such is such a magical such. here's the light, here's the picture moving and it's like this. here. and this is quite like this, that is, this is such a unique, uh, theater, which is exactly the eighteenth nineteenth century. here. eh, oryol, the distribution was in vitebsk in the vitebsk province from nevel to lepel. that is, there was no place where there would not be such a theater, that is , i don’t know at every church at every church, there was a place somewhere, that’s all. there must have been such a christmas theater. here is this bastard adults. maybe they are that tired. maybe they are so much. that's the severity of this, that's all. here being there is some kind of rush there is movement of all this. that's when they come to the performances or or somehow they pass by. and i'm showing it somewhere on the street and that's it. this. here. they are just like that, as if, i won’t say that they are in childhood

, but they immediately change and they have some kind of sad person walking, and he saw he smiled, he came with some problems, then he looked and said his own. thank you listen to such a pozitivchik so just like that, great, another moment when children come to some theater lessons, that is, er them. it's interesting, it's interesting for them to see there, let's say, i tell them. here imagine this is a theater that is 500 years old and how it is, well, it’s clear that children still cannot imagine what 500 years is and how far it was. i say, you can imagine what 500 years is like. they are so ah. i say, i can't they look like that. what are you asking, what? well i say, you look i say it was so for a long time, that there was no television, no radio, no newspapers, nothing will happen. there were no cartoons on the internet, there was nothing. well like so

it's like it wasn't? i say suddenly comes. these are the puppeteers who show it, this is how the event is. so, when such batlechniks came , such a little place was there and showed some kind of such. here's a performance, it's actually such a unique cultural phenomenon. and uh, of course, there’s that moment that you’re looking at, that is, uh, an evil copy of the redneck was found by the romanov enthographer, there in 1894, it was described, and therefore transferred in vitebsk to an ancient church repository, such was a museum, then already of the soviet government. it moved to the legal museum, and in the twenty- seventh year the description was already made by the cult of the word ginger. well this forehead was kept in the museum of local lore during the great patriotic war. eh, everything, everything burned down and there is no such theater. it was some kind

of photographs taken in the twenty-seventh year when describing and describing all this, that is, well, as it were, you open an encyclopedia. yes, all researchers wrote there is such a kind of battery, there is such a kind of malice, it is built on the principle of a theater there, well, that's all. and maybe someone tried, uh, to restore such a theater to make, but how would it be, uh, i laugh that after 120 there 4 years we did restored and presented and when that is. eh, when are we actually showing now? here he is , that he is such that he has magical properties. and, probably, behind this magic there and, of course, this is it. here is mister real christmas sacred theatre.

how are images born? that is, how is it any artist? he has something there, something i did a lot in my time, i bought children's books and looked a-a more, that is, i didn’t read fairy tales there. i looked at the picture. and here, uh, somehow this kind of baggage has already developed. what are some characters? well, of course, that is, like, uh, there is some kind of idea. here are some types of someone out there from life. literally there you understand that this is the character, this is this person there, for example, many. uh, friends laugh and say, like this is it there or this one there

or ready jar close. it's you, that is, it's the spitting image. that is. well, that's what i 'm saying, guys. is purely by chance, i don't do anyone on purpose, i don't like not sewing up before, when i started to do it. i wanted everyone, let's say, and the performance is new. this is some new system of puppets, new ones there , some new ones there, some technical solutions like that, i wanted to try it. here this here this here this here this here. well, that is, all this has already matured, that is, on paper, there are some sketches already sketched. all. well, work begins, let's say, there, if the dolls are knitted in a pleasant way, that there, let's say, some kind of blank is being prepared. she is there, she dresses, there is foam rubber, then the fabric, that is, the image is already pasted out there, if it is from pope-mâché, there with glue, we make two

machines, and this is the workshop, it is exactly this, where such magic takes place, the embodiment of images here. well, literally, there is this . these are not my dolls. this was done by a man at my request. that is, this is already a performance that will be well, man, you can see that with artistic. taste, well, then of course. that is, if this is what the image appeared , this character appeared, and now , well, i don’t like it. something is clear that you will redo it there or you do not like it. there is some kind of technical side, there is controllability, there is something else. well, then from here, and the doll will go to another workshop, and there it will already be dressed. there, maybe we will check the knowledge of the fashion style of everything else. here the theater did not immediately become

