[000:00:00;00] and it liberates people more, yes, that is, you have to come to another partner there, yes, and willy-nilly by itself during the entire lesson there, yes, there and in the future, and a person becomes liberated , becomes more sociable, less afraid. here are some of these acquaintances, men become more confident, because without confidence they will not understand him, the partner girl becomes more feminine and learns to follow the partner of the girl who has been dancing for a long time, they can be noticed and simply on the street for more plastic movements for a lighter gait, in fact , completely different people come on average - this is the age from 25 to 305 years. but there are, uh, guys who are both very young and very old after 50 years old . in general, bachata is a fairly easy dance to start mastering, so

a very large number come to it. absolutely different people, but in one movie, when we watched about chatting, and i really liked the phrase such that you really need to chat, but completely different people meet in the afternoon. he might be some kind of director there. yes, and another person can work during the day, i don’t know, as a laboratory assistant there. yes, they come somewhere, then they dance and all the edges are erased, yes, that is, here all the people are just doing dancing or what they like, that's why i also love the trampoline very much. this is a hobby that brings together very different people to have so many people in the classroom. we put in a lot of effort girls are traditionally more interested in dancing than guys. this is more connected with the history that has developed in the post-soviet space. and some people, men, think that hmm there is

such a belief. men do not dance, in fact, and historically before the great patriotic war dances - it was a tradition and culture in any military school they taught dances, and any people of the upper classes had to be able to dance, and all types of dances in order to build their career and their personal life. and now we will show some simple movements, and the main for the cob the first movement that we will make is called the step point . before we move on to it, we will make the correct setting of the body, the weight is transferred to the front of the foot, the knees soften a little, that is, the chest also bends . and so it should be above the boards and our first movement is called step dot step dot step dot step dot everything is quite simple the second movement that we will do is the basic or basic bachata step from the left

foot. we go to the side three steps and dot one two three dot 5 6 7 and again one two three dot five six seven points the third move we'll make is called turning. it is based on our basic at the base step. now let's do it on the left. legs, we begin to turn one two three point what are we paying attention to? first, we must put the foot of the first step at 90 °. once in the second step, we turn on the forefoot and make sure that many do not put clubfoot, then we turn further in a straight line and turn point again one two three point five six seven point and now we will do this already in pairs. old to each other fingers were given perpendicular to the floor , the hands were lowered down, the girl trusts her partner and

puts her hands on her partner's hands. what success depends on, the first thing that i would pay attention to is focus, how much a person is passionate about what he is doing. there are guys who come to class, but their thoughts are somewhere aside. they think about work and can't completely switch someone is more passionate and listens attentively to teachers stara creates a question, and these people always grow faster. the second point is the amount of time. how many people

spend on classes per week? the more he trains, the more. he walks at the party at the brawl. e, the faster it grows, and the third is its data. initially , they actually influence much less, but still it also matters. did a person dance before, for example, people who have previously played any musical instruments grow very well. they have the ability to hear music, and it is easier for them to start dancing, even if they have never danced in their lives, and we also cover well the stuff of a guy who practiced his favorite martial arts, sometime in life or sport. eh, if a person has the will to achieve some goals, then he will also succeed in the dances for people who do not hear music. well, sometimes it happens. the statement and the bear came into my ear, they are approximately in such phrases. usually

they say, and i have no hearing, in fact, both hearing and rhythm are a sense of rhythm. these are all learned skills people are never born with. it's not something genetically built in. just someone can these skills get as a child in kindergarten. someone can get them in adulthood, but now there are enough methods that we also use in order to train, and to train the rhythm, e, ear to hear accents, and for some it comes a little easier. but that doesn't mean it can't be learned. what is the best way to test your erudition and ingenuity with the right tricky questions? name the fabulous genie who was saved by the soviet boy volka's crutches due to turning, old man hottabych and full

the name is well received. this is an absolutely correct answer. hope can still answer this question. and if you answer incorrectly, you will be answered. it's your right. is it true that all faces of any parallelepiped are squares, because a rectangle is also a square, they are

