and the walls stretched by the winds recede the openings into the windows to kill them without you, hang around and share. we had a lot of passes with a gatysh style, they reached, of course, the maximum height and they are not ugly from their colleagues. on the 19th, i became near the kirobili, only stabilization for a year and god got busy with the group of porridge retrospectives. we have great style. uh, absolutely all inexperienced elements and programs have already been baptized here. by the time i called, i had seen the whole architecture of the temple of the tsalkas. which one they thoroughly learned, which one they knew and rented french stories are famous, like the architecture of duc pyrogen usyk, that it is not only a hallway, but an alley, you know, and velma well thought out by alma is technically good, organized by a mammoth for a year and worse , it didn’t require soaking, it only got to rob you.

on the screen of the luce of the cathedral, fill the sunnas, and it was primed pashkodzheny stubborn light war to its majestic vezha vocalized at the lookout point by the kaiser troops in 1926, updated with the magic of meat xens the day of the show temple until the end of the forties late in bags they didn’t give leon the closed sports hall of the butcher’s school for storage, and at the end of the eighties, the passage. returned the cathedral back under their care.

we are talking about talented creative youth from belarus. i believe that she is one of the most promising future ballerinas, gifted and brave, always ready to master a new direction, conquer the stage and exhibition space, she easily masters the soft material of glider street, so we saw her work. she is excellent in bed, and in syria we will share the story of their creative path with all successes and failures and daily work on oneself are complex movements that are very difficult for her to give, because thin legs are long, when long levers are very difficult to manage, they will work out to do

this, and the new generation of belarusians. see in the project new people on belarus 24 tv channel. calise is in nature , the light is lost in silence, then lowered and only sang to the wind in the ear, as you slept out of the understanding of the silence of nature, fresh in the wind. get pissed off me with demons

obey for salad for respect on the bow.

the biggest reward for an actor is when in the finale the audience applauds and the whole corpse is all who played today. they say that today they understood us differently than they did today, how they understood us. this is a real theater. my father is a well-known sportsman, he is a european champion, champion of the soviet union multiple times in shooting viktor petrov

, some of his records still stand , not even surpassed, my mother graduated from the conservatory in the class of choral conducting. she worked in the musical leader in kindergarten, my life. it is connected with something here with the achievement of the goal. well, how will they say, too, like a champion, what is like a father? and work with many including choral collective why? here is our joint long work with a choral, a drop screen with a chamber choir, many projects. maybe it 's from my mother, because it was somewhere in her and now, uh, i've been working with these bands since childhood. i, uh, don't know if it was from the creative side i studied at the music school. with uh, choral slant according to clara's class no, and there, in the final, in the very stage, he staged a performance against a face, a daring young man and played the role of a king, there it was our class, he put on a whole performance for parents. it was our graduation party, or something, and

such a big performance, and then entered the academy of arts. she was close to home. i wanted to walk when they asked me why i went there, the nearest institute, but in fact, not exactly how i thought to be a lawyer. and he also studied, well, in this direction, but the exams at the academy of arts were earlier. well, i graduated from the academy of art. acting department daytime directing daytime postgraduate study daytime then i was invited to school at the moscow art theater studio for 2 years. i learned a lot there at the director's courses, higher and film school cops script department, then we design performances as a director. i graduated from school at the academy of arts of the course of playwrights. and as a stenographer. i also designed some of my performances, when i was graduating i was invited to work. uh, in three theaters, this is the kupala market theater and the youth theater and the russian theater, not the closest. e was at the kupala theater because there is that

there was an incredible tradition of masters at that time, which allowed me to feel what real creativity is . and most importantly, later, when i went to moscow to study, 10 years after working in the theater there. to meet with boris vladimirovich erin, who, in general , created this theater, uh, under him the theater was called the age of boris because he just uh created a connection between the actors. that is, he explained that there are stages of interactions between actors, that there is, you need to speak not to the ear, but to the partner’s eye to be able to process the partner in order to the sound went nowhere. and that's exactly the accuracy, if stanislavsky that he said that you need to play badly. and for sure, when we meet with experienced people with real teachers. they give us an image of activity inoculation. that is, go there, go there, go there, you will go badly there well. we either believe if they are good teachers, and then

