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from the city here is your edge and your strength. belarus.net stanislav discover the secret of what melody sounds in your head right now, if

the stones could speak with their underlings, they gave the clouds to tell the stones by courage, if the stones could speak. my guest at the bolshoi theater is called the number one baritone, and the entire repertoire rests on him. this is an honor, but you must admit that he is very responsible on stage, he plays villains and tempters, and in life he is a respectable husband and father, how does he do it? now let's find out that the soloist of the bolshoi theater of belarus, honored artist stanislav trifonov stanislav, is visiting me

. hello, friends, stanislav. i know that you were born in a family of professional musicians . your parents are conductors. as a child, you were forced to study music, the attempt was very serious, that is. well, uh, i have an older brother. there is still him, that is, he shot back in full. what is called the music school of the college, not after, then there was a postgraduate study at the conservatory. everything is everything, everything is as it should be. well, i, so to speak , was also a london music school. in addition , the teachers are very good women who tried to lay down my soul, but i resisted. stone with his feet cried so much over this instrument, so to speak, seriously stated that i would die now if they didn’t let me play football, well, then they let me go to free bread, and i was already running. uh, in the yard, by the way, i was engaged in my uh childhood. myself. well, not of course there is a school. i had some sports hobbies. that’s all, well, professional music, i didn’t study and didn’t prepare, by the way, as a musician. well genes genes yes caught

me, what is called being brought up in a family of musicians. this is constantly listening to symphonies suites what principles of education did your parents adhere to? well, probably what to listen to on purpose, probably not, but like a brother, dad was very passionate about the musician and naturally. in family. doesn't matter classical music was playing. well , of course, somewhere. here it is the ears invested in this music, well, not on purpose. well, that is, of course, no one went to the house, so to speak, no, there was no such thing, but it did. but anyway, because you know with your parents to work, dad is an orchestra conductor, i remember myself that way, when in a pause orchestra. eh, the students are still there, they play something on their tam, balalaikas and domra. and me and dad came out, and i jumped up, took his wand, stood in his place and started doing it like this, guys, they picked up my goal and began to play with it, yes, they all joked together.

these are some memories, therefore, it seems, as if they don’t exist on purpose, but when you start flipping , here from a page from childhood, it turns out that yes, after all, there was a lot of music, of course, in childhood we were classical academic mother conductor. uh, choir, so to speak, dad supports the folk orchestra. well, how to escape, nevertheless, fate brought me to a music school. who influenced your decisions? well, in general, the older brother. this his, most likely merit, because, well, it happened. uh, hmm dad left early and not the older brother is the eldest man in the family. here and on the border of the tenth grade studied for 10 years. i really did not have any nothing here. i didn’t know, that’s how it happened somehow, the tragedy was in the tenth grade, so the final exams are all in some kind of fog, so to speak, and they, well, weren’t preparing to seriously act anywhere now. this is where some money was needed. right there in the church choir. i ended up in grodno pokrovsky cathedral and there i first began to get pleasure from these harmonies from acoustics from drunkenness from

academic choral music, and then my brother told me to say. well, you need to somehow, probably, determine something, so you sing. well then, if you like it, let's find some personal approach. there is such a pizdobol, when my mother and i like what a music school or the name of glinka in minsk will like, maybe you will get some kind of education and you will already drink. foure, i must say already the consciousness of the matter. well, that's how it is turned out i went. it was with great pleasure that i met my future teacher, but i must say that you were lucky with the teacher. oh, i know, very warm human relations have developed, which is very important , because he really is a professional teacher and also very hot for this person with this business and who knows how to light it up, who knows how to lead him, who has a love for dzhan. it is very important. you were going to enter the belarusian academy of music, but uh, in the end you chose the odessa

academy. why is that? well you know i don't i would like to somehow offend our and so on the conservatory, well, some was i don’t know already the spirit of adventurism. i don’t know what it is like that, then the fact is that oleg melnikov and our boss is also a graduate of adamas, he was already in odessa for the night at that time , he already knew this department well there and you know, well, as a twenty-year-old a man to drive to a city by the sea. yes, and i, of course, chose odessa , i went there, but, while still a student, you already uh performed in the odessa opera and ballet theater in the leading roles. well, after 10 years, they dropped everything and went back. why is ordinary household enough here. eh, things played a role, because i had a child there with housing , promises, some constant promises from life, some in some not very

adapted for this, could not help me. uh, for this case conditions. here is a life in the dew with a family, because i have a wife with a child. we lived with my mother here, grodno, because, well, apartments in some kind of conditions. what is a child, he buys more, and there we had such a room. that office in the plant in the production somewhere it was inconvenient to say so. in general, in short, to say, one day angry. i went out into the yard literally dialed adamas manych told. this is ours. tell me, please, if i come to minsk, they will settle you. it must be somehow beautiful. he says i will call. now i’ll talk and find out, and literally a day later he told me that he then contacted the directorate of the theater and said that if he has such a student who works in odessa bari , he needs a writer, he was asked to come to the audition. i arrived me they put me in a car, brought me to shargovich street and said, this apartment will suit you. where is it? everything sucks, right? yes, yes, yes, i was very grateful to it then as

the circumstances progressed. it's a bitch, just, well , it worked out well. and in general, my creative potential in odessa was already a little narrower. well , they probably finished somewhere. that is, this stage has been passed. there, too, you surrendered there with some fresh, some blood from some infusions, they did not occur. a little stagnation, and here, well, it went to what is now will. and by the way, it's hard to start life from scratch. it was in minsk. well, you know , maybe yes, but i have to say, frankly speaking, not very clean shine, because after all 3 years. i'm asking here. eh, being a student. e, at the school with many people, whom i later encountered on the stage, i already crossed paths somewhere, we once knew each other. with someone studied with someone lived together in the hostel of the conservatory. that is. well, well, there were acquaintances. well, the faces were people with whom you could immediately communicate here to talk, therefore, probably,

it was not so difficult, but with the repertoire of you. eh, that's good too. you know, here. eh, what should i do? well lucky, you know how? well, i didn't really experience it. all was good. i came and was received very well by the group and colleagues. artists. the choir, the orchestra, directors, conductors all treated me kindly enough, so the repertoire went on. well, the one that i needed there on naboo tuscany is here and a legend. well, that is, what is not a performance, there is work everywhere for me.

work interesting. lord young intellectuals have gathered on this show to test their knowledge, who can tell us. uh, who are the sumerians hexos, and the assyrians in general terms, at least sergey tell us what you know. these are quite ancient peoples who will now give out all their knowledge and show what they are capable of. ilya what do you know about the colossus about the romans and used leonidoconcrete. i heard that even in ancient times concrete was used. well, back in antiquity, and then it was rediscovered. so 1,000 rubles. so this is ours. what percentage

turns out it's 100%. so again it will be percent then. mathematics is bad then such a question, see an intellectually entertaining project. i know on tv channel belarus 24. in the breakfast of champions project, we will tell you how to start your morning, right? just scrambled eggs is not enough syrniki. it's boring, but we know the perfect recipes that will help you wake up faster and recharge your batteries for the whole day, and on ordinary days, when you have breakfast, i eat omelette oatmeal, i can eat some kind of cake. yes, yes, we will help you choose high-quality products for a healthy breakfast, judging by the list of products. today we are waiting for something very tasty. the leaves should be juicy

green and slightly crunchy, fresh spinach has an appetizing aroma and the stem should not be too wide and we will do an easy but effective exercise. now i will show you a set of morning exercises that you can do without even getting out of bed. we only need 5 minutes and believe your day. after this complex it will be easy look magnificent on belarus 24 tv channel. i know that at the bolshoi theater you are called baritone number one, this is the status of your logo, or vice versa, you know, i take this calmly, because number one is, well, this is impossible. especially. you know those labels. now, probably, everyone likes

to call the number there stars. there is incomparably there no there i do not know there. well, you know all this a little. well, let them call. let people speak calmly. yes, yes, my task is working. it's routine hard enough job. it brings pleasure, a little, then, when you say, you sat down, and so already alone, when you left. phew, okay, fine. i'm done, it seems like it worked and it turned out. and so in the processes it's all very difficult. here the curtain closed patted today okay? more and more. tomorrow will be different and you have to go out and work again. eh, if you think, that's it, and i will complete me lord one , that's all. it will end very quickly, but still, such a phenomenon as star sickness, it exists. of course there is, but probably it exists, apparently, you know a certain type of character, a person must also be disposed to this in order to love himself. so it's probably not mine i don't like it let everyone else say

that they like it, that i'm good or bad, it doesn't matter. well tell yourself to somehow think among opera singers hmm there is an expression that at 50 for a baritone with a chemical life. for some reason , a person is just beginning to be recruited. himself as a performer. still, every appearance on the stage. this is going grain by grain. secondly, voice maturing, indeed, low to him the sixth voice and basses. well, loaves, too, uh, ripen somewhere. here, well, i'm recruiting myself yes by this age. well, then, as a rule, we already come to the age of heroes performed , because our heroes, as a rule, are already such uncles, what they call yes, because i drank scorpio at 29 years old and there at 40 years old. and now it's 50 years old. and yet they are still different people, and now i understand that, well, yes, when you are young you are a little bit. well, you can assume to think that you understand what speech? well, when you have already passed this

