not a year albos, where else that would lose watchfulness was calestene. we ourselves do not respect it and rejoice. the vedas and into the experience of tranquility. this is our death to the uzmahu of the hand and such a native lake. just happy moments develop accompanying traditions.

vladimir ivanovich if you were to paint a self-portrait in the still life genre, what objects would best describe you in this book , a palette, a brush and a belarusian jug, such black-and-black ceramics. that would be a classic, i think a still life. my guest has a very impressive and recognizable his name's appearance is big and beautiful. story. the history of the personality of the artist leader. today my guest is honored art worker of belarus honorary academician of the russian academy of arts vladimir prokoptsov vladimir

ivanovich hello hello vladimir ivanovich you were born at 8.08 hours, a beautiful game of numbers. and moreover, the eight is a sign of infinity. do you believe in numerology. yes, i believe in it and every 5 years i hold my exhibitions. here you are recently opened an exhibition on august 8th national art museum, where he worked for 25 years on august 8 at eight o'clock in the morning 8 minutes and 8 seconds. therefore, i am confident in this tradition. my mother told me that i was born, indeed, somewhere around eight o'clock in the morning, while making any decisions. you are guided by numerology. yes, you know the fact is that even my exhibition is called under the sign of infinity, why ? because i believe that such an endless human life is earthly life, and there is life. uh, daughter-in-law, so to speak, when we leave this earth and as an artist under the sign infinity. this is the inverted

eight, as they say, right? or is it an eight? how is the clock like that? yes, that's eternal, and i even e wrote several works on this topic. here, including on under the sign of doscons from infinity. here, i have a new triptyk large 3.5 m . here is the hilly area. so beautiful. as an artist, i redid everything like that. naturally, so to speak, i kept some elements and received it. really like this the infinity of our life, and what is the most common picture that appears in your head when you remember your childhood. you know, i remember my childhood all the time, and with me. eh, sometimes, yes, not only with me, all adults, it happens that you don’t remember some facts a week ago. yes, when there are many

meetings and so on, and here is the childhood that was there for more than 60 years. yes, very clearly, like yesterday, remember? i now remember and write my parental home garden and i remember how my father and i planted these apple trees in the garden. i was years old probably five so, and today it's a huge tree. these have grown. i remember how the village boys and i rode bicycles through the puddles, then there were big thunderstorms. such puddles were with large white around the edges. and even i have such a picture, from uh since childhood, so, as it were, childhood it always uh, we all return to it, we all grew up in a large family. yes, your parents managed to take care of your upbringing , you know the point, what is it that my mother was a primary school teacher. i i felt from an early age that i was the son of a teacher, the authority of a teacher. in the village. we were, as always in those days, very tall and responsible, and i tried my best

not to let my parents down, so i tried. how can one be about to study better, although it was not an excellent student, of course, there, er, thus for one five. well, i had fours, there were fours, like the boys from the polissya family. suddenly he began to dream, and the bohemian profession is an artist. well, you know, the fact is that somehow there were, probably, my mother saw and others saw that i had some assignments. here is my father, he really wanted me to become an agronomist, he is a solid profession. grow bread, there and so on. so do the gorki agricultural academy , the more a respected person supported me. my mother supported me and, uh, all my first such impulses for art. she supported and then i decided to enter the specialty of a teacher of drawing

labor. i do not regret at all that they entered the theater and art institute, but entered vitebsk in the first place. yes, there was a versatile education in drawing. means, i am geometry psychology. yes, vitebsk itself is belarusian cut, of course, there was a luna walk, white everything is saturated with the art of malevich, so he is all these artists, right? and of course, many of us there, uh, came from the regions. uh, at first we lagged behind the years of the vitebsk children, who studied at the pioneer house somewhere in the third fourth year. we even distilled and studied drawing until the evening at night. we were almost kicked out, every student wanted to become steps. and it moved us, you know, we spared no effort in the evenings , we sat in these classes of ours, the lamps were such, of course, the imperfect ones painted with watercolors, and in the morning you look, uh, the light is completely different,

because these lamps, of course, are earthly or yes. yes, we did artificial on saturday, went on sunday for two minutes writing, in general, such an active way of life is great, and of course, for me. here, vitebsk, as i call it, belarusian paris yes, and for many it began, but you know, it began in life, and such is such romance. well, and, of course, the foundation is , uh, the foundation was laid there, uh, as an artist, i will say, many graduates artistic physics department, first, uh, made up today's color. our national belarusian fine arts school along with the theatrical art institute, so many famous artists and honored figures have become graduates of art graphs. yes, they have become, indeed, such leading artists. after graduation from the institute. you worked for me for 2 years in the district committee of the komsomol, she is painting. you

