sides we have a huge number of followers in the world who like the position of belarus festivals such as the slavic bazaar in vitebsk give us the opportunity to look into the eyes to say we are together, and together we will end stronger one way or another, okay? we are just kind, we really love the whole world. we want everyone to have a good project, say, don’t be silent, don’t miss the new episodes on belarus 24 tv channel, their passion and hobby is my favorite work credo who if not me, i think it makes me move forward home you come in the evening and there is no such thing that here is an irritation, a feeling that everything has been done, that everyone is happy and happy to stand. and you feel good behind the shoulders of the heroes a lot of interesting stories, i never knew who would come to us for an appointment with us, he might come class. uh,

the stork is a definite number one milestone in my life, what are they? well, at least they lived like a human being, but they come here, when they arrive, they become other places i don’t know, it somehow inspires me to get to know them and leave a vivid impression. i am often asked a question. and why are you here, why didn’t you go somewhere when you see your patients, who are now happy , who run, and before that they couldn’t walk, but, in my opinion, well, there is some kind of happiness then relatives. i don't know our family. we also live, we love them, watch the project belarusians again on belarus 24 tv channel. we, doctors of several central district hospitals, provide medical assistance to our population

to defeat their existing diseases, so that peace and creation always reign in the souls of our patients in 2003. i graduated belarusian state medical university. after graduating over 20 years. i have worked in various positions to fit the interior in 2018. i came to work at the minsk central district hospital. it turns out in medicine. i have for over 25 years. in may 2023 , our 800 visit polyclinic was opened. our polyclinic is equipped with an x-ray department together with an mri room mri we have appeared in the district for the first time and all residents of the minsk region will receive qualified assistance with the help of our equipment medical care the population of the village of borovlyany, the village of lesnoy village, an experimental and other settlement,

is provided with 51,690 people in 17 specialties. population, my profession, for me. this is my life. one third of my life is devoted to my profession , first of all, this attitude towards people and attitude towards my staff is important for me in order to smooth out all the sharp corners that arise between the communication of a patient and a doctor when a person comes to you in some kind of problem. you delve into this problem, deal with it with this problem and help a person overcome it somewhere with a word, somewhere with a medicine. somewhere just advice. the most important thing is that the patient leaves satisfied and satisfied, and the work in which he received from the hands of a doctor in our time is the work of a doctor. he is in demand from the work of a doctor depends on the well-being of our country due to the fact that our healthy citizens

can perform their tasks in other areas of our country's life. i always say we are now it was my childhood dream to read a doctor. i became it. vladimir ivanovich if you wrote still life self-portrait. what items would this book tell you best about you? a palette, a brush and a belarusian jug, such black-and-black ceramics. that would be a classic, i think a still life. my guest has a very imposing, recognizable appearance; his name is big and beautiful.

story. the history of the personality of the artist leader. today i am a guest, honored artist of belarus , honorary academician of the russian academy of arts vladimir prokoptsov vladimir ivanovich hello vladimir ivanovich, you born 8.08 hours, beautiful numbers game. uh, and the eight is a sign of infinity. do you believe in numerology. yes, i believe in it and every 5 years i hold my exhibitions. you recently put on an exhibition on the 8th of august of the national state museum, where you worked for 25 years. august 8 8 am 8 minutes and 8 seconds, so i'm sure that's the tradition. my mother told me that i was born, indeed, somewhere around 8 o'clock in the morning, and when making any decisions, you are guided by numerology. yes, you know , the fact is that even my exhibition is called under the sign of infinity. why because i

believe that such an endless human life is earthly life, and there is life. eh, daughter-in-law, so to speak, when we leave this earth and as an artist under the sign of infinity. this is the inverted eight, as they say, right? or is it an eight? how is the clock like that? yes, that's eternal, and i even e wrote several works on this topic. here, including on under dating , all infinity. here i have a new triptyk large 3.5 m . this from nature from the braslav region. now that hilly area is so beautiful. as an artist, i redid everything like that. naturally , so to speak, i retained some elements and it really turned out to be such an infinity of our life, and what picture most often appears in your head when you

remember your childhood. you know, i remember my childhood. we are constantly with me. eh, sometimes, yes, not only with me, all adults, it happens that you don’t remember some facts a week ago. yes, when there are many meetings and so on, but childhood, which was there for over 60 years. yes, very clearly, like yesterday, remember? i now remember and write my parental home garden and i remember how my father and i planted these apple trees in the garden. i was probably five years old, and today it's a huge tree. these have grown. i remember how the village boys and i rode bicycles through the puddles, then there were big thunderstorms. the puddles were with a lot of white foam around the edges, and even i have such a picture from uh since childhood, so it’s like childhood. it always uh, we all come back to it grown up large family. yes, your parents had time

