for a specific viewer, that is, he will choose something of his own, such an algorithm, in general, acquaintance with art, as a rule, occurs. a wide circle of art connoisseurs knows such names of prominent belarusian makeup artists, because only ethanovich belynitsky takes the helm. and valeria shkarova. e, for example, a tell us, what other names a may be worth knowing for the belarusian viewer. here, right with a notebook, come to this exhibition to rewrite all the unfamiliar and know. these are all the artists to be named a from raybas. uh, the belarusian underground pavel maslennikov is generally a classic of such a landscape, and hmm such a multifaceted for a smart yes, and the accomplishments that impressionism is there, uh, arakcheeva are expressive, and the landscapes are essentially olhimovich. ah.

unfortunately, just about dudarenko, who has recently passed away from us. and from above, that is, well, there are no random people here, so the entire elite of belarusian art passed through the belarusian ones. well, in practice , probably, there is no artist who, one way or another, has not tried himself in landscapes here. and everyone, as you know, like these 33 heroes. everything is up to pick. kov is a phrase that only one with nature can be felt. and you think. is it possible to feel the heart of nature through the prism of the landscape, i believe that it is, because in general an artist, where in general any person , probably, needs a little bit of silence in order to, well, how to feel the meaning when you get out of influence, some factors of noise and there information psychological household you begin to feel there who is the space that you understand there

the landscape is good, yes, but there is a bad landscape. yes , it is necessary, but the flow is clearly different. eh, there is good realism, bad realism, there is good abstraction. if it is bad, each type of genre type has its own conditions, which, well, let's say, are visible to a more experienced look. and if i then explain this a little to the viewer, he will immediately understand where it is, of course, to talk about matters of the heart or emotional or some kind of semantic it is impossible to convey the heart. without feeling. eh, not loving, that's all space, yes, that is, they all felt deeply. e hmm well, that is, they chose those places that are very close to them. that is, you do not do what you do not like, if you put a person who hates bees, yes, do an apiary, yes, well, it will be seen. he. maybe he can

do it in an illusory way, but it will be seen that it is done on how to say simply. leave me alone. and there are people who in the small, absolutely in the small, absolutely in the chamber, find such beauty, convey it, fill it with its own energy perceptions that it becomes incredibly expressive and very, very. here, here, we just see, yes, here is absolutely absolutely trivial. uh, autumn view again . nathan voronov yes, he is absolutely banal from the point of view of the chosen plot, but when the artist, uh, who, so to speak, had a very sincere attitude towards minsk and the city space, and for sure. it is no coincidence that he was new to us in this space, and he expresses beyond his own impressions through his artistic plastic language. and so, when all these plastic languages ​​and

sincerity of emotions coincide, then this gives birth to a truly emotional and interesting work of art. and what trends in contemporary art can be traced today? this is something bold , new or still modern authors adhere to some classical visions of values. we are returning to the belarusian school. the belarusian school has always had, but hmm, a rich spectrum, and authors who speak a completely different language. and we are talking about a completely classic academic school, which is being laid, and even at the student stage, and then she grows this skill grows grows grows. again , now clean, and certain styles are narrower. well, it would be impossible to say that there is cubism. there is impressionism. everything has very, very blurred the boundaries of genres, types of styles of art, but, in general, when we talk about the development of

belarusian art. it continues rather to look in very, very large, that is, a palette of aspector development directions. here is the development of belarusian art. it continues to be wide. and this is very important because, there are national schools that recorded only this one. well, not fixed by some doctrine. it's simple, well here's an educational practice. she's just such belarusian art suits me. absolutely correct and balanced way, when there are no taboo stylistics. there is simply a high regard for e, for mastery or for professional expression in one form or another of art. i think that you will agree that contemporary art does not always remain understood. one exhibition curator, you are in

constant proximity with these works of art. you observe someone prefers classical works , someone prefers modern art, after all, in your opinion, what is in common between connoisseurs of modern art and classical art. well, here we can only sum up that, but there are no some things that are just right here. it's bad, in general. uh, encountering art or encountering some. and the name of art should be ah-ah to say that a man who tries to experiment and to start something new - this is a very brave person, because in art, but to say something new to say something new. eh, the concept of an idea is extremely extremely difficult, but, because a lot has already been said before you.

