away from the bustle of the city. here are your roots and your strength to go forward to come to yourself. slow down and enjoy the moment, and the direction will tell the elements. every step with ancient nature

beat up an unrequited defenseless person five on one ruthlessly frenzied with drunkenness. he did not call for help, although he could not resist, he only covered his face. the five, the brutalized proletarians did not know that they were beating the artist, who was on the threshold of world fame, this artist anatoly solonin

in the fall of 1966 in the house number 25 in the apartment 45, this is khrushchev, second floor. we were sitting at the kitchen table by the window , she was talking about this beating. and he told me already remembering. and even sometimes, even slightly smiling, she monotonously told the director andrei tarkovsky, about the film of which none of the soviet people had seen it for a long time, this film was called passion for andrei, but

he entered world cinema under the name andrei rublev in the early 1960s. boys in honor of cosmonauts gagarin and the devil were called yuri germans so in august 1934 the boy named in honor of otto yuryevich schmidt , the head of the famous epic chelyuskintsev well at that time in that year he was probably the most popular person.

he was born in the city of bogorodsk, nizhny novgorod province, well, in our time it was, the gorky region, his mother was born, and from saratov, from a family of german colonists who settled in the volga region under the tsars, paternal grandfather zakhar solonin was a rural literacy author of the collection the vetluzhskaya ark old times, where he collected local epic or kenda tales, but the boy's father alexei solonitsyn was also mutey, he was the responsible secretary of the regional newspaper, gorkovskaya pravda well , of course, at the beginning of the war, the german name of the boy. this is what the family changed to russian anatoly after the war. halav, saratov to the mother’s homeland, apparently, there were some other relatives

who settled on oktyabrskaya street at number 24. yes, it’s interesting that there is now a memorial plaque on this house that the artists anatoly solonitsev lived there. well, you know, at the time when he lived there, he did not show any acting skills, but most likely the virus then he already has hypocrisy. regardless of his awareness, why, because it was, the city of saratov, the city of saratov gave birth to a lot of talented artists, there is a monument to oleg yankovsky. there is a monument to oleg tabakov where he began his acting career. hello yevgeny mironov

, the lord will extend his earthly days to him, a boy. the boy went to school, and when he was 10 years old, he graduated from a vocational school and would have worked for him. toolmaker turner at the weight of the repair plant, increasing his working rank for a discharge with an increase in salary, but suddenly he transfers his father to the capital of the kyrgyz ussr, the city of frunze, the current engine of him is here in the boy anatoly . the saratov virus has developed.

he enrolled in amateur art circles, began to play in performances, began to perform on local radio, moreover, having a good ear for music, he began to perform with passion all sorts of humorous verses, imitating, e, the performance of moscow conferences that became known to him on the radio and feeling the ripened vocation of anatoly i rushed to moscow chose myself. neither more nor less for the admission of gitis, but the moscow theatrical celestials somehow did not appreciate the boy and they did not accept him, and on the second attempt, and a year later, on the third, he went where they called the sverdlovsk drama studio to sverdlovsk , at the theater he graduated from it in the sixtieth year, he was accepted into the corpse of the theater, as you know then they said cynically for pants, that is, for male roles

of the second third plan. yes, just for the bass , it suddenly got colder over. khrushchevskaya the thaw has come. this is brezhnev's stagnation, stagnation, suslov's ideological serfdom was increasingly placed on the shelves of books. increasingly , films were sent to the storerooms without showing them to soviet viewers, and suddenly it was not clear on whose initiative the young director marlen khutsiev brought to us for viewing the film zastava ilyich based on the script by gennady shpalikov. not yet

cut yet, not mutilated by censorship and turned into a film. and i am 20 years old and telling the capital's cinema news, i said that software export film export has already been in many countries due to large currencies. the amount was sold by the film andrey rublev which the soviet audience has not yet seen and will not see for a long time. but what about he about the icon painter, what are you and that in this film the main role was played by some completely unknown artist from some province that arose incomprehensibly how in moscow and his

last name was anatoly solonin the main role of the film people and animals. the artist is also a provincial theater from vitebsk, nikolai eremenko. the fact is that the director classic sergeyrovich gerasimov said in an interview that he was looking for an actor for the main role and nikolai wrote. gerasim, his letter outlined his biography, that he fought as an actor, was captured , was released, and gerasimov was impressed by this letter. he called him for an audition , got acquainted and approved nikolai for the main role in the film people and animals, so, in fact, the career of nikolai nikolaevich eremenko senior spare began. do you have it or not?

