here in the theater first of all. it is i who begin to make sure that my legs turn out, and when i dance, i always follow my heels. it's physically difficult here, because you have to break yourself like breaking your body if a person walks. this is how you should walk like this, if, according to physiology, in our body one thing is conceived in being sick, it’s completely different, you need to twist your legs, you need to twist it. uh, it's right to make the muscles work. uh, stretch flexibility. all. it is given, of course. eh, it’s easier for someone, it’s harder for someone, but through certain efforts through a certain pain. therefore, hmm, probably, not everyone will be able to select children for training in this institution, with certain data, a person who does not have data, he will not be able to study, no matter how hard he tries there b. yes, there you need those tyutik

a little bit longer, this is the desire , these are the difficulties, they bring up the will. i lie in bed with my eyes closed and think what and in what sequence i need to do later today, so as not to forget, quickly reaching the office by car and i write everything down carefully. i need to make another plan for me, at least for a week. that's where my schedule is. this is my

weekly plan, then i have to combine all this, when there were five, when we put something new, when we sort there, who we enter, this is all calculated. then he came to the rehearsal, and that's it. you can start over with the fact that the child got sick, and then got sick. i accidentally twisted my leg myself and you understand everything works such that i have already decided something. and i can do it according to the plan, it doesn’t happen, the girls are all brand new, which were. come here to me, quickly become so move a little, a little wider so this is uh, this is our newcomers. well, masha doesn’t give you a place. but stand next to the smallest and show what a big beautiful set of girls you are. can you imagine? yes , what awaits the girls depends only on themselves, in general, now the whole month of october will be free from the concert. here is the program so that they can dance everything, this is what

the main cast is dancing today. uh, in the concert hall of minsk, not everyone should even dance, yes, that's all. that's all. that's all the girls are waiting for. we continue forward. you know that the ensemble is celebrating its 60th anniversary, and i'm working, you can imagine 33, and before me it was probably 10 will be 200. of course, it's bad that a month comes like this, because good never happens. such a frequent change, all the good deeds and the general significant is actually done for a long time, nothing can be done overnight. is it a fantasy that came? so you made a change and life went differently, not all at once it turns out to be patient. yes, and

then you need to collect people to love them and collect collect good artists. which i have set. i just arrived in my ensemble. this is a quadrille on zelik at the university of culture, then it was an institute of culture, then there was the head of the department, july mikhailovich , there was a creative laboratory in it. this is such a folklore one, and in the summer they went on an expedition to the woodland with the students. and there, somewhere, they are just such little fragments. this is folklore, they found something small, for example, fragments, they are why some kind of hut, and there grandfather and grandmother stood on a bench, and so trampled trampled trampled on a bench on a small one called a tall, such a beautiful girl, and he is so small

nimble, very smart, but yes, a chin or what to do, but they put a pill pokras and she is even all this. that is, i created a picture from this. and in what form will i do it. well, it's better to do a square dance at four, 'cause it's not really mass it at the same time as the solo number. that's folklore. yes, i figured it all out. it's all gone folk let up quite loyal even to the fact that e uses our repertoire self-made, all with one condition, be sure to indicate the first sources. i don’t like it when, uh, they either sent it trying to appropriate it or just shut up. it's just not pretty enough. well, i'm not complaining. i always say that come on, let him steal. i'll still come up with something. let's dress, they don't know how to do hmm

some numbers were born at all incomprehensibly, from which neither once a student, a theater art academy came and said. may i ask you a couple of beautiful guys? i here the boy sewed suits. benki from papa's suits at least so open, as if in the forest it is necessary from the skin more often this, when the unusual cleans everything from it. this chiffon is so wide. i didn’t have such costumes, they are not folk, but there is no part of nature of some kind. they

will like me so much. let's buy them for you. i ordered four more costumes for girls for the same entourage. i made a sberbank number for six full-fledged programs, then different people, who give all sorts of things that these are our stories. she's different, by the way. no, this is about me euphrosine, two professions main this is purely folk folklore. yes, we have modern folk dances and we have pure. just a modern group. now formed, regardless of whether we want it or not, these are the dances that we dance with

