poke and of course, each person also has some place where you can retire. i have this hobby - this is a serious hobby , quite a hobby, hunting. i love to ride. well, to hunt for your homeland to your mother. uh, here i have friends who are hunters too, here we are going together. we're going to the forest hmm hunting for a day or two. well, everything, of course, in moderation on the hunt. yes, i managed to catch a lot of things , let's say, uh, well, like i have, firstly, an estonian dog, a hound, they are a passing animal. this is a hare, a fox. here. i, of course, i try to go hunting in the winter hmm for a bunny. if there are forests. and here, but and so, of course, there were both roe deer and the wild boar was originally. and nature is, of course, our

home, where do we live? where we work, we create, where is our creativity. here. and, of course, the environment is the most painful thing for me. uh, the littering situation in the forest, well, i often go and sometimes i just take bags with me and clean up this garbage. even along the paths. here is but and of course, with regards to hunting. uh, too, there is no such thing that needs to be there to come on there is no such thing as hunting to shoot so much game there, we often come , walk all day and are left without anything, because it is not the result that is important, but participation in the hunting process, as in competitions. in music competitions, it is not the victory that matters.

participation well, of course, even if we get one or two hares, then this is all , of course, normalized by the society of hunters created in order to regulate the number of animals for me, the most important thing in life is, of course, family, friends, and the song is these three things, i would called, of course, and i would never let it out, it's health and peace.

whispering leaves shine, the sun, like closed fractions, our lives are formed. i would like to have a closer look at this world. and every day she discovers something new in this tactic. 'cause we cut it out with love. love to belarus m

how to change the appearance of a person beyond recognition? the art of reincarnation is available to every make-up artist, julia burlo is with you, and this is a project of fashion for culture. grim is the bridge over which you can cross the abyss, separating you from the world of dreams, said the famous italian opera singer

tito gobi, the art of makeup, being a kind of decorative cosmetics, has come a long way in translation from french, makeup means a funny old man from old italian wrinkled, this is the art of changing the appearance of an actor predominantly his face. in the ancient theater until the 16th century , actors painted their faces in such a way that they looked like masks in the middle ages, buffoons and jugglers used soot and plant juices in the 17th century. century. there was a fashion for powder, which was applied to the skin in a thick layer beforehand, mixed with egg white, at the royal courts it was customary to heavily paint the face in the 18th century. the fashion for false eyebrows is spreading, which were made from pieces of low fur, sometimes cosmetic paints were even poisonous. thanks to which the evil cunning rulers eliminated unwanted people of the 20th century , it was marked by the emergence of a new type of art in cinema in black and white cinema,

theatrical makeup was used quite actively, but with the invention of color film, it was necessary to radically change the approach to making up actors. they had to look. naturally, the work of a make-up artist is to be an inconspicuous make-up. household or make-up serves to imitate the natural skin color of hair and nails theatrical make-up, differs significantly from household make-up and is represented by a box of gremoval paints mastics to change the shape of the nose and eyebrows body stains glue for overhead elements various pastes creams and blush, as well as means for changes in the volume and texture of the skin with the help of paints, it is possible to produce light-tonal modeling of the face. make-up is one of the most important components of the performance by the shell of the artist. the image and helps the perception of theatrical action contribute to greater expressiveness of the character traits of the spiritual and physical portrait of the character; painting

techniques involve the use of only colors to simulate volumes, depressions and bulges. they are simply drawn on the face and the color of the skin changes, while the eyes are scrupulously emphasized, the cheekbones and tinted whiskey such sculpting. under the bright light of spotlights , plastic makeup does not make the face flat and retains its naturalness. allows you to change a person beyond recognition. here, silicone latex or polyurethane foam pads , stickers and suspenders, as well as posture products are used. these are overhead elements from hair , wigs, semi-wigs, hairpieces, curls of the braid of a beard, mustaches, it is with the help of such make-up that the most memorable spectacular images on the stage on the screen are created. on the page of glossy magazines, applying makeup removal it can even take several hours in a theater where a large creative team works, the make-up shop is divided into two halves

, male and female, usually this approach is typical for opera and ballet theaters, and there are few make-up artists, they say, even less write the talent of a make-up artist to turn a mischievous girl, an evil old woman an artist in the prime of his life will transform into a decrepit old man or an enthusiastic student, the prince will become a poor hero of sickly squishy bravos, and pinocchio may even turn out to be a carabas-barabas. it's one of the most magical theatrical jobs ever. they create in their own space with a special scent of powder in the room, where every incoming person is peered without an eye and blanks with wigs to ensure the success of the performance , the make-up artists work closely with the director and costume designer, touching a certain era. carefully studies its features, make sketches and share them. ideas

