fight. yes, it says, drones are impossible without it. they went through it, they will tell about the weapon. what a good thing, it worked. what is not? that is. here we will meet with them. we must ask urgently yet. they may not be the lot for our commanders to meet with our commanders at the training grounds, they showed, they told so the armament and how to attack how to defend is priceless. this is what we need to take from the generation of the head of state as well, yes. highly appreciated the work of the power

bloc, associated with the recent situation around the wagner pmc in lithuania, they proposed to legalize the partisan detachments, and the so-called resistance groups. this is the initiative of the head of the parliamentary committee on national security, the lithuanian mp noted the quote to resist the occupation must be ready. let me remind you that every citizen has become. it is known that germany plans to place in lithuania for the long term an additional 4,000 troops to strengthen the eastern flank. nato is like that. major events so far. see you at 19:00. these active people live in the belarusian woodlands and develop their native land. the bulk of people now live in cities where nothing can be seen from the window, except for asphalt and fraud. i really wanted to create an image of an ideal village. where there is everything

rustic and also modern conditions for living. youths are calm measured life they have what many people aspire to i used to fish with my dad and my grandfather used to catch fish with a net and used to come over the fishermen. oh well, good fishing. and we also have peacocks. this spreads a very beautiful tail, and we cry feathers to the bones on the pas as a keepsake. the secret is that the heroes are not looking for a better life, but create it on their own. you can say about me where i was born there and came in handy and not a drop. big cities are not better for me, my place is my little motherland, for

me, the sweetest thing in the world on belarus 24 tv channel. history, its nature valentina if you staged performances of your own

life, what would it be. as you know, there are endless television serials like santa barbara. probably, it would be a very big interesting multifaceted performance, and the whole corpse of the theater would be occupied in it, and maybe i also invited actors, because i met with so many people. uh interesting i was lucky because we lived in a wonderfully wonderful time. we are at the crossroads. it is such a spirit and god that it is difficult to work with her, but interesting. she synthesizes influences the subconscious of the audience and all the time looking for himself. today i have a guest director at the gorky

valentina theater hello hehe valentina i know that you were born in a creative family. your dad played the accordion. mom sang in the choir. well, with such genes. uh, you just had to do music too, i'm probably right, but the fact is that this was their hobby. it was cold. they didn't insist on you, they trusted you a lot. eh, in general, i was lucky with my parents, because my parents trusted me, er, in this my formation of childhood and youth. that is, no one resisted my flight here, which i had there and who i just didn’t go to be valentina where did the desire to become an actress come from, such a generally difficult, post-war childhood, such a difficult life, and suddenly here’s a scene there on spotlights, and everything is

very spontaneously and accidentally, preparing for an exam in which subject we think physics or chemistry, i don’t remember something, something like that. i was sitting with my girlfriend and with my friend, which means that he was such a strong mathematician who was preparing . what page will open there and we will write and it opened for me, minsk belarus bgth and the belarusian theater art institute valentina how did your parents react when you said that you were going to minsk to enter bgth for dad? it was some kind of, probably a dream that you were his daughter, because he was like that, supposedly a man, in fact, he was pre-war. well , he loved creativity, uh, he gravitated towards him, so

for him it was somehow very prestigious, so when i entered my dad was like that joy. i think more than your mom on your cast list. here is the mogilev regional theatre. e hmm russian drama theater tuz why did the scene change, and what was not so looking for something, then. you're youth, it's still such hopes. it's still such a need, as they say, to look for something was to give. uh, creating something means, uh, not enough something was not enough in the mid-nineties. you once again decided to change the theater, this time it was the youth theater, but there, uh, they already accepted you, as directors. it was hmm accident or something like that. uh, your strategic professional plan. no, i

don't think anything happens. incidentally, i already had the base and my experience. after all, i came into directing consciously, when i was offered e, metarified in the youth theater as directors, and i would have had some such ideas about it, after all, it was 25-26 years of my acting behind me. uh, practices hmm and life practices, so this offer that came in i didn't grab. i wasn't happy with my hands. i thought for a long time, how can i whether, and how do i go on in general, especially since in those days, the director was very skeptical and mistrustful of a woman

. you felt the very ease of freedom when you moved from actresses to directors, what do you mean by the word freedom but more independence, probably, decision making the only thing you say is not that you dominate and you are in your own way and the director also has wounds some other responsibility in such a multiple multiple degree. you see, it's not like that. it just seems to me that you have been very lucky in life with people, internships. with mark zakharov is this an accident or is it some kind of professional. strategy, oh no, i