over time, old motifs were replaced by city streets and industrial panoramas, chamber landscapes coexisted with real landscapes and, of course, the landscape entered into fruitful interaction with other genres, significantly expanding its capabilities over many decades. a huge layer of belarusian art, which is important and must be studied in every moment of a natural phenomenon. for me, everything was full of deep interest and meaning, and every significant element of nature. for me , he had his face, his strictly defined individuality, his definite life, conscious and animated. so reverently spoke about the native nature of the adoption of the belarusian land kolos fill your life with meaning more often. enjoy the wonderful.

follow the fashion trends in the cultural life of our country alina was not war with you and remember beauty is in the eye of the beholder, see you in a week before new cultural encounters. as you already understood from our unusual screensaver

today in a sports car, a special issue on august 21 , 2004, that is, even 19 years ago , belarusian sports. achieved the loudest success in a confident history yulia nesterenko won olympic gold in the 100m, overtaking all black rivals, which seemed and seems simply incredible, our white lightning ended her career long ago and preferred publicity. quiet, calm life in brest, she remained in sports, but already is in the shadow of pupils. but the name nesterenko can now be easily found among the participants in carp fishing competitions and the protocols will contain exactly the same julia who is able to catch 345 kg of fish in one tournament, but okay, the fish is today's sports car, especially because the author of the unique success of the world sensation shares the most intimate and talks about the difficult search for oneself after sports, the conversation with yulia nesterenko turned out

to be so big that it was familiar to football, hockey and the rest. today there is simply no place in sports car. let's go, we're passing. here is my favorite brest stadium, where i prepared not only for me, i just watched on tv, a major competition for the world cup olympic games. i just dreamed. this is just a dream. how are they here to win and stand on a pedestal. well, everything, everything, i loved what i was doing. well, the fact that i ran with the boys to races, as it were, and already at school at school age, of course, among the famous ones, but in general i stood out there for the boys, as if i were chasing them. yes, there were some inclinations, thank god i saw it. my the first coach and teacher of physical education salmonovich. he insisted. so that i practice regularly, remember that you were

fast and could overtake. yes, i’m looking, i’ll occasionally get there somehow, i’ll see on youtube that there are competitions, as we’ll take a look with dima, i just don’t have such something like that. and here it ran. this record is everything to me, everything is quiet, exactly calm, in general. i looked looked. and desirable.

in my life, i live my ordinary life, everything is different, like everyone has a house, family work, of course, a little more, probably, the load such a social community. it is always present in my life as a sport, of course, it always stays with me through life all this time. he was and probably will always be here, well, i have more free time to surprise myself with my inner world. this is what became very interesting for me to do, self-study self-knowledge. all free time. i 'm doing this, you can not say that you are interested in psychology. and how is it expressed? what does it express? do you read many books?

or do you just think a lot about what no well, it is it can be called psychology. but it's a little deeper. this is the true knowledge we ourselves have. or maybe i will let your world go even deeper. no, with such a background, with such a history, with such merits, is it possible for you? well, the desire to do something so, uh, serious, you know, there is, uh, champions, olympic medalists, who uh work as deputies and head the federation, well, it’s clear that you have a name and you can build on this name. well, just, well, a shabby career, we see in russia how your colleagues are in demand in public life, who, well, maybe they are comparable to you in terms of olympic achievements, but we all know the quality of this olympic medal, probably, by the quality of the post-soviet space, it is very difficult. e find people comparable to you. i'm not afraid

to overdo it with compliments, but in fact it is. uh, no, i never thought about the position, there is career growth and not everyone has ever aspired to this at all, moreover, even somewhere, maybe avoided, well, first, first of all, i don’t want to be called to shoulder on my shoulders, then what is possible, i can’t cope somewhere, and it is very important for me to be in my place, that is, to do what i feel, what are you, i believe that i would enjoy it as much as possible, that i would be most useful. and of course, not enough for bread. all this i wanted to clarify enough. how much do you now live in harmony with yourself. oh, i'm as harmonious as possible. here at the moment here for the rest of my life. in such a quiet joyful blissful state, but this inner harmony does not depend on any external

conditions from some materialistic things. happiness, it can harmony is present so much from the inner state, but to this state. i was going through uh, such a deep inner crisis. i fell, one might say, to the very bottom of my soul, it was very painful there, it was very scary there was such a state when all your supports collapse, all your ideals lose their meaning in general in life, that is, in all spheres. this is a personal relationship. relationships are social, this relationship is even religious, how religious i was