to bother with the epistolary genre, but simply by reading the script of the passion for andrei to moscow in an art magazine and achieved a meeting. with when tarkovsky saw this artist, he immediately fell in love with him and immediately decided that this particular artist would be 30 people for this role, the leading artists of the soviet union and when before historians. they pointed to anatoly

solonitsyn, and this is how the film career began. anatoly solonitsyn, realizing that such a role as rublev falls out once in a lifetime, he quit the theater, giving himself entirely to this role only. well , the shooting is over. last paycheck received. the estimate of the film is closed, and what to live for an artist from the theater he lived, he left and he began to live, moving from theater to theater where they would call, novosibirsk stop

the transfer at that time in our russian. again they were looking for a new artistic director . the fact is that after many years of managing the theater, vasily fedorov, after mikhail spivak, some kind of leapfrog began. each season, the artistic director changed. the main director of the theater , the actors then told me, we do not have time to remember the name, patronymic of the next main director. well, of course, the hall was empty. and then someone in the ministry guessed invite from somewhere in siberia from russia a very good organizer, i don’t remember his name. it was the director of the theater by the name of the polovtsian. well, like every smart leader , the head stretches his team, and what kind of team came with him. i knew

three people from there. he was an artist, a one-legged artist, but a very good artist. such a strong man ilyin with his wife nelly, also an actress, and the lonely anatoly salonitsyn settled them , of course, as always, new artists in the dressing rooms, probably somewhere near the one in which rostislav yankovsky once lived 10 years ago, we are one and a half they feasted gloriously during the season and either in their dressing room, which he shared with one of the minsk artists, and in the private apartment of the ilyins, which somehow they even rented for a while. and there in these table conversations. i gradually learned from anatoly the facts of his biography and the details of the filming. in andrei tarkovsky's film andrei rublev young

intellectuals have gathered at this show to test their knowledge, who can tell us? uh, who are the sumerians hexos? and the assyrians in general, at least sergei tell us what you know. it's pretty ancient peoples now ilya will give out all his knowledge and show what they are capable of. what do you know about the colosseum and the romans used leonitobeton. i heard that even in ancient times concrete was used. well, back in antiquity, and then it was rediscovered. so 1,000 rubles. so this is what we have. how many percent are obtained, this is again percent, then it will be. mathematics is all a bad question, watch

an intellectually entertaining project. i know on tv channel belarus 24. nobility , knightly prowess and courage, a great event that irrevocably turned the tide world history of medieval battles and brave warriors at the cult festival of historical reconstruction of our grünwald. look in the project of fashion for culture to go out on belarus 24 tv channel at the weekend. i am

intrigued by the story of not solonitsyn. invited him to read the voice-over in my newly edited film for the other 17, what did he willingly do? whom only there is no person in free time. igor petrovich is just one of those who are called eccentrics from the very ones that collects the vyazma tula gingerbread brands samovars or, to the horror of the neighbors, ancient firearms, but here igor petrovich was 9 years old when this hobby or illness began, it’s hard to say that he didn’t fit in with his health. and here is such an ironic fate.

