then, if we have families in the city who need special support and additional assistance in preparing, uh, kids for school by the new academic year , almost 17,000 families with many children received payments from the state. minsk is providing assistance and trade unions have already covered 2,000 families. and this is the latest news to this minute. see you at 19:00. the natural richness of belarus, you can prostrate on your knees, here it is in a globular lake at the bottom of a stray lake called god's vocals of the lake tore off with its obrysam. what are the shapes of the wolf in lake maya the right circle, i don’t change like that for a stretch for a long time, there are chances on the far side that wok socializes with right people from heaven and shmat, eat such fried ones in belarus

vladimir ivanovich if you wrote a self-portrait in the still life genre, what objects would tell you best about you this book is a palette brush and a belarusian jug, such black-and-black ceramics. that would be a classic, i think a still life. my guest has a very imposing and recognizable appearance; his name is big and beautiful. story. the history of the artist's personality leader. today i am visiting me honored worker of arts of belarus honorary academician of the russian academy

of arts vladimir prokoptsov vladimir ivanovich hello hello vladimir ivanovich you were born at 8.08 hours, a beautiful game of numbers. and moreover, the eight is a sign of infinity. do you believe in numerology. yes, i believe in it and every 5 years i hold my exhibitions. here you recently opened an exhibition on august 8 at the national art museum, where you have worked for 25 years, on august 8 at 8 am 8 minutes and 8 seconds. so i sure of this tradition. my mother told me that i was born, indeed, somewhere around 8 o'clock in the morning while making any decisions. focus on numerology. yes, you know. the fact is that even my exhibition is called under the sign of infinity. why because i believe that such an endless human life is earthly life, and there is life. eh, daughter-in-law, so to speak, when we leave this earth and as an artist under the sign

of infinity. this is the inverted eight, as they say, right? or is it an eight? how is the clock like that? yes, that's eternal, but and i even wrote several works on the subject. here, including on under the sign of infinity. here, i have a new triptyk large 3.5 m . here is the hilly area. so beautiful. as an artist, i redid everything like that. naturally, so to speak, i kept some elements and received it. and such is the infinity of our life, and what is the most common picture that appears in your head when you remember your childhood. you know, i i remember my childhood all the time. and sometimes i don’t even have all the adults, it happens that

you don’t remember some facts a week ago. yes, when there are many meetings and so on, and here is the childhood that was there for more than 60 years. yes, very clearly, like yesterday, remember? i now remember and write my parental home garden and i remember how my father and i planted these apple trees in the garden. i was probably five years old, and today it's a huge tree. these have grown. i remember how the village boys and i rode on bikes through the puddles, then there were big thunderstorms. such puddles were with large white foam around the edges. and even i have such a picture, since e since childhood, so, as it were, childhood it is always e. uh, we all come back to him . we grew up in a large family. yes, your parents had time to deal with your upbringing to follow your studies. you know the thing is that my mother was a primary school teacher. i felt from an early age that i was the son of a teacher of authority - a teacher. in

the village. we had, as always in those days was very tall and responsible and i tried my best not to let my parents down, so i tried. how can one be about to study better, although it was not an excellent student, of course, there by this very same five. well, i had fours, there were fives, like a boy of a useless family. suddenly he began to dream, and the blessed profession is an artist. well, you know, the fact is that somehow there were, probably, my mother saw and my friends saw that i had some makings. here is my father, he really wanted me to become an agronomist , he is a solid profession. grow bread, there and so on. here you go to the gorki agricultural academy, you will be there. dear person, and my mother supported me. my mother supported me and, uh, all my first such impulses for art. she supported me, and then i decided to enter