we don’t make a number of mistakes, we immediately go to a very good result, or we don’t believe. then we thought something, i myself is also good. i'm good too. here we then either argue with someone or continue, but continue this is probably more effective, but who needs to be continued. these are powerful people who really took off, who have good results. time requires dialogue and serious steps towards resolving global conflicts. unfortunately, now there is a battle not only for truth and memory, but because of food, the grain deal is again on the lips. and bread has already become a currency and a subject of bargaining in the world; it is

in the blood of, perhaps, the vast majority of belarusians. the same applies to our policy , whether it be an external vector or investments, from which it is impossible to develop bright news occasions in the political, economic and social life in the country from abroad. and of course, the development of the peaceful atom is sure step forward on the path of our economic independence, we are returning to our homeland. more precisely, even in a small homeland in small districts there should be the same social infrastructure as in large cities, the future on their own land. nothing, incomparable cruelty of the nazis and facts that have been hidden for decades, when at night everything is eaten there now and rats and mice

some lizards. here imagine all this later on your own. traces of crimes archival video chronicle and testimonies of those who managed to escape dozens of punitive operations and the destruction of the belarusian people in a year and the war spoiled the best genocide came without the right to life, watch every week on belarus 24 tv channel

i served in several theaters. this theater yanka kupala listened a little, 21 years old theater of the army the theater of the belarusian army in modern art theater a new drama theater this is in minsk in moscow this is the center murhold. there i was a director. i played many roles, probably thirty theatrical ones. mostly. now i work in cinema. i remember my first role in the theater, yanka kupala it was the forest bulanova played maria georgievna zakharevich people's artist played the pot. it was a very difficult

performance for me, because i just came from the institute. i was actually appointed to the main role and well, everyone was worried about me, the whole corpse, too, the theater supported me very august milovanov back then, well, he worked, dubashinsky, wonderful, in general magnificent folk artists and after the performance. i realized that this is mine, that i really like it. and perhaps something will happen in the future. well, role. i have different heroes, lovers, if they are theatrical , yes, and old people and some characteristic roles , the diverse spectrum is very interesting to me, and one of my favorite books is the diaphrasis of character, it happens that the game of characters is not at all, because the theater is unique in that the audience wants to see themselves in other characters, and traumatology needs different

spectrum absolutely different spectrum of people. and we need specialists who can play different, not only the same type. yes, of course, we want to play rich, successful young people always, and lovers with a goal in mind, but for the performance we need 5-7 different roles. i play different things, rather difficult work for me was the role of st. vladimir kherask about the blessing of vladyka benjamin. uh, the film was made, it was a blessing for the role, because here is a colossal degree of responsibility . he won’t say such things, but to be authentic and convincing in this, that is, you need to appropriate the inner feelings of the hero’s action so much that the audience believes in this story in

the feat of this man who became a saint. did it happen to you, son? orthodox huh? peter baptized peace, lord, the soul of the deceased work. easier than yours. what if you find out? that's in terms of dream roles. i've played a lot already. and, probably, almost everything that exists even ostap bender played in the musical theater, but now i'm going in the direction of deepening. many roles, they are refined, deepened , made lighter and more voluminous, and i am now waiting for

the directors' proposal, or maybe i will write the play myself. and by the way, i forgot to mention this. i wrote about yakub kolas, i bought videos. kuba kolas it was on the smolnaya farm, right where they really met a hundred years ago. together with the actor sergei novitsky, we played this one. this is the first act of the play and relatives were present and there were many spectators. this is for me, for example, this is this the role is also a roller of kuba kolas she is very iconic, and i love it very much and even my granddaughter said that i looked like a grandfather. it seems, well, people don't give a damn about bees. i have already said the bees have long resolved the issue that he is their voice and

