[000:00:25;00] the architectural titan of the yaks, reinforcing the monumental paths to those who are not pinned down, looking at its hunting walls the front gates of a certain great power, the bottle maker, which is common in sober, i mow down the baroque poise of art deco and the splendor of roman classicism and what hits the pompous quintessence of stalinist

architecture of the architecture of belarus the hell of tsar alexander iii podshali budnitzso, the station from the brest central station and simple passages. i state donated the operation, designed and encouraged the bottles. the royal architect, lotberg, the facades were carved out of the cold of reluctance and more predicted the gray days of an eternal fortress. under their watch is the station. at brest, he cast point pennies from the treasury, he was allocated more for 2 million royal rubles. this is kolya and a half tons of pure gold. nah this penny could have been 30 cruisers for the navy of the russian empire, the bottles came out

with a super-dry water supply, although captivity and electric. the ikea station to appear under the shawls at the other half of the nineteenth century of yana was not just like a new bottle huge bottles such budykov such a transport communal destination. and i didn’t want the functionality of a whole sherah of new syllables like such a fishing revolution. she forced out the manual practice. there were no factories, factories, workshops, there were no injuries. and for everyone it was to block the fluff of new designs. this miner sells metal. even before, they are no longer such as to hurt. i say they lived simply accessible to everyone

to break through, nedenovites. bring me out. they are here. i changed the nineteenth century aesthetic essence of the architecture of the russian empire, and she worked for smaller- scale zusi from the zabudovy and the nomenclature of the abolition of railway stations. i sent shoes on symmetrical plans. vistibyul with head care. it softened along the seroiden, and in the clouds, pavilions for jacking, service bags and cash desks, railway stations and dzhigunovskaya stations wore out the city's lower structure, in fact, station square became new cores that form kira on to the development of the structure you will sow a communication show in the 19th century. and we respect that more than the revolution other speeches. their statement of the cast iron did not actually leave. and also so skin, who wanted

to punish the fault was the crystal system. pyrovozok according to the sound of the roads were ikea postal stations measured and there about 15-20 miles. eh, it was possible to change the crew there, and on this, an actual cast-iron, changed to wakol, crew hesitation, others were shuffled to the roads, yes, e-keb gifts, today absolutely the entire geography of the cast-iron changed, er, and some place points of the city and what they were significant youngburg. uh, lunge, ring race passes the case for almost far away, walked their meaning. it was an assembled revolution, not a gothic train station. served passengers up to the drawer, on foot of the light war in 1915. russian troops, under pressure from the troops of kaiser's germany, during the retreat under the actrina of the military jasu, drilled the station, however, after the end of the war. butynok

, not a fun one, was updated and that owls are in mind and you at the architecture of the central brest expressed identifiable things, we are still not lynxes, founded, the volume of the bottle was forced earlier, commanded only by the central pylon of the galloon hassada, and he became two-surfaced and initially leaned out on the feather. now a bottle. vyanshayu high dryness and atyki renaissance and boroshnye forms will spill and hollounov. the siege was piracy at two of the horse-drawn vezhas and the keke are streaked with buttresses that go up to the gray dinas of the other over the top, the facades of the bottle have become strymans, the bases are decorated at the top ditty. belarus

charmed them at first sight after staying here for 2 weeks. my wife and i decided to try to come here to live. and when i get by car to my homeland. yes to me everything is fine. well, the first 2-3 days, but i immediately change. everything pulls belarus, not belarus has become, the second rudina atmosphere plus with the nature of belarus, it conquers absolutely everyone, people put their heart into their souls in the cause necessary for the people for their country. and this is actually very expensive, and for this i love and appreciate the belarusians. let's just say belarus to me that's all, look at this view of belarus on our tv channel. belarusian memorial complexes do you have a particularity that you must not forget nicole, it is important who is traveling? and himself with the house was from joking, the sun, that is, this

idea is torn. our architects just perfectly implemented the skin bottleneck memory . cut into freedom you emotions freedom. where people like charings, one might say, stood hidden tails of the earth, there were both suvorovites and schoolchildren, people already became the voice of an adult documentary cycle , the memory of my land, of course, and without memory of the past future, so we can be oleg ourselves , it can be such a future that is. it's scary right there completely its terrible past. this is not to survive it on belarus 20 tv channel

tents. another bottle of father leo leaves from the light war in 1945, stalin did not care. berlin is simple, brest, for signing the surrender, and decided to remake the station, how to demonstrate the wast and ambition of the soviet union, the weekdays run out of hair with unnecessary moves, the completed station looked like an impressive ensemble in the spirit of the stalinist empire style. i see above the hunting facade. vyansha only sawing. with a slide at the kolosov frame, the sherakhs of the hallon gave the agul silhouette of subdentity with the familiar stalinist high-rise buildings in moscow, the district near the ussr looked beyond the monumentally stalinist amps, it was somehow special. mm, such a cup on the corner of soviet architecture and set it on fire.

