their own were too big and such an axis was saturated with architectural plots. there it was more and more strict and measured at the church. what were the labor of the circus and the costume. there everything was more e, i would be strictly like this, but here, well , more fantasy, more riot of such i am with pleasure, and it is all drunk and romanticism and not only that expires in the breakdown of many bridges of two-knowers for the very placement. vezha y is a mathematical system, and a minus view of the apparatus of fibonation cliques, where there are two identical one to one in hunting with leonidas on top of their mixture of three architectural styles, five pyramidal courts and their and so on conspiracy versions. of course there will be options too. uh, suzii the blackest show with ma. what are free

mullers? what musi or not? they could plan to be elected from povedno and create for themselves, uh, a special temple. e, potash, looking at this town hall, you can add symbolism to the leaders and the weakening itself, however, in the eighteenth city, freemasonry was a person to the staff of such a noble club. uh, from the elite navre, meushanets to pass such velma-velicular ones on that, uh, assignments yak masonic. uh privacy comes in europe summer 10%. all the elites, the nobility was on the list of the masonic rays of the centuries, the shajir, the town hall of the badjila and bali and the public conquest of death sometimes, another from the light war. she housed a nazi prison for the military-complete after the soviet rural masters and schools. in 1976, one of

the meat zhekhars at the town hall had spalina, according to the recollections of an old-timer, people gulped badjadshiy tears. hearing smoke over the heart of the shajir borscht land for 30 years at the budynki alinavat was under restoration. paustovsky saw shadzherskaya, town hall holding out for the heat. here we are the riddle of his turned off device.

on may 18, 1993, the four of us orlovs were sitting in the hall of the russian theater, i applauded him, who acted as an amphitryon, but neither we nor the audience of this performance could imagine that we were seeing him. the last time

, because there were only three months left before his such close death, he is an artist yuri on the eve of may 17, we slowly walked along the makayonka from television to the metro and me i wanted to talk to the artist, and he willingly responded. he began to list his roles, they were wool. these were some kind of roles in the cinema in the theater on television, some kind of one-man show. that's all and suddenly he says, come tomorrow to the russian theater. i play amphitryon. well, you know, since my college years, after a lecture on the ancient theater, i had a performance of something so monumental and tragic.

i tried so politely to refuse, i say. you know, the children have already grown up and, as it were, we go to the theater together. well, after all, here are these one with half years. it's too early for a tragedy for them, so thank you very much. yes, you interrupted. he me. it's not a tragedy, it's a fun ka. media with songs, couplets, jokes, improvisations, well, i almost thought that's the only thing i don't know if i'll be able to order four empty seats for you today, well using my long-standing friendship with the chief director of the theater from the director of the play , boris lutsenko, the next day, four orlovs were sitting in the fifth row near the steamer and ate this performance amphitryon impression from the play amphitryon in one short word

shock. when i returned home, i sat down at the typewriter and directly typed out my review of my letter, which i handed over to boris in the morning, he immediately read it and hung it up, there is a paragraph on the notice board of theaters. the stranger on this stage is meant, the russian theater yuri kozyuchits, an artist who is so lucky everything important he outplayed a film actor in his theater and then pulls this performance, untamed mobile, his every trick and gesture to the place deceived well, the happy amphitryon resigned himself to power fate. he sang in falsetto on a tree. peaches are ripe again for the first time theater. used his musical talent.

fell on you in a burning. i swear my name. just kidding, dear friend of you. i'm sad to you in the burners whisper the name, dear, friend. gentle friend with yura, we never

collaborated together. well, we had some kind of remote respect. in any case, from my side, because i saw all his performances in the theater of a film actor and already it was impossible not to remember his first role in the russian theater. the soviet union is an immense territory and people, as always, are not enough, the usual in the soviet union a way to attract young people.

call for enthusiasm we need people who are sedate with professions, preferably family ones , and then another method was recruitment. this means they were luring somewhere with a long ruble with large lifting ones. this is how the belarusian family of the husband and the wife of the goat were recruited to siberia in the krasnoyarsk territory, well, well, they settled down, the work is the husband is the driver. she is a railroad specialist. and there they had a boy, who was named yura

