even with all sorts of circumstances, if i just get bored, it may not die out, but so far the studio has not formed to such an extent that it can be independent. here we go, as it seems to me, it is necessary, but we do not force too much, because the son is still a general i repeat, and a man should be absolutely the king of his business in his world no less, if he does not strive to be a king, like a soldier is a general, yes, but man actually, i believe i have such a claim. you just have to be king. will line itself up surrender your world space. you can be your shoemaker's king with your tray, but you don't see the king, if you're not the king, you 're at the wheel, there are cars behind the plow in the field, but you yourself must strive to be a king. set this task. and how much. well, it's

like god willing. you and i are in one of the exhibition pavilions of our enterprise, where one of our collections is located, or rather, part of it is presented in various techniques. first of all, these are voluminous rooms, heavy temple rooms. this is a combo room

all icons are made of natural stones. this. most marble is travertine. this is onyx, this is various quartzites, these icons were illuminated by the metropolitan. paul icons. we have enough. i have already said there is no such collection, about a thousand icons , the central place in our collection is undoubtedly occupied by our beloved miraculous fat-working icon of the mother of god with any of mine approached its execution. we received a blessing from metropolitan pavel, i must say, a real metropolitan. vladyka benjamin was at our enterprise repeated, when he was still in the shadow of bishop marina gorsky borisovsky. he, e, illuminated the factory and took an active part in the creation of e, ikoa. basically. i can say that since metropolitan veniamin is

the godfather, he created the first icon in the lachera icon of the mother of god. i created under his direct supervision. finding myself in certain circumstances, i had to fill this void, but they say that they don’t go to church and to god for joy; certain sorrows of grief, and so on. here is such a moment of mental illness. he was also present with me. and this circumstance , uh, led me directly to the bible and the sermon on the mount. i worked on yes for a long time and the text at the sermon on the mount itself thought, somehow by chance pay attention to the open book. i saw the la kher icon of the mother of god, it is a three-dimensional icon. for a stone-cutting worker, the volume is extremely important, and the e plane does not attract. e masters of my

level. why because it's all simple, and when i saw the volume, i understood what we can make an icon. and here is the most difficult icon, which could only be done . we started it with her, the lacher icon of the mother of god, inscribed icons, there are quite hard color solutions. with us , the nature of the stone allowed us to present the icon in all its diversity. just imagine one econographic image of the zhirovichi icon of the mother of god presented in various color and color schemes. icons like a meadow appears before you delights. i would say and is a delight for the eyes and opens the soul to the glory of the lord well, the center of our a-and mine, or rather thoughts and, in general, a dream to make the largest icon in the world. first of all, this is zhirovich, and which would

glorify our blue beloved belarus , the icons at the same time were such a prologue for our subsequent work. we are in one of the museums of the history of minsk , this city museum is located on rakovskaya 17. there is a fairly large exhibition of works here. this is a painting of the stones of amage by a fairly legendary artist dedicated. they are amazhin modelelyanenko and our other compatriot. i ate the brand of walking. these are based on my phantasmagoric stories about.

the life of these great masters of the artistic olympus amash, in itself there is one of the versions, this is partly plagiarism, who is well acquainted with the essence of us, he, of course, recognizes the bitch works in our o mashes, he recognizes the modillas. he recognizes undeniably a chagall, but the obvious fact is that our am is fundamentally different from the work of these legendary authors. speaking of essence, no, he is not a narrative painter of his portraiture . she is lonely enough. you can say that it is impossible to confuse it with anything. it's a vibrating canvas, this pen brush, and hmm , vague outlines of hands, big eyes, ears, but and so on. this is what attracts. in our

cars, we see a completely different story. this is story work. this return of the essence to belarus, he returns with his all, and the characters, which hmm, in principle, are his portrait heroes in belarus, he receives a letter from his mother. who wants ask him and we see smilovichi. we see minsk, we see paris, that is, we see the whole history in which that artist lived , we see our belarus, in particular, that this artist never depicted. if we are talking about the mothers of the essence, well, and modelling, then there you can see the work of two artists in one work, that is, the essence and modeling, as one could imagine these two artists in one work, but if you look they are very harmonious,

because what art critics wrote about it, and who studied these two artists. they said they have a kind of soul mate written about these artists. quite a lot, but no one has ever tried to make an amaju. it doesn't matter, well, i model yane, it was an idea that i fell ill with overnight. waking up in the morning, i have already seen almost 12 works , the remaining six. i was already, as it were, thinking out and finishing at home, but in my head the fact is that our work is timeless. this is a fact, obvious let's say a successful me or an unsuccessful master. i can say this criteria very much, maybe say a lot. here he is a model was unsuccessful during his lifetime, but today, and his paintings e are only slightly inferior. pablo picassoli leonardo da vinci is there but i want to say the following that these are the works that we

have done about these artists. they will remain for centuries with people will pass 100-200 300,000 years. and these works will testify to their mastery in the same way as today, on this day, their painting is, in general

, immortalized in our ohms. new geopolitics in neighboring countries. we are obliged to live with them at least in a bad world and the main challenges are met by the fundamental national interest of belarus in front of the secret building with beijing already reserved for the state flag of the republic of belarus, you definitely won’t go far alone, because it’s important to look for friends with the same interests. there are many economic processes, let's say, that are mutually beneficial. watch on

tv channel belarus 24 hours a day, 7 days a week in addition, our team of journalists extract valuable knowledge from experts. how to preserve and increase health there is a place for entertainment every friday. we bring to your attention the best projects and films of our tv channel. this and much more is waiting for you in the weekly project broadcast 24/7 , watch on belarus 24 tv channel