the specialty of a teacher of drawing and drawing. i do not regret at all that they entered the theater and art institute, but entered the vitebsk arts, firstly, there was a versatile education in drawing. so, i'm not a psychology otreatre. yes, cut the belarusian vitz yourself. they are there the moon in the art of malevich walked , here he is, these are all artists. yes, we, of course, here we are, many of us, uh, came from the regions. uh, at first we were lagging behind the years of the vitebsk guys, who studied at the pioneer house somewhere in, well, in the third and fourth year . it moved, you know , we spared no effort in the evenings, we sat in these classes of ours, the lamps were such, of course , imperfect, they painted with watercolors, and in the morning

you look, uh, the light is completely different, because these lamps, of course, were engaged on saturday, sunday went for two minutes writing, in general, such an active lifestyle is great, and of course. for me, this is vitebsk, as i call it, belarusian paris. yes, and for many , you know, the beginning of it began in life and such a student. that's the kind of romance. well, and, of course , the foundation, uh, laid the foundation itself, uh, as an artist, i’ll say, many graduates of the art and graphic faculty, firstly, uh, made today the color of our national belarusian visual school along with the theatrical art institute. so many became famous artists, honored and figures of graduate artists. yes, they did, indeed. uh, such leading artists. after graduation from the institute. you

worked for komsomol for 2 years, she is painting. you had enough time then. it was like this because i was such an activist, yes, and i was a lobbyist myself i had a scholarship was not an excellent student leninsky saint was an excellent student there was a scholarship with rubles they needed somewhere to earn extra money, and i made wall newspapers on my own in the regional committee; i made student detachments ; uh, at the vitebsk medical institute, our hostels on frunze were next to the mityaevsky medical institute. they, there are different stands and so on, from there. i had a friendship with students of the vitebsk medical institute. they taught me in a hostel, where my friends taught me to drink alcohol. and somehow i could say so, but i could not , and today those people are students of the institute , well-known doctors. and of course. er, because i was such an activist. and then the leadership

the vitebsk regional committee of the komsomol sees that i am such an active guy and decided to train me, probably, to work with creative youth in the komsomol or vitebsk regional committee and komsomol as an instructor or komsomol varkom for the sector for working with creative youth? or do we have a vacancy, we have not been able to find a second secretary in lepel for 3 years? drakoma komsomol, and since i was already a member of the party, i was a sector under the tick bureau, i was a secretary, which means i was a war veteran. uh, philosophy teacher. uh, that's what we always made out. i like all these protocols by the way i designed the pictures, i say, here, uh, and so it is capitally necessary, it’s purely there for six months, the komsomol organ is working.

so you don’t need volodya, you don’t need vitebsk go to lepel, work for 3-4 years and enter vitebsk on a white horse like marc chagall, i worked there for 2 years, and then a wonderful city , wonderful people, i’m grateful, by the way, there , uh, and when i became the director . uh, firstly, there, the berezinsky reserve. there were such leaders, many wonderful people now and today we are friends. many are no longer there, from there. i entered the graduate school of the academy sciences. and he wrote his dissertation in moscow and defended his dissertation. here, then there were no soviets in minsk of the ussr for three years, there was a queue. here, and then i was offered a job. eh, the ringleader of culture, like the komsomol, they immediately called me to start the culture, and when i worked with creative youth, here with all the different categories, yes, and architects and artists, poets, writers, and today these artists, so to speak, many who were then komsomol members, you know, this enriched me as a person. today they are my best friends.

these are the youths of such komsomolsk well, it gave such you know some i will tell you in terms of life for the future. and then i returned again to the academy, and then they called me to the apparatus of the council of ministers at 6 1/2 years old, and this gave me such a, you know, uh, very invaluable lesson for life, i'll tell you. they came from different parts of the world, i recognized belarus then. it is not enough to say, given what i now already know, probably to say nothing already, my second volume, and everyone has found it. here is something for myself and belarus that all those

who i am here this victory. honor i found very lots of uh friends. i will soon return to china, but belarus will always remain in my heart , each hero has his own unique story and his own view of the belarusian. here the audience is at the dear uryans. i really appreciate his art, i want to become how famous he is, and the musicians convinced myself that something is a wonderful country where beautiful people live. kind people, sympathetic tolerant brothers left, watch

