[000:00:00;00] from the world cultural heritage architectural ensemble of post-war socialist architecture independence avenue in minsk, there are many contenders for the nominees among them post-war architectural ensembles of eastern europe moscow-kiev, warsaw karl mark saleev berlin but the authoritative commission assessed minsk avenue as unique, which deserves to be among the iconic objects of world culture, has a unique integrity. this is indeed the last example of a classical ensemble in urbanism in europe. therefore, in a general place, the prospectus received very much in such a comparative analysis. of course

. this is the basis for considering it as one of the very worthy cultural heritage sites of the 20th century. the authoritative commission could not even guess. what passions boiled around the belarusian capital and its main avenue at 44 immediately after the liberation from the nazis, and with what labor and heroic efforts of its inhabitants was it built? in july 1944 , the fate of in the capital of belarus , a group

of authoritative architects was invited to the next meeting of the secretary of the central committee of the cpsu malenkov, their opinion is unequivocally that the capital of the bssr must be built in a new place. it will cost less than rebuilding an almost destroyed city. borisov was proposed as one of the options and arguments in belarus, rich in water resources, all large cities arose on the banks of high-water rivers. the first secretary of the central committee of the communist party of belarus, panteleymon ponomarenko, who was invited to the meeting , was categorically against such approaches. insisted on the need to restore the capital in its original place. he also convinced the republic to revive minsk in the shortest possible time. in confirmation of the calculations and arguments

of belarusian specialists in august 1944 , at one of the first meetings of the bureau of the central committee of the communist party of belarus. it was decided to keep the capital in its original place and restore minsk at the same memorial office, the plan for the restoration of the city was already considered, a sketch of the idea of ​​​​planning minsk competitions. and they were all allied in nature, took e architects from leningrad, moscow, in 404, it was already approved; it was prepared by the leading, soviet, architects, who were invited to the republic by the cycle of the party of belarus, turned to

moscow specialists with a request to help restore the republic, in particular, gomel and minsk presented their projects for the competition, the leading architects of the soviet union , whose work on shchusev mordvin collie semyonov rubanenko, langbard, trachtenberg it must be understood that not only architects took part in this, engineers took part, because we are talking not only about the architectural artistic solution, but also about the transport network and about the economic justification , because everything was accepted and everything was designed on the master plan and there are many options for architectural solutions in the project itself, but especially a lot of debate about what the main avenue should be capitals among the proposals. it would seem incongruous things classics and soviet

symbols. it was designed by the remarkable masters of the patriotic neoclassical school in many respects brought up in the context of such a renaissance vision of the academician of architecture ivan vladislavovich, zhukovsky at the main stage of the creation of the avenue, its main or as it was then called the main architect was professor mikhail powder, the construction of the avenue was under the special control of the country's leadership. it should embody in the appearance of buildings the best achievement of soviet architecture to symbolize the victory of socialism, but it was necessary to solve the main task of clearing the capital of rubble and providing construction

workers who were sorely lacking. at different roads, the country on local tragedies and feats done remember, ah vrm and the hero of this month, maton, kirana picked up children , took them away from velmiya not adventitious. even those wise drunks shackle the truth and tell the wart sheathing the memory for everything, also hacked off from bronze and they died, the eternal clock goes up the stairs, you send off that you could be so extraordinary yourself, i will have to rather have a good idea implemented in a complex with

improvement. here is one calculation, this is the rubles of maxid piano complexes in belarus , look at the documentary cycle the memory of the earth mine on tv channel belarus 20 shatyry. they arranged their life in the village. so any city dweller can envy. oh, raccoons, how would be well-behaved. and why will he behave well with me, except for me, the deer are all by name. but it was fedya standing. you see, there is a deer. we have a leader from the capital to learn all the delights of rural life, the word vasily has conducted an excursion, now we need

to work. oh how he doesn't want to. watch on belarus 24 tv channel. on october 8, 1944, belarusian radio reported about the mass enthusiasm that literally embraced all the inhabitants of the capital in minsk

, there was sunday sunday, great columns of people from undertook and the installation was organized on the floor, brothers, many walked from the music with slogans and banners of the event 2.500 cubic meters. this is how the revival of the capital began - the bold

architectural solution of the leading architects of the country and the heroism of people in the revival of minsk , the construction of its main avenue, two integral interconnected unique phenomena of the post-war history of the capital. for builders of working engineers, it was really selfless work, they had to not only erect a building, but also master a new direction in the decoration of stucco molding from rostets. the first building that began to be erected on the avenue of the state security committee of the republic, attention to it is especially necessary to comply with all the requirements for such objects, and not only the building set the tone for the entire architectural solution of the avenue, it imposed a colossal