so the handler is extremely important to me, the volume, and the plane e does not attract. e masters of my level. why because it's all simple, and when i saw the volume, i realized that we could make such an icon. and here is the most difficult icon, which could only start to do. we started it with her locher icon of the mother of god inscribed in icons. there are quite strong color schemes. here, the nature of the stone allowed us to present the icon. and in all its diversity. imagine one econographic image of a heroic icon the mother of god is presented in various colors of color schemes. the beauty of the icons, like a meadow , appears before you and delights. i would say and is a delight for the eyes and opens the soul to the glory of the lord well, the center of our e my, or rather thoughts and in general. the dream is to make the

biggest icon in the world. this is primarily zhirovich. e, which would glorify our blue beloved belarus, the icons at the same time were such a prologue for our subsequent creativity. we are in one of the museums of the history of minsk - this the city museum is located on rakovskaya 17. there is a fairly large exhibition of works here. this painting of stones by a rather legendary artist is dedicated, they are also our another compatriot who walked. at the heart of these stories are relative.

the life of these great masters of the artistic olympus, and mash itself exists one of the versions, this is partly plagiarism, who is well acquainted with the essence of us , he, of course, recognizes putin's works in ours , he recognizes the material, he recognizes undeniably walked, but the obvious fact is that our a fundamentally different from the works of these legendary authors. speaking about the essence, no, he is an artist not native to his portraiture . she is lonely enough. you can say that it is impossible to confuse it with anything. it's a vibrating canvas. this, uh, feather brush, indistinct outlines of hands, big eyes, ears, but and

so on. this is what attracts. in our cars, we see a completely different story. these are story lines. this is the return of sutin to belarus, he returns with his all, and the characters, which hmm, in principle, are with his m-portrait heroes in belarus, he receives a letter from his mother, who wants to say goodbye to him. and we see smilovichi. we see minsk, we see paris, that is, we see the whole history in which that artist lived. uh, we see our belarus and in particular what this artist never depicted. if we are talking about the mothers of the essence, well, and modigliana, then there you can see the work of two artists in one work, that is, strokein and

modelelyanenko, as one could imagine these two artists in one work, but if you look, they are very harmonious, because art historians wrote about this, and who studied these two artists. they said they have a kind of soul mate written about these artists. quite a lot, but no one has ever tried to make an ointment, it’s not the point, and on me yana’s model , it was an idea that i got sick of overnight when i woke up in the morning. i have already seen almost 12 works, the remaining six. i was already thinking and painting myself in my head. the point is that our work is timeless. this is an obvious fact let's say i'm a successful or unsuccessful master. i can say that these criteria are very, perhaps a lot to say. here he was unsuccessful in modeling during his lifetime, but today, and his paintings, er, are second only to a few. pablo picassoli

leonardo da vinci is there but i want to say the following that these are the works that we have done about these artists. they will remain for centuries with people that 200,300,000 years will pass and these works will testify to their mastery in the same way as their painting does today on this day. in general, immortalized in our ohms. dear friends welcome to my workshop. please come in as i speak to my kitchen. here you will see a lot of interesting things about how the creative process of creating works takes place. in my method of maximalism. here is the first zone. where do you

come immediately brutal, where? i create models layouts, i am engaged in welding , metal processing and so on. uh, this is the kitchen. and then you go up the stairs and there is the next room, where i am already engaged in directly understanding what i have done. i call it the bedroom. right now i am working on such a theme, as if they compile two separate objects and a cube, when they are separate. they live separately on their own , and the life of the cube and the life of the ball, but, when combined, they touch each other. they begin to influence each other, as everything affects everything. eh, the form of their ligament of their combinations of their invisible ones. it would seem that what i am doing, apparently, it has completely different connections, that is, here we see here dominate, uh, square in round. and here, uh, round in a square is such a hmm way of communication. here is a little different. uh, plastic interpretation. the