a chapel. at first it was just without a name, then we worked like a theater lichtaric. ah, already in 2003 there was such a reorganization of our entire theater and there is some action in terms of touring activities. this and that was already such a new format, and then such a hmm monologue program appeared. van drone. the freelance adventure in science is close to peter's play, and the question, as it were, is that this time it will already be such, probably, mobile in such a huge theater. here are some of the names that came up. well, that's it, i've saved up my neck and now somehow here. introduce

about the fact that my theater is called differently somehow does not work at all. that is already a capelyush, it has already become such a common noun, just like that. that's what it is, but the capelyush has arrived. and where a drop is already a drop, healthy, now washed, bought wider to the right. so the meaning of all the work, of course, is not in diplomas and not in these awards. and that i am glad that i do what i like and work in the field that i like. and that's it , through the puppets, through this communication, that is, i, for the most part, when people come to my show and leave. eh, they are happy and satisfied and say that they have received some kind of positive. there they just say they fit there, they say thank you. it would just be somehow so fast, but well, we learned. well, in this, probably, there are more more awards. and more recognition is clear

that yes in the plans in the plans it is clear, how is he a normal creative or abnormal creative person? yes, there it is. that 's it, there would be enough health forces and the ability to realize all this, which would turn out to be batteries live. i told her the story of nature.

culture more nicole here in this turmoil of days we are always running somewhere, sometimes, do not pay attention to the beauty that surrounds us the breath of the spring wind is bright and so warm the sun's rays, the chirping of birds or the fiery colors of autumn, however, among us there are those who could see the beauty of the greatness of the belarusian nature. we are with the gallery art belarus , where the exhibition project is presented . and what else do we not know about it. it would seem that in such a well-known genre of art, let's stop for a moment and enjoy the beauty with you. alina is not a war. and this is the fashion for culture. the landscape is a genre of fine art, which is at the same time simply concise for perception and at the same time carries the power and secrets of distribution. if you think about it, then nature has always

been an observer of the process of human development, historical epochs were replaced by landscapes that performed them in the backstage, while being the protagonist of this endless great performance. even for this writers sang in their works the beauty of their native land. it is true that the nature of the native land is close to the consciousness of man and his subconscious, it is precisely this proximity that explains the fact that the landscape is so easy for the viewer to perceive. so at the exhibition puffy. collected works of artists of different generations. whose work covers almost a century and a half of belarusian art, the exposition presents authors who have been writing all their lives. you are only the motives of your native land and who, by the will of fate, worked outside the country in more detail about the exhibition project curator alexander zenkevich

alexander vladimirovich will tell you hello, you are a kind of artist who creates his own works of art. only in your case , the works is this exhibition. that's when the work on the exhibition took place, what a god years for you. well, actually this is a very good palette. if we move to such a positioning for me or any curator. this is a good palette. e, with whom you work, in general, belarusian art. it is a-a very multifaceted, and it is, in general, in process here is its creation of the accumulation of this art. foundation. it has demonstrated that it is very different, as far as it is concerned. and what to warm to remove. well, firstly, this is the artist's haven, where he could reveal himself in many ways in the sense in which he imagined himself, because a painting, and a genre painting, has its own requirements. it has its own certain hmm laws and not

always an artist within the framework of a genre painting can create a certain personal imagery. mom can't always experiment with color, and genres such as landscape and still life. in general, they create space for freedom of expression, because, uh, belarusian delegates or the belarusian landscape - this is a huge layer of works and therefore the theme itself is the name of the exhibition. it can outgrow with numbers, there 1 2 3, 4, 5 the exhibition is arranged according to the seasons. tell a friend about it, well, in general, and on the surface, the underlying idea of ​​​​doing a landscape exhibition by seasons is a great idea. uh, peeped, the same kiduk has spring and summer very winter, and again spring and in this simplicity. this is the basis that is taken for the exhibition, plus the landscape is always divided into the pastoral

