our country's classmates completed the next broadcast, we will finish compiling the list of participants in the superfinal game in this parallel. with you was an intellectual show. i know see you, bye. are you sure that the name of the pony is not a bright answer to this question, since the pony, he may be, and he is mine and i am mine, and yana is mine, that is, it is of an indefinite kind. that is, we cannot determine what kind he is, he is not, i can’t see from here you are he, or it is somehow indefinite, which means he understood.

his work is called the chronicle of the era of the master of thematic

landscape and colorist people's artist of belarus leonid shmelev after going through a harsh school of life. he became one of the most iconic contemporary artists. yulia burlova is with you. and this is a fashion project for culture. people's artist of belarus leonid dmitrievich shmelev, a figure legendary for the belarusian and soviet fine arts , shamelev's paintings are in the collections of the national art museum of the republic of belarus , the funds of the belarusian union of artists, the museum of the history of the city of minsk, and many regional and regional museums of belarus state tretyakov gallery in moscow in the funds of the ministry of culture of the russian federation as well as in private collections around the world , leonid dmitrievich, like no one else, was able to create a sophisticated and at the same time lyrical poem about human life. in all its complexity. his works intertwine modernity and the history of the country, love, sadness and hope , the pain of war and the joy of victory, the beauty of the earth and

nostalgic memories of youth , still lifes, portraits, landscapes, the artist worked in all genres of tank painting, created many graphic works being a participant in the great patriotic war. he was wounded in the battle for calluses, but even the critic's unrecognized war had no power over his dream of becoming an artist. poverty tested him for strength, and love became the guiding star in creativity. it has leoni. dmitrievich scooped. inspiration in the most difficult times city ​​art gallery, a work by leonid shemelev. good afternoon, and this year you have not one, but two anniversaries - 100 years since the birth of leonid shmelev and 20 years of the gallery, i assume that they prepared

responsibly, of course, prepared widely responsibly, and a lot of work was done. we've made repairs. e in the halls of the gallery. and they made it very serious. uh, the exposition, which is really thought out and which is revealed with each hall, and the personality and work of leonid dmitrievich in the gallery itself. uh, in general, nine halls gallery a large six halls under the permanent exhibition and three halls under e, interchangeable projects and for a total of 23 years. and we show different shemyov. we did an exhibition already great teacher. this is an outstanding student of leonid dmitrievich shchemilov - this is nadezhda liventseva. and vladimir krivoplotsky, and not completely different, but this is the essence of the fact that two such different artists began their journey with leonid

dmitrievich and he gave each of them his own direction in development. there was a very good exhibition of front-line artists, and by may 9, victory day. these are the artists who have passed the war was at the front and leonid shmelev also went through the war from beginning to end in the next project. and we had an exhibition of the children's art school number three, which is currently this year. she received the name of leonid shmelev, just last week. we also had a very big serious event. we opened an exhibition in vitebsk, the homeland of leonid dmitrievich. the exhibition within the framework of the slavianski bazaar in the vitebsk center for contemporary art went there very seriously. a large collection is the funds of our

museum museum of the history of the city of minsk uh and uh, from funds of the belarusian union of artists, too , most of the works of 40 works are presented in vitebsk and earlier in this format. they were not exhibited at home. leonid schavelev, your gallery presents the largest collection of his work , this anniversary exposition of leonidovich semyonov in the mirror of the era, we opened in all nine halls of the gallery and 150 works, both pictorial and graphic, were presented . probably, 150 paintings were never put together in this format. yes, they were not exhibited, so it really was very, uh, large. the exhibition, but then three halls, we

filmed a shift exhibition and now the mirror of the era consists of six halls, in which the work of leonid shhumilyev is revealed anna a. that's why leonid dmitrievich calls his paintings my diaries my diaries - what is it like? it's part of life. that is , this is every day lived, because leonid shemelev also raised philosophical topics, he has many plots, but everyday plots, but life, but life people, where there are joys, grief and everything that surrounds us, but leonid shmelev, e, could show any event not in mourning. it's always the same right now as a part of the sun with incredible colors with a part of his broad soul. this is the painter epoch color painter. and here, uh , you enjoy both plots and colors every

time. uh, it seems that hmm has already passed many times and that's it. i saw everything, but no, it happens that the eye catches on some nuances and you discover some new nuances of the edge of creativity. it's just amazing. tell about it the latter is not written at work or this and why, how it ended up in the gallery. this is a very important part of the exposition, when we visited svetlana nikolaevna at the widow of leonidov, khmelyov, and selected works for this large exposition of a mirror of the era behind many many paintings in the corner, literally. we saw part of the piece and began to ask what it was islan nikolaevna, she told us. at first she thought that maybe this is not very interesting, because it is unfinished, but on the contrary, in this very same that's it for

workshop in his easel on his easel , as if he had just put down the brush and moved away somewhere. that is, this is exactly what it is, and the interest is to show this latest work. after all, at that age. uh, by the end of your life it's really difficult to work with large volumes, but with large canvases with oil. and they dmitrievich worked, oh, he wrote, but the last day of his life. you can say so, but these were small sketches in notebooks, so this work is precisely interesting because it remained unfinished, as if putting down a brush and went out for a while. the theme of the native land is nature and tradition, which is fundamental in the work of leonid shamelev, simple plots are always

filled with a sense of space and air. for the artist, the landscape exists inextricably linked with a person, whether it is people walking in the field, girls talking to each other or a lonely woman in the pasture, the basis for leonid shchemilov's work. there was always nature, he was a master, reflecting real life, constantly looking for the right angle , the composition filled the plot with meaning. especially bright. this is reflected in the drawings. even a small sketch has always become not only a finished work, but an occasion for implementation. ideas in painting , his daughter margarita leonidovna shchaveleva always shares her memories of the creative and life path of leonid dmitrievich with special trepidation. margarita leonidovna good afternoon, good afternoon, in one of your interviews you mentioned that when you were interested in your father. why did he become an artist he answered? i was born in vitebsk, who else could i be? tell us about the role this city played in his life.