same connection, there is the third and here the fourth, that is, in recent times. i started working more with series. that is, i create a work that e. i so to speak consists of several parts. here, if 1 2 3 4 is called this is politics material. well, this is such a substance that dictates certain conditions, for example, i think to do it, in this case, to do it from wood. and this is from bronze, for example, this is from aluminum. and it's made of plastic, it's made of stone. and these are the bases of bronze, for example, of aluminum. and it's cast iron. so i'm in the process of thinking right now. that's what i do for this. everything, in fact , is small sketches, as we know, first in pencil , then three-dimensional ones, in which we come alone with ourselves, in general , this creativity is such a process, not only technologically such. night yes, manual, but also intellectual, therefore, i suggest that you go to my bedroom on the second floor, so to speak, where we discuss with my

friends visitors already conceptual, intellectual component, component of works of art. my surname is petrul after the belarusian steering wheel, and this piatl is mine, yes, what happened, in my opinion, is a passport. yes, there is petrul, a village in belarus , petrul, not far from oshmyany. are there petrushkis villages abroad in lithuania? uh, when i was in lithuania, uh, i went to an exhibition, and there the artist e people for the lithuanian ussr artist petrus, a painter, and one of the authors also petered next to the culturally green bridge in vilnius. this is a surname comes from here. this is the real belarusian surname steering wheel. sculptor alexander matvienko worked here for me and unfortunately, he left us, because he needed a kidney transplant operation,

well, he did not wait for his home and several years ago they turned to me. e. doctors transplantologists and professors of our center of minsk transplantation with such an idea of ​​creating an image of e, the image of a donor, and there was only one wish, as one of the options, that it be an angel. i thoroughly studied the topic of angels in space works of art in the image of uh, icons uh, fresco, in general, and came to that angel, whom i made the symbol of the transplant center a symbol, and to whom those who need a donor come, and at the same time, as i said. uh, a symbol that thanks those dollars that gave away their city in the name of maximalism. there is something ironic, that is, as if on behalf of maxim well, in the postmodern paradigm. it's perfectly normal on the other hand. this is something completely serious. this is a certain

position of american minimalism, conceptualism, inspired by donaljad e sea. and there was leviticus if they said that their simple geometric bodies do not mean anything, in addition to being simple genetic bodies, then i say that my transformed geometric bodies, speak of all meanings , describe the very truth that hayer said, that is, their minimalism means nothing; my maximalism means everything, as i said. ah, the french philosopher. george diggerman. not only we look at the work. well, the work looks at us and it is very important to understand. well , invent your own madness. yes, there is art in space. i couldn't not invent it. i consider myself the heir to the russian avant-garde, an artistic phenomenon of the early 20th century. e, who grew up here with us,

that means on russian soil. yes, a group worked in the space of culture and in particular in vitebsk. excellent artists led by kazimir semenich malevich, who invented suprematism therefore, as followers of russian artists of the early 20th century, i take on such a burden responsibility and invent maximalism, and today i do everything to popularize this trend in art. this is a creative method. this is my unique style. it is a perfectly normal practice to give. so to speak, a short textual guide to the work. what would e like to talk about here, or what would you like to ask, the author creating this sculpture. well, then we can’t limit the viewer, if the viewer, for example, looks at an object, yes, at a cultural work and see something that i don’t see there. well, how am i forbidden to him, uh, i'll tell you. do not look or after all, the way i want is not, e for the usefulness

of the process. i give a short explanatory text to the work. moreover, this is a normal practice that has already existed for the ear of modernity, artists explain their works in a short text. and then depends on the reflective path of the viewer. here is his education upbringing. even mood. here comes a man in a bad mood looks. i think it is. well, i will not run to convince him. he's just in a bad mood or came, let's say he did something i didn’t read what i read or read something else that i didn’t read and looks through the prism of my own experience and knowledge from a completely different angle in japan created in the middle ages. such a rock garden a rock garden there are 15 rocks, but we always see only 14. wherever we go in the gallery around it is very er, chic, describing the situation of perception of the viewer's object. each of us sees something that the other cannot see, not because

