to some extent, out of sadness , because if you write a topic, that's consciously, so you need to go there, probably, all the same, from this sadness. my work, it will be said in a variety of subjects, but in the color system, it has retained such a more natural

earthy shrimp. that is, i have always felt closer, for example, to an icon of this calm, noisy color, because i consider myself more through such a graphic language, and therefore the expression of my works. here, if you start with these works wrote in the period when the national library did you. that's why i developed this topic, uh, as two images of such two eternal sages who create an aura. this creates one planted. this is the tree of life and the book of eternity of flight of this creativity.

a bird through these sown, then here, uh, the topic, here, uh, letters, therefore, this plowed earth she creates, as a symbol of the gums of summer, the second, uh, the second image is already what is collected, that is, architecture from books and this sage, uh, reading and giving just to us in an open book from this philosophy. here are my portrait images. they, too, will speak of such an iconic plot. this particular image was and is. he probably is. yes, i just wanted such golden wheat. here's how to make such a state. but it’s here that they sat in the cash registers with dust at the cash desk, that is, levkaz is the primer on which it is applied to the tablet and then written, we will speak in the same colors, you can write with the same watercolor, but i work, campers with pigments.

this plot is a work that she is very dear to me, because she is young, going on a long life path to live, she sat down in order to cross herself, that is, this is an eternal burden and life is her understanding. here you can also contact the topic with the same ears. although it was written that this is eternal thought, but the intention of a person is, uh, to stay live to stay. this is the peace of the earth. this is the warmth of the foliage and it itself was preserved in this topic. here is a portrait, well, i was somehow afraid to sign it for something like an image of my mother here

there is, when he passed away, my younger brother nikolai. here is his departure, such a triangle. here is her here, this is the eternal cry, and the hand on the idle land of the earth, because people are soul, it rises, this is scorpio therefore, such a sad topic. we are at the moment of creativity , his many years of work, we will say the path of life, because the fate was mine and our teacher in life. and

this exhibition is timed with my colleague and classmate, and then already in the life of the creative path it is lazy. hope viktorovna himself, i’ll tell you this way, i ’m very grateful, a good wonderful teacher. and that's how the core and foundation of all this was. here is leonid dmitry sheveleva. why because he was both an educator and a teacher and a father, and it was possible to turn him in any way. here he always e kept on us. we did not have the last dialogue under such internal educational control. and already he was at home in 908, but he lived cheerfully beautifully with dignity. the east i know since childhood has always been very interesting and very inner intense interesting like this

do? what to write how to treat it? today we see a unique unique, how come what aspire to? where i wish him personally, in short, creative success. health, beauty outwardly look at him, he fits in completely with the fact that he is happy here. thanks and god bless him. well, i think that in our creative direction there are such, let's say, pages of life, like painting , graphics, sculpture. i have this monumental art, which we will always say absorbed, absorbed this synthesis of architecture and monumental art interior exterior philosophy in my art. i tried to be not on e, let's

say not a naturalist and did not speak on any philosophical topic to illustrate. i am creating these works in my monumental world. mozhayki stained-glass windows. that's what i wanted. talking to people who will look on equals with themselves, so i caught fire in my throat, i want to burn longer. well, i 've lived a lot. i have about 18 monumental works, only instant, what is connected, in addition, there are many instant paintings. left for minsk, if specifically e objects are here, the national library. i am there with anatolyevich, and we formed this team of about 100 people and everything rushed from the inside, then the entrance pages. so we also

did it tomorrow, then i’ll say that in the morning. it was such a great school for me too. why because 4.000 phonetic mosaics have been made, this mosaic will say the original in that all the artistic volumes that are there the drawings are all different and handmade. there there was no computer headquarters put up and cut, so very expensive. when i look, well you feel that you needed a task at all. well, yes, this is a very difficult job, because you have to work for a second, there is consciousness and the concept that you create, and you need to work for the future and do not forget that you had the history of art behind you.