, a pretty, blond boy, but they didn’t stay there long, apparently, others the lifters beckoned them to the city, norilsk, and there, having already settled at risk, having gone to school there. yura discovered the gift of acting at school, performances were staged. well, the choice of plays was small. it was dimka the invisible, the snowball of marshak's fairy tale, mikhalkov's play well , of course, yura played the main roles there, but he was noticed and invited to television. he began to conduct children's cycle programs, but this is not the main thing, there was a children's theater at norilsk television, that's it. i yura became a star , i must tell you that there was such a theater in minsk

television, but to get into the corpse at the children's theater. it was necessary to pass the selection of the most severe competition. i just remember these crowds of kids, there are 500-700 people. there was a clamor near the studio, they were called there five by 10 for audition viewing. but what is disappointing is that it was impossible to fix the performances on anything , there were no carriers, they didn’t see them, they didn’t throw them, so the performance was rehearsed and broadcast live in its entirety. well, how many showed them. well, one two on the strength of three times and therefore. here is the history of these children's theaters now remember only very, very aged former theater participants. some of whom became professional actors thanks to

the children's theater, such an artist from the children's theater with cut television and became blond. after graduating from school, moscow immediately applied to the school. well, in fact, this is the shchukin university, the so-called pike . why not accept accepted? in 1980 kazyuchit finishes the pike and he is invited to the theater in moscow. on malaya bronnaya

in the same year, his colleague, still in the children's theater in norilsk, graduated from the institute in norilsk, they will reunite later in minsk, as in minsk at that time, the theater on malaya bronnaya was one of the three most famous moscow theaters, where it was impossible to get into yura coincided with the age of 17. the existence of the theater on malaya bronnaya in the theater, what was it, the main director of the theater in the sixties and eighties , alexander dunaev was considered a director, but he allowed

the theater to exist in the theater to the ordinary director anatoly efes, when anatoly efros? well, let's say, they gently combed it out of the theater with a link with him, 10 artists durov nikolai volkov yakovleva of death derzhavin shervin round and what performances were staged in the village for a month romeo and juliet dead souls, brother alyosha some of them i saw. and everywhere in these performances shone the role. to a young romantic pimpluartist, but it seems to me

that yura did not appreciate this chance of this lifelong path, and he rejected moscow and the most prestigious theater and such partners of actors and anatoly efros. why? well, how about the version such that in moscow they did not promise him a quick home, but you know, after all, none of the provincial artists who nailed, as if offering themselves to moscow theaters, spent the night in parks on benches, did not sleep at stations. well, somehow they got along afterward. well, maybe not right away somewhere in the apartments, somehow yura rejected it all. he accepted the minskers' offer. where he was invited here he

was promised housing and was soon given. by the way, on my own street right next door on zaslavskaya street. he has the role of prime minister here in theater studio film actor. here he has the main role in the serial film people in the swamp. he has here since 1981 the work of such a fine craftsman at hand. boris lutsenko, still a talented teacher, and yura remains in minsk . it is impossible to know everything, but these guys are ready to prove the opposite. is it true that the giant planets of the solar system have a solid surface. i remember being in fifth

grade. we studied this topic and it was said that all the planets, uh, gas giants of the solar system, any adults would envy them erudition and charisma. is it true that arina is not only a female name, but also an image of the sea. here is the name, marina, it means marine. and what are the names of the artists who paint seascapes. she feels confident intellectually entertaining show. i know if it is true that this is the egyptian pharaoh, the great conqueror of antiquity, thutmose the third mary, will you find out here from the third hallelujah there will be dialogue and serious steps towards resolving

global conflicts. unfortunately, now there is a battle going on not only for truth and memory, but because of food grain deal again on the lips. and bread has already become a currency and a subject of bargaining in the world; it is in the blood of, perhaps, the vast majority of belarusians. the same applies to our policy, whether it be an external vector or investments, without which it is impossible to develop bright news stories in the political, economic and social life in the country and abroad. and of course , the development of the peaceful atom is sure step forward on the path of our economic independence , we are returning to our homeland. more precisely, even for a small homeland in small regional centers there should be the same social infrastructure as in large cities. this is how belarusians build brick by brick, the future on their land.