landscape - this is exclusively turned to nature and the industrial landscape - this is what is created. even within the framework of such works. ah. this is a landscape of human hands, whether it is some kind of factories or some kind of urban landscapes. they are fundamentally different from each other, and therefore such zoning allows a person to quite, well, in his understanding, in a collision of perception of nature, nature develops seasonal delete this is only the beginning of our acquaintance with the belarusian landscape, what else should we know about this same genre of art , if we see on the work of circuses, there is a third story, an interested viewer is a viewer who, a deeper and deeper comprehends art, but build. the way is in a way

that is interesting to him, but from his point of view, from his mm, as if we were positions we say that let there be a continuation of the theme of landscapes is far from being exhausted in this regard, and the most important thing is that any author's exhibition, any author's curatorial project, is a very subjective view. we only try to choose, really, high-quality good professional art, well, significant for belarusian e. hmm art history or in general research is already within the framework. here are these eighty works selected by us. not everyone will like it. ah, to a particular audience. that is, he is something will choose his own algorithm, in general, acquaintance with art, as a rule, occurs. a wide circle of art connoisseurs knows such names of prominent belarusian makeup artists, because only ethanovich belynitsky berulya, and valery shkaruba,

for example, and tell me, what names are still e- uh, maybe the belarusian viewer should know. here, right with a notebook, come to this exhibition to copy whose acquaintances and know this are all artists who should be called a from raybas. uh, the belarusian underground pavel maslennikov is generally a classic of such landscape. eh, hmm, such a cool yes , multifaceted, and accomplishments that impressionism is there, e, arakcheeva expressive, and the landscapes are essentially on olkhimovich. ah. unfortunately, dudarenko, who has recently passed away from us, is a circus. well, there are no random people here, so the entire elite of belarusian art has passed through the belarusian landscape. well, practically, probably, there is no artist who, one way or

another, did not try his hand at landscapes here. and everyone, as you know, like these 33 heroes. everything is up to pick. to straight times about that only alone with nature you can feel. to intervene, believing that, is it possible to feel the heart of nature through the prism of the landscape, i believe that it is, because in general, any person in general needs a little bit of an artist, and silence, in order to, well, how to feel the meanings when you get out from under influences, certain factors of noise and informational psychological everyday life and you begin to feel there who is the space that you understand there, there is a good landscape. yes, there is a bad landscape. yes, it is necessary, but the flow is clearly different. uh, good realism is bad realism, there is good abstraction. if it is bad, each type of genre type has its own, uh, foundations,

which, well, let's say, are visible to a more experienced look. and if the viewers later explain this a little, he will immediately understand where it is, of course, to talk about matters of the heart or some kind of uh emotional or some kind of semantic it is impossible to convey the heart, yes, without feeling it. and not loving, this is the whole space, yes, that is, they were all deeply worried. eh, well, that is, they chose those places which are very close to them. that is, you do not do what you do not like, if you put a person who hates bees, yes, do an apiary, yes, well, it will be seen. he. maybe he can do it in an illusory way, but it will be seen that it is done on how to say simply. leave me alone. and there are people who in the small, absolutely in the small, absolutely in the chamber, find such beauty, convey it, fill it with their own

energy to perceptions, that it becomes incredibly expressive and very, very. here, here, we just see, yes, that's absolutely absolutely trivial. uh, autumn view again . e, natan voronov yes, he is absolutely banal from the point of view of the chosen plot, but when the artist, uh, who, so to speak, had a sincere attitude towards minsk and the city space, and for sure. it is no coincidence that he was new to us in this space, and he expresses beyond his own impressions through his artistic plastic language. and so, when all these plastic languages ​​and sincerity of emotions coincide, then this gives rise to gives birth to a really emotional interesting work of art. and what trends in contemporary art can be traced today? this is something bold new or still modern authors adhere to some classical visions