art is never fashionable and modern, only fashion is forever. here it is dictated only by a word in a car, a person creates comfort, it is precisely this philosophy of constructivism. he creates beauty, and in art, art is truly the deepest art. maybe just forever . i consider myself insanely fashionable, because i want to wear what i want. the fact is that our friendship with hope victor, both at school and already in life, we are following our creative path. our friendship began from human relations, therefore. she decided

to create such an image of me with such that's probably. well, how am i, if there is one, after the viewer will say, but she is insanely talented, very decent. i think that very good. she could enter. here in this here, but the inner world, of course, she knows me, there is a bad side. there is a good would try to be good, as she says, sometimes. well, as if creative emotionally any person communicates, and in our creativity. it's good to keep silent when everything is ready, because here, vladimir , good afternoon. you met so rarely, sometimes we are. here in these walls. his galleries are wonderful, and i will say that

she has created such an easy this inner world, because he was very kind, very sincere, insanely talented, he was madly in love and loves in his works. uh, include horses in compositions, because he command is very famous and his. work or netwitch, i have already said many times they educate and educate schoolchildren and the younger generation and older. and he gives us to live, so in heaven he creates the happiness of life for you and thank god that we communicated closely and studied and studied. i studied and bow low to him, because he gave a lot gave us, and in our country gave art

art that will be here it will be forever. i was born on the reason the trees were called the most beautiful name of praise. this is the pruzhany district, seven kilometers away. let's

talk about the neutral belovezhskaya pushcha around the most beautiful landscapes. i worked for a construction team, i was in charge of beekeeping , i was engaged in cooperage, i did it, in the winter period i created these creative buns with my hands. and when he was already post-war and before the war. he played in the folk theater and he participated, but your dad had to go to war life is not like that. i will say in such a word easy, but they lived in such a world, everything was their own, here is the study of the school, like everyone else. the children grew up and walked. here but i grew up and

grew up to 12 years old . need to do something. uh, a competition was announced in the newspaper premier of belarus, and i participated in this competition three times. e this competition. uh, creative people were engaged in minsk, and we won’t say great, so to speak. gradual development of talented youth, well, they selected here, well , it turned out that i, uh, won three times and i got first place in artek. and in the same year, this competition was announced to enter the american art boarding school in music of fine arts. my dad took me there, it was very difficult. difficult. why because? i brought up a lot of people, i was brought up in a natural

language without kindergartens without all these, but i also had to draw and it so happened that well, my drawings, probably, somehow emphasized those who were, well, in the commission. so we left, we are not waiting, there was no call, and in 2 weeks it was clear that i had entered, and i have a father i brought i brought this beautiful city life, which i had never seen, for me it was everything. well, a fairy tale, of course, here are people's creativity school classes. the first teachers were makarenko mikhail sergeevich, until the seventh grade. here and then, here's another reason well, i'm happy that god gave me to finish my studies and continue my creative path. to this day school.

in general, i will tell you that she was the only one in belarus where the children from the boarding school came, those who really were, probably. god's gift of god gift in all children all children draw beautifully, i'm sure they started. but how to raise? this is such a bell, a bell of development to develop it all. and the seventh grade, when we started working with oil paints , a most beautiful interesting person came. leonid dmitrievich shmelev was very important in that his visit to our lessons. they gave you understand, a dialogue with the children, it was not something that there, uh, it’s necessary, it’s not necessary, everything was philosophy. draw the way you feel,

this is very important, and he gave us something that everyone i could spread myself into that guiding page, here is the monumental painting of graphic art, and we in our group could get a little bit of ourselves. eh, already distributed by themselves. i'll get you when you're done. i decided that i had only a monumental branch in when the min-institute. now she is the academy workshop, where we are now sitting, i keep this workshop to increase it for creativity for life, because all the time we are, i think the artist should be given 15 hours. i can draw at night too. i can reason. i can think one on one with yourself. what does it mean to be one on one on one? you can come to the workshop, but i will not so cruelly lower some step to sleep

