i wonder, anyway, because every new character is a whole planet and the movie gives you the opportunity to a little bit, so to speak . hmm. think about the form, because every movie requires its own form. eh, sometimes. this is a very painful process. sometimes i even regret that i took up cinema there, because i can no longer think about the program. i'm constantly in my head. here are thoughts how to do how to do not trite? how to make it interesting and natural. well it takes away nerves and time, which is very small, to be honest, here, but on the other hand, these are festivals, and from the cinema, it was festivals that were successful. i said that almost all of my films go to the festival, and festivals are a meeting with colleagues. it's you who watch alien films, you five fueled both in the profession and as

a person, it's interesting, did it happen, so life circumstances completely changed your original idea for the film, each film always changes towards the end. haha, because you can't in a documentary it is impossible to write a rigid scenario into this scenario to drive your hero the way you want, the way you thought of it, the way you would like it to be impossible and, of course, very often there are things that you do not depend on, and this is very beautiful. here's the thing about documentaries, as opposed to fiction, the beauty of it is that you never know. hmm. the end result. it's like a minefield. you see , here you go and you don't know. this is where you , uh, will lose, and where you will find, where is this

m-m necessary move and, of course, most often it turns out not what you want. and well them it good if it's good. and if, of course, it all collapses. and then you get out, then you get out, so that it still turns out well. you shoot a lot, and creative people, and artists, cameramen, actors, directors, what attracts you to the topic of creativity and, uh, what do you want to understand, but when shooting such a movie, first of all, i want to understand myself. i said that when i started working, uh, and did my interviews even for the programs with the characters that i filmed. here are the directors, screenwriters, peter's producers are actors. always looking for answers

to my questions. how to make a good movie like, well, in the hope that i will make a movie myself, but, and then you understand, i, uh, look at my old programs, for example, i understood very well that through these heroes, first of all, i was again looking for questions on i saw very clearly what worried me at one time or another, hmm, because from the questions that i asked, it was clear what worries me at that moment, a genius often coexists. uh, with some kind of internal breakdown of the disappointment of a personal drama. what do you think? is this the inevitable price of talent, or can it be avoided if desired? it's not hard to judge. is it possible to escape and i don’t consider myself to be such a talented

person who constantly feels depression, there is dissatisfaction and so on and so forth. probably, great artists, probably, have such moments of crisis that they demand. interventions, even, perhaps, doctors, but how good or bad, but it seems to me that in creativity we always work a little on the edge, but this does not apply to me. i can honestly say that, for example, i feel very well that critical point, through which it is better for me not to cross. although maybe if i had stepped over it, maybe i would have done something more interesting, more masterpiece. well, i have some kind of internal brakes. i understand that if i

continue to move in this direction, then yes , perhaps some psychological problems. and i also want to live, i also want to work and not i want to get to the hospital chamber like my friend, who made a feature movie. did you have to? in life, to choose between a profession and personal life and whether it is possible to maintain a balance. yes, to be honest, i have a personal life, i worry because. i don't know. it seems to me that my work is more important than my personal life, unfortunately. i can't imagine myself without work. i give a lot of time to work, i probably give little time to my family. not probably, but definitely. i didn't have much

to do with raising my children. thank god i have a wife. she is, as they say, very a good housewife and mother, therefore, all the main burden fell on her. in this regard, i'm probably more interested in the egoist. it is not interesting to work to shoot being outside the home. i don't know what to do. and what should i do, so i don't know how to rest. i don't know how to spend time with my family. i do not burden the house. therefore, if you could change something in your life, so that you change. i thought about this question quite recently. the fact is that as a person who believes, as a person

who knows that fate is leading me through life, to be honest, i don’t complain about fate and i think that by and large it would not be necessary to change anything, because you do not know what consequences this may lead to in the future for you and your loved ones. it always seems to us that now, if we were there sometime, it would be better then only the lord knows, what would be better, so that he only knows, and what fate is prepared for us. and what awaits us ahead, but i still think that if it were possible to change something, i would, of course . of course we wouldn't. so, when

could you have another baby? 100 brave guys gathered in our studio, and each of them has a question for an adult, did you rebel against your parents and how did they punish you, a and please tell me how much you are ready to give for 100%. did the police detain you? alexander, i remind you that according to the rules of the program, you have the right to refuse the question three times; the heroes of the program will have to open up to the audience any sanctions - this is a mobile phone , some signs of fate. i really really

believe in myself my star in my victory in my success. is it true that with this song you earned 1 million dollars, see the project 100 questions for an adult on belarus 24 tv channel. we talk about the manufacturing enterprises of our country. we make a very amazing and hmm rare product, because so many companies that make watches are doing production. our slogan is quality assurance. purposeful people work here. our team. this is a team of like-minded people, united by common goals

to achieve the best work results, we share their development history and achievements sometime in the zero years. e, i set myself task. i told her that there are quite a lot of young people at the enterprise to make a watch with one hand. and it certainly contributes because, well, youth is energy. this is life, see the quality mark program on our tv channel. sergey , you not only shoot, but also evaluate other works. i mean the work on the fall leaves. you are now engaged in viewing and selecting non-feature films for the festival. here. has your approach to judging films changed? uh