our leading performers. i have a lot of people , artists, people, artists, not just people, these are people, but people are artists - this is a completely different psychology, they are not crazy, like psychology, they are very emotional. they are sort of well scattered. they are pretty touchy. they in a good way, they are capricious than talented artists have more problems with him. i have to settle all this, because as soon as the little one is equipped with artists. this is also felt and scatter staggering begins. i have a job ear, keep the east almost

impossible, it seemed so much to us, because they took the best to the theater where? hundreds of people plus or minus there are very few of us and therefore it hurts for me this is my conscious choice. and ballet it's not easy. somehow downstream for me is ballet. it's a big big deliberate step. i understand, it's great that all life will not dance. it's a very short age to get sick. therefore, i consciously sacrifice something

for the sake of ballet, of course, i sacrifice, probably my personal time, my personal life. the only thing i can't sacrifice. these are my children. my family, of course, partly even for the most part, ballet becomes my way of life, any problem that a person would not have, i don’t know, don’t hear music. yes , there e body is not so plastic. everything can be changed there. everything can be done cool great cool . the only thing. if there is a desire come, people sometimes, which is just not my type of people. yes, it’s very difficult for me with such people when they come. oh, how cool, how cool are you dancing? yes, i also want the same, but it does not work. eh, you have to understand. yes, in order to achieve something to develop something. yes, even the smallest. yes, but if you want it, it will be, if you just

look, yes, and do not work yourself. well, nothing will work. for me, for example, this is the most important aspect that people of any business, whatever they want, whatever they want study. just sitting is nothing. it will turn out that the natural riches of belarus shmatem prostrate can be joked on the braslav tire, here there is a ball thrown into the lake for the not accidental name of god's wok, in spite of the lake tore off the dyakaya with its obrysam. what shape is correct for the volga into maya lake, how the circle does not change for a long time, there are chances to eat far, that the wok sorries for the right people from the sky and shmat them such ball lusters in belarus children's

books are a whole world in which all the most interesting and unknown are concentrated. remember how, as a child, with anticipation of something magical, you took another book off the shelf and enthusiastically started reading and the world around you simply ceased to exist. today we will visit the writers' book club, a truly fabulous place, where we will get acquainted with one of the belarusian children's authors, elena telmakh. what is the magic of a children's book. and why after

a while, many adults again return to their favorite works with you alina is not a war and this is a fashion for culture. a book is invaluable to a child at all times passion for gadgets, it still expands his understanding of the world familiar with things of nature with everything that surrounds him at the beginning, the child gets acquainted with the book thanks to his parents grandparents, and then he himself begins to learn the world of letters of words and thoughts. by reading books, the child develops his thinking. it will both thought and imagination teaches biting, makes you think and analyze. among the most famous children's authors, they are the first to come to mind. samuil marshak korney chukovsky mark twain sharpens lingrand hans christian anderson, the great storytellers of all times and people, and on april 2, on

anderson's birthday, they even began to celebrate international children's book day. the republic of belarus is also rich in authors here. children's literature originates from ancient times from folklore in a fairy tale, a lullaby, a riddle of a song about the formation, as a genre of literature , dates back to the sixteenth century, when a printing book appeared on the belarusian lands, it is from fairy tales that children begin to get acquainted with literature, the plot and kolobok turnip chicken ripples and other works are understandable. even the smallest listener, because , as the russian and soviet writer alexei nikolayevich tolstoy said, a fairy tale is a great spiritual culture of the people, which we collect in a stream and through the helmet a thousand-year history of the people is revealed to us. elena anatolyevna good afternoon good afternoon. tell us who first introduced you to