even there a very deep disappointment happened and i lost interest in this world. that is, it was as if i, or i , died for the outside world, or as if the outer world died for me, and from this state of deep crisis, in that state , a reversal occurred to myself. here is the long way. it was somewhere about five years ago and this transformation of my inner it continues. well, to this day, that is, this is already such a process that, probably, does not stop. it's just that you 're falling deeper and deeper into your existence at the center. of its existence. and it is very interesting there, such knowledge and understanding of experience are opened there. well, very deep. in

a sense, those inner questions that i asked myself for many years are mystical. that search for god outside, which i was looking for in monasteries in books in people. i found and met him within myself. and when this meeting happens all the questions are bigger, but they disappear. well , you know, you are a public person, a very famous person, and for sure, both women and girls and men are faced with finding themselves out of a crisis in various periods of their lives and will never read or watch our interview, of course they wonder. e, where exactly, in what where to look in what country to look for this e here this harmony to a person who, as you put it, was at the bottom, what would you advise them? everything that we are looking for , we are looking for only happiness, but it is inside ourselves, it is necessary for such

a stop to happen. here is the running vanity. here is external and it is external silence. after which there is, as it were, inner silence, and in this inner silence. do you find this harmony? well, it's not only a job, inner labor. the cane is 24/7. that is, i always feel what my body feels, what i think at this moment, what emotions i have. that is, i catch everything. i catch watching. watching let it happen don't crush it like i used to. not afraid. i don't avoid it. more than that, that is. here, uh, it's just that most of ours. these are, as it were, internal problems and internal conflicts, they stretch from childhood. and then it all pops up, when you see it, you know it, you think, god, with this fear

or with resentment. i lived all my life and she didn't give. i have lived there for so many years for 40 years, let's say yes, and when you saw it, you lived it again. eh, as if with the look of an adult, not a child, when you got injured and then reacted and closed and thought, that the whole world is bad, so terrible, you have to close, you have to fight to fight. so you live it all differently, you miss it. it hurts. it hurts both body and soul. that's all to raise live let go and exhale and you become. how to say easier, more and more devastated by this garbage. which we prevent us from living, what prevents us from living specifically top 3, what prevents us from living what will be the time? afraid there scares. in general , he worries himself. all the time running away planning into the future does not live. right here, right

now, this world does not feel. now everyone is returning to the past, as it was not there. this is life in the mind. now i feel alive. now my life is alive. live here it is simple and the third. well, everything, i think this is the most important thing, she is restless, cleverly plus emotions are also not we are good for people in crisis, that you er, advise reading or going somewhere where they can be helped. you know, it's so individual, that is. uh, when i had a deep, this crisis, i closed. alone, i stayed in the apartment alone , i explained to my relatives that i have such a condition, and i need the need to be alone. and for a while, you can say, i just lay, just lay in silence. that is, i did not have such depression that i

suffered there. that is, i understood that something was happening for me, but i allowed again to be just to be not to force yourself not to change something not to run there to look for something. it’s just that i just came when i visited the children for training. yes, this is the only place where he went from the apartment. but i understood, i felt that at that moment i was empty . i had nothing to give to the children at that moment. i just did this, how to say, well, coldly dry my work, as i could return to myself and again inside myself. i don't remember. how many months this went on, and then this silence just begins dialogue with oneself, but it is so, as it were , honest, well, that is, you answer yourself honestly to questions. what do you want, where do you want? with whom you want, and this is necessary, well , firstly, you must have the courage, sincerity , to come to your own

truths. food. i have started a search. this is at the beginning and i began to go out for a walk. i searched on the internet even just, well, to read someone , to listen to someone, and it's all on the intuitive through feeling. so you listen for 5 minutes and that's enough to feel you have to take it or not to take it, and so i took something from someone a little less from someone a little more, but i didn’t get stuck anywhere i took it and went on taking and went on, but all this is intuitive, so this listen i can say how much to listen to your heart in this case, that's all for each person. uh, if he has a strong intention, uh, i’ll stir, here’s how to return himself to, how to say, a harmonious state, uh, intention, and here are some actions, it will unfold in any way anyway. you space itself. it will be so unexpected

to give and give what you need, what you need to think, god. so you thought on you, please, right away. well, it seems to me that an individual sport, in principle , is associated with selfishness, because, well, uh, you need to push aside with lots. literally, sometimes that's how you fought. how do you try? upstairs, it was certainly difficult and the competition was without ego, nothing is ego, it strives to achieve this, of course, our ego does everything. well, that is, without him , this game of life would not have taken place as intended by god, well, well, my goal at the moment, perhaps it was. all this my way. eh, dissolve it as completely as possible. well, now you are absolutely not a selfish person, but in terms of ambition, what drives you in life is not driven, but the desire of such people, as

