roman, after all, he is my talent, grigory filippovich, but now we are relatives and therefore we will act calmly in one. go to krasnodar and i'll take control of everything here. congratulations. and when my grandchildren come, i will raise them as worthy heirs of our family business. and your cognac factories will not be left without management. this i guarantee you, well, we will assume that the proposal is accepted. and how do you oktyabrins sergeevna look at the fact that we have a preliminary examination of the training ground in order to find out what the younger generation is taught there? i'm ready to take the tour myself. well, so to speak, in places of military glory. i have great pleasure. a minute of attention

to some extent from the degree of sadness because if you write a topic, that's consciously, so you need to go there, probably, everything is already with this sadness. my work, we will speak in a variety of subjects, but in the color system it has retained such a more natural earthy color. that is, i have always felt closer, for example, to an icon of this calm, noisy color,

since i consider myself more through such here is the graphic language and therefore the expression of my works. well, if you start with these works , i wrote during the period when the national library did you. that's why i developed this topic, uh, as two images of such two eternal sages who create an aura. this creates one planted. this is the tree of life and the book of eternity of flight of this creativity. a bird through these seeds is sown here, here is a topic , here are letters, therefore , she creates this plowed earth, as a symbol of the gums of summer, the second here, uh, the second image is already what e is assembled, that is, architecture from

books, and this sage reading and giving it to us in an open book from this philosophy. here are my portrait images. they , too, will speak of such an iconic plot. this particular image was and is. he probably is. yes, i just wanted such golden wheat. here's how to make such a state. but it’s here that they sat in the cash desks of dust at the cash desk, that is, levkaz is the primer on which it is applied to the tablet and then we write, we will speak with water paints, you can write with the same watercolor, but i work campers with pigments. this plot is a work that she is very dear to me, because she is young, going on a long life path to live

, she sat down in order to cross herself. that is , it is the eternal burden of her life, her understanding. here you can connect the same ears with the theme. although it was written that this is the eternal mind. well. the idea for a person is, uh, stay live stay. this is the peace of the earth. this is the warmth of the foliage and it itself was preserved in this topic. here is a portrait, well, i was somehow afraid of to sign it something the image of my mother is here, when my younger brother nikolai passed away. here is his departure, such a triangle. here is her here, this is the eternal cry, and the hand on the idle land of the earth,

because people are soul, it rises, this is scorpio therefore, such a sad topic. we are at the moment, who collected his work, his many years of work, we will talk about the path of life and our teacher in life. and this exhibition was timed with my colleague and classmate, and then already through the life of the creative path this be lazy. nadezhda viktorovna himself, this is the path i will tell you very grateful, a good

wonderful teacher. and that's how the core and foundation of all this was. here is leonid sheveleva. why because he was both an educator and a teacher and a father, and it was possible to turn him in any way. here he always e kept on us. under such internal educational control of the last dialogue , we already had him in the ninety-eighth year, but he was alive cheerfully, beautifully dignified. - this is the east. i know since childhood it has always been very interesting and very internally saturated. wondering how to do it? what to write how to treat it? today we see well unique unique, how come? why i wish him personally good creative success.

health, beauty outwardly look at him, he fits in completely with the fact that he is happy here this week. thank you and god forbid well , i believe that in our creative direction there are such let's say pages of life, like painting, graphics, sculpture. i have this monumental art, what we will say in ourselves has absorbed to steal - this is a synthesis architecture and instant art in interior exterior philosophy in my art. i tried to be not on let's say not a naturalist and did not express my opinion on any philosophical topic to illustrate. i am creating these works in my monumental world. mozhaiki painting stained-glass windows, so i didn’t

want to. talking to people who will look at their equals, so i caught fire in my throat and want to burn longer. well, i 've lived a lot. i have about 18 monumental works, only instant, what is connected, in addition to this, a lot of instant a lot of paintings went to minsk, so they brought specifically, uh, objects. it's here. ah, the national library. i was there and with another anatolyevich formed this team of about 100 people and the internal sebrusya, then the entrance pages. so we also did it tomorrow, then i’ll say that in the morning. it was such a great school for me too. why because 4.000

