rhetori, that is, it means that such directors are, as it were, quite serious, like cursulyak. there is also a desire to come to belarus to shoot something here. well, there is an event, though it happened with us, but nevertheless, the film was not narrowly shot. it’s filmed very well, but it doesn’t come here once, so there is still such a profession as a showrunner and now it’s very expensive to train for it. but now there are only three of them in russia, but they get crazy fabulous money for the fact that they, uh, come up with this coolest idea. these are the people who come up with the ideas and drive the film from start to finish. end. that is, such ideological ones above the producers, i don’t know how to call them hmm creatives. that's probably advertising and everything they do. they are totally making it up. i can just say, like, about my practice before i have a performance. this is what i used all the time in this format and continue to apply. and the same thing. now i'm implementing it in the youth theater and it works just fine and that's it. now jumped from there. here in a year, yes. ah, this is before

, when there is no performance yet, not yet. nothing. we don't know yet what we'll be we shoot such small videos, like a small minute movie and throw it out on the network in instagram and then see how to react, right? yes, yes, and it is done like this, as if cool, interesting. unusually stylishly fashionable, the audience is already running to buy tickets. well it's like a trailer, almost the same very much general attention. i give the title and poster. right now lena called the name of the new cartoon song siri song this will not be sold guys , you forgive me. that's like a man who life sells. this will not be sold with a name that should be capacious, or interesting, or cool, or a capacious idea. yes, but pyotr vasilyevich also touched. uh, i don’t know, maybe dedicate a takeaway, but this is only if very briefly. but it seems to me that we have already talked a lot about the fact that enormous attention is paid to the great patriotic war in the country. why, but we will not explain,

when we had programs here, and we talked about the history of ideology and other things, we admitted that we came to the conclusion that certain periods of our history. we gave ourselves. uh, the enemies of the belarusian state will ignore him. why don’t our heroes of that time speak for themselves, please, i think that there is an idea about certain films about certain figures , yes, and ancient belarus, those that we are proud of and those that our neighbors are even trying to win over to themselves was anastasia slutskaya kupala there, why else does this not find a response? why isn't it being filmed? now, and time itself suggests that you need to look deep into yourself, as i understand you know, why is this? why in the first place, and who needs it even abroad, we had

teachers from the ministry of education here who we will show the movies to the children, and this will be the best lesson bought. and this is the ministry of culture already the question is over. you understand, in england they find it in a landfill, what kind of princes this is and obscures the whole world, this is england the english king or prince there, and in belarus the man is the founder of this country until now. no, a small part of people know who is yesterday 9,000 years ago. history speaks about him, and we we don't shoot. why should anyone ask this question? well here, please, the camera has been for this time about the story. nobody wants anything to them this film. and i think that this is the case. one short comment with epithets, please allow one short

comment, not a problem, but what is the movie about, what do we understand yesterday is important , how do you understand, what they were talking about, dear colleagues. how to fold a project? what script and i and vera and pyotr vasilyevich will write about everything, the glory of the sorcerer in different ways and maybe the crimes are correct, that's why pyotr selych answered 15 years ago. well, it's been 15 years already. definitely outdated, it will still need to be modernized anyway . i wrote a dissertation 15 years ago. well, now i want to defend , i will have to rewrite the history of a thousand years ago and the dissertation, you know, years. nothing has changed. it could be done relatively

speaking, but about five there, i don’t know the great historical characters. e of our country alyona and who will watch it? here is my opinion, now it will be maximum. most likely i will continue unpopular, what i started talking about and i heard a lot of things confirmation of your version. don't forget that movies are most often watched by the younger generation and the fact is that now we have such great films as the wild hunt and the same with them and in 20 in 30 years they will be classics. they'll be fine, but they'll be fine for me. and for those who are born, after they are already like that. no, i don't agree with you. i’ll finish no, it’s just that now we need to create a movie that will conserve our reality with you, then in what conditions we live, what can, like a brother, tell about the reality of the nineties cinema looked, here it was mothballed in the seventies, and then what is he talking about? well, they ask historically? we have known for a long time. believe that the film studio was considered