had enough time then. it was like this, because i was such an activist, yes, and i am the lobby committee of the komsomol i had a scholarship i was not an excellent student leninsky with pr i was an excellent student i had glazing 40 rubles. but it was somewhere to earn some money, and i did the wall of the newspaper on my own, made student teams, when the big ones arrived, i designed these very ones. e, vitebsk medical institute. uh, our dormitories on frunze were next to mendelsotut, he decorated mitinsky. them. there are different stands and so on from there. i had friendship with vitebsk students. institute. they taught me in general. that there was a friend taught to drink alcohol, and that's how to say it, but i couldn't and today those people in the students, copper institute famous doctors. and of course. uh, since i was such an activist, and then the leadership of the vitebsk regional committee of the komsomol see that i am such an active guy and decided to train me, probably, to work with creative

youth in the komsomol or vitebsk regional committee and komsomol instructor, milevar comedian himself behind the sector for work from creative youth , or he says, we have a vacancy, for 3 years we cannot find a second secretary in lepel. district committee of the komsomol in lepel and since i already was a member of the party was a sector of the parburo was a secretary, which means a veteran of the war. ah, philosophy teacher. uh, that's what we always made out. by the way, i drew up all these protocols for pictures, and i come to him at the departments. here, uh, so and so, the coefficient is supposed to be there in six months, the komsomol organ is working. you don’t need vitebsk go to lepel, work for three or four years and go to vitebsk on a white horse like

marc chagall, i worked there for 2 years, and then a wonderful city wonderful people, thank you, by the way, there, and when and became a director. uh, firstly, there, the berezinsky reserve. there were such leaders, many wonderful now, and today we are friends there, well, they are no longer there, from there. i entered graduate school. academy of sciences. and he wrote his dissertation in moscow and defended his dissertation. here, then there were no soviets in minsk of the ussr for three years, there was a queue. here, and then i was offered a job. eh, the ringleader of culture, like the komsomol, they immediately called me to start culture, and when i worked with creative youth, that's with all the different categories, yes, and architects and artists on this writers and artists today, these are, so to speak, many who were komsomol members then, you know, this enriched me, as a person today, my best friend. these are the youths of such komsomolsk, many

have given such you know some, i'll tell you in terms of life for the future. and then i returned again to the academy and then they called me to the apparatus of the council of ministers. i worked for 6 1/2 years , and this gave such a, you know, uh, a very invaluable lesson for life, i'll tell you. in the ninety-eighth year, a proposal to head the e, national art museum. uh sosnovsky alexander vladimirovich and rusakevich became unexpected for you, to some extent, a number of mini sculptures. vladimir vasilievich , deputy prime minister, i was offered that you are a trained director, but, frankly, i was afraid of this and the position. why because i haven't worked in a museum even in a regional museum for a single day and didn't have such a museum experience, but i was told that you have such an administrative resource and a candidate for an artificial member for artists since the eighty-fourth year. you know everyone, well, in general, i'll tell you that i agreed and even for the first 5 years i even

went on vacation, because it was necessary to delve into this matter to raise the museum. well, thank god, somehow it happened thanks to. here is probably his biography, including work in the komsomol council apparatus. i did it. i found a non-standard solution approaches in part. forgiveness, including the head of state in the ninety-ninth year , was also such an intrigue, well, the nineties, clearly, they became a real test for the public sector, especially the creative one. here in what condition did you get. uh, national art day went down in such a bad way. i'll tell you, but for 8 years the extension was at the level of a falcon, the birch trees grew and a decision was needed, er, the head of state. and now i myself will say behind the back of the minister of culture and the deputy prime minister organized

the visit of the head of state. the presidential order on the herd art museum has been issued. send funding. went control. we made an extension and opened it in the sixth year solemnly so the directors arrived. and that's when the idea of ​​the museum quarter was born and the head of state, the ideas were approved and under his patronage. and so it went on and on. live with vladimir ivanovich you have worked as director of the national art museum for 25 years. these are the four achievements. eh, you are the proudest of all. well, firstly, the most important thing is to strengthen the material and technical base. today we have created a resource thanks to this quarter, our exhibition areas have expanded. so today we do not constantly touch the exposition, but before the exhibition you come to the tretyakov gallery. we are changing because what, but there should be climate control and so on and so forth. well, today, during this time, we have made a unique project

for the exhibition of the vatican museum in richtenstein , an exhibition of orthodox icons, and a new edition of a series of albums has appeared. here. now we are working on uh, the masterpieces of the national art museum. so, many projects were received by the president's guarantors, so we are working on the museum today. i'll tell you. on such a rise so, first of all, we have increased the staff, who today make exhibition projects at a very high professional level, so i believe that over the years especially here for the last 10-15 years there. we have prepared personnel and train personnel. it's basically such uh university cultural arts. yes, they come to us for internships, they come to practice, we grow them, what is called from the third fourth year, then we hire them. they already come ready. they don't need to be retrained. they are