phonetic mosaics have been made, this mosaic will say the original in that all the artistic volumes that are there the drawings are all different and handmade. there there was no computer headquarters, they put it up and cut it, so it's very expensive. when i look, well, you feel that you were needed, the task in general. well, yes, this is a very difficult job, because you have to work not for a second, there is consciousness and the concept that you create, but you need to work for the future and do not forget that you had the history of art behind you . art is never fashionable and modern, only fashion is forever. here it is dictated only by a word in a car, a person

creates comfort, it is precisely this philosophy of constructivism. he creates beauty and art art real deepest art. maybe just forever. i consider myself insanely fashionable, because i want to wear what i want. the fact is that our friendship with hope victor, both at school and already in life, we are following our creative path . our friendship began from human relations, therefore. she decided to create such an image of me with such that's probably. well, what am i, if there is one, after the viewer will say, but she is insanely talented , very decent. i think it's very cool.

she could enter. here in this one, but the inner world, of course, she knows me. she knows there is a bad side. there is a good one trying to be good, as she sometimes says. well, as if creative emotionally any person communicates, and in our creativity. it’s good to keep silent when everything is ready, because here it’s like that vladimir good afternoon. so met such rarely happens. we are within these walls. his galleries are wonderful, and i will say that she really created such a one. this one is easy inner peace, because he was very kind, very sincere, insanely talented, he

was madly in love and loves in his works. uh , include horses in compositions, because he is the commander of these very famous ones and his. work or not? now, i have already said many times, they educate and educate both the schoolchild and the younger generation and the older one, he gives us life, therefore he creates the happiness of life in heaven, and thank god that they communicated closely and studied and studied. i studied or i bow low to him, because he gave a lot

to us, and in our country he gave art an art that will always look back at speed, but are we trying to rob it for the future , that it’s true taste, that it’s a true taste, we’re going on an expedition through the corners of our ukraine , today’s monrog roof pain for 40 km, and we ’ll blow the bark of pukhovitsky districts

a new tenant. on our tv channel children's curiosity sincere interest i heard that you lived in the temple. why did you decide to withdraw from the outside world at school you dyed your hair green-red. why are you very well informed. wow. you are so bent absolutely honesty and genuine emotions of the characters. you promise to tell only the truth. you see, she didn't cross her fingers. what would you do if not for handball?

i was born on a gap in the trees called the most beautiful name khvalovo. this is the pruzhany region seven kilometers away. let's talk about the neutral belovezhskaya pushcha around

the most beautiful landscapes. worked for a construction team, supervised. uh, he was engaged in beekeeping, he did bandarka, in the winter he created creative things with his hands these buns are different. and when he was already in the post-war period and before the war he played in the folk theater, they wrote plays, and he participated, but your dad had to say that life was not very like this for the war. what word and study school, like everyone else. the children grew up, walked for 12 years, sent the school up, we will say we need to

go somewhere. the boy needs to do something in the newspaper premier of belarus, a competition was announced, and i participated in this competition three times . creative people were engaged in this competition in minsk. and not so to say, we will conduct such speak. uh, hmm, a phased developmental talented youth, well, they were selected here, well, it turned out that i, uh, won three times and got first place in artek. so in the same year this competition was announced to enter the republican art boarding school in music of fine arts. dad took me. it was very difficult to get there. why because? there are many people. i was brought up in a natural language without a kindergarten

without any. well, i had to draw and it so happened that uh. well, my drawings are probably they emphasized something, scooped up those who were, well, in the commission. so we left, we are not waiting, there was no call, and in two weeks a clear idea came that i had entered, and my father brought this beautiful city life, which i had never seen, for me it was everything, but a fairy tale, of course, here are people, creativity, school classes. the first teachers were makarenko mikhail sergeevich, until the seventh grade. here and then already here leonid threads. therefore, well, i am happy that god gave me to finish enrolling to study and continue creative way. to this day school.

in general, i’ll tell you that she was the only one in belarus where children from the boarding school came, those who really were, probably, god’s gift. god’s gift to all children, all children draw beautifully, i’m sure and started. but how to raise this bell, the bell of the development of development, that's all. and the seventh grade, when we started working with oil paints , a most beautiful interesting person came. leonid dmitrievich shmelev was very important in that his visit to our lessons. they gave you understand, the dialogue with the children, it was not that there, uh, it should be so, it was not necessary, everything was philosophy.