only from the tsindarii, a huge number of the same seslav charodey, i will say frankly something very difficult cinema, because a lot of historical characters are reconstructed. and taking into account the fact that there is a little element of fantasy mysticism. we even started to consider making an animated film i already had five scripts brought five different scripts now another script too animated film. you will understand that we now want to answer. why not just upload your work to give an important topic, but to those answers to the question. why do we shoot to provide people with work or just make a movie that the audience will then watch. why are we filming. right now, in short, we want the audience to watch, and not what the film studio should provide with work. i now also have a script that will be in demand, and not just a theme, a topic, everything is ideologically relevant, everything is correct. but how interesting they will be here is her younger generation.

what does it mean for the generation that was there 3 years ago, and the stories to which they imposed a certain romanticization of certain individual periods, they suddenly rushed there and study some historical periods and be proud, and some figures, and it will not be interesting for them to look about it . i'm talking about the fact that e is always young. yes , in principle, all people are attracted by beauty, the great patriotic war. well, i'm sorry , but it's ugly, at least. basically, nothing. this is a negative in which, well, as if no one wants to happen, but the castles of knights and other things, please, wild, even with wings. i think that this film will be forever now, because one of the few films, yes, but relatively speaking belarusian films, in which the museum you, in principle, are proud of, here are conditionally five top films. look on the one hand, which you are proud of, and on the other hand, on which you can make a belt, mikhalych told me, uh, that i am the main fan

, the main spectator - this is so in the museum of history belarusian cinema and alyona was right, young people love belarusian cinema and come. i have been working for 3 months and, to be honest, i was surprised in a good way, how the young generation comes to watch five movies - this is a big trap, but nonetheless. and everything that vladimir korzh sablin did is absolutely magnificent thing, and he withstood a huge state of time, a huge standing. but the film my love. we recently showed it at our place and very young women came, very young young couples and very old viewers. sincere delight and pleasure the second question. i will continue, then about the list is very reasonable, and the problem is that we somehow imagine the belarusian cinema. we know everything about him. specifically, question number two , which we watched, is generally the third question, and

now in the center of pinocchio in secret, which immediately popped up in my head. it's just that i'm just saying, what is, well, there are always three sides to someone in a movie. these are very respected people who make it and a picture that we watch for 90 minutes, chewing food in it takes years to create a comfortable environment, and then finish it up. yes, we cannot take nine women in a month to give birth to a child. and this is a very, well, normally incapable second group - this viewer is very important and the viewer votes with their feet and money and with their attention and with their understanding, because the picture is visual and it does different things to us in different states of time, like a museum. come to us and the third. it's still a law. distributor, uh-huh distributor platform streaming tv channel and so on. this is also

very important. so look, and i like an ordinary consumer of cinema, but i don’t call myself anything else. yes, not an amateur consumer. i have dualism on the one hand. i perfectly understand that there is a certain artistic value that he has, and on the other hand, there is a commercial value and which of them prevails. and if we are talking about the fact that our belarusian cinema should be , it seems to me, either commercially successful or artistically cool here. i have festivals board. and here i have simply money and the cost of rental you need to somehow here's how to combine it. i don't know you understand. great pleasure from our conversation watched him there. we are now looking for a golden ticket that will save. when it began, it was still white, lord of the feet, and everyone knows the first belarusian painting, forest pain height is an artistic thing. cinema is earth. just

for a historical myth , spring quickly became the first movie killed by life or a prostitute had a clear task of such historical money. it was very clearly clear in the belarusian cinema. nobody believed that some people gathered years ago and said what belarus is calm cinema. yes, so i am very optimistic. i believe in belarusian cinema. behind him stands 99 years and he has another 100 years, but do you believe in belarusian cinema? yes, look, i really, where did he go? excuse me actually, i'm trying yes story. tell me, here is your last role, which i remember is the role of gorbachev . everything else i looked, looked for, searched for, and i will remember this role. i just realized for myself, one thing for me is chernobyl cinema. it simply imprinted because i i read about him and saw him on social networks. i talked a lot about him, i talked about everything