the inevitable approach to its inevitable end and the ascension films finished, or she read the text, but we continued while he began working at the russian theater to communicate in minsk and he continued to tell me about andrei rublev’s film, probably for the second or third meeting. he brought me an amazing old russian edition painting by savely yamshchikov it was the rarest edition, made not for the country of atheism for export, apparently, several

copies. the author savely yamshchikov gave it, or for some reason, because savely shchikov was andrei tarkovsky's consultant on andrei rublyovka's film. they became friends with the salonin. instance and what is interesting? he says that i think that the interest of foreigners in russian icons and their export abroad began with this book by savely shchekovo. you know, i can say a blasphemous thing, but i am glad that foreigners took these icons abroad. at least they will be preserved there abroad, because i have been to foreign museums and seen the greatest collections of russian icons. and here khrushchev just finished another

iconoclasm, where artifacts were destroyed. here are the same icons as they were destroyed, the twenties in the thirties, when they were chopped with axes for kindling for samovars and it is not clear. will this vandalism be repeated? they took the foreigners and took them out and did the right thing. tolya, here, because i can’t speak. he was talking all the time in such an even, monotonous salonist voice without any vivid emotions. well, you know, because we only had high topics about art. i listened to him with my eyes wide open and my ears wide open from this, his narrations became even more significant, somehow simply unique. he was enchanted by me. with these stories i am, in general,

a provincial director with a provincial education as a director. passion for andrei well, this was originally called this film , filmed in a small the town of suzdal with many churches. and so, anatoly solonitsyn, called to the shooting, arrived there, but either the actor who was supposed to finish the shooting was delayed for a day, or the salons arrived a day earlier, but the room in the small provincial hotel that was intended for him was still occupied by this actor and the administration of the group anatoly alekseevich begged him to please one night just one night. spend the night in a dormitory room, and tomorrow this room will be free, and you will live in it until the end of filming. solonitsyn accepted

it's like another petty rural misunderstanding silently nodded. why silent? because he is also like his character andrey rublev. as you know, he took a vow of silence and fasting until he finished the icon. maybe it was even the famous trinity so salonica gave a vow of silence, humility and fasting. and when he was approached, someone, someone from the film crew, people. there, he was either understanding slightly nodding or just smiling dudes. let's understand that he understood what they should do, how they should investigate themselves to behave. well, of course, it could not but rejoice

director andrei tarkovsky could not help but rejoice, who explained to the actor what and how to play, and that one with a slight nod and his smile. he spoke made it clear that he understood what the number wanted. there were six tidied up beds. he chose one of them for himself. he prayed, had a fast supper, washed it down with water, and lay down on his bed facing the wall. and humbly began to prepare for tomorrow's shooting for tomorrow's role. but as it got dark, five huge trucks drove into the yard. lined up under the

hotel window next to the movie studio machines in five drivers stumbled into the room, tired of long journeys, 700, you can drive more on these trucks of theirs. they laid out dinner noisily and only then noticed that someone was sleeping on one of the beds, turning his face to the wall. talking man is sleeping. well, gradually their conversation increased, as they say, the tone became. louder and louder, again someone was quieting down, but if it all ended with this, everything would be fine, well, someone approached him quietly, touched him and said, man. can you drink with us tolya politely smiled, shook his head negatively and lay down again, but the alcohol warmed up the drivers, the conversations became louder and louder

, they no longer silenced each other, they talked and more and more often began to tug at him, offering to join them and drink more insistently and nazay and every time he smiled negatively shook his head, thanked him, and again turned away to the wall to concentrate on tomorrow's selka. and the drivers gradually switched from their road trips to it. why are you this guy does not want to drink with us, and then someone saw his long sparse hair. yes? that's pop. what are you this pop. would you like to have a drink with us? he doesn’t respect us, and they became more and more insistent and intrusive to approach him, no longer any

of their own, so they didn’t have them only offended. how come they don't want to? drink up? they are not respected, are they? someone came up and shook him saying, you're a pop. that you don’t want to drink with us, but someone says. yes, he does not want to talk to us. he doesn't respect silence at all. us. they picked it up, they twisted it hands and began to pour from the bottle from the throat into his mouth. they opened his lips and covered his face when they started beating him. he understood that he would need a face for shooting. he endured, they simply beat him up and threw him on the bed. well, here it was like in a movie, the night early in the morning he woke up. i saw empty

beds, the drivers moved under the window, there were no five trucks. and he comforted himself with the thought. endured christ endured the agony of tormenting his rubles. now it is his turn to endure the artist. guys, i can't do that. well, what about legs?