watch on tv channel belarus 24. on the collective farm sovetskaya belorussia in the woodland in the regional center of slutskaya yes, and in general, in many regional centers of towns and even in the villages of belarus , the most beautiful palaces of culture with mirror halls for ballet with a stage with rehearsal rooms for all kinds of circles for all kinds of events with a buffet comparison with this in in minsk, the theater of the film actor is an extension at the back of the cinema. moscow is three backstage reel for administration five dressing rooms a small rehearsal room. it is, uh, a repository of some scenery, two toilets and a hall for 150 seats, where the knees of those sitting in the front row almost touch the stage of only three meters in depth. all. but the bright

creative fire lit in this theater by valery bonisenko and simply blinding, as it were, inflated by the most talented boris lutsenko , made this theater the first demanded six stage in the city of minsk boris lutsenko, i must say, then entered the long apogee of his creative success. in 1985 i saw the first play. there, with the participation of yura, the kozyuchitsa is not afraid of virginia. the fact is that by this time in america the play had already been filmed. there, two married couples, older and younger, were played by the brilliant married duet elizabeth taylor and reacher burton, and the film has already received five oscars, of which four are acting

- this is richard burton, an inventor and a couple of young actors who did not become famous as the best supporting actors, but we then film this they didn’t see it, they didn’t know that it was filmed and they knew these oscars, the fight on equal children, that ’s all to make you go crazy with anger. i have already got angry. don't worry, we'll play to the death. you will be surprised, and here are our little friends. get ready the essence of the performance is that a professorial couple and a couple of young scientists are going to some kind of party. and the tired couples gradually begin , some sadomasochistic games begin. they torment each other, make fun of each other, looking at them and the young begin

to have mercy, that is, to mock each other, some family secrets are revealed that it would be better to keep between the two and that guy and this one. just shocked the most magnificent acting work was long applauded on a small stage three meters deep by the actors. here they are nearby, we see everything that you saw on their faces in their experiences. we see sweaty faces. we see trembling fingers. you see, i'm not a rocket. ritual of the most ancient ancients i do not understand what you are talking about. i say what i like. how do you move, how do they move. yura conveyed all this, and it seems to me that this is it. it was his openness.

such insecurity. vulnerability. that's how he is performed in his next performance in the summer on ana, it was a play about chopin. and his very difficult relationship with georges saint in her estate, where they spent this summer already a self-sufficient woman herself, a writer a bright representative of french culture, and he is chopin rushing about, experiencing entangled in his personal relationship with zhorsan, jealous of her, capricious, he could be knocked out from your creative state. not even that piece of chicken was served to him for dinner. i remember these intonations of his popular this brisket

chicken and now he is already acting up and everyone treats him with understanding and plays. well , how do you understand a genius, and he has this jealousy here he has you there iuraditsy he has a cutting creative crisis. and that's all yura somehow conveyed, and now with such a school of these two roles, he begins to play the role that is the dream of, in general, every young artist of the prime minister of a man. yes, damn it, boris is staging the greatest tragedy of world drama on this tiny stage. yes, we slept it. the connection of times loosened the claim, most likely. what am i

born to restore it? what is interesting is that the pain really wanted to film this performance, but it is not easy to film it, as a performance is traditionally broadcast. it’s just that the usual ones are not, the performance was filmed at night without spectators to the conquered ideas, the conquered storyboard did not tell any drops on the glass. that is, or not to be? that's all the question after filming this performance

, both boris and yura kazyuchits, and it seems to me that the director at the control panel, who was sitting volodya tretyakov, was very pleased with this work. i think it's very worth seeing. even today even in our days, probably, after so many hamlets translated by us during this time. it's not scary that the actor is passing through this fantasy for composed feelings his consciousness what is coming down the blood sucking him? eyes are clouded by tears , the voice and appearance of each fold fade, says how he lives. and for what in the end? yura had

a goat-maker in this theater and other main roles. it was the marriage of balzaminov, an eccentric from the potter's street, were the roles of cleofen in a comedy, or sister with valery rubinchik's tomboy about the caster. uh children from bethlehem it is you you know, i'm only telling what i remember best and what impressed me the most from the performances i saw more than 30 years ago.

the roles in the hamlet in the eccentric from potter's street i'm not afraid of virgin wolf were created by yura under the guidance of the director's teacher. boris lutsenko i think i will be right if i say that it was boris lutsenko who made yura the premiere of the minsk stages, moreover, when boris headed the second time after the break. as the main referee of the russian theater, he dragged three actors from the theater of the film actor to to the russian theater it was svetlana kuzmina. it was vanya maskevich. and it was, of course, yura the cossack. i spoke about the stage creations of yura, this is something that cannot be restored even now. well