the collective farm. that's what you need every day just to work hard to work not to get tired of accepting with gratitude every role, every job that we are entrusted with, and then perhaps something will work out, the most important thing is to work constantly and at least be able to do something. and what he can do , you need to know a lot by heart by heart all the time to learn new information so that the viewer is the audience, why does he admire us, he must see us some qualities that he would like to have, but they may be just developing with him. only at the beginning of some stage, therefore, here is an artist, u, he must constantly twist so that there will be a result. well, i want to say that he is our belarusian artists. they are very much appreciated from abroad, including. because they were brought up here in our environment, which

assumes that inner modesty and great industriousness are therefore great the accuracy is here, therefore the belarusian actors, how they differ in their specificity, they are not ready only to play the main role of some powerful one , they can be different. they are very mobile, so the world market. this is in great demand, because in a play or in a film there must be a different spectrum of character of different character inspectors, and they know how to do it. and of course, we can say that there are no small roles, there are small actors. so when you said classic of the theater, it ’s just that, but an actor. in my opinion it should be able to play both small and medium and main roles. that is, he must be a specialist in various fields, not only in small or only in large ones, then the theater will develop, it will live. will you buy houses or not? if yes, then yes, if not, why not? because i love him, it's like

sitting here all evening without you to hear the same thing when you go deaf today. it seems to me that the time has come when he should become a multi-specialist. i, for example, how it happened. i worked in theater i was invited to graduate school to study at the academy of arts and i graduated from graduate school, and wrote a dissertation on the topic of directing principles in the structure of the performance and working here in the lenin library. we are looking for materials about great directors. i realized that i wanted to apply this more and more in practice, and then i was accepted to direct at the academy of arts. i staged a graduation performance, squaring a circle, in the theater the idea is now a new drama theater, and right there i was invited to a higher directing course in moscow to school studio. it was difficult for the moscow art theater to leave everything. here. i worked in several theaters and hosted a television program to go there to a completely unfamiliar city. i have never been to moscow before. and now i do not regret it,

because there were many periods when for several years i staged a premiere once a month. and from whom i learned this from meyerhold, i’ll note everything, merkhold, a student of stanislavsky, just a grandson of peter the mercurial, i was friends. ah. we met at the merhold museum and talked a lot with him my main teacher in the theater was boris vladimirovich erin, he created the theater, yanka kupala, he gave me a lot, that is , some very precise moments like a surgeon’s secrets, they can only be transmitted by e. here's one person to another. if you think about whether i had some kind of boiling point when i would like to quit, no, because i work in three to four specialties. you constantly switch from one thing to another and there is no moment when you are standing near the wall and thinking what to do with it. why? so it seems to me that every person should move forward towards his goal.

the museum of the great patriotic war is a special place for me, because my grandparents were tankers, they took berlin. and i think that for each of us this museum is a place of valor and glory of our glorious ancestors. i am grateful to the museum management for inviting me to be here as the voice of an audio guide in russian and belarusian , now this guide has been recorded. i invite everyone to listen to this wonderful work, which speaks of the memory of our ancestors. we are glad welcome you to the belarusian state museum of the history of the great patriotic war. the uniqueness of the museum lies in the fact that it was created and opened

during the war years on october 22, 1944, when belarus had already been liberated from the nazi invaders, but almost half a year remained before the victory. the museum has already started its work for 20 years. i record audiobooks for blind people, you know, people with disabilities. they live only because they want to wait for something new in terms of creativity. here are the announcers books. and for me, these people are special people, perhaps the role of st. vladimir heresk. she also rhymes with this, because he worked, if blind people, he created a choir from the children of blind children, and now there is a choir,

the joy of the soul, we are also working with them on a performance. these are also people who require our attention and our support. we can be different, if our future is at stake, some will suffer, others will enjoy, but everyone will get a result. any medal has two sides, even the medal for feats of peaceful valor implies self-sacrifice to achieve a common goal, there are such unique people such valiant people among us, but if an emergency happens, you need to talk to people, tell where the problem happened, what and what is being done to eliminate it, this is a big policy , important, but complex and where