already like volunteers, like some kind of assistants work. today we do not take out work on the restoration of these forgings during the floor, as it was before 30 years ago we had i came there were, in my opinion, two restorers, and today there are 30 restorers 14 unique restoration workshops with equipment. a unique museum of ukraine appears . i think that if it did not exist, this would be the base, then, of course, the opinion would be our branch. yes, mine is 12 years old. uh, construction, moreover, it was on the head of the museum, i mean, i had the functions of customers, which means that i was responsible for the day for my designing a vile castle for my money. this is what we did and made music for 12 years. it was 23 years old. he was our branch, so we went through a very serious school, so i'm glad you know, here, uh, i've left

something like this for the country for the museum native to people, therefore, i consider that my work was not in vain these 25 years. well, anyway, when an artist runs a museum. uh, your own creativity recedes to the second stage. this is because you need to think about others to exhibit paintings by other authors, but it hits the ego. you know the fact is that if you came to work, but it is impossible to be and artist and director from him, especially when the construction goes in parallel, more than one construction goes to the art critic. besides, well, i tried to find time for some small-format book deals. so i wrote works , i have accumulated a lot of work during this time, of course, i didn’t implement something, i didn’t write my doctoral dissertation. let's say. yes, but most importantly, it was necessary to concentrate on the main thing for the development of the museum. well, i had self-esteem and it is. like any

creator. and i still have an excellent student complex , you understand? i must myself i'm doing a museum project employees. he must be impeccable , starting from the poster, and the streets and up to shot down to ethics so that they were not the same, therefore, depending on what self-esteem i should be. that e any leader without such a creative pride, he will not be able to advance in advance in his field. yes, uh, every artist has vladimir ivanovich. e, can be traced in the work of such periods as which most clearly reflect his ideas , experiments, the search for his own style. here, if you analyze your work, what periods would you separate it? well, first of all, periods. i've been the first job i had, which received an exhibition. this is in the eighty-

fourth year, dedicated to bogdanovich. i had such a frank, realistic pepper. now he's like, uh, freer more impressionistic like that. yes, more impressionism. so more such rascons it comes with experience. and, of course, as a director, i influenced, looked at myself from the outside and tried to realize myself somewhere too. well, with age. probably every artist develops if he wants it, like any artist, he develops and something remains from the former. that's why i think that i, too, now i have become more liberated and with age, how would this period be? come on, such a more free , such a kind of near-sonistic such a development plan than impressionism attracts you. well, you know, it flies in, but with these relations with colors yes, it’s a play of colors with this light, some kind of movement is such magic that here’s how you can show inside

nature is there to show light color, that's why it beckons. and even when it’s still beautiful to expose it and lighting. here, let's say, as we have in the museum today. yes, the color is unique there we did, then it is definitely and you get some kind of pleasure from what you have done. yes, even if open. yes, yes, it's new. yes, yes , this is literally just about back i did. here is the album. here i want to give, yes at random. and here, please, here it is dear. bathhouse. this is the host, this is the light of the winter yes , snow and the game, yes, yes. yes, yes, yes, spring is like, but it already ends with this. come on, now, uh, after leaving the art museum, you have more time. what do you prefer? you know what i'm doing now. i was preparing a personal exhibition, which will now be in vitebsk, in gomel now, and some of my projects

have remained unrealized. so i founded in the twelfth year a series of salavat masters from belarus, which means nikolai kazakevich gave out four books there, belarus has already published more than 50 of them. here are four. i give three books to my employees, i take one and write it myself. and, of course, now it is necessary, probably, and that's what i didn't finish, being the director , there was enough time. this is painting. this is art for sure. well, you need to, maybe somehow comprehend. here is this twenty-five-year period of the museum of interesting facts, historical here to write a book, my museum life. and, of course, you need to do something a little bit . so, how would you pass on the experience to your junior colleagues so that they continue. here is the museum business further. well, do a little. wallpaper in the sense that somehow somewhere and some projects of their own on plein-airs, which invite you already more

calmly, you can leave, yes , there was no possibility for nature, which would not have been for us, the director. yes, yes, i had to work on saturday and sunday. that's why, unfortunately, i had to. uh, the director's role. you know, she is very responsible , very difficult, although honorable, but very responsible, because you are always in sight of any project, any exhibition is everything, as it were, converges on itself. well, the museum must be kept in such order in everything so that it’s very difficult to be the leader such a museum as our national artist. it's a secret that almost everyone in your family is connected with art, and one of your sons pavel he continued your tradition and became an artist too. did it happen by chance or is it the result of your upbringing? no, it's not by chance.