, his film roles. you can see the pokopa. that is, in the network, they all go there. the prose of the belarusian classics is incredibly difficult to stage; this is the monotony of the narrative

, verbosity, the implicitness of the identification of conflicts, the primitiveness of the dialogues of the big one . screening for relatives. and before viktor turov, who took up the film adaptation of ivan, people in the swamp stood up. this is the task of transforming. this prose, this epic, a tough film script, then shoot, so the script, and you know, to a greater extent, he succeeded. well, it would seem, what can interest the viewer, the thirties, here is

the belarusian cartage outback, soviet power gangs collectivization of land plots, laying some kind of gati, here through the swamp. well, well, there’s nothing, as it were, to particularly hook, but what a surprisingly worn-out film gathered 4 million viewers for such a story, well , just an incredible figure, incredible, but at the hand of an experienced director. viktor turonov. the hero of this basil and gunny was what to play? yura, by the way, was chosen from 17 applicants for this role.

yes, i myself well, the skill of the young was supported by older actors. this is gennady garbulke, who played hanna's father. this is yuri gorobets well, in general, outside, the main secondary roles are a stunner, their fellow villager. well, he's the favorite artist of a group of directors. ku and there me. i'm guilty, but what's amazing after the release of the second part of the breath of a thunderstorm in 1984, elena borzova gennady garbo and yuri gorobets are awarded the state prize, the ussr and what about the leading actor yuri

is it really possible to say that the secondary episode glushak impressed the commission and the audience more than the leading actor in two serial films? i do not understand, it was then and inexplicable today.

nothing, incomparable cruelty of the nazis and facts that have been hidden for decades to eat everything. traces of crimes archived video the chronicle and testifies those who managed to escape dozens of punitive operations and the destruction of the belarusian people during the war years were beaten and burned. and tata, i came to collect from the youngest. you are her bones and all alone one

screen, the package was buried. documentary publicist cycle genocide without the right to life, watch every week on tv channel belarus 24 people who can be admired. i work in three four specialties , constantly switching from one thing to another and there is no moment when you are standing here near the wall and think what to do with it. why is everything so it seems to me that every person should move forward towards his goal, our heroes will tell about themselves and their hobbies. there is nothing more difficult in the world than to come up with a new ordinary glass, it happens that one of the characters is not yourself at all. because the theater is unique, the audience wants to see themselves in other people, and most importantly, they will share the secrets of their success. i don't like to work. i love to have fun. you see

, when you like the process, it's not work. this bliss. watch the belarusians project on belarus 24 tv channel. in 1981, the release of the first part of the epic film epic people in the swamp, yura and nadya officially got married in eighty-second , they had a girl. anya's father nikolai is in the red town. baptized her in 1984, the second girl was born. tanya's father nicholas baptized her, and worries to death in honor of the decade. yura and father nikolai married

death together and a long road over tina's epic people in the swamp and the breath of a thunderstorm according to yura's law with the cameraman of this film dmitry zaitsev and their cooperation will continue, but in a slightly different capacity. the fact is that in 1990 , dima zaitsev, already as a director, started with the film frank, the wife of a boor of the story, or even, like the artist and the former cameraman, now the director, again agreed to work together. yura played. mikul's role is not very big there, but you know , playing a secondary role in a good film is still very cool, because yura

is remembered for everything by his appearance as an actor in this role of young healthy. he will only talk to you teeth, and others. there was also, of course, the lead role in the film in the tv movie ferry. now, if they don’t kill you, my fellow tribesmen will be lucky to see the leonids through the year. star rain people say that it burns people's hearts. i think that it is the lord god who strikes matches. and he watches how people still cut there. they kill each other. every time he sees the same thing.