to engage in your upbringing to follow your studies. you know the thing is that my mother was a primary school teacher. i felt from an early age that i was the son of a teacher of authority - a teacher. in the village. we were, as always in those days , very tall and responsible, and i tried my best not to let my parents down, so i tried. how can i be about to study? better, although it was not an excellent student, of course, there is this same for one five. well, i had fours fives, like the boys from the polissya family. suddenly he began to dream, and the bohemian profession is an artist. well, you know. the fact is that somehow there were, probably, my mother saw and others saw that i had some inclinations. here is my father, he really wanted me to become an agronomist, he said an agronomist, a profession that is respectable is to grow bread, there and so on. here i am doing the gorki agricultural academy, there is more of the academy, a respected person

supported. my mother supported me and, uh, here are all my first such impulses for art. she supported and i then decided to enter the specialty of a teacher of teaching drawing of labor. i do not regret at all that they entered the theatrical art institute, but i entered, firstly, there it was versatile. they called drawing, which means that this is geometry psychology. yes, of course, vitebsk is belarusian paris, of course, there the luna walked with white everything is soaked to soaked in the art of malevich here. he anonis all these artists. yes? and of course, many of us are there, but we came from the regions. uh, at first we lagged behind the vitebsk guys who studied. well, as if in the house of pioneers somewhere on in the third fourth year. we have already guessed them. and even distilled studied drawing until the evening. at night, we were almost kicked out,

every student wanted to become a step. and this moved us, you know, we did not spare strength in the evenings, we sat in these classes of ours, the lamps were like that, of course, imperfect ones painted with watercolors, and in the morning you look, uh, the light is completely different, because the lamps, of course, are earthly. yes, yes, on saturday sunday we went to length writing. in general, they actively led such a lifestyle, and of course, for me. here, vitebsk as i i call it, belarusian paris yes, and for many, it began to start, you know, both in life and in student life . that's the kind of romance. well, and, of course, the foundations, uh, were laid, there the foundation is, uh, as an artist, i will say, many graduates of the art and graphic faculty, firstly, uh, today constituted the flower of our national belarusian fine art school along with the theatrical art institute. so many became well-known

artists honored figures of graduate artists. yes, they did, indeed. uh, such leading artists. after graduating from the institute. you worked for me for 2 years in the komsomol area, she is painting. you had enough time then. it was like this because i was such an activist, yes, and i was a comedian myself, i had a scholarship that was not excellent. what in leninsky stepiat was an excellent student was a scholarship of 40 rubles. but it was somewhere to earn some money, and i wapcoming mosamol made a wall of the newspaper made student groups, when big ones arrived, these same ones made out. uh, vitebsk medical institute, our hostels are on frunze was next to the medical institute, he designed mitinsky. i give them different stands there and so on from there. i had a friendship with a student of the vitebsk medical institute. they taught me a school to live there and taught me to drink alcohol. and somehow i could say so, but i couldn’t even

today those people are students, the copper institute are well-known doctors. and of course. er, because i was such an activist. and then the leadership of the vitebsk regional committee of the komsomol sees that i am such an active guy and decided to train me, probably, to work with creative youth in the komsomol or the vitebsk regional committee and komsomol instructor, milevar. komi komsomol for the sector for working with creative youth, or do we have a vacancy, for 3 years we cannot find a second secretary in lepel? drakoma of the komsomol in lepel and since i was already yesterday, we were a sector of the party under the bureau , i was directly a secretary, which means a veteran of the war. uh, philosophy teacher. uh, that's what we always made out. i, by the way, drew up all these protocols for the pictures, i say, here, uh, so and so the capital lags, cleanly, there

for six months, the komsomol organ is working. he speaks. you don’t need vitebsk. go to lepel, work for 3-4 years and go to vitebsk on a white horse. like marc chagall, i worked there for two years, and then a wonderful city, wonderful people, i am grateful, by the way, there, and when i became a director. uh, firstly, there, the berezinsky reserve. there were such leaders, many wonderful now, and today we are friends there, well, they are no longer there, from there. i entered the graduate school of the academy of sciences. e wrote his dissertation in moscow defended his dissertation. here, then there were no soviets in minsk of the ussr for three years, there was a queue. here, and then i was offered a job. eh, the ringleader of culture, as the komsomol, they immediately called me to start cultures, and when i worked with creative youth, that's with all the different

categories, yes, and architects and artists, poets, writers, and today these artists, so to say, many who were komsomol members then, you know, this enriched me as a person. today. these are my best friends. these are the youths of such komsomolsk well, it gave you some kind of you know, i'll tell you in terms of life for the future. and then i returned, again to the academy, then they called me in the apparatus of the council of ministers at 6 1/2 years old , this gave such a know, uh, a very invaluable lesson for life, i'll tell you. in our program, the most active schoolchildren from all over belarus i know that the middle ages are divided into three periods. it's early middle and late, so i said yes, to win our game. they catch not a freebie, but new information. i had a period when

i studied music for 3 years. school and if my memory fