[000:00:00;00] the tenth boys of the cosmonauts gagarina's watch were called yuri germans, so in august 1934 the boy was named otto otto in honor of otto yuryevich schmidt, the leader of the famous chelyuskintsev epic. so the boy was named after this polar explorer hero. he was born in the city of bogorodsk , nizhny novgorod province, well, in our

time it was, the gorky region, his mother was born, and from saratov, from a family of german colonists who settled in the volga region under the tsars, paternal grandfather zakhar solonin was a village literate author of the collection the ark of vetluzh antiquity, where he collected local epic tales or kendas, but the boy ’s father alexei solonin’s son was also a mute, he was responsible for the secretary of the regional newspaper, gorkovskaya pravda well, of course, at the beginning of the war german name for a boy. otto was changed to russian anatoly after the war, the family moved to saratov to the mother’s homeland, apparently, there were some other relatives who settled on oktyabrskaya street at number 24. so it is interesting that there is now

a memorial plaque on this house, that the artist anatoly solonitsev lived there. well, you know, at the time when he lived there, he did not show any acting skills, but most likely he already had the virus of acting. regardless of his awareness, he has already entered why, but because it was, the city of saratov, and the city of saratov gave birth to a lot of talented artists, there is a monument to oleg yankovsky, there is a monument to oleg tabakov. there he began his acting career. hello evgeny mironov, the lord will prolong him his earthly days, a boy. the boy went

to school, and when he was 10 years old, he graduated from a vocational school and would have worked for him. as a toolmaker turner at the weight of a repair plant, increasing his working rank after rank with an increase in wages, but suddenly he transfers his father to the capital of the kyrgyz ussr, the city of frunze, now the boy anatoly has him bagged here . the saratov virus has developed. he enrolled in amateur art circles. he got up to play in performances , began to perform on local radio, moreover, having a good ear for music, he began to perform with passion, all sorts of humorous couplets,

imitating e, the performance of the moscow conferences, which became known to him on the radio and feeling the ripened vocation, anatoly rushed to moscow for himself. neither more nor less for the admission of gitis, but the moscow theatrical celestials somehow did not appreciate the boy and did not accept him, and on the second attempt, and a year later, on the third, he went where they called the sverdlovsk drama studio to sverdlovsk , at the theater he graduated from it in the sixtieth year, he was accepted into corpse theater, as you know then they said cynically for pants, that is, for male roles of the second third plan. yes, it just

ended unexpectedly for extras. the khrushchev thaw has arrived. this is brezhnev's stagnation, stagnation, suslov's ideological serfdom was increasingly placed on the shelves of books. increasingly , films were sent to the storerooms without showing them to soviet viewers, and suddenly it was not clear on whose initiative the young director marlen khutsiev brought the film ilyich's outpost based on the script by gennady to our tv movie for viewing shpalikova. not yet cut yet, not mutilated by censorship and turned into a film. and i am 20 years old and telling the capital's cinema

news, i said that the film has already been exported to many countries due to large currencies. the amount was sold by the film andrey rublev which the soviet audience has not yet seen and will not see for a long time. but what about he about the icon painter, what are you and that in this film some completely unknown artist from some province that arose incomprehensibly as in moscow and his last name is anatoly solomin the beginning actor anatoly solonitsyn

no doubt knew how he got into the lead role of the film people and beasts. nikolai eremenko, also a provincial theater actor from vitebsk, has the fact that the director klassik sergei poledanovich gerasimov said in an interview that he was looking for an actor for the lead role, and nikolai wrote it. the letter to gerasimov outlined his biography, that he fought as an actor, was captured, was released, and gerasimov was impressed by this letter. he called him for an audition , got acquainted and approved nikolai for the main role in the film people animals, so, in fact, the career of nikolai nikolaevich eremenko began

there is no elder, where have you been? that he did not bother himself with the epistolary genre, but simply having read the script of passion for andrei in the magazine of the art of genes, he simply simply arrived in moscow and achieved a meeting. with tarkovsky, when tarkovsky saw this artist , he immediately fell in love with him and immediately decided that this particular artist would play andrei rublev, 30 people were tested. for this role, the leading artists of the soviet union and when a stand with thirty actors in makeup was placed in front of historians. andrey rublev, everyone pointed out op. they pointed to anatoly corned beef, this is how the film careers began, anatoly corned beef, realizing that such a role as rublev

falls out once in a lifetime, he quit the theater, giving himself entirely to this role only. well, the shooting is over, the voice acting is over. last paycheck received. the estimate of the film is closed, and what will an artist from the theater live on, he quickly left and he began to live, moving from theater to theater, where will they call? novosibirsk sverdlovsk stop the transfer, minsk at that time in our russian theater in minsk

we were again looking for a new artistic director the fact is that after vasily fedorov's long-term management of the theater followed by mikhail spivak began some kind of leapfrog. each season, the artistic director changed. the main director of the theater, the actors told me so, we do not have time to remember the name, patronymic of the next main director. well, of course, the hall was empty. and then someone in the ministry guessed to invite a very good organizer from somewhere in siberia from russia, i don’t remember his name. it was the director of the theater by the name of the polovtsian. well, how every smart leader leader stretches his team, and what this team came with him. i knew three people from there. it was an artist, a one-legged

artist, well, a very good artist. such a strong man ilyin with his wife nelli and also an actress and lonely anatoly solonitsin settled them, of course, as always, new artists in the dressing rooms, probably somewhere near the one in which rostislav yankovsky once lived 10 years ago, we feasted gloriously for a season and a half and in either to their dressing rooms, which he shared with one of the minsk artists and in a private apartment or others, which somehow they even rented for a while them. and there in these table conversations. i gradually learned from anatoly the facts of his biography and the details of the filming. in

andrei tarkovsky's film andrei rublev let's fix what lukashenka said, we need to draw worthy conclusions. everything must be done on time and keep the country strong. why are we more closely engaged in the production of our own ammunition. combat actions. in ukraine, they very noticeably showed that it is much more important than what they shoot from , what they shoot from the place of investing billions of dollars in the development of something supersonic or ultra-long-range, we invest millions in the production of ammunition, so that in which case it does not depend on anyone in the world at all. i generally support the thesis no in war. why we certainly don’t want it to be against us for us near us, far from us there was some kind of war going on, igor tur’s author’s view of the main events in the country or the international arena, see the project on belarus 24 tv channel. travel is not only acquaintance with

history and sights amazing place. who is not here yet there was the future marshal malinowski with his regiment and the well-known writer konstantin paustovsky and even the world-famous women's travel battalion. this is an opportunity to try something new to try on an image from the distant past. god, how cute is that. it's a real dream. it seems to me that i should invest in this time and, of course, join the unique folk art. pay attention here, and here we have salam lyalki. run, we also make layouts. uh, here we have a model of the church. the route is built. enough is enough it was very beautiful. watch on

belarus 24 tv channel . intrigued by solonitsyn's stories , i invited him to read it behind the scenes. you are the author's text in my just finished edited film, the remaining 17 that the man made in his free time. igor petrovich is just one of those who are called eccentrics from those who collect brands of vyazma gingerbread tula samovars or, to the horror of neighbors, old firearms, but here igor petrovich was 9 years old when this exaggeration began, or an illness

it's hard to say not fit for health. and here is such an ironic kind of fate rhonda croup from this small film, he started tina's career in minsk, he will end it here, starting the inevitable. the inevitable approach to its inevitable end and the ascension, either she was reading the text, but we continued to communicate in minsk while he was still working at the russian theater and he continued to tell me about the film andrei rublev, probably for the second or third meeting. he brought me an amazing edition,

old russian painting. the author was the rarest edition made not for the country. why, because savelemshchikov was a consultant to andrei tarkovsky on the film andrei rublevka, did they become friends? this instance and what is interesting? he says that i think that the interest of foreigners in russian icons and their export abroad began with this book by savely shchekovo. you know, i can say a blasphemous thing, but i am glad that foreigners took these icons abroad. at least they will be preserved there abroad,

because i have been to foreign museums and seen the greatest collections of russian icons. and we have khrushchev had just finished another iconoclasm where artifacts were being destroyed. here are the same icons, as they were destroyed, the twenties in the thirties, when they were chopped with axes for kindling for samovars and it is not clear whether this attributive vandalism will be repeated? therefore, they were taken away by foreigners and taken out and did the right thing. tolya, here, because i don’t know how to speak. he spoke all the time in a kind of even salonist monotonous voice without any vivid emotions. well, you know, since we only had conversations on high topics about art. i listened to him with my eyes wide open and my ears wide open from

this, his narrations became even more significant, somehow simply unique. he was enchanted by me. with these stories i am, in general, a provincial director with a provincial education as a director. passion according to andrey well, that was the name of this film originally . it was filmed in a small provincial russian town of suzdal with many churches. and so, anatoly solonitsyn, called to the shooting , arrived there, but either the actor who should was to finish filming was delayed a day, or solonitin arrived a day earlier, but the room in a small provincial hotel that was intended for him was still occupied by this actor and the administration of the group begged him anatoly

alekseevich please one night just one night. spend the night in a dormitory room, and tomorrow this room will be free, and you will live in it until the end of the rent. solonitsyn took this as just another petty rural misunderstanding, silently nodded. why silent? because he is also like his character andrew rubles. as you know, he gave a dinner of silence and fasting until he finished the icon. maybe it was even the famous trinity so the salt shaker gave a vow of silence, humility and fasting. and when he was approached, someone, someone from the film crew, people. there, he

was either understanding slightly nodding or just smiling dudes. let's understand that he understood what they should do. how he should behave. well, of course, this could not but rejoice director andrei tarkovsky, who explained to the actor what and how to to play and that with a slight nod and a smile of his own. he spoke made it clear that he understood what the number wanted. there were six tidied up beds. he chose one of them for himself. he prayed, had a fast supper, washed it down with water, and lay down on his bed facing the wall. and humbly began to prepare for tomorrow's shooting for

tomorrow's role. but as it got dark, five huge trucks drove into the yard. lined up under the window of the hotel next to the film studio cars , five drivers burst into the room, tired of long kilometers, 700, you can drive more on these trucks of theirs. spread out dinner noisy, and only then did they notice that someone was sleeping on one of the beds, turning his face to the wall. well, gradually their conversation increased, as they say, the tone became. louder and louder, again someone was quieting down, but if it all ended with this, everything would be fine, well, someone approached him quietly, touched him and said,

man. maybe you’ll have a drink with us, tolya smiled politely, shook his head negatively and lay down again, but the alcohol warmed up the drivers , the conversation became louder and louder , they no longer silenced each other, they talked and that’s it. more often they began to tug at him, offering to join them and drink more and more insistently , and every time he smiled, shook his head negatively, thanked him, and again turned away in the wall to concentrate on tomorrow's selka. and the drivers gradually switched from their road trips to it. what are you, this man does not want to drink with us, and then someone saw his long sparse hair. yes? that's pop. what are you this

pop. wouldn't you like to have a drink with us? he does not respect us, and they have become more and more insistent , intrusive, to approach him, no longer their own, themes. he didn’t have them, only hurt them. how come they don't want to? drink up? they are not respected, are they? someone came up and shook him saying, you're a pop. that you don’t want to drink with us, but someone says. yes, he does not want to talk to us. he doesn't respect silence at all. us. they picked him up, twisted his arms and began to pour from a bottle from his throat into his mouth. they opened their lips to him, or the only one just covered his face when they started beating him. he understood that he would need a face for shooting. he endured they simply beat him up and threw him on

the bed. well, here it was like in a movie, the night early in the morning he woke up. i saw empty beds , the drivers moved under the window, there were no five trucks. and he comforted himself with the thought. endured christ endured