she is not at the other runners of the forties. i'm a cliche of guys. before the war, i had such an orientation towards the classical paddina and the minarite towards the italian bedroom, the italian renaissance kept coping with its tasks . it was and was the expectation to seal it in such non-formal forms. i thought of them by applying the formulas, eat and happy after operations such you know people tell about it different forms of care of the soviet reconstruction were seen from the walls. bottle. the railway station was cleaned up. in return, they hacked a train through all the pyramids for reinforced concrete, such and such a pero option

. the central hall of adjakanya became more spacious, i ate marmur apelastras of the korynf order, developed cornice yaks, i lost space for two tiers, nina's rich blunder on the topic of soviet prosperity and belts rose plaster. warehouse u interior décor expressed u look passers-by of the arches of formidable formulas and died down in the hall with a malt mosaic, a color palette so diverse that the halls of the station you can look at the yak-museum of minerals, and in general laughter is a memory of the fifties of what late stalinist classicism, and to disintegrate the belarusians that it did not fall out before such a come to our capital forgive me along the avenue. and what is everything and, as it were, with the soul, what is it? you are no less. but some ahul knight monumentality, what is it like? floppy me with this sente from these bottles, and she them poor sweets

elements. you are the very vase of the colonnade in kirstan. e marmur to rob all this. although i was hazy, call the rich rich. and that she still eats, uh, let's say everything is against the cut of sounding in the everyday life of a soviet person. and what albozhie the album communed there a holiday that i often take khrushchek. it was a case of contrast to fishing to command the power of the god of the romanesque booths. i just exchanged this emotion for them, this energy of the stalinist totalitarian regime for the architecture and totalitarianism of yana, and i still spoil it, since they are transmitted. i'm just a program the most political system of the composition, another center of the station is a galunny, a building near the court carrier with a spire on the portal near the hunting stirred type and frieze central pavilion. such i will mix my own care group into one, especially

the absolute symmetry of the one on the central vezha from the jacuada to walk the wings of bottles hidden by the colonnade, lined with rose-colored natural firewood. so the plinths of the head and adjoining yes of its bodies are shaped, with marble and granite the main facing material is ceramic plates, decorative elements and harness bottle expelled behind the lebanese hokkami empire-shaped bottle under the armchair sculptural groups and reliefs. pressure from the wet haze and near the walls of the brest station just tsaglyan and moore and he naturally, nicely uvaz in the narrow window, alas , there was no one, the great flesh is shasten, which could be preempted, however, the stalinist empire

perishes jarga. chalk on the uaz the standardization of the buddyks, who didn’t look around , you’ll know not the similarity, they strengthened the socialist ones about classicism with a pre-detailed analysis, it’s clear that they were baptized at crushing them, the same elements are often reminiscent of stucco molding, rich decoration was the subject of logical settings in the architecture of the upera of late stalinism. i remember them, these are architectural masterpieces, and they are all of the same type on a wasp, but they are cyclopean dude. gmakhov and human emptiness, a special person is such that e food is not empty, who are you, you are that kitsch guard system and poke, that it is only because you march from the right foot as a whole soviet architecture to heteropiruid, i am pompous, it is guilty to bring perestro and powers and systems

in our issue of the socialist and why everyone has it all, not the twentieth stogolians, starting for the roman empire. uh, the more dictator the emperor was, the more. he chalked up the odds and ambitions. you remember him a lot, and he wanted to have this old one with you. i to you the history of architecture goes generation. the soviet empire style is better in its elements of baroque and late classicism than youths, getting pomposity, luxury, magnificence and monumentality for the hetag style of characteristically cross-architectural organs with expressive proportions and rich decor. soviet symbols, worker and kalgaz workers, the military became the cold heroes of the bas-relief and mosaics in the post-war years. architecture was an ideological tool that conveyed ideas to them for a brighter future for soviet

architects. they didn’t just steal the details from the old joints of alle and yes, and logically correctly, they were interpreted in such a way that instead of precious decorative ornaments , soviet symbols were shackled into the games, and classical sculptures and reliefs replaced the identification of workers and forefathers such substitutions. look monstrous train station can be close to study, tatoy of richard kapustin's king of reporting is not far from kulpinsky's and he said, so that the brest railway station soviet union opa of gold and emptiness urozny passages the brest railway station was visited by russian tsars , political leaders of the era of the soviet union