've been pushing for 10 years. i pushed through. the fact is that i got right into the period when all these connections were powder, and this institute did not work, and i was the first person after a ten-year break and a creative unit that the ministry of culture sent to moscow for these directing courses and to me solemn atmosphere diploma. that's because there was the first swallow from belarus then, as you were accepted in the linkom. i walked without breathing. i did not breathe, i took notes, all his rehearsals, just lucky, because he released a hoax on gogol's play in the garden. well, a very interesting very process is the most interesting process of the formation of the birth performance, or rather from the performance, when this table period passes and

the otter begins to enter the stage. here such here in your eyes begins to be born like this here at the beginning of this it is french, and then it gradually acquires. yes, yes, yes , i published it at night more than once. or maybe something was taken over. here, for themselves, we adopted from his some creative method of conducting an analysis rehearsal the analysis of the material and attitudes towards, uh, who the play is to the author you take how much it is consonant today, interesting and what , let's say, is the main component here the theme that should excite you and pull it to the surface. and this, mm selection of

distribution actors, which is very important and accurate, because if you don't have e those actors who are leading the main in this or that on your future performance, then how would you not like it, but the author or the play? do not take because you have to express yourself , you must have a team with which you must be together in some kind of result. yes, there was no desire. that's when i stay and continue my directing career in moscow with oleg one thing is that at that time my dad and my presence fell seriously ill. mom's support and the conditions in which she was then

my family and unfortunately, this was my dream. i have one invitation even to the theater to stage schiller, but this is not here. this is in russia. unfortunately, all this is somehow like that. well, it didn’t happen again, i say, it means it was necessary, because , at least, i managed to say goodbye to my father and be there when i was supposed to be, and i consider this the main thing, of course, because if you have something it is given and uh, it must happen, it will come. not now. so it will come later. and if it doesn't, then it shouldn't. you understand, so i'm more relaxed about this. we tell everything about the sports

life of the country . we brought two medals from the world cup. belarusian is very, firstly, a high level, when you play there, you get just invaluable experience, therefore , when you join the national team, you are already a bit of a hardened, one might say, hardened review of the most interesting events. we participated in a colorful race. actually. it's wonderful, when we started to start, the paints opened, that is, everything together. we are all so beautiful and happy opinions of competent experts in a cube. now we need it in order to wedge in, let's say, the qualification system to show that belarusian. we stand basketball. it exists and we have our own face, and we will deal with it and not only watch sports projects on the belarus 24 tv channel, we talk about the production enterprises of our country. we make a very amazing and hmm rare

product, because there are so many companies. which makes watches directly do production , our slogan is quality guarantor. here purposeful people work. our team. this is a team of like-minded people, united by common goals to achieve the best work results, we share their development history and achievements sometime in the zero years. hey, i set myself a challenge. i fulfilled it that there are quite a lot of young people at the enterprise to make a watch with one hand. and that, of course, brings in its storehouse, because, well, youth is energy - that's life. see the quality mark in the program on our tv channel. and so you returned to minsk and to the theater,

which was dear to you, yes, the russian drama theater, in which you worked as an actress, and here you appeared, valentina yankova, director, no one accepted. no it took a long time to prove my right to be a director together on the set, and then, in those days, a woman director, in general, my god. you uh were there with me recently and uh, i played your boyfriend. and you are my girlfriend or, at this time, you are there, i don’t know, i brought something. now it’s not you and me who were arguing, quarreling and arguing. we i don't know, uh, we loved. hmm, we did something. and now you will tell me where to go, from left to right, but i can give the post of foundation to tchaikovsky. eh, there was such an interesting period of my life when boris ivanovich went to the situation in yaroslavl there and left

me for a reason, for a reason, as his assistant to continue the rehearsal. we mean, we were rehearsing in a very cold room. uh, the heating was bad, it was the nineties. these cold nineties rostislav ivanovich who, uh, with the pressure of the patient, anyway came it seems, lord, some kind of voice is sitting there rehearsing something. when you drew, then already, as it were, as they say. it's rehearsal now. well, with the text always knew. and for this there was no need to repeat it, he already came to rehearsals with the text, uh, which uh, already worked, knowing him now. well , nevertheless, he came, he rehearsed and even those sentences that i tried. as they say from the audience to offer him, he still

accepted at the beginning with hostility, and then he says, wow, you're right, you're right. well, you know, and here i am thought about this. he was a very impulsive very person, but he responded very much, he responded, and he uh hmm really, as we say, really a knight in the theater was a very rare quality, here and uh. well, i was generally lucky, because boris ivanovich hmm left me more than once. e sling. mm, they were not treated differently. i remember the very first very first time he left me with er. there was some kind of fairy tale by the actors, it was shot down by the actors and made by the actors, but it was necessary to make some adjustments there,

which he told me to bring in, i left and thought, it was in vain that i agreed, but quietly, quietly, quietly , nevertheless, and uh, again, boris ivanovich lutsenko was nearby, who also showed me these universities of life and told me, but that's the point what you were doing, probably the knowledge of why you came, why they did their job. do you remember your first performance, which you put on the stage of the russian theater? along the roots of chukovsky chukovsky together,