he is bad or good. it’s just that we are each in our own place and each at our own angle. vision looks at a particular object object, phenomenon, situation, and so on. belarus for me today is that deep source, so much a ranichka, right? included in the depths of centuries centuries centuries centuries centuries a tear, she or a crystal climbed , you can buy without end, but somehow you needed not only beer. or it was, but if not a stream, well, at least a droplet , yes, which we remember there, this source would be a droplet for you to be

the most important feature in this source, and the state of mind, probably, should be just gratitude, yes, to whom you want, someone you choose, there and be grateful in the future only that this boat turns into a boat, so that we modernize the two-masted three-matt. we don't need to search anymore, we don't need to search. yes, a good frigate. to be this and in my opinion there is. lines yes, on which it is necessary, where it is necessary to work. that is what we are working in this direction. but now i'm already trying to make it not only mine , not only the technical school i pulled, everyone should be a little crazy in this matter, but

happiness, you know, maybe it's not sweet cake, yes, all the time on trays with a blue border. and not an annoyance. happiness, probably, fullness is a conscious sensation, in general it is happiness, fullness, more important, probably, and i consider myself already such an intelligent person from above. yes, but it seems to me that a smart person cannot be happy in our understanding, generally accepted. you in the last years, which i clearly remember. they were dedicated. with this creature , everything else turned out to be me, abandoned i

did not devote any attention to this. i can do many concrete examples at home apartments. but not to mention, already such more sacred things, like grandchildren and relatives alike. further, but this art requires sacrifice. i had very little time to leave such a mark. we have created a whole metadology. ah, the technique. as anyone can. show the artist of any musician, and through a work of art in stone, you just need to create a new phantasmagoric story that is born

here and now, and everything is exactly the same, if time allows me. i have an idea nearby with our gist, a and modelians approach their good friend picasso a. you see, there things will come and i will constantly refill ideas. i moved all the time, being illuminated by this idea. you see, i was its carrier. i was dima urg. uh, turning from his enterprise to a new one, you know, it's very difficult for people not to understand this to make up for what has already been lost with grandchildren and children. this is impossible. you also need to understand this, but you can sit on the last car, and in the last compartment of this outgoing train and try there uh hmm

it means finding a place for yourself, and watering and tying up tomatoes in a greenhouse, and walking with a fishing rod into the forest, and so on and so forth, this is not for me, you know, uh, well. eh, let's just say, how to love dear belarus. yesterday it was my native land to visit and rightly it was in china that i left for the first time for a long time, creating a work. the fact is that the competition in which i participated is an international project and the flags were raised and the anthems of all representatives of the participating countries were played. and then , thanks to this competition, i fully i realized that i am an artist from belarus, you know , having left there and he looks at me as if they were asking an artist from belarus.

and what happens in belarus, how in belarus, how it happens in belarus, how belarus happens, how your artistic process develops , that is, they look at me and think about belarus and you begin to understand that you are not just some kind of person. and what are you, belarus came from belarus and you are associated with belarus for other people from brazil from japan from china from great britain from argentina and this imposes on you definite responsibility. that is, you are no longer on your own, you are belarus, and this imposes responsibility, and you try, it stimulates, let’s say, to do the best you can. as far as you can and so on, therefore, after the first visit , when i returned to belarus in the autumn from a hot fujou, in which it was plus 40, i arrived in belarus at the end of september, there was no one falling, we are driving from the airport empty huge spaces. the bright blue sky is shining,

the sun, how can you not love it. if you want something in your life has changed, as the laotians say themselves and the world around you will change, and this is not an empty bag and the truth has checked. the fact is that in my life people often changed and changed according to such an internal, so to speak, request or feeling. here is yourself. here was. i was surrounded by people like that. i become like this. here come the others. i become the third come, the third, so people are different everywhere the question is not what kind of people in belarus the question is, but rather what kind of people in belarus in my life, but in my life illusions in belarus magical.