else - it's just a movie. that's what i 'm talking about, that's how it should be, the way you played gorbachev in chernobyl or the way you played all the other characters. well, the genres of his films are different, firstly, and getting on the set of such directors as muradov is an honor. and that means you need to prepare for this and prepare carefully and not only prepare yourself, but the whole film crew is preparing you for so that you are, uh, on the screen, those characters that are needed, and not just taken from the street, play and that's it. you know that i am still in this regard. eh, agree that scene? important, but i think it's more important how to make a movie. you are talking about youth. will they look or not . they look here, if we make a movie, so she will watch, because

the first thing we see in front of us when we are born is the mother of doctors, there and so on correctly the first blow. so on the screen , first strike is a visual picture, which we clip intent with you i agree completely we have a problem with this. we're having rendering issues. no no problem. we have time problems. we want to organize a lot of good films in a short time. and this is necessary, uh, patience and respect for those people who are created by screenwriters, directors, cameramen. uh, the producers at this time it's impossible to say that tomorrow will be strong listen, can i try to understand a little, yes, you're right, you say tomorrow. a film is possible, but i'm a tv channel producer. well, for example, some entertaining tnt, and i understand that i am running out of one series of some humorous series, i order in parallel, the second, third, fourth and i have a factory, i have a season in september and i

absolutely do not care. can you implement can't i need? no, i'll change the team. i don’t know what is better to shoot for creative work for several years, or to become in this handicraft factory, and then you have the same fame and the same money, and with the great desire of the state. maybe you can still kill there so that if you want order some product, yes now, what do we call? yes, we have to pay money to pay money right away and know what you get from this product, not what you order. but maybe we will close the hole, and on our own means the company in our company. no, you must know ahead. you learn money from this . this is the first. the second will watch this film. and the third. the most important issue in our country is the issue of commercial profit, because you rightly said, this product

is not a film film. this is what remains years. wild hunt. it will be in 10 through 20 for most. anyone who knows what cinema is, this is a highly artistic project - these are films for this there is a term or container cinema is worn with it, like an inscribed cake we should shoot an elite movie, and it should lie on the shelf, as it seems to me, but to believe the success of cheburashka, who thought that cheburashka would be so successful, that it became successful in many ways, because it is nostalgia because it is interesting, because why often vera you sigh, i tell you i will say that i hear so much, and cheburashki are kretiks. what i want to say, i understand, i have now traveled to a lot of international festivals, where we took our performances, in which i played and in which my e, colleagues from chuu played, yes, and what the audience likes. i raise peter the whole room, and he applauds me for 10 minutes and i'm up to

date. i’ve been running for a discussion with a critic for a long time now, they will tell me, what a genius, but they just don’t smear me with a backhand. so i just get up, i think, why should i even i have been doing this profession for 25 years, because cheburashka is for the viewer. i tell everyone to vote tickets. it's a well-made commercial project there, and a huge amount of money was invested in it so that we could have such a project. we need to spend 6,000 dollars on the stage with oranges, when it pours somehow on oranges. do you understand? just for this number of oranges. here. uh, as i read it, it cost 6,000 dollars just oranges, which then fell down. it also cost a lot of money, but it’s clear now that we don’t

i can afford it, but i'm still convinced that in order to shoot one yanka kupala, the sorcerer of tscheslav, or there the olshansky castle or something else, you need to shoot six more films cheaper, but commercially profitable yes, because it's normal, there should always be mass-brand performances in the theater and in the cinema for the audience, on which you earn money and one hamlet, that's how i understand it, because i can't make money on one hamlet , because on him, perhaps the pussies will come, but this is my best performance, in my opinion critics, and they will give me five prizes for him, but not money vladimir mikhailovich what are you such a strategy? she is right, because often we are expected to be, on the one hand, a high-profile film artist , and the film studio should become a fast-paced film in a good way. if you want to say that i am a commercial enterprise, then i have to negotiate with the tnt channel or just study for them, right? so that i shoot an important movie, an ideologically important movie, a historical figure and something else, and plus something else was the maximum only for belarus because if i come with a national project, where they speak russian, they will tell me, guys. this is not our format. with all due respect