road, then you already understand what to say, in fact, there was talk, there is both life and stage experience. some functional features of the body. the voice of this and everything, yes, yes, yes, and now this is gold to say. there century creativity begins in one of his interviews. you said that you usually get the roles of the villains of the breakers, yes. why do you think? well, firstly, because the authors wrote this, you know what to do? we are, uh, not like an opera drama, this is when the soprano themes love each other and the british will prevent them from carrying out their intentions all the time. well, it doesn’t exist and it really exists, if we take, well, practically and any classical opera, then any tenor, e, soprano’s hero-lover, so to speak, is waiting for his hero and lover, and the baritone is like that. here is the opponent of the tenors, and not either they are fighting, or they are fighting for love. this one here. hmm, as a rule, here. well, that’s why it ’s written that way, even the syrian barber, perhaps,

i don’t know figaro there well, comic operas, where uh, the baritone doesn't kill anyone. not ungritting, there and everything and everything. and so, basically it was written. so what to do in addition to some voice data, there is still an acting predisposition. uh, some qualities are necessary for such roles. well, probably, yes, you know how, uh, yes, temperature. uh, the voice paint is still probably also necessary, well, that is , the presence in the timbre of such, let's say, bright and dark at the same time and some biting moments, it all adds. well, it helps so let's say, complicate this scale here, yes, here's the dawn to play noteworthy heroes. these are the bronze ones. well , actors don’t really want to play something like that, well , some character is more interesting, because well, in the theater i don’t know how it happened about me in it. that is, am i the same as on

stage? i'm a kind man in the family, for example, i am. well , it seems to me, at least, maybe you're afraid they won't tell us. well, yes, dad will only look there and it’s necessary to quickly become something on the drain there. well it's probably i'm already theaters, damn it, dragging home. and so, in general, well, i'm interested, interesting, really playing such and such people are not orders. first, you just make barmaley of some kind from the camera, and then you already look for some human features in him, how is he? there, i don’t know, the platform writes with a pen. like what he has somewhere over there like that. well, so that there is no villain, such at all. well, they will say their actions for him, and for the hero to be, well, voluminous. hear me, the usual

performance actors take a long time to tune in, and someone wants to be alone like this focus. how do you prepare for a performance? well, i also like to be alone really on this day well. i have family all my home. they already know that it is better not to touch e so much on this day, because well, here, i can be, like, sitting next to me, and there is no contact with me. that is, i am somewhere in another dimension of this one. naturally, a little early to come to the theater, while there is no one to go on stage a little, to stand a little, remember some moments for yourself, scroll through these starting points. where what do we do where we go where do we leave? well, not passwords. yes, go through it all. well, such routine ordinary things are nothing like that. mmm rusty nail, how to say. i don’t put it in my pocket, but well, some things have their own rites, that is, i don’t know where to listen to music that tunes some. i don't

know what it is. i know that you and your wife diana met when you entered the conservatory. which one of you was the first to notice? yes, it somehow happened. you understand, so really perfect, well in sync, because we literally met. here in the offensive exams. us us tomorrow galina anatolyevna polivanova. we were twisted into one it on a kolobok. well, of course, we have already seen each other. well , some, well, interest arose. i think at that time, but when we had already talked a little , we made youtube together, well, the fountain of bakhchisaray. well, somehow it went from there already some kind of mutual sympathy is already talk. la-la-la views. well, and that's how it happened, both are engaged in the same profession. well, maybe involuntarily arises competition, because someone more successful someone less in demand in your pair

managed to avoid this test with copper pipes. i hope that yes. well, you see, we both work in the theater. well , zina has her own field of creativity. i have my own field of creativity. well, it seems to me, well , when when she has a performance, i don’t blow all this on her there, when i have work she tries. it seems to me that we didn’t have it . hmm, there was a moment when we agreed in odessa that we would not work in one performance. we sang together a lot worked. while there were students all the passages. we did all the time. all together, we all the time, we got to know each other, we walked around this conservatory to the broadcast studio , all excerpts. we both did. and when we got married over this course, and said, oh, not even interested. look, they walked. well , that's all, if there was, then some kind of gap, this was to see. this series is not married. well, yes, and then they went out together again, they did everything, and then, when they went to the theater together to the odessa theater and was with us. and now i remember that i don't remember