on belarus 24 tv channel. in the ninety- eighth year, the proposal to head the national art museum became for you , unexpected in some way yes and me sculptures sosnovsky alexandrovich and rusakevich. vladimir vasilievich, deputy prime minister , i was offered that you are a trained director, but, frankly, i was afraid of this and the position. why? because they didn't work in a museum for a day, even in a regional museum, and there was no such museum experience, but i was told that you have such an administrative resource. you're an artificial membership candidate for artists since '84. you know everyone, well, in general, i’ll tell you that i agreed and didn’t even go on vacation for the first 5 years, because i had to delve into this matter raise the museum. well, thank god, somehow

it happened thanks to. here is probably his biography, including work in the apparatus from this area in the komsomol. i succeeded . i found a non-standard solution to approaches in part, including the head of state in the ninety-ninth year. so, too, there was such an intrigue, well, the nineties, clearly , they became a real test for the public sector, especially the creative one. here's the condition you got it in. uh, the national artistic got in such a deplorable way, we i will say that for 8 years the extension was at the level of a falcon, the birch trees grew and a decision was needed , uh, the head of state. and i'll tell you now behind the back of the minister of culture and the deputy prime minister organized the visit of the head of state. the presidential decree on the herd art museum came out. send funding. went control. we made an extension and opened it in

the sixth year solemnly so the directors arrived. and that's when the idea of ​​a museum quarter was born and the head of state, then the ideas were approved under his patronage, and now the construction continued. vladimir ivanovich here you have worked as director of the national art museum for 25 years, thursday, these are the achievements, uh, you are most proud of. well, firstly, the most important thing is to strengthen the material and technical base. today we have created a resource center, thanks to this quarter , we have expanded our exhibition space. so today we do not constantly touch the exposition, but earlier the exhibition comes to the tretyakov gallery. we are changing yes, because, but there should be climate control and so on and so forth. well, and today, during this time, we have made unique projects for the exhibition of the vatican museum in richtenstein, an exhibition of orthodox icons, and new editions of a series of

albums have appeared. here. now we are working on uh, the masterpieces of the national art museum. yes, and many projects were received by the president's guarantors, so we are working on the museum today. i'll tell you. on such a rise so , firstly, we have increased the staff who today make exhibition projects at a very high professional level, therefore , i believe that over the years, especially for the last 10-15 years there. we have prepared personnel and train personnel. it's basically. uh university culture arts. yes, he comes to us for an internship, he comes to practice, we grow them, what is called from the third fourth year, then we hire them. they already come ready. they don't need to be retrained. they are already like volunteers, like some kind of assistants work. today we do not take out work on the restoration of these forgings during the floor, as it was before 30 years ago, i

came, in my opinion, there were two restorers, and today there are 30 restorers of 14 unique republican workshops with equipment. a unique node is inserted for each. i think that if this base did not exist, then, of course, the opinion would be our branch. yes, mine is 12 years old. uh, construction, moreover, it was on the head of the museum, i mean, i had the functions of customers, which means that i was responsible for the day for my prohibition for my money, a vile castle. this is what we did and made music for 12 years. it was 23 years old. he was our branch, so we went through a very serious school, so i'm glad you know, here, uh, these years, uh, i left something like this uh for the country for the museum native to people, therefore, i believe that my work was

not in vain these 25 years. well, anyway, when an artist runs a museum. uh, my own creativity recedes into the second , okay. this is because you need to think about others to exhibit paintings by other authors, but it hits the ego. you know the fact is that if you came to work, but it is impossible to be both an artist and a director from him, especially when the construction is not going on in parallel construction goes to the art critic. in addition, well , i tried to find time for some small-format books i did. so i wrote works, i have accumulated a lot of work during this time, of course, i didn’t implement something, i didn’t write my doctoral dissertation. let's say. yes, but most importantly, it was necessary to concentrate on the main thing for the development of the museum. well, i had self-esteem and it is. like any creator. and i still have an excellent student complex. do you understand? i have to do the project myself, the museum staff, it must be impeccable, starting from the poster, and the streets, yes