why because the father of vera pavel on my wife pavel maslennikov is an artist, and she herself is a musician, therefore , we decided that anton, the eldest son, will go as a mother’s line, as a musician, and pavel will go as an artist and they studied at speech schools. that's specialized so, then enrolled. uh, that means the academy of arts, and anton entered the network culture. that's why we were all brought up in art and, of course, all the talk was about art, about well, of course, when the band was still alive or something, my children went to his workshop there and back home on surganova therefore, this all certainly imposed its own imprint in this regard people. uh, they understand. here art is loved by art both in general and at the performance. here we go and at the exhibition and so on, in your opinion, than they differ. let's say from you, but the fact is that they are more inclined more such more , i would say, on their own, or something, well

, the time is such that they know more, probably than i do, because the world is open that we i used to go there as students from vitebsk moscow there today you can see it all on the internet, yes, and in life it is more active. they have a completely different one. it seems to me that this is the philosophy, so to speak, they have more opportunities for life, but is it customary for your family to criticize each other's work? well, you know, yes, they criticize me, especially pavel, he is like that with us. hey, he's such a great artist. here he keeps saying that you're not a portrait painter. and you wrote, there is a portrait of my mother, and so on. that's where you are too bright, that's it , that's it, by the way, he is an artist himself and teaches. e in china at ilyinsky university, as teachers, so yes, anton

criticizes me less there. here he is more so calm as a musician. here's how you react to his criticism. well you know the deal in that now, as it were, he criticizes, but i also have my own opinion on this matter , such works have the right to be. well, every time we try somehow so well, without criticism, probably, it is impossible. here in this there is also some healthy moment when you, well, i'm friends, they also suggest something to me. something criticizes, they say, not so. it's very good when all those say everything is fine. and you do not see your own mistakes such. since i was brought up in the soviet era, on such fundamental positions, so to speak, who is criticism, i perceive dignity. what family traditions do you cherish most of all, well, of course, this is respect, uh, for parents. e to your close relatives. oh, and in general, in general, people

were so laid down by my upbringing since childhood, by my mother , by my parents. yes, and of course, respect for veneration is probably already in our genes, therefore, with a big pit, even to strangers, i treat them with respect. it left an imprint on me and education. and my work. that's my whole life. here is one with people, do good to people, but then the good is already returned to you; then you recently celebrated your seventieth birthday, and anniversaries are accepted in it. as usual, to sum up some creative results, to make plans for new decades, so that you would like to wish yourself, but i would like to wish myself such more creative activity. why because i did not say a lot of things, as an artist, as an art critic. in this regard, i would like everything to turn out well in my children here is

a family plan with my friends, so that we communicate more often like this on pleasant occasions mine such a life credo to leave your mark. on the ground positive its mark. after myself , no matter where i work, both as a director of a museum and as an artist, to be honest with myself and as an art critic. yes and that's even the project that i'm planning. god forbid it to be realized in a book, my life is a museum. here it is. everything was so you know. as if in conscience, in conscience, it was the most important thing to live according to the conscience of vladimirovich, our program is called the meaning of life for you. what is the meaning of life, the meaning of life, in my opinion. this doing good to people. this is the main basic happiness of doing good, and then it will return to you, and then people will be

grateful to do good and leave behind everything only good, hurry to do good. people need to hurry, yes, because if you don't do it today, you won't say thank you. tomorrow you may already not have time to tell that person to whom you, uh, didn’t do it. today you understand, therefore it is necessary to say it today today, because tomorrow it may be too late. here is a big thank you. thank you. it was the meaning of life vladimir prokoptsov. we follow the sports life of our country returned to the sector after a year-long break for the first time in the history of belarusian volleyball, the head coach of the main club of the country was appointed women marketa van drousheva, the winner

of women's singles wumbledon in the final , the forty-second racket of the world outplayed the sixth number of the world ranking. he and jafer, learn how to reach new heights 24 for 17 years. i gave it to this sport and have no regrets. you need to be both emotional and restrain yourself. you need to win to win, but at the same time respect your opponent constantly, as we call him alive, when there is no auto without stopping. you have to accept everything yourself. nobody helps you and show you how to stay in shape. we gently roll our shoulders back, make a full circle, feel how we are going. these exercises will help you to be alert and fill you with energy for the whole day. watch sports projects on tv channel belarus 24 intellectual show, which contains place for humour. you know how to determine

the question that the participants will never answer, it's very simple. ask anyone you can't go wrong, tricky questions and unexpected answers. what kind of alphabet is this? the eighth character of the greek alphabet memorize must know your answer oak. yes, everything, i like louder, clearly. suddenly he starts asking again. i accept the answer. each correct answer brings one of the teams closer to victory, and mistakes are fraught with the construction of a tower. i haven't been able to answer the question yet. and natasha is already something wrote there. you ask me and so in a whisper so that the viewer does not hear us. yes , let it be everyone. i like to watch the intellectually entertaining tower project on our tv channel.

good morning and in this issue.