vice versa. the brightest star in the night sky in the northern hemisphere aging with the help of a fluctuating genetic clock, we will talk about objects and discoveries without which the world today. it is difficult to imagine the most popular type of soda, water-based, and the organs that take on the increased burden of removing it. this kidney, according to statistics, is slower for those people who play sports, get enough sleep , eat right and regularly undergo a medical examination of the water. this is a drinking regimen that speeds up our metabolism of mineral water. these are recommendations for the treatment or correction of some conditions. watch the popular science project science nearby

on our tv channel. i have such an attitude, in the theater i am a ballerina at home. i am a mother and at some point i needed to understand this for myself, decide in my head to distinguish between. and basically, i succeeded. that is, i go to the theater. i give myself completely to work. as soon as i leave the theatre. i am engaged in ordinary life affairs, it happens when the staging process is going on, some new performance is being staged. we are in the theatre. well, how about time. at 10:00 we have it for sure classical lesson, some solo rehearsals, staged rehearsals follow. then there is a short break and in the evening it continues again. that's it staging

rehearsals and plus at the same time. i rehearse the current repertoire happens. uh, and such moments when you know how everything will come together and productions and repertoire. when i was very young. it seemed to me that it was impossible. even so hard so much physical exertion. how can you endure it, but then it becomes a kind of habit every age. i had different motivation. in my youth, i was motivated, but by the fact that i dedicated my work. my parents then had a motivation, probably for their own sake. i kind of got hooked. i already liked it. you know, how such masochism, probably, when you enjoy the fact that you are hard to overcome. eh, this is a difficult period, and you come to certain results, you rejoice at this. are you satisfied

, it's some kind of addiction, when you have to feel your body, that you have worked, that your muscles have worked, that your body is in good shape, probably, those who have a lot of physical activity, i will understand. there is such a state of attraction of the stage, when at different periods of different ages the sensations were different, there was a period when here is a performance on bows, here, when you receive an ovation. uh, you understand that the viewer likes it. uh, there is. that's just some kind of egoistic state, when you get high from it. then i switched. it's in such a state when i danced a performance, i should feel that i did everything that i didn't cheat anywhere, that i nowhere with a fake. i mean, it wasn't just acting. and it

was a real, lived life only on the stage, and then i also had such a period when you dance one performance many, many, many times and you just can’t. eh, relive it every time. here again for real and again and again you die and again you die. well, you're dying. i realized that i could no longer truly die. i'm already on stage and i don't want to feel like i'm dying. that is, i have to learn. and we come to play this every year coreographic college to congratulate our teachers on teacher's day for them tang. this is what we have become, so that they look at us and be proud of their students and also, of course , i want to come here and dance for the children who, after looking at our dance, fell in love. in

jack, these are our folk artists olga gaiko. igor artamonov so anton kravchenko yes, this is my favorite partner. and here i am wondering for a long time you have already had this. it's me here, like a hole, i also love this performance very much. he is very interesting and difficult to remember my favorite teacher. and savelyeva irina nikolaevna, who devoted so many years to us , all my girls, they remember everything. and how did she tell us that we must be strong? uh, because our profession requires it. you have to be able to endure. we must strive to work, we always remember her such elementary expressions, but for us they are so significant. we always remember what they called us, rabbit brothers, rabbit brothers.

let's well done our course is scattered all over the world all over the whole earth. and we are and in st. petersburg and in america, our girls, but we are in russia, too. but we are going here last year, for example, we all got together. one classmate came from st. petersburg only so that we could visit our teacher. she arrived by train in the morning. we went to visit. in the evening. we put her on a plane and flew away. well done, everything will work out. so you have washed good data. fathers and legs you have beautiful clever girls. i had good data. yes, i had good flexibility. i have a good top eversion. i have very light legs. yes, i have a very good stretch, but i have only one for this. uh, the lower turnout was a little lacking, so i still imagine

working on it, that is, it is still even working in the theater first thing. it is i who begin to make sure that my legs turn out, and when i dance, i always follow my heels. it's physically difficult here, because you have to sort of break your body, if a person walks. this is how you should walk like this, if it seems to be in physiology in our body is conceived one thing in getting sick, it ’s completely different, you need to twist your legs, you need to twist it correctly to make the muscles work. uh, stretching flexibility. all this, of course, is given to someone easier, to someone more difficult, but through certain efforts through a certain pain. therefore, hmm, probably not everyone will be able to select children in this institution for training, certain data for a person who does not have data, he will not be able to study, no matter how hard he