. friends welcome to my workshop please come in. here you will see a lot of interesting things about how the creative process of creating works takes place. in my method of maximalism. here is the first zone. where do you come immediately brutal, where? i'm creating models layouts, i am engaged in welding , metal processing and so on. this is the kitchen, and then you go up the stairs and there is the next room, where i am already directly engaged in understanding what i have done. i call it the bedroom. right now i am working on such a theme, as if they compile two separate objects and a cube, when they are separate. they live separately on their own , and the life of the cube and the life of the ball, but,

when combined, they touch each other. they begin to influence each other, as everything affects everything. uh, the shape of their bunch of their combinations of them this invisible one. it would seem that what i do video calls it has. quite a continuation, that is, here here we see here dominated by e, the square in the round. and here , uh, round in a square is such a hmm way of communication. here is a little different. uh, plastic interpretation. the same connection, there is the third and here the fourth, that is, in recent times. i started working more with the seedlings. that is, i create a work that e. i so to speak consists of several parts. now, if one two three four is called politics material. well, this is such a substance that dictates certain conditions, for example, i think to do it, in this case , to do it from wood. and this is made of bronze, for example, this is made of aluminum. and it's made of plastic, it's made of stone. and this is bronze again. this example is made of

aluminum. and it's cast iron. so i'm in the process of thinking right now. that's what they do it for. all. as a matter of fact, small sketches, as we know, are first pencil sketches , then three-dimensional ones, in which we arrive alone with ourselves, in general creativity is not only such a process. logical is so manual yes, manual, but also intellectual, therefore, i suggest you go to my bedroom on the second floor, so to speak, where we discuss with my friends the visitors already the conceptual, intellectual, component of works of art. my surname is peter, in belarusian, the fifth steering wheel, and this is my fifth steering wheel, but what happened, in my opinion, is a passport. yes, petru climb, a village in belarus, petruli , not far from oshmyany. e abroad in lithuania is in the village of petrushkis? uh, when i was in lithuania

, uh, i went to an exhibition, and there the artist was a people's artist of the lithuanian ussr, a painter, and one of the authors of these cultures also petrulis next to the culturally green bridge in vilnius. this surname comes from here. this is the real belarusian surname petrol. sculptor alexander batyunyanok worked here for me. my colleague, and unfortunately, he left us, because he needed a kidney transplant operation, well, he did not wait for his home and several years ago they turned to me. e. doctors transplantologists and professors of our center of minsk transplantation with such an idea of ​​creating an image of e, the image of a donor, and there was only one wish, as one of the options, that it be an angel.

i thoroughly studied the theme of angels in the space of a work of art in the image of uh, icons uh, frescoes in general, and came to that angel , which i made the symbol of the center of transportament a symbol, and who comes to those who need a donor, and at the same time, as i already said. uh, characters that thanks those dollars that gave away of your city. you name maximalism. there is something ironic, that is, as if on behalf of maxim well, after the modernist paradigm. it's perfectly normal on the other hand. this is something completely serious. this is a kind of position to american minimalism, conceptualism, inspired by donaljad e mori and went leviticus if they said that their simple geometric bodies do not mean anything, besides being simple hydraulic bodies, then i say that my transformed geometric bodies, speak of all senses describe the very truth that the haider said, that is, their minimalism does not mean anything, my maximalism means everything, as

they said. ah, the french philosopher. george diggerman. not only we look at the work. well, the work is looking at us and it is very important to understand, well, invent your own ism. yes, there is art in space. i couldn't not invent it. i consider myself the heir to the russian avant-garde, an artistic phenomenon of the early 20th century. e, who grew up here with us, so to speak, on russian soil. yes in space and culture, and in particular in vitebsk, the group worked. the most interesting artists led by kazimir semen than molievich, who invented suprematism? therefore, as followers of russian artists of the early xx century. i take on such a burden of responsibility, invent maximalism and today i do everything to popularize this trend in art. this is a creative method. this is my unique style. it is a perfectly normal practice

to give. so to speak, a short textual guide to the work. what e would like here to talk to the author or what he would like to ask about, the author creating this sculpture. well, then we can’t limit the viewers, if the viewer, for example, looks at an object, yes, at a sculptural work and see something that i don’t see there. well, i'm forbidden to him, uh, i'll tell you. do not look or after all, the way i want is not, e for the usefulness of the process. i give a short explanatory text to the work. why is this a normal practice that exists? for now , fuck the modern times, artists explain their works with a short text. so depends on the reflective path of the viewer. here is his education upbringing. even mood. here came a man in a bad mood, are we watching something like that. well, i won't run to convince him. he’s just in a bad mood or came, let’s say he didn’t read something that i read or read, something

else that i didn’t read and looks through the prism of his own experience and knowledge from a completely different angle in japan created in the middle century. such a rock garden a rock garden there are 15 stones, but we always see only 14. where no matter how we walk around the gallery around it is very, uh, chic, describing the situation of perception of the viewer's object. each of us sees something that the other cannot see , not because he is bad or good. we are each in our own place and each looks at this or that object, phenomenon, situation, and so on from his own angle of view. belarus is so deep for me today,

yes. entering the depths of centuries centuries centuries centuries centuries a tear or a crystal climbed can be bought without end, but somehow you needed more than just beer. or it was, but if not a stream, well, at least a drop, yes, which is there, remember this is the source, at least a drop to be the most important feature in this source, and the state of the soul, probably, should be just gratitude, yes, to whom you want, someone then you choose, there and be grateful plans in the future only for this boat to turn into a boat, so that we modernize the two-masted three- matt. we don't have to look anymore