of values, we return to the belarusian school the belarusian school has always had, hmm, a rich spectrum, and authors who speak a completely different language. and we're talking about a completely classic academic school that is being laid, and also at the student stage, and then she's this, uh, skill grows grows grows grows. again , now certain styles are already clean. well, it would be impossible to say that there is cubism. there is impressionism. everything has very, very blurred the boundaries of genres, types of styles of art, but, in general, when we talk about the development of belarusian art. it continues rather to look in very, very large, that is, the aspector palette, and development directions. here is the development of belarusian art. it continues to be wide. and this is very important,

because, but there are national schools that recorded only this this. well, not fixed by some doctrine. it's simple, well here's an educational practice. she's just such a belarusian art goes. absolutely correct and balanced way, when there are no taboo stylistics. there is simply a high regard for e, for mastery or for professional expression in one form or another of art. i think that you will agree that contemporary art does not always remain understood, but the audience is still you, as the organizer of not a single exhibition, the curator, you are in constant proximity with these works of art. you observe someone gives preference to classical works, someone to modern art, after all, in your opinion, what is in common between connoisseurs of modern art and classical art. well, here we can only

sum up that, but there are no some things that are just right here. it's bad, in general. uh, encountering art or encountering some. kinds of art are necessary, but to say that a person who tries to experiment and start something new is a very brave person, because in art, but to say something new to say something new. uh, the concept of an idea is extremely, extremely difficult. because a lot has already been said before you. over time, old-fashioned motifs were replaced by city streets and industrial panoramas, chamber landscapes coexisted with real landscapes and, of course , the landscape entered into fruitful interaction

with other genres, significantly expanding its capabilities over many decades, a huge layer of belarusian art was created, which is important and needs to be studied in every instant natural phenomenon. for me, everything was filled with deep interest and meaning, and every significant element of nature. for me , it had its own face, its strictly defined individuality, its definite life, conscious and animated, so the letter from the belarusian land spoke about native nature. fill your life with meaning more often. enjoy the wonderful. follow the fashion trends in the cultural life of our country alina was not a war with you and remember beauty is in the eye of the beholder, see you in a week before new cultural meetings.

i go on combat duty every day. we are an honest professional doing our duty work for peace and creation. he came to the ministry of emergency situations after serving in the army and always wanted not to save. yes, and i strive to be useful in order to be ahead of always showing

my subordinates how to master our profession, but this must be a person who is faithful to our state, devoted to his life ideal and who is purposeful and ready to go to fulfill his duty to save human life. i went through all the stages of our career, from the usual lifeguards and ending now with the boss kissing. there are 14 units of military equipment in our fire rescue squad. and, of course, we have specialized equipment for traditional and chemical accidents, our fire department , emergency rescue team at nuclear power plants. this is, well, a unique unit designed and directed to provide fire safety and emergency warnings directly at the power plant tunnel. i understood. we were trained

developed along with the construction of the belarusian nuclear power plant went out studied the facility prepared for emergency response directly to the facility. this is achieved by a heavy stubborn house. we have been striving for this for a very long time. our fire rescue team e. the first stage, of course, is intended to ensure fire safety at the belarusian nuclear power plant. and, of course, we are leaving for liquidation in the streltsy district, human life is more important for us for me than my work - this is, uh, honest professional performance of duty - this is the whole meaning of life for me. i am monogamous and the ministry of emergency situations is in the first place for me.

the guys prepared applause exactly in a minute the hero will come to us and answer everything you are ready to meet our guest. andrei ivanovich thinks the children are now very worried, because you are a great boss for them and for the teachers, and you are

absolutely calm before this meeting. you know, it's very exciting, because it's hard to expect. what questions will be asked, but most importantly, what answers will they get? promise that you will answer all questions honestly and honestly. at least i will try. you are ready to go out to the children. yes, then good luck and so we welcome our hero minister of education doctor of chemistry andrey ivanovich ivanovsky andrey ivanovich i want to warn you that according to the rules of our program. if for some reason you are unable or unwilling to respond. you have the right to refuse to answer a question three times and be attentive to the questions at the end of the program, you will have to choose the best one. a now you have only one minute to briefly tell about yourself time has gone.