draw the way you feel, this is very important, and he gave us the fact that everyone could be distributed in that guiding page, here is a monumental painting of sculpture graphics, and we in our group could get a little here. eh, by themselves they were already distributed to you at the end. i decided at school that i am only a monumental department, when they are an institute now it is an academy workshop, where we are now sitting, i am saving this workshop to increase for creativity for life, because we all the time i think the artist should be given 15 hours. i can draw at night , i can reason. i can think one on one with myself. what does it mean to be one on one on one? you can come to the workshop, but i will not so cruelly lower some step to sleep, sit, rest, something like a workshop. this

is the responsibility of culture to the inner culture of a person, where you just have to work out every day that inner glow that you have, you can’t succeed. you don't have to stand up because says there bohemia there is a muse all that, of course you can in life, but monsoon is needed so that she gives that musical sword so that you plow, fucking hours. but if suddenly there is no husband, and you want to work. so you need to be a musician, so that you create without music. and the fact that physically it is one thing, but i think it is instantly any art. art is the maturation of that concept, so that the branch of this is your inner, so you say. the world as you live and think, it was filled only with the work of getting to know

galina petrovna. it was an institution. she enrolled with me about acquaintance. it turns out very simply, when you look suddenly, once something cut through your heart , beautiful images were scratched by beautiful people. that 's friendship. then everything usually develops into human relations, therefore. we met, uh, graduated from college. here, well , weddings, as in all, and then life is life's work. here she is as an artist. a very talented person. here, she is a great work that she has done and the children are creative now and i will be honest. i am happy anya she graduated from our school.

she studied art first, then she passed on. here is the ring on the makayonka where i studied. i graduated , i entered the institute, i graduated from the institute, but she worked and participated in many exhibitions. she was interested. and so it happened that pedagogy. that's just the daughter. i am not dmitry sheveleva. margaret taught me. eh, anya herself took a lot from her mother, because her mother was a tapestry and she was creative, she was engaged in painting and painting and she lived full. she saw everything. this upbringing. and i want to say that everything they are. it's only necessary to thank petrovna everything. all love. all everything, well

, i had very little time. i was like a dad. here i came. i could go there, well. we always went to buy something, then the markets worked there for something beautiful. that's because they had to, well, they are happy to work, but they all say the children are happy, so the parents, let them take care of their happiness. that's how it is. the creativity of this image in a particular case is igor talkov. i heard when his work was even this song chistye prudy, but i did not see him never in the face. i heard sings sings sings

, then many people said that there was some kind of figurative similarity, but when i heard his work, symbolic russia, i just wanted to look at him. so i came to the workshop and i began to do creative work. this is not a commissioned job. it was just that it was and printed, then i received many reviews to purchase it, but i tried not to play with it, so it was preserved to me as, well, the original he and i did it, as a composition of it. later, when he was gone, i brought her up. and here she is me it turned out that his hand was the roots of this cross with which he lived, he wore and the second hand, when the shot happened. so i lowered these petals

of it, then when i already had my eyes, and she worked for me , probably seven years before this happened, but creativity is parallel to the portrait i have. well, i think it worked out, because when you feel, they say , with a happy feeling you feel with your guts that you perceive this person, because his philosophy of words, because he wrote his own things from very important. well, it's expensive, and then already called and asked to make a copy and that's it, but in a small size. yes, it was removed sent, as with christ therefore, i believe that it should be for now. and i want it to sound at the exhibition like the original of all my works. that's what i'm doing, i'm not creating an order, but i'm excluding

the monumental things that are behind me . here are the sketches, yes, this is creative, it is not related to architecture, but the works that are written. it is precisely in this way of my thinking, how is the development of the image with which i they are called for me my kind of birth. if we take in general the space from the word art, culture, faith, and then i would

characterize myself in the image of an artist through the first, through labor, through thinking and the time in which i live, this is the very thing. the main thing, that is, to make it clear that my time was not saturated with both the age of being an artist and the age when you already realize a lot. and most importantly , do not forget that there is such a vision as mastery of craftsmanship. it is for any person for an artist for a person who creates for time the very word "artist" you know, this must be explained, this width must be like the rising sun in the morning, like the setting

