hurry up and then he collapsed to her, that you are something and love. this is good. make it a little clearer, right? i came to the course. it was the third year of the academy of arts acting course, to see uh, in general, guys girls and boys u boys girls to work on the performance of the alpine ballad. and julia attracted attention. you know, she is such a silent person at the level of alienation. i suddenly saw that yulia was talking very little at the rehearsal, that is, from her extraneous conversation. in principle, do not hear the silence. concentrated silence. i such a role is generally necessary for julia. well, for the actress as it turned out. here she is 20 there, how much at all, still young for an actress. it turns out to be very important that the debut that yes in the theater consists of a roller is very

complex. minsk national film studio and belarus film the road you will already be with all the actors hello hello, of course. let's go, please, let yulia lozovskaya dismount to the movie series. hello, it's a pleasure to try. alice hello this is vika your producer victoria

sarantseva producer of the group music of time sounds true, i really like it, i trudge along the entire length. and look, i'm in your area right now, and i have time to meet with you. we need to communicate personally. and look, oh, cozy cafe in the text is fascist. the producer of the youth group, such a role about a dubbed film script, the actress

has to go out for one image, goes out to others lethally beyond the threshold of one july, has already sounded to such a burrow, everything is wonderful. i hope to see you again. thanks a lot. i really hope to see you. thanks a lot. thank you all, do goodbye, and we slightly, so to speak, corrected her acting perception with what she fantasized about herself as an actress. here why is this necessary?

eh, so that when a person tries out, he shows his acting range as widely as possible, that is, not only what he came up with for himself due to the fact that he is an artist, but in showing as much margin as possible for the director who will watch these tests. what are you talking about? what you don't understand at all. no? girlfriend, you don't understand anything, i understand that i'm a fool invited to your head. now i myself still don’t understand anything. acquainted with the azov sound on the right.

get out, you bastard. anton, we are in a safari park, but you know, i imagined that this safari park we drive such open cars around lions tigers, and you even say here in belarus this is our belarusian park, tin. i'm a little nervous. you will steer, it's okay, when you saw the largest concentration of animals here, when it's straight, well, sometimes there are herds here, when a deer is formed, lucky

ur watch the morning show good, early morning, belarus with svetlana borovskaya on tv channel belarus 24 belarusian memorial complexes in the resurrection of the fact that we must not forget nicole, no matter the skin, will come here and himself with a worthy sensatames. after all , it was the idea that tore the magut into high non- peredolous our amuran, gollan suga. i am not given to us by architects. just ideally , the skin memory was implemented in a bottleneck. cut free to free. you send off emotions with zyakim, you see this partizan or

avant-garde cinema live up to will you send off on ht8, i on the freedoms of the land, there were both suvorovites and schoolchildren, already people became the memory of my land, of course, without memory of the past future. this is the most, perhaps, oleg, this may be such a future that it is scary there. she will probably be able to play a lot,

because the range is quite wide, of course, she is good at playing classic dramatic roles, very serious images, the desire to influence partners.

the acting profession on the grass is not only the emotional vyffizishnyh liffizishnye yulia will mix into a calming hall. not just up to coach fitness. no, i will laugh at the notes to professional stuntmen. all the guys stayed, seriously. get ready

to make this element that i showed. yes, yulia understands well that nastushka rollers can be even actions and work to live in odessa to die ten and be silent, and wave your fists for ten for the demands of that actor and i know how to be and drink. you make it, right? yeah. that is you. when do you block? make sure you don't have this. that's what you do slowly. you must with a shoulder with a turn of the pelvis and sharply you must answer with a towel. you see, she was filmed by his team. everything is already makli to their films, however, today alexander has grown up to break

the actress, by some method, and those may need her cinema. okay, no doubt an actor - it's not just, i mean, a person who, uh, works as a face in the camera. yes, that is, in the frame, this is still an actor, after all, he must be friends with physical education, it’s easy enough to work with yulia on the set, because, uh, i know that she was once engaged in dancing. this is actually very good for an actor and for stuntmen. in principle, it’s also good, because it’s better for a person to shoot the choreography of the combat choreography. that is, how to work well and pleasantly with her on the set and you can see how she tries

and how she devotes herself to her work. recently, there was shooting, which means that alexey kravchenko's trick was with the second actor. you submit from the window from the third floor, as i was more like this actor. i replaced it. and alexei kravchenko was replaced by evgeny a onlykevich, my stuntman. we made such a montage that it is not clear what the actors were changed to stuntmen

, that is, we seemed to be spinning, and at the moment when we are spinning the operator on sheksna, the operator comes close and we make a cut in the mask and the stunt doubles are already flying out of the window. these are short long distances, yulia lozovskaya knew that this was happening earlier.