to belarus, i just mean that you understand, we will now try to find this centaur to do this on the one hand, i should be on the other side. i must be. let's continue viktorovich on instagram even came. how do you know? yes? with us, such work knows a little bit about you from the award. tell yes because movie movie actually it i wonder how it is. it seems to me that, in principle, it can be commercial, in principle, so popular and beneficial on the other hand. well , you know the award, you know, some soviet geographers ministry of culture and film studio, belarus film they always send their films to the festival and we are preparing these festivals. this is a complex process. this is an internal process, but we prepare in this way. in order to show our films, belarusian animation, documentary feature films at a high level, we are preparing this as well as advertising for the film and this once the international film festival for children's film international film festival, which

was attended by 29 international e, full-length feature films. ah, i'm happy to say that the main prize is , you know, 29 and the main prize. uh, our film studio gets, belarus undermines the film. it was very nice to know and hear from the lips of the professionals who stood on the stage. it was a pleasure to receive it, and therefore i am handing it over to the film studio, belarus film and i think that the film undermining will go very well in cinemas in russia and the children i want to tell you that we watched this movie and squealed. e, laughed and with a sinking heart. uh, we were waiting for the finale of the film, and he is useful hmm good. good movie. and so, let me hand in this wonderful one. if they see this wonderful statuette, uh, in a cold lake, a drop of the sun is called here,

please look, we spent an hour trying to find some kind of compromise. yes, all of a sudden a figurine and a film a challenge, it seems to me, i'm sorry and the film undermined it, in principle, uh, indeed it is a challenge. it's just that, too , it sits in my head, russian advertising. she you see, it's just about what they know how to do, and we need to learn like that. and this is the very middle ground, interesting, profitable and pri- well, i want to say that the film undermining was born from the series kol-the second was greatly appreciated by the ministry of defense of the republic of belarus, the series flame under the ashes , which, by the way, is also impossible to find on your tv channel on the internet. i am now earning money on this, because now this film will go to film distribution in russia. that is, they heard that pirating now is from hollywood, especially it's not bad at all so here's the film undermining and on may 9 uh this film.

in principle, last year we had a good collection in belarus, and this year we will send it. we have rentals, we have signed contracts. they buy a whole package from us, in general they distribute films for a year and throughout the year, so this film will now go to russian film distribution. we also continue to work with him during the presentation within the framework of the days of cinema, for example, there is the same one in russia and uzbekistan and others countries, and he was, by the way, a film we have in india, uh, was marked. also received recognition in china in the film at the golden festival focus on exports. do you know how to do it? because you can sell profitably, but for myself i will kill you. uh, the fact is that hmm, we have already noted that the belarusians ourselves today do not like minda. even someone’s mouth, just like in the joke about caruso, says, uh, says they sing badly caruso says, why doesn’t easy sing i didn’t like it, but it’s mine yes, that’s why it’s exactly

the same here, but the cinema is judging at the same time in the region, too, the gomel region, and belarusian cinema is known more than in the capital, because the capital is satiated and i give you my word about history. from our conversation , i conclude that we need to be a little more interested in giving chances ourselves. but maybe then, seeing our audience's interests, our faith and the result will catch up, well, as usual in any movie. the main thing is timing. you know, in 20 seconds to say, the most important thing, this is the most important thing, the same thing as writing a script to shoot it, it's cool to sell it correctly and get in in the soul. here is this desire to capture. this is how our program is.

everything that lives, modern, belarus today , watch on belarus 24 tv channel. this is the news of the country and abroad. broadcasts of especially important events including from the field of events topical interviews with famous belarusians fascinating travels around the country

feature films for all ages, azerbaijan kazakhstan turkmenian on satellite be with belarus 24 tv channel and discover belarus