before, again, the desire to do something there to change there, well, again, this is to return the world of such no. no, no, everything in this world is very everything is fine. everything is absolutely in its place. that is, if you come to yourself. here is the true world, it is absolutely good, normal, harmonious, and that's it. happens as it should. i just watch everything. that's what space brings me comes in man. i feel to go with him or not to go, that is , it is interesting to me whether i need it, but everything with a feeling before. you don’t have to run, it’s clear in everyday life, your past wife is probably thrown at you by some small bonuses, if they see yulia nesterenko , you’ll go to the market for free, for sure. they strive there. uh, a kilo of cherries is still available for free. uh, hmm bonuses goodies, like

now they say there is and was and is. eh, big and small. so we often go to the market. and here are the people, let's say if my husband buys one. here they are one price, if it comes with me they have a different price it. well, this is such a banal trifle in general. well, i don't know, well, just the biggest bonus. it's really very respectful. very warm attitude of people to me. i try my best to be mutual. well, i feel, especially the attitude, the obedience to me there is such an opinion, some of them were given away in athens then your own maxim here, uh, a flash like lightning and no one takes into account that you won the world and european championships even after there . tell me, you repeated and surpassed this result of 1092 e

in the training process. here, tell me about it. well, i was ready to show faster than a second right there in athens yes, if it was one race, not four, that is, i saved my strength, i knew that the main race ahead, if it was one race, or if i had starts, the next ones, as i constantly got here, as if in a hospital and i have it, then my starts were canceled. if it was one run, of course, those seconds would be faster. uh huh so. well, that is, it was your career, you can say, of course, both before and after the exit level. you wish it was my cuts. it was all supposed to serve there, uh, and you said that well, it will be a long debt, and

there are some specific mistakes that may be. with you, well, you did them, and about whom you can now talk about what you did wrong, and that you did it differently, these were not mistakes. it's just that you would do it differently. of course, it is not impossible to live life without mistakes, but now i look at it much deeper, that is, hmm at that moment i could not act differently in any situation in any life situation. i have always followed my heart. that is, in a different way, even if i could turn back time, i would not have done it. all so everything was supposed to be so, there must be errors, and there conclusions. it had to pass this one. that's what i had to open. this one you were wrong. sincerely, if nothing. yes, well, some conclusions. i've been making out if these were mistakes, well, in general, it's so much like to

say, these are mental differences. it's good. this is bad. there i am from this maxim now categorical yes, yes. yes, i understand, but in terms of professional sports to be. maybe there, 20 years ago, 30 years ago, when there was a restoration, you were loaded there. well, forgive me, well, like some horses and this is not necessary, there is a system that in sports, like of course, there were also mistakes, and i really wanted to and loaded myself a lot. and that is, i thought, the more the better, but it's not true. this is a lie, so i loaded myself very specifically loaded and then the body could not recover properly . uh, the injuries started. uh, back pain. eh, lumbar. i have two herniated

discs. that is, it is a long-term acute pain. then i could no longer perform at that level, er, there were failures. eh, from this already psychological problems were added, then plus this social life. that's the pressure and in short, that's it all together. it's simple. well, it has already become so neglected. well, i don’t know for a long time, you can say, there is depression, chronic fatigue and overtraining, then i was diagnosed. uh, for example, there, i don’t know how much you, uh, pressed from the chest, squatted there , jumped, with what weights, so that people understand what the fragile girl endured. so well, now i remember the squat maximum 130 kg barbell. well, this is the maximum working weight, let's say. i had 80 kg warming up and went here 100 kg. there are six there, let's say times and there 105

less weight 110 less weight. this working weight was from 100 kg and above. and then with the bench press, i had 90 too, i didn’t need it , because i pumped the upper shoulder girdle. i became a clamped muscle , crushed, so i used my light so wide, i ruined the run with the same then we ran endlessly with dragging 10 kg, damn it, then you also go lunges with a barbell there under 30 m, i don’t remember what weights are already 30-40 kg for 30 m. you walk plus weights. there, on the beach, all rubber dumbbells, but that's all, in short, a lot of strength work , a lot of these 1092. you know, you did an incredible thing, because, well, not every day, and belarusian, uh, definitely wins in the world. and why do i say unconditionally, because 100 m, starting from school, runs, i guess?