but is there really no dispute between you there creative differences, i don't believe it. no, we are living people, of course, it happens, but yes, of course, we don’t reach it with a fist, but everyone tries to defend his own point of view, because he not only writes music, because he also works with the word works from the play and not one, let's say, not a single creative one of ours. uh, there, then, the result of work e in these secret magical attics, this is the very first performance that i staged, let's say professionally in the theater at the youth theater, the musical love story of the striped skating swallow. this is his work in general. here

li delirium, this music is a real first musical. and let's say, right now in our last works our last work with the yanka kupala theater hot heart according to ostrovsky adaptation of this play directly for the enki kupala theater is the work of alexei and even poems that were translated into belarusian. this is also his job. so, we have a confectionary ghost is a fully written play, which is even uploaded in the ministry of youth officially thought it was yes, youth youth. yes, yes, youth, so that's what we have enough then yes, i believe that's already about the speed of the performance.

the family creative union is one of the brightest and most famous in the theatrical environment. how did you meet? we got to know each other nicely and uh. hmm , you know, here, uh, i didn't give it to anyone. i'm interviewing about our er, meeting our acquaintance. it is we who have left everything in our tom past. and this is our kind of secret, which we keep and don’t tell anyone

, you know, such a deer flower, i keep it and keep it, so i don’t give it to anyone, nobody, nobody there, it’s ours. and you immediately from the first glance, they realized that alexey is exactly the person you need in life in creativity. nobody knows. it's not one person who doesn't know this. when he speaks, i immediately saw the look. well, love at first sight. you know what it is in general, or for everyone love is different, you can live your whole life and not know what love is. and this is love. can you say love? there is no love there. this is the result of your long life with a person. you understand when you understand what is real. i'm uh in this life today. i'm not alone and next to me is the one a man who knows

everything is impossible, but these guys are ready to prove otherwise. is it true that the giant planets of the solar system have a solid surface. i remember being in fifth grade. we studied this topic and it was said that all the planets, e, gas giants of the solar system, any adult would envy their erudition and charisma. is it true that arina is not only a female name, but also an image of the sea. here is the name, marina, it means marine. and what are the names of the artists who paint seascapes. she feels confident intellectual entertainment show. i know if it's true that this is an egyptian pharaoh, the great conqueror of antiquity is here. mos the third maria, do you recognize us here from the third?

watch on belarus 24 tv channel. i knew that before the release of a new performance , all the households protect you from care. that's what kind of state you are in before the release of a new play. weightlessness again 24/7. it's all in your head, you see, and in this moment. well, this has already developed

for me over the years, it is better not to apply at all. that is, i exist in order to live, rather, as i lived before, but i am on some kind of domestic automatic machine . and at this time no one asks me there. i'm not doing anything there , no matter how i'm doing some kind of trying, not to be distracted. for some extraneous business. yes, yes, yes, at this moment, and they don’t demand from me these duties of a mother and wife, which must be constantly remember that the work works, but the house is the house, if i have a family, no, yes, you are not opened, and after the premiere, what are you you feel emptiness triumph light dissatisfaction. and i'm always dissatisfied. here's how long the performance is 10 here, my 17th season will go. i think that the director is always uh, not completely satisfied with what he

did, you know, like for a child who grows up, but always remains a child. it seems to you that he is doing something wrong, something can be done better to help give some more, uh, some more breathing to support. from this, i probably know that you do not like being asked questions by male and female directors. the differences about that it is necessary to explain that there are no faces no why you do not like this topic. and this is not so for me. actually, it was already there in the past, when i was just getting on these rails of another profession, i relate to this. well, then i said that it says, not a smart person, not a smart stupid one, because a creative person and a real creator. he says he won't. he

will not differentiate. there is a good performance. good job. and there are bad jobs. i think there is no male female there is good directing and bad and unsuccessful a random person at the theater or, as they say, who accidentally came and is still learning this profession, because he has been studying this profession all his life, and we touched on the topic of the family in our conversation and it would be more logical to continue it. and we talked about what kind of director you are, but some mother told me that your adult daughter has a relationship with her, they lend themselves to the regime. unfortunately, once i study directed her profession, which i regret very much and the theater he collected a lot of time from my child i before him for a long time. that's all i can say,

i feel very uncomfortable here, i can say. because there has always been a lot. to prove to oneself to someone in life to engage in both the acting and directing profession, because it's like a test hatch, each new performance has no complaints. independently and that is, she understands the situation that gave me the opportunity to really immerse

myself completely in one and the second profession and moved away from me, like a daughter without interfering with me at the same time, supporting me i am very grateful to my mother to this day. this is the most important thing in the house. mom is a great blessing. this is just love, as they say, and some kind of power an angel is some kind of guardian that every person has, and probably. repay me for what. this is what i think, because this is the main thing in life, our program is called the meaning of life for you. what is the meaning of life? i took the path of independent living. when did i graduate from college? on one's own