the book and was a guide to the world of fiction. this is my grandmother. i spent my childhood in the countryside, and my grandmother was a school teacher. and, of course, she taught students. and she really wanted her granddaughter to be so smart, so fond of reading books, and i remember very well those evenings when there was a blizzard outside the window, and my grandmother and i are on the stove, and she tells me fairy tales, probably for everyone in life these are the most significant moments when you listen to grandma's fairy tales, when you hear mother's lullabies with this you grow them with this you go to the big world to write children's books. you have to be a child at heart. and how do you go about the process of writing a book, do you immediately know what the book or it will be about? some spontaneous action i take on the courage to assert that we are all adults we are

also children, because in our hearts we still remain the same quivering, the same sensual people. and of course, the world that you learn in childhood surrounds you before, but the big things that you are going to do, everyday life, which you are very busy with. it seems that they make you an adult and for me this is the feeling of the world, its fullness, its diversity and becomes the subject in order to create works. you have a quote writing children's books is being a bit of a magician. a what is the magic of a children's book? ah, it seems to me that magic is our dreams.

we think that something incredibly fabulous is happening, but in fact, we just want it to happen in our lives and there are so many works, and classics of our children's literature, which and not only children's science fiction, e works that later became a reality , so fantasy fiction is what you want to happen, which accompanies the success of a children's book in your opinion. i think that there are a lot of terms here, very important has how the book is framed. that is why we writers greatly appreciate our co -authors, illustrators, who help children's books come to life. and when harmony happens what the writer wrote about, and how the artist illustrated it, is how the reader perceives it. sometimes in my books there is an even greater miracle than i imagine.

i’m because the artist presents my heroes so wonderful, so wonderful, and when i see these illustrations, i simply gasp delightfully from what i see, but do you hold creative meetings with your young readers and their parents, when a book is being prepared for printing or an artist, and the publishers are employees of the printing house, we all make great efforts to ensure that the book comes out, but as soon as the book is born, it begins to live its own life, and, of course, for writers , the meeting is counting or so a very important thing, because you see the eyes of those to whom you drew your book, you see, their feeling of their emotions and it’s very nice that here i am as a writer. e

turns out to be such an environment that i accumulate these emotions and rarely do readers prompt the writer. but as it would be possible to come up with a plot in a different way, and often such meetings with the reader become a continuation of some stories. implemented today. new information forms. the presentation of material, for example, quest books, that is, the book ceases to be just a book, as such, with a fascinating interesting story. here's what you think about it. eh, i not only think, but i also implement these projects, for example, uh, our joint family creative project under the alias ​​evan is just right. eh, this is my match. these are two books a great performance for sonya, and francis skaryna is visiting and in these books after each chapter there are exciting quizzes.

riddle contests, that is, readers not only get to know our heroes, but also become an accomplice of those stories that these heroes live, of course, it is very important now how books sound in audio, for example. uh, here is one of my e creative works included in the school curriculum oak and raven and free of charge by our famous artist oleg vinerovsky. book. it sounds in the recording and therefore this is the consonance of the text and language allows you to understand, uh, how our belarusian book is belarusian, literature , beautiful, how to love your national in my childhood, the main topics were the topics of kindness, and humanism, mutual assistance

, empathy, and what do modern belarusian children's authors write about? humanitarian values ​​remain unchanged for the writer , the writer, because he creates a work not only living in one country, but he writes, so is it worth the people of the whole earth. that is why the books of writers are translated into other languages. this means that the value the work of a writer is important for every reader in the 21st century, the book is being replaced by a virtual space, in your opinion, like this printed book. until now, it has been possible to maintain its popularity, and it will remain behind the book, this is popularity, because the book is something that you can return to that does not waste your values, after years the book is that unique feeling

that gives the world of book characters and the book itself in general, so i really want such family libraries to be family values ​​​​that are passed down from generation to generation. the book is not only amazing stories about the adventures of the bold and brave, it is also colorful drawings that will be our imagination and will be remembered for a lifetime. this is the work of the artist illustrator, a guide to the world of children's literature, thanks to which the lines still incomprehensible to the little reader acquire bright and magical images. ekaterina pershina has been engaged in the art of illustration with her vivid drawings for more than 10 years. she decorated about 15 books. ekaterina is an artist. illustrator of the popular educational publication estore olympic