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play the national team of belarus certainly valentina petrovna good afternoon. good afternoon. please tell us what is the difference between a make-up artist and a make-up artist. the difference, of course, is very big for a make-up artist. still, it works, let's say so with light strokes. all this, so that it is not so noticeable, but at the same time very effective, so that it looks like all this, but i work as a make-up artist. we are already working

on makeup. all this must be very bright, so that it can be seen from the hall, this is all far away from us constantly large, therefore. the eyes should be visible on the face, the lips, but everything should be distinct, and these are different materials that are used, yes, compared to the look before. we generally worked just theatrical make-up. here, and makeup artists work with completely different shadows, but now this is also practiced in makeup. what types of stage theater grills exist? here we are talking about young faces, which the actors must do themselves, here are senile hryvnias, characteristic mushrooms, young girls, when studies come and they also can’t always even the thunder of a young face make itself. here,

you have to help too. then they do a great job on their own, and with us they practically do not need makeup. yes, in general, uh, as it were , actors love make-up artists because an actor comes to our workshop or we go to their latrines. here, they somehow relax and see a reflection in the mirror, when we change the face , we put on a wig or do a haircut, and they somehow calm down and tune in normally, they are already on the roles. uh, in good spirits to the stage, that is, make-up also contributes to internal transformation. of course, when an actress is an actor in the form of herself in a mirror, and she likes herself, then, of course, she works with pleasure, as a stage image is being developed for the premiere of a performance. well, they are already working here. uh,

directors, artists, directors. they come to us in advance give sketches. if there is a grimm serving, then they give a sketch. whiskey there are hair wigs, and we are already working with them, and the makeup is getting close to the costume or grim's costume, everything is interconnected, of course, and costume and makeup, if this is a characteristic mushroom, then this is all interconnected. that is, you coordinate with gifts. yes yes. please tell us about grim's overhead elements and mustache and beard and sideburns. if you need eyelashes for life. this seems to be used by a lot of people. and what kind of talking is considered the most difficult character, of course, mushrooms hmm out of the young of the young actress do uh? old age makeup is always more difficult. but, for example, a female image for a man and vice versa. yes, we also

use it all men play the role of a woman or i dream of glue, yes, and with us they are already making up like a woman's makeup. which make-up was the most memorable for you, maybe the most difficult? what performances? what actors? what are the characters of the queen of spades? it's true. this is a complex cream, there is a wig, there and uh, it is to make more senile such, make-up, very characteristic as that is why there is somewhere together. with a wig. this is work. takes about an hour all together. what is the average number of people wearing makeup in each production? everything is different. watching from the play. will you even take today play. it is very large voluminous, here , uh, the leading salts are also occupied. opera choir ballet children, so there are a lot of characters, but

we make up, mostly only the leading masters of the opera, and the food is amyris. these are just the male side. moreover, there is still stain. here zhivitsa, except for grim, needs to be toned. the whole body needs to be toned, because her suit is open. and if we have a special stain with which we cover the body, that is, not even necessarily the face. you can, yes, yes, and also they get sick, the same goes for difficult grill, for example, and the whole body can be turned into a black woman. petrovna, please tell us the most interesting case from your professional life. a little earlier, there were a lot of foreign trips, for example, a lot, and the difficulty was that they took only, for example, one make-up artist in general. and on the feminine to the masculine side. well, there were such interesting moments that, for example

, the dressing room box didn’t come to the nutcracker in china, and everyone was in such a panic that they didn’t know, well, what to do, in general, how to start taxi? i went with an interpreter to all the theaters and looked for what we needed to come, at least a few wigs. we went around the theatre. we found something that more or less suited us, then we went to the store. we were offered lacquer, for example, we needed blue wigs, but we didn’t find them, we bought blue lacquer, we bought white lacquer. and so, it means that they had to comb their hair, for example, girls and cover everyone with blue varnish, and the guys also combed and covered with white varnish and it was very impressive. everything looked to the next the performance, when they already came, came to the box and

the wigs came and the guys did not want to. they just say oh, we want the same varnish, so that you comb our hair with it, use this varnish. well, there were such cases and the costumes also did not come. once, therefore, that is, by chance, you were given a new idea, which, yes, yes, you really liked. are there any trends in the development of the art of grim ? modernized and therefore somehow more even mushrooms are inclined, as if a little lumpy it's a shame that, of course, grimm seems to be leaving and in his place, all the same, make-up artists come and begin to change a little, but such performances. here, today, even a performance of someone without makeup, you can’t do it, because you need to do everything brightly and show the image in all its glory, that is, we say

it really becomes a classic. yes make-up art develops and expands its boundaries, the viewer becomes a witness to the birth of new forms of make-up decoration, if earlier it was used mainly in the theater, now it is used in the circus on stage in musicals, musical shows and, of course, in everyday life, modern theater. he took a course on images of simplified everyday and life dramatic stage. characters with voluminous bulky hairstyles with portrait expressive man-made appearance, voluminous plasticity are becoming less and less common. today, it is written in the cinema in the tales of classical opera and ballet stories that the least interference with the natural appearance of the actor requires make-up, a production where the actors embody the images of approximately their peers, age-related and sharply characteristic makeup. they require more detailed study and creativity. today we are talking this is a type of modern art. he doesn't just work

on the audience's perception of the character. well, the act helps. a moat to get used to the image to achieve the most organic existence in the role of granny - this is a swollen costume for actors - this is another artist on the set who can argue even with the director yulia was following the cultural path together with you see you again exactly in a week.