, sit, rest, something like a workshop. this is the responsibility of culture to the inner culture of a person, where you just have to work out every day that inner glow that you have, you can’t succeed. no, you have to defend it, because bohemia says there is a muse there, all that, of course, a muse is needed in life. well, you need one so that she gives that musical sword so that you plow through 12 hours. but if suddenly there is no husband, and you want to work. so you need to be a musician, so that you create without music. and the fact that physically it is one thing, but i think it is any mental art. art is the maturation of that concept, so that the branch of this is your inner, so you say. the world as you live and think,

it was filled only with the work of getting to know galina petrovna. it was an institution. she entered along with me acquaintance. it turns out it's very simple when you look suddenly, once something cuts your heart there scratched beautiful images of beautiful people. that 's friendship. then everything usually develops into human relations, therefore. we met, uh, graduated from college. here, well , weddings, as in all, and then life is life's work. here she is as an artist. a very talented person. here, she is a huge work that has been done by children who are now creative and to be honest. i'm happy anya she finished our school.

she studied art first, then she transferred. here are the rings of wet girls where i studied, graduated , entered the institute, graduated from the institute, but she worked and participated in many exhibitions. she was interested. and so it happened that pedagogy. that's just the daughter. i am not this dmitrievich shmeleva. margaret taught me. eh, anya herself took a lot from her mother, because her mother was a tapestry and she was creative, she was engaged in painting and painting, and she lived full. she saw everything. this upbringing. and i want to say that everything they have it is only necessary

to thank garina, petrovna everything all love. all everything, well, i had very little time. i was like a dad. here i came. i could there, well, go. we always went to buy something, then the markets worked there for something beautiful. that's what happened, well , they are happy to work, but they all say the children are happy, the parents will let them deal with their happiness. that's how it is. the creativity of this image in a particular case is igor talkov. i heard when his work was even this song chistye prudy, but i never saw him

in person. i heard sings sings sings, then many people said that there was some kind of figurative similarity, but when i heard his work, symbolic russia, i just wanted to look at him. so i came to the workshop, and i began to do creative work. this is not a commissioned job. it was just that it was and printed, then i received many reviews to purchase it, but i tried not to play with it, so it was preserved to me as, well, the original he and i did it, as a composition of it. later, when he was gone, i brought her up. and so it turned out to me that his hand was the roots of this cross with which he lived, he wore and the second hand, when the shot happened. here i am

i lowered these petals , when i already had my eyes, and she worked for me , probably 7 years before this happened, but her work is parallel to the portrait i have. well, i think it turned out, because when you feel, they say, with a happy feeling you feel with your guts that you perceive this person, because his philosophy of words, because he wrote his own things. it is very important. well, it’s expensive, and then they called and asked to make a copy and that’s it, but in a small size, yes, that’s why i i think that she should be. and i want it to sound at the exhibition like the original of all my works. here, which i do, i do not create to order, but i create

, i exclude that a monumental thing, here, which are behind me in this sketches, yes, this is creative, it is not connected with architecture, but the works that are written. it is in this way of my thinking, how is the development of the image with which i am called they are for me my birth. if we take space in general from the word of art, culture, faith, then i would

i characterized myself in the image of an artist through the first, through labor, through thinking, the time in which i live, this is the most. the main thing, that is, to make it clear that my time was not saturated with both the age of being an artist and the age when you already realize a lot. and most importantly , do not forget that there is such a vision as mastery of craftsmanship. it is for any person for an artist for a person who creates for time the very word artist you know, this is probably to explain, this width must be like

the rising sun in the morning, like the setting in the evening, as warming the soul during the day, as spring autumn rain summer. this is the artist, that he bathes in both sadness and joy of the river, which is a symbol. to all those who left not only at the moment when the events were precisely in the gomel region of the ozarich. it consists of five topics. here are the angels who can make a negative symbol of a terrible war, because war is a body. i'll tell you, eternal, it was and will be, but how to submit it? but