good people to each other. yura didn’t have films of the main roles, you know, i think why yuri didn’t go, no matter how the meshchansky caps went, budyonnovka, wishlist lamb pirozhki, some greasy pilots. well, don’t go , you know, yes, damn it. and after that unforgettable performance

of the amphitryon on may 18, 1993, the russian theater went on tour to vitebsk for the whole of june there at the very first performance of the amphitryon. yuri became ill. he barely finished the performance, the next performance was replaced by the titrion, because yura was the only irreplaceable performer of the main role. well, as if they remembered that he seemed to have fallen off a horse a year ago, then they remembered that during a tour in moscow with hamlet. he fell off scenery. i hurt myself very badly, then they said more. and, perhaps, he caught a cold, when in a cold country house with his friend actor sasha bespalov, he was pulling

electrical wiring in drafts. and, perhaps, he caught a cold when the seine dragged cold water. in general, everything was written off as ordinary sciatica, as it was treated. well, at that time it was fashionable folk medicine magic healers sorceress sorcerer and they missed the time and it was all over. institute of oncology, 9th floor, radiology department led by professor galina vladimirovna muravskaya, who at that time was filming in my film we all walk under god, she revealed to me the terrible diagnosis of metastases. yura has already gone to the liver. yura

did not know about his diagnosis until the last day . a brief report in the newspapers on may 24, 1993 , theater artist yuri kozerovich died. the next day, the parting in the theater passed somehow short, crumpled awkwardly. the artists climbed the stage not knowing what to say. they muttered something, muttered something , were silent for a very long time, there were some pauses, no one even listed the roles that yura played here on this scene is three meters deep, where he now lay. you probably know. he is 34 years old , many who tried to say something about him

were even older than him. in general, this was the first death in the young theater of a film actor. this was his favorite song. i didn't ask permission. may i sing it? and i asked him and it became easy for me, because yura allowed me to try to fulfill it. fascinated with the wind in the field once upon a time. it's like you are all. you are my

woman, and i remembered the great artist nikolai cherkasov as a friend, lying in a coffin in boots on thick soles, in which he played in the play about mayakovsky in full voice his peers the great french actor and artistic knife philip lay in a coffin in the costume of sid his favorite videos that he played amand, the star of polish screens and scenes with bigni in cybulski, who are trying to catch up the belt had slipped off the footboard under the wheels lay in the costume of hamlet yura lay in a civilian tie. and i thought i was thinking about the costumes from the roles that yura played, which i saw. and i think that

the tunic of the alchitrion would suit him best. they took him away buried buried in the village. a white puddle from the russian region is better to lie down. in a modest village cemetery next to relatives than in huge numbered plots in the distant suburbs of minsk, yura's wife nadezhda, a general practitioner of our first polyclinic in the central district, until recently , the door of her office next to the door of the endocrinologist, where i was registered when my book was published white screen magic. i reprinted the page with the chapter of the last song of the amphitryon and the caperotes brought it to dr. nadezhda, and the playwright, life went on

build your stories. another part of the senior classes, anya played aphelia in the play hamlet on the stage of the russian theater , where her dad shone in the role of an amphitryon, she soon became an actress and her youngest daughter nadezhda yura is a goat. and i also think that you are very beautiful, strong-willed independent. i am weak and spineless. why are you running away from me all the time? why do you think? let's go

no, thank you myself. well, why could it be? i want to bring modestly, i do not use cosmetics. oh, so that the man does not pester. they need to die. i remembered the verses and i walk, as if in a fog, instead of

sorrow, anger. why are the russians? so it happened with us, as soon as a guy of an irrepressible soul appears, then he will burn like gagarin who dies, like shukshin like yesenin hangs, like vysotsky walks, as if someone on the thought shoots them into the ice, well , really shukshin left at forty-five vysotsky b 42, and the rest gagarin burned down at 34 yesenin left at 30, my friend is a composer. zhenya says that on which i already told i love and i remember in the programs a talented person at 33 is playing with 34 so young they froze my dad. i saw almost all the burials of these people, i was even in the dense forests of vladimir at the place where gagarin died, and i think if the movies

of the road will lead me, sometime in case, well. in the village white puddle entering the cemetery. i heard a familiar song, a familiar voice. it will arise somewhere in my subconscious on a tree. the peaches are ripe again in our garden and will hear. i generally his voice in his intonation stage his song, which you can hear, and you are a poet, whom you cannot help but love and remember were

the ways, my difficult ones. the girl smiles at me , i myself am smiling and happy, it's hard, it's hard. i forget everything, bright stars, difficult difficult ones burn. everything is forgotten, the bright stars are burning , who told me that in the darkness , the abandoned bow will die out, who told me that hopes are lost? who invented this hand, who told me that hopes are lost? who invented this heat in this village the fire is not extinguished. you are not a prophet of melancholy bright yellow. delicately decorated