how i sang, at all. here i am out. all the time i was only worried about how he would like her , how would she work? i said everything, thank you. then we really had one more play for children, we worked together as a wolf or soup yes in a tower, but it 's so a little different there, wow, it's fun, everything is great fervently, and when a serious big performance, well, you need to, yes, yes, yes, yes, there are a lot of people who work as guys. naturally. it's ok. well, we don't have asked. please let him spread back and forth, so that we still deal with each other separately. for all e years, you have already violated this herd and continue no, yes, yes, and minsk - this was the same. well, that is, in some, uh, performances, we work, but together on the stage at the same time we try not to stanislav a to each other's performance. come out. well, not as often as i'd like. well, we leave, of course, we listen.

first, it's uh, you know, like a wife, well, i'm like a husband, even we already know the vocalists, like fighting girlfriends fighting friends, what called because, well , it's very important for a vocalist to have an outside ear to control the outside ear a little bit . what kind of sound comes out of you , because, well, our acoustics change down one by one, it sounds different, you feel the upper one in a different way on the third one completely and like in the hall. you need to listen to this from the audience and from the point of view of acting, you also need someone to control, someone to spy on you, because sometimes it seems, well, how today i say, well, not really there.

well, they say, in the sense of me, people who well, it’s necessary, let’s say, i, or vice versa, let’s say, it seems to me that something is somehow going on today , the performance is sluggish and some something is not right there, nothing. you somehow do not vice versa, he says, there is no good. everything is right there. you and diana will soon be 30 years old and colleagues in the theater. they say that until now you look at each other with loving eyes , love is different now from that of daytime love from those manifestations of feelings. well of course, probably, it is different, because after all. well, it's a big period. i don’t know , i don’t want some kind of pathos. well, of course, she threatens, but she is grading in the other direction a little, because this is already, well, completely different human warm relations. we already have so many. shared experience, i don’t know, well, it’s let the young people laugh at me now, but this is a different quality of relations with him, and they seem to me, well, more interesting, harder, because,

well, a little, probably, the pair put on, which after 30 years of dating, they can sit and constantly discuss something together and watch. that is, we constantly constantly have, in addition to our house or there, dogs and our children are still huge. a layer of the profession that connects us is interesting for us to watch films for a month, not listen to singers, talk together , discuss her students here. she tells me how she deals with them with the chinese there, as i tell about some of my problems. where do you tell me something there that, as i don’t know, there they are afraid they sing and this constantly a moment of living at all. no well , of course, we're just still close very spiritual mentally professionally. well, as you wish, that is it. well, of course, this is the pie of our relationship. if there, uh, when we just saw each other, we got to know each other and there were some youthful feelings. cue and youth yes, he then, this, this, this, this is a relic of the event, a huge series. and hmm, she's all

invested here already, uh, harmony something. a show in which participants demonstrate speed ingenuity and test their intelligence, which today minsk will oppose the investment due to which we will win due to speed due to the mind due to knowledge in sports we will try to win. the most important thing is not to worry about believing in yourself in your knowledge of questions that will make even experienced athletes worry. who won the english football league cup 22-23.

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24/7 broadcast project on belarus 24 tv channel . you and diana have two children, daughter zhenya, 18, and miron, 8 years old. well, it's quite rare for such a difference in age in children. now being an experienced father. what mistakes in raising mironov do you e not make? i totally make mistakes. like someone. well, you see how it is, how everything is all for one man is strong, what is called he is also a very emotional kid. i'm spinning, what should i do? you need something to gardnesh something there. well, i don't know at all, yes, well, something like that and then to myself. well, you're already a child. that 's it, you're already healthy, everything is there, you understand. he does not understand what he needs and somehow

you reproach yourself for some things. well, how can i say, i will act like this and will certainly bring up some kind of person, i don’t know whether it’s good or smart. and how are your children? they are interested music. eh, there are some thought. well, zhenya, she is already studying to be a student. eh, i was when i was studying. it was glinka's school and now it's glinka's musical college for me, she studies at the pop jazz piano department. right now , just yesterday, the session ended and i became a fourth-year student, and mirosha. well, also musical, too, this year he graduated from the preparatory department and became a student of the first grade of a music school. so, he is my pianist. here now in the summer we will be some of these freaks with him , too, that the fingers did not remain to play. well, of course, the children grew up in the theater ministry, that miron was constantly hanging out somewhere behind the scenes , some kind of miron, in my children's