before they shot for before the labels, so that they were not this very thing, therefore, looking at what self-esteem i should be. so, any leader without such a creative pride. and he will not be able to advance in advance his sphere. yes, uh , every artist has vladimir ivanovich. e, can be traced in the work of such periods as which most clearly reflect his ideas , experiments, the search for his own style. now, if you analyze your work, what periods would you divide it into? well, first of all, periods. i was the first job i had, which received the exhibition. this is in the eighty- fourth year dedicated to bogdanovich. i had such a frank, realistic pepper. now he's so, uh, freer and more imaginative , more of

an impressionist kind of hellish. so more such rascons it comes with experience. and, of course, as a director, i influenced, looked at myself from the outside and tried to realize myself somewhere too. well, with age. probably every artist develops, if he wants it, like any artist, he develops and something remains from the former. that's why i think that i, too, now i have become more liberated and with age, how would this period be? come on, such a more free , such a kind of near-sonistic such a development plan than impressionism attracts you. well, you know, flowers arrive with relationships. here are these. yes, with this play of colors with this light , some kind of movement is such magic that here is how inside you can show nature there, show light color, that's why it beckons. and even when it’s still beautiful to expose it and

lighting. here, for example, how today we have museum. yes, the color is unique there we did, then it is definitely and you get some kind of pleasure from what you have done. yes, even if open. yes, yes, it's new. yes, yes, literally just now, i made this album. here i want to donate. and here, please, bathhouse. here is native. bathhouse. this is the host , this is the light of winter yes, snow and the game yes yes yes yes, yes, yes, nothing to do with it, it looks like spring, but it already ends with this. come on, now, uh, after leaving the art museum, you have more time. for what do you prefer? you know, now i'm doing this. i was preparing a personal exhibition, which will now be in vitebsk, in gomel , and now some of my projects have remained unrealized. so i founded in the twelfth year a series with a low-level of such from belarus , which means nikolai kazakevich, there are four books there

, you see, this is belarus, we have more than 50 of them published a year, four each. i give three books to my employees, i take one and write it myself. and, of course, now it’s necessary, probably, and here’s what i didn’t finish, being the director of time enough. this is painting. this is art for sure. well, you need to, maybe somehow comprehend. here is this twenty-five-year period of the museum of interesting facts, historical here to write a book, my museum life. and, of course, you need to do something a little bit. so, how would you pass on the experience to your junior colleagues so that they continue. here is the museum business further. well, do a little. wallpaper in the sense that, somehow, somewhere, and some projects of their own to the open air, which invite you already more calmly, you can leave, yes, nature is something that we would not have director was not available. yes, yes,

i had to work on saturday and sunday. that's why, unfortunately, i had to. uh, the director's role. she is very responsible, very difficult, although honorable, but very responsible, so that you are always in sight of any project, any exhibition. it all seems to converge on itself. well, the museum must be kept in such order in everything so that it is very difficult to be the head of such a museum as our national art museum. how to artificially create a deficit on international markets and inflate food prices, and here ecologically, fascism and the new world order, which is actively promoted through schwabba and soros, how does this all affect the colossal growth of refugees in those fleeing hunger and war, why are

western sanctions trying to pit them against the indigenous population of europe on russian and belarusian fertilizers made them inaccessible to most farms, wheat. more is turning into new gold, un high commissioner for human rights. volker turk said that in the next 30 years, more than 80 million people on the planet will face hunger. how to protect our silent agricultural harbor from international storms, we will look for answers together on the main topics on the main air , watch belarus 24 tv channel. we are ready for an exciting adventure around the cities of belarus, cozy places and a medieval building, the glacier is built of polka brick. if you look closely, you will see traces of the master's fingers, they say that thanks to this unique technique, part of the glacier managed to survive, the ancient estate and the majestic