i think the decisive role, because he told me i said imagine coming out of the house and smells of oil paint. dad said that he had a very bright life in childhood, in spite of everything and despite some ups and downs in life. well, he was always good and drew at the age of 9. he made copies, and according to the magazine, he is a gonyuk. e famous artists hung them and my father's sister. aunt galya told me that i was so frightened by my work, but my parents were very friendly about this, they said, let him draw, let him draw, by the way, he has left for life. it's a youthful need draw do. he was very fond of beautiful women, beautiful people, beautifully dressed people , he did not allow himself any untidiness for him. here is a white short- sleeved shirt, a must-have perfume. uh, nice

haircut neatly cut. and, of course, discipline. it shaped him. he was a disciplined person in the studio by 11:00, then, uh, lunch, then again he was finishing something, that is, this system, perhaps, gave him such creative longevity, because he, uh, wrote for a long time until almost 90 years, and then, when he could not stand, he drew, he drew with felt-tip pens, colored pencils or very flowers, he loved nature very much. and, of course, horses. it was his love since childhood and not only because he was a cavalryman. everything about him is very interesting. he was a consistent person. he remembered , for example, and i care kettle, how do you draw? why are you drawing like that? uh, i'm drawing some kind of crooked winter and an ebony tree. he says there is such beauty in this white snow. i say, well, the snow is white, he says, and there are all seven colors. he knew how to start. him there were some properties. he made

you look at the world differently. well, he somehow saw it thanks to his talent, apparently i think that he still has a lot of uh, improved. he was very fond of music about music and love for music, perhaps your mother contributed to him. yes, they are in childhood. i remember that i was waiting for them, they came from the concert and very violently told each other what they liked and what they didn’t like. these were very bright moments of life was absolutely. here he was very fond of. i know how he was always waiting for a journalist like him prepared for the day. why did he always receive people in the workshop, because feedback was important to him. yes, there is this gallery. he said yes. it's a blessing that my works will not gather dust on the shelves, but people will see these. i write for people, not that he wanted to hear a compliment, but he wanted to hear how a person felt, this or that understood this work. it seems to me that

everyone who came across him was charged. that's when you left your dad. right away i wanted to do something, come up with something or to finish something all the time, some kind of movement he didn’t have. stagnation in conversations. he didn't have. just a simple life of some hmm slander or eh. whether it was a conversation and it happens and when someone started to be and talk about some kind of table of naivety, an anniversary of some kind. he says, listen, we already have life on mars and everyone understood that he was already switching. someone asked him a question 87 years some journalist, and what about his 87 years? go to the workshop to work. he answers him. well why, because i still not everything has been done, there are still moments that need to be completed, namely, creativity for me is such a pill, health, such a therapy card

directly, because he broadcast that he loved people the most. he broadcast that he loved nature, everything that surrounds him. and it is transferred to work. that is, he has all the time at work. here is the feedback. he knew that people would see it, and so it happened in everything he had the art of inviting people to receive people, a and b the workshop to train to teach to tell suggest something. well, spy, too, so he had a manner. when you come to his workshop, he had a camera. he filmed you for some of his moments. then here's the creative used in their work. and he liked to watch the cultural program about the arts , he liked to watch the artists. to watch how they are hung in the gallery, how the paintings alternate , as we sometimes talked about it with him,

that is, he was all interested in the details. here's how it all works. have you ever discussed with him and maybe the topic the arts of the future were speculated. well, he talked about the fact that the art it would have to be very sincere. it must be very low. this is when you write. do you think you are sincere in your writing? leonid shmelev, performing drawings, changed his style depending on the creative task, he painted, then with thin , clear strokes in a quick and slightly sketchy manner. often choosing a pencil, he worked out the form in detail, modeling it masterfully without a contour drawing, mastered the expressive single-contour pencil line, perfectly used the picturesque black and white in an interview. he often noted that he does not represent life, an unmanned brush. everything that i embody in canvases is my life. this history of my motherland is memory, as one of the most cherished

concepts. these are people whom i love endlessly and nature, without which there is no thought of our existence. that's what the master said. leonid yumilev was sure that art should bring joy and a desire to live, if a person who sees a picture becomes warmer in his soul, then the goal has been achieved. yulia burlo was with you follows the cultural trapeze until new

meetings in exactly one week we tell everything about the sports life of the country two world cup medals were brought by belarusians from baku, firstly, a high level, when you play there, you get just invaluable experience, therefore, when you join the national team, you are already a little so hardened, one might say, tempered reviews of the most interesting events. we participated in a colorful race. in fact. it's great when we started to start paints, that is, we are all so beautiful all the happy opinions of competent specialists in the cube. now we need it in order to wedge in, let's say, a qualification system to show that we will be working on this in belarus and not only watch sports projects on the belarus 24 tv channel. there is a legend that on the other side of the screen it seems that all the questions are easy. come to us. i'm sure you 'll change your mind, this is a show full of humor excitement and agility. they are sharp. they

get it like this, you know the answer. perhaps it was leonov must be exactly then without the possibility. and then i'll probably send you to the setting. we are very early you had time to think. we must not think. we know two teams will compete for the grand prize and the title of being the best spongebob squarepants has a best friend, what's his name? watch the intellectual entertainment project of the tower on our tv channel.

in this issue the profession you need to live in belarus we will celebrate the 170th anniversary of the fire service we will show the atmosphere of the holiday ukraine is mining roads leading