everything is never said about everything there, igor’s public view of the main events in the country and on the international arena, see the project on belarus 24 tv channel. ether 24/7 is a project in which for 20 minutes you learn more about the key events of the past week, which scored the most of your likes on our social networks. make exciting online trips to the most picturesque corners of belarus and make your own rating of the tv project in documentaries and series that you should watch. watch us every friday night. why

are we here, near the building of beltel or the radio company? because besides the fact that i am an actor in the theater of cinema. i am currently leading projects of cultural ideas for belarus 3 and program history of the facts, who few can simultaneously work in the theater in the cinema or on television, because everywhere there are nuances, in the theater, these are some big gestures. well, such plans, the whole body works. e to the cinema. these are smart eyes on a calm face, and the announcer is a very beautifully calibrated voice . accurate information and accurate presentation of what you need. this is the place belarusian television is a symbolic favorite for me, because since childhood. i sang here in the ensemble of the hotel. for seven years we children ran. here we went to the cafe along the corridor. big tangerines were sold here for the new year, then they were not anywhere, but it was

such happiness, we children could bring home to buy a tangerine. this is volochek yes and this place for me is associated with the first friendship with the first love. a special place for me is here. i have been teaching speech techniques to tv announcers for the past four or five years, and i proposed my candidacy for the presenter and i really like to communicate. i really love to share the joy of something good on television. there is an opportunity to communicate with a large number of people of any business, but it arises. and in general, it is possible from positive thinking, that is , in order to build a house . here is the result and on television there are just a lot of programs that help people live, help to become better and more interesting, the difference between cinema and television. she is. what is it in a television announcer. he streamlines

the mind of the listener, he has some pressure. he has four or five colors should be mostly from positive emotions. in the cinema - this is a large spectrum of emotions, where the transitions are partly unfortunately constant there, to a greater extent , immersion in the role. that is, there is nothing to play, you just need to live with the inner inner feelings of the character. most importantly, and in the announcer of the announcer, it is important the information that we have here selected, which is made to convey to the mind of the viewer. well, the fact that i'm always in the frame is constantly in sight. for me, this is no longer a problem. at first, i was worried, afraid, of course, as well as everyone can be experts. then you just understand the specifics of the work, you just start to be relaxed internally. well face. in the sense of yes, face to face, but collected inside in the mind and feelings. i acquired my tapping skills

at the academy of arts before dancing, at 7 am i invited a tap teacher viktor petrovich isakov, he worked for many years on warships, toured in australia. he was a very good tap dancer and for about a year. i learned to dance and because of that i was chosen for the main role of the film, who is the next dreamer, where sergei orlik played stopisto now in fact in the cis please here is my age from dramatic artists. there is only a yacht. they often ask me. is it possible to go to directing at the age of 30, that is, earlier than to go to directing at the age of 30, or, uh, to take place at an early age, it’s probably possible, but not for long, when ivan moskvin was asked once a young actor, what is the difference between us asked, says, look, there you are. trish

tampa, and i have 103 because that is, this skill is some skills they are needed for well, to be in demand, if we know how to do one or two things, they were realized in a year for everything, and then people begin to worry. why? it seems to have become a star and so on? and why? what's next? yes, therefore , you need to be able to know as much as possible and start as early as possible, then there are chances for something to be implemented. but we need this for a good school in a real school, we need to keep a diary of emotions, which we need to specifically record our joyful and sad moments. and then when we are faced with a situation where need very precisely, especially in the cinema there is a need needed. just play precision. you're definitely there. we go into this diary and look at us, concrete decoys appear. why is he bad at playing? first, we try, we want to do it faster to be better than we

really are. and for example, we play everything, in general, some kind of fear in general, but you need it specifically. well, to be afraid of something in particular, or to imagine the loss of some specific one , or it happened, for example. yes, and an actor should have a lot of these stamps. well as stamps of paint developments, these are paints that can be immediately replaced with other paints, exchanged for watercolor for gouache, and for oil paints. to do this, you need to love and be able to draw together. this, of course, with the director. if an actor, and if he is a director , then he should distribute these colors to everyone and teach everyone to understand, in what system we work, how we play. it is very interesting. hmm