, in recent years and is it difficult to be objective? yes, it's hard to be objective. it's very hard to be subjective. you know, when i agreed to this position, we will talk. so, to be honest, i thought it was very simple, because according to the rules of our festival. we take into the competition films that have already been awarded at other festivals and have already received the main awards and it seemed. this is something easier. uh, went through the festivals. now the internet has it all. uh, information, i agreed with the author to take the films and you can not even watch them. i know that

the jury can be very strange in their choice. sometimes even inadequate, because the mass of all kinds. uh, there undercurrents exist. everyone lobbies there their interests, their authors and sometimes. this is not a movie that is personal. in my opinion, it is the best. and when i encountered this, then, of course, i had this operation, that you can’t just trust someone else’s opinion, you must. who do you like? because you are in charge of this program. there is such an expression festival cinema and most cases of documentary films, just the same

, they rarely appear on television screens. why do you think it is so well, because documentaries are, as it were, a priori until today. and it was a special genre. but cinema, you understand, today these borders are a little bit, they have leveled off a little, but because documentary films have become more television and this is a big problem for artists who make real documentaries, because there is no place to show rentals, except for a festival, and who will pay for your experiments in the field of documentary films, because documentary films are art is art. on the art of cinema, and television cinema is a spectator cinema. and since today you can watch a movie only on television, basically television buys television

is the customer, then the directors are put in this framework. well, how to call producer films, or something, when they are required to have a spectator film, and this already has a distant relation to art, and then still a documentary film. it has always been very problematic, it was a conflict movie, but it can be extraordinary unusual. it raised sharp topics, and today, unfortunately, so what time is it that you already know everyone is blowing milk? what are hot topics? what problematic films do people need to calm down and show that everything is fine with us. and if it is not good, then you will understand well, and therefore, of course, there is a problem. there are problems with documentaries with real honest art documentaries. movie.

mobile cinema is being actively filmed now. uh, do you think you can make a good documentary on a mobile phone, you can do anything with a camera on a mobile phone and as much as i have already seen, even we had an uh festival, in my opinion, a smartphone, which the guys just filmed. i was with a member of the jury of this festival, and i saw feature films, filmed on editing . no, no specifics. the most important thing is the idea. just before the quality was not very good today some. they shoot, uh, better than our stationary cameras. what will your next picture be about? oh, next picture? i don't want to talk because it's a secret. yes and

me as if another application for the film. i think it will be very interesting work. but i don't want to be intercepted, but do you have creative plans, by the way? yes , you know, i have a lot of creative plans. as for every year, i write this out for myself, you know, here, here, here, here, here, here is what i would like to do , what i'm interested in, what i want to do in time , it doesn't upset me that there is not enough time for everything out of strength. our program is called the meaning of life for you. what is a sense of life? you you know, this is such a philosophical question that the great minds of mankind cannot answer? and therefore, you know , i don’t want to be banal to say that the meaning of life is in procreation, which is important, of course, that

the meaning of life is in life itself. i want to say again that i believe that every person has his own destiny. there is a path in this life. i'm sure i feel it more and more with age. they would not want me to walk this road to the end with dignity. and at the end i felt it. calmness and inner harmony thank you very much and you thank you. this was the meaning of life sergei gatiyar.

tv channel belarus 24 broadcasts for you around the clock, do not switch. our daily task is to tell about belarus in the country and abroad. more than 100 million viewers around the world have access to watching the projects of our tv channel. so what is belarus

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it's time to take a little trip. my name is victoria poplevchenkova. and today i will build a route to the most interesting places. i will play on an old organ that has been silent for over 30 years. and with what force to press? well , as usual, reveal the secret of longevity, chan island longevity tea from maria yulianovna, and at the end of the route i’ll drop by a real farm in

forest, where all the joys of agroecotourism will be comprehended. well, because i'm holding you. she's springy, you're pulling you back, but first, let's deal with the transfer. the distance between minsk and ostrovets is just over 150 km. you can get here by bus or taxi route, but since the geography of our route today will be very diverse. we choose a car, probably known to every traveler.