a group came to wake me up saw me washed behind the wall were. he only smiled and could not say anything in detail, what happened he did not say, and this to tarkovsky, because i was holding dinner. fasting of humility and silence i did for them for people day and night.

he spoke for the first time, only all of them played with the borisskaya young, in general nikolai burlyaev, who cast the bell. and when he spoke behind the camera, tarkovsky could not stand it. because after almost four months of silence, preparing for this role. soloditsyn for the first time, in his hoarse, unaccustomed to sound, broken voice, uttered the first words and also tried to repeat them when voicing. do you see how it turned out? well, okay. well, what are you? let's go with you

together. what holiday the fastest way to win the main prize is, of course, to give as many correct answers to the questions as possible. what does a prospector build? as i understand it, the creative answer will be a wild cat, no, well, you. it's three

two one for me. karina america depends on how the blocks are laid, the stability of the tower. once the members of one of the teams answered absolutely correctly all the questions, but the tower all the same fell drafts matter is who will win in the intellectual struggle this time the girls. what dance do you prefer every friday? editors club, i would like to propose a legal word in relation to western countries . these people have been robbing for 300 years, where possible, the tactics of glass booze in exchange for gold and oil are still in effect

, nothing has changed when i talk to western expert diplomats, jerking off begins and will listen 80 years ago your ancestors came home in the ground and killed 3 million people here. and so far they haven't really apologized for it. well, it was a long time ago, they were nazis, these nazis had a nationality, and there was all of europe, there is no europe, it is under the feet of the united states that it is possible and necessary to negotiate with partners and enemies. no, perhaps it all needs to be destroyed to the ground, no matter how bad it sounds and creating something completely new, it will never work in this form, do not miss it on belarus 24 tv channel. ,

and he left this theater, he left, but somehow got along with me, promising me to write, he returned to sverdlovsk, but then left it, left it, having moved to novosibirsk with the director, who invited him to play in novosibirsk in the play by leonid andreev, the one who receives slaps in the face director this arseniy sagalchik senya sagalchik is rita's brother , one of the directors of our creative association television film minsker, my comrade. there they worked together on the play. on cannons boris godunov today i gave a friend to restore the disgrace of the execution. can you cancel them?

you will be blessed. as your uncle was blessed, when he appeared, he received the terrible. he is filming in yalta in one of his first films one chance 6.000. and here is what he writes to me. i have everything going to the cinematic sequence. day after day the weather is warm here. and today, just summer, i can’t believe that in a couple of days of the new year i’ll finish this whole role, apparently by the end of february, maybe i’ll return to minsk , in any case i want it, but in quotation marks everything is in the apartment, the role, a contented interesting russian paratrooper dresses up as a german and that's it adventures i want to do something new in this old vein, i don’t know what will come out , embrace, until we meet tolya lara 2. december 8 , 1967, yalta lara - this is his second wife

larisa sysoeva, art critic film critic and again a letter. as they say with the creative report, hello and siberian fanboy. i was silent for a long time. everything is to blame for my eternal employment and, apparently, eternal failure. i already wrote that i work. now in novosibirsk they are rehearsing tightly and insanely difficultly in charge of those people to whom everything is easy and free . i love. he is a guy talented and inventive i am glad that fate pushed me with him, even if i fail boris godunov to work. it’s interesting to me, every half a month they fly to moscow , then to yalta on the set of this notorious detective, one chance of thousands, the process dragged on, the director is sick, the film is only served, then they open it. and filming continues. many reshoots of the film marriage are tired, deadly.