peas for skin rashes mother with her, as well as safety comics in the section for the youngest of the magazine young rescuer ekaterina hello. hello, you are a children's book illustrator. tell us what are the features and distinguishing features of the illustration of children's books from other genres. probably, this question is easy to answer and difficult, because, firstly, all books are very different, even among children's books there are very uh, different, let's say, both in depth and in some kind of message according to some idea, but i think that in children's books there are still more there is some kind of feeling of kindness , some very familiar sensations to us from childhood. some very touching and some very deep feelings are usually

called children's books. how are your illustrations born? so you get acquainted with the text and what is happening, then each book is its own little world and each book. we can say that it turns out differently most often. eh, i'm thinking about some styles in my head. how am i how will it be drawn? how will it be implemented there with the help of a computer, or with with the help of some living materials, that is , in total i have some kind of idea without reading the text. eh, i'm already, i'm convinced that yes, exactly this is what i will draw with pencils there, this is what i want to draw there like this, but here i want to try this and most often i read the text. eh, this is generally the longest. e, you can say, e stage of the creation of the book, because it’s like i go into this text, as if into some kind of space and feel there somehow, as if i’m there inside, who is harder to draw good characters, or evil ones. hmm

, it's very difficult for me to be evil, because for some reason i always think that all characters should be cute. i even have some evil characters there. always asking me. eh, somehow strengthen them more. uh, they have such an evil temper, and it always somehow hard for me. and when even here i draw some kind of yaga and there, roughly speaking, and it still seems to me that i need to make a pomelie. share how your creative collaboration with elena estelmakh came about. it really happened in fact, a great miracle for me, because elena anatolyevna called me herself. she then offered me to make a book about francis skaryna. this was our first joint book and since then. elena anatolyevna and i have probably already made about five books, children's books - this is about magic and a miracle happens. you illustrate a miracle, is there a place for a miracle in your life? you said very well and speaks about it periodically yuri

borisovicheyn, a wonderful person, the creator of hedgehogs in the fog of many other works. he always talks about the need to always remain a child with such curiosity to look at the world, and when i grew up and became a big adult, i realized that i can do it by itself. that is, i’m walking and i notice some things there, i don’t know, there’s a beautiful tree there, there’s something in the puddle there. that is, i am not such a small researcher who every day goes to the usual places, but sees something, something special. every age, the book is interesting in its own way. that's what this is her childhood magic books, in your opinion, are the magic of books in general. well, for me, i can say, you are such an experience that i always thought that the book is such something. here it is for some reason so small flat but nevertheless you open it, and there right there is a whole world in it and every different world. that is, i was very

struck by it and it seems to me that you are opening. and you don't know that there will be this kind of exploration journey as well. today , belarusian children's literature continues to develop fruitfully, replenishing not only new works and names of young talented authors, but also innovative forms of presenting the material. once, albert einstein was asked how we can make our children smarter his answer was surprisingly simple, but so wise he said, if you want your children to be smart, read them fairy tales. and if you want them to be even smarter, read more of their fairy tales - people happily continue to follow this valuable advice. it’s not easy, rereading the well-known works about kolobok ivan tsarevich or the princess on the pea. well, by creating our own new ones someday we will be old enough to start

reading fairy tales again. do not rush to grow up, read russian literature and follow the fashion trends in the cultural life of our country , alina was not at war with you and remember to be cultured. it's fashionable see you in a week before new cultural meetings. away from the bustle of the city. here are your roots and your strength. go ahead to come to you.

slow down and enjoy the moment. and the direction will tell the elements every step.

shapotite leaves shine, the sun, like holy fractions, our lives are formed. i would like to have a closer look at this world. and every day to discover something new, and this tactic is for us. 'cause we cut it out with love. from love to belarus