through the most complicated symbol, like children, here are old people. here's how they could be there and when i asked myself the question is, if it is necessary to somehow form, this opening is a cold space where these children were picking mushrooms, berries, this is one thing, but when there are people next to them who cherished this land as a value, for this we will say in a state that there was peace and suddenly they fall behind this river behind barbed wire without water cold. and i, when i heard that's eyewitnesses. you know, it's scary, that's why it turned out i worked very emotional very much. a frankly disturbing and as an independent work. i think she found my place, and i'm very grateful. fate that

she lives, yes, i am happy that there is a critic. because any criticism in the mind , it is very important when there is criticism. so there is confidence that there is something to which you have come? that's what you have achieved? criticism , it is in the concept, you can say, well, like the work or not like it, this is not criticism. criticism is when i understand inside that people who give feedback are simply positive and people give feedback when they want to understand it for themselves for a long, long time, that is open it all, and they are afraid of criticism. but this is natural life and we must perceive our world. it is so e must be true creativity. here, and when they tell you that you know, it is, yes. i got a lot and the liver or what is something gorgeous shock from all that. you see, this is normal. well, how would

we go into this well. i was glad okay, but when you walk by yourself, sparkle like your work in 10-20 years. if you come to work and you tell yourself, you did the right thing. this is criticism, of me it is to me expensive. well, probably for me, art is everything that i did, that i have a family - it's that there are friends. this is what i can scoop out of mine and my cup, what i have created. i can drink it. i can think of sitting and discussing, there is, that space of the planted field in which i planted planted light planted with sadness, as you like, therefore for me this spatially infinite human happiness

is, probably, it is not and cannot be explained, and in creativity it every time gives birth and accompanies a person through talent, but the most important thing is that you can not have talent, but it is better that the path of kindness is accompanied by precisely this reasoning of honesty and decency. today

marks the 170th anniversary of the fire service of belarus, the president sent congratulations to the rescuers. the head of state expressed gratitude to the personnel of the department for the high professionalism of courage and readiness to fight fire at any moment, and deep respect for the veterans for diligence , patriotism and devotion to the profession today , the ministry of emergency situations of belarus is a seriously equipped service. ready around the clock come to the aid of the heroism of the white. their rescuers are known far beyond the borders of the country. our most important achievement. for the third year in a row, we have had a positive downward trend. the death of people, here are the external factors, first of all

there is fires and the death of people on the water. this is the two single task that the ministry of emergency situations faces today in terms of ensuring the safety of citizens. we very much hope that this dynamic will continue in the future. here is a cleaning company under strict control employees of the ministry of emergency situations inspectors. every day they monitor the situation in the places of cleaning, the task is to prevent emergencies. particular attention, the state of technology. it is also a prerequisite for the availability of primary fire extinguishing skills. they use the knowledge of the algorithm of action and in the event of an emergency, employees of the ministry of emergency situations also monitor compliance with safety rules in grain warehouses and grain drying complexes today, belarusian farmers. we collected 950,000 tons of bread. and 13% of the area has been developed, on average, 35.3 centner in the mogilev region , the first thousandths in the agricultural enterprise determined the dawn of the laurels, leaders,

went to four drivers and a youth crew. as part of andrey drozd. and alexandra kravtsova are now busy harvesting winter wheat in the crop farm and sown over 2,000 hectares. worked with my brother for 3 years. now they gave my brother a combine harvester, and this year it already turns out to compete with bread. this is our everything, therefore , we try to choose without loss. and now they immediately recruited my assistant walked, and now once. well, there 500 has already made it difficult, 700 is already there. here is the state of the grain, as it is dry pen. well, the situation is such that there must be a stupor to take your bread. we should be as if independent of anyone. gold of belarus has completed the acceptance of documents for a free form of education this year 49 educational institutions across the country are waiting for 52,000 students.