cathedrals. pay attention to the tower clock. they are not at all characteristic of orthodox architecture ; parishioners themselves and picturesque rivers collected money for them. and today the sea is knee-deep to me. here this phrase takes on a special meaning in the center of the reservoir shallow water , see the program of the city of belarus on our tv channel. it's no secret that almost everyone in your family is connected with art, and one of your sons pavel he continued your tradition and became an artist too. did it happen by chance or is it the result of your upbringing? no, it's not by chance. why because the father of vera pavlovna, my wife pavel, maslennikov is an artist, and she herself is a musician,

so we decided that anton, the eldest son , will go as a mother’s line, as a musician, and pavel will go as an artist and they studied at the crap school. here are the specialized ones, so then pavel ah, that means to the academy of arts, and anton entered the network culture. that's why we were all brought up in art and, of course, all the talk was about art, about well, of course, when i was still alive polosilyevich, that my children went to her workshop there and back home on surganova street. therefore , all this certainly left its mark on people in this regard. eh, they understand that they love art, both in general and in the performance. here we go and at the exhibition and so on, in your opinion, how do they differ. let's say from you, but the fact is that they are more inclined more such more, i would say , on their own, or something, well, the time is such that they probably know more than i do,

because the world is open that we when -that traveled there as students, vitebsk vitebsk moscow there today you can see it all on the internet. yes? and life goes on more actively. they have a completely different one. it seems to me that this is the philosophy, so to speak, of life they have more opportunities. and is it customary for your families to criticize each other’s work, but you know, yes, it’s customary to criticize me, especially pavel, he is like that with us. hey, he's such a great artist. here he keeps saying that you're not a portrait painter. and you wrote, there is a portrait of my mother, and so on. there you are too bright, this is it, by the way, he is an artist himself and teaches in china at ilyinsky university as teachers, so he criticizes anton there he criticizes me less. here he is more so calm as a musician.

here's how you react to his criticism. well, you know, the point is that now he kind of criticizes, but i also have my own opinion. probably this account has the right to be such work. well, every time we try something like this, but without criticism, probably, it is impossible. there is also a healthy moment in this, when you well, i'm friends, they also suggest something to me. something criticizes, they say, not so. it's very good when all those say everything is fine. you don’t see your own mistakes, which ones happen. and since i was brought up in the soviet era, on such principled positions, so to speak, who i perceive worthy of criticism. what family traditions? you treasure the most, well , of course, it's respect. e to parents. e to your close relatives. oh, and in general, in general, people were so laid down by my

upbringing since childhood by my mother and parents. yes, that's, of course, respect for veneration - this is probably already in our genes, so we treat strangers with great respect, even with respect. it left an imprint on me and education. and my work. that's my whole life. this one will do good to people with people, but then the good is already returned to you. then you recently celebrated your family's tenth anniversary, and anniversaries in it . as usual, sum up some creative results, make plans for new decades, what would you like to wish yourself. well i would like to wish such more creative activity, why because i didn’t say a lot of things, as an artist, as an art critic. here in this regard. i wish everything worked out well. in my children. here is a family plan. in my friends, so that we communicate more often on pleasant

occasions, it is my life credo to leave my mark. on the ground positive its mark. after myself, no matter where i work, both as a director of a museum and as an artist, to be honest with myself and as an art critic. yes and even here is the project that i'm planning. give god its realize to them my museum life. so that it was all so you know, huh? uh, as if in conscience, in conscience, it was the most important thing to live in conscience, vladimirovich , our program is called the meaning of life for you. what is the meaning of life, the meaning of life, in my opinion. this is done to people. good in this basic basic happiness is to do good, and then it will return to you, and then people will be grateful for all the good deeds.