evening, like warming the soul in the afternoon, like spring autumn summer rain. this is the artist, because he bathes in both sadness and joy of the river, which is a symbol. to all those who left not only at the moment when the events were precisely in the gomel region of the ozarich. it consists of five topics. here are the angels of complaint, which can make a negative symbol of the terrible war, because war is the body. i i'll tell you, eternal, it was and will be, but how to submit it? but through the most complicated symbol, like children, here are old people.

here's how they could be there and when they asked themselves the question is, if you need to somehow form, this opening is a cold space where these children were picking mushrooms, berries, this is one thing, but when there are people next to them who, like the value of this land, for that, uh, we will say in a state that there was peace and suddenly they fall behind this river behind barbed wire without water cold. and i, when i heard that's an eyewitness in the story, you know, it's scary, that's why it turned out i worked very emotional very much. frankly disturbing and as an independent work. she i think has found her place, and i am very grateful. fate that she lives, yes, i am happy that

there is a critic. because any criticism in the mind, it is very important when there is criticism. so there is confidence that there is something to which you have come to what? from what? have you reached? criticism, it's in the concept, you can say, well , like the work or not, it's not criticism. criticism is when i understand inside that people who give feedback are simply positive and people give feedback when they want to understand it for a long, long time. they are for themselves, that is, they open it all, and they are afraid of criticism. but this is natural life and we must perceive our world. he must be so truthful in his work. here, and when they tell you that you know, it is, yes. i got a lot and it's sad, that something is chic shock from all this. you see, it's common. well, as it turns into such a well. happy ok but

when you come up with criticism of your work in 10-20 years. if you come to work and you tell yourself, you did the right thing. this is criticism, it is dearer to me than me. well, probably for me, art is everything that i did, that i have a family - it's that there are friends. this is what i can scoop out of mine and my cup, what i have created. i can drink it. i can think of sitting and speculating, there is, the space of the planted field in which i planted the light planted with sadness, as

whatever, therefore for me this spatially infinite human happiness is, probably, it is not and inexplicable, and in creativity it each time gives birth and accompanies a person through talent , but the most important thing is not, talent must be explained, but it is better that the path of goodness is accompanied precisely by this reasoning of honesty and decency.

a step towards distortion is the average belarusian , he will always sort out provocative details and answers to the challenges of the time, now in society there is a very strong demand for justice. no need to make excuses. do you know why? because when a person has learned

the four basic rules of management, yes, then in general it doesn’t matter what he manages. he just has to have his head on his shoulders, they serve in three structures. this is in the army in the church and the whole theater, therefore, and there is a concept, operational artificiality, theatrical art. how do you stand not to become an actor in someone else's game is the main conclusion. you don't have to wait for a command, you don't have to be afraid to take responsibility. i'll probably re-emphasize two things, which they reproduced i liked the decency and courage markov's project nothing personal only the truth, which is always more interesting at home. watch on belarus 24 tv channel. they chose a path that is atypical for many and passed enough tests. i was sure that i would not do this. i was 100% sure, and now, as it were, i even tried to quit a couple of times, so far it doesn’t

work out, because, well, i like the sent songs to the publisher. it’s just that the answers were well, 10 percent is just the answer that we considered, but the manuscript did not i approached for some reason difficulties, and most importantly, i was worth myself and my fears in order to reveal the uniqueness and become the best in my field, we must make sure that people see further to pass by. that's what they should want. they should sleep to see that this work is a fake more and more. nowhere in the world, it seems to me the right and only time to go into writing. this is not an idea. i want to keep my book in my hands or earn stereotypes.

the news is now on the air with you lyudmila kazak. hello big conference call on presidential level today was devoted to the most pressing and pressing issues of this harvesting company about readiness for the harvest, they asked not only from the governors. although they are responsible number one in this matter, the head of state. yes, the opportunity to speak out for everyone responsible for the area , speaking directly, this exam for the entire pc of the president focuses on the fullest mobilization of forces and means. now everyone needs the most.