the daughter is already growing, holding her head and she turns over on her stomach and babbles in her amazing and only she understands language. his daughter will graduate from the human faculty vgik since 2014, director of the museum of the history of cinema in moscow, volodya. again , a free minute broke out of my worries. i decided to remind myself of the premiere of boris godunov , the tinker made a good performance. it's just that he's really good, even the intellectuals from akademgorodok accepted him enthusiastically , they praise me, although not very much. i am satisfied with my work. until now, the torment of creativity continues. although i gave this work a lot of nerves and strength, i have already played another equally difficult role of golubkov in running. bulgakov, i

still go to yalta, then to odessa. yes, i’m filming. long-suffering picture. my daughter has been growing for six months now. she turned out to be so smiling, my only butha. joy ready to play with her for hours. you know, perhaps the correspondence continued for some time. by the way, how old are these letters, it’s a miracle that at least these three four letters have been preserved, and all of his movie roles. you can find out from the internet. as always, i only talk about what i participated in or what i witnessed in another meeting with him, and somewhere in the seventies, i was at gorky's studio on the set of a film to love person. sergei gerasimova saw me anatoly and yura kuzmenkov, who had already starred in my film, originally from here, ivan waited, rushed to me and began to hug me and

led me to the classic sergey, otherwise gerasimov said sergey polinarych. did we shoot with volodya orlov earlier than with you? well, there was still such an interesting meeting filmed, he also played in belarus in the film of lev vladimirovich the blue back in the sixty-seventh year of his best film, anyuta, on the roads he played some kind of commissioner to sell nearby even, in my opinion, without a name. well, the checkpoint in general role. there is a grain surplus no way, i sold everything. how you knew that you would come and left nothing for yourself. no, why. it's all no. there are three more. well, take it if you think it's overkill. what kind of surplus is it? certainly we won't take them. or maybe he hid somewhere, look for it, and if we find your happiness, we'll look for it.

the revival of the russian theater began only after some more time under the director boris lutsenko, moreover, boris lutsenko was filming the film scattered nest and he invited anatoly soloditsyn to play the role of the unknown. the thing is, that boris talked all the time. he even talked to me all the time, who is this unknown bather, and he invited the salon. she somehow intuitively, realizing that this is an artist who carries some kind of secret, some kind of restraint. anatoly roughly developed some kind of ambiguity of the image that he had already found in the film a mirror, of tarkovsky, tarkovsky, after rublev , shot him in his films. why are you such

a sad woman? and it never seemed to me that plants feel, are conscious, do not run anywhere. this is us we're all running around. we are talking vulgar things. it's all from that. that we are nature, that we do not believe in us. all credulity is hasty, isn't it? lack of time to think what

songs did your mother sing to you over the cradle? and what happened to them? they spat. who are you? who am i? i'm a leaf and now he's being filmed my friend boris lutsenko is filming the role of an unknown scattered everywhere. of course, anatoly and i phoned and agreed to meet. but something happened that happened, which i recently learned from the widow of boris lutsenko from luda

luda said that he collapsed right on the set and they brought him. for some reason, not immediately to the hospital. he speaks to us at home, then he says they did a consultation at the personal commission, after the analysis they saw that he had a strong oncology. and he just says they stopped the hearth, the wife had already arrived from moscow and sent him to moscow . no treatment had already made sense. the process was running. man what more do you need to know? if not this is how his career ended in minsk, which began

one of his first films with voice acting in my little film, the rest 17. the dream ends the eternal and all the dispossessed must gather together. so our fate will be decided then i was sixty-six and could not imagine. that sitting like this, at a table in a tiny kitchenette , on the second floor of the two-room khrushchev apartment number 45 in house number 25 on kakhovskaya street, i will sit talking with him, and then remember that's how it is today in the past tense. and what, of his contemporaries who communicated with him, worked, i probably remained one

of the few. well, i sincerely remember him today and today i love him. and remember you don't nobody needs me. i'll die, and in two days i will forget you will start to eat someone else. after all, i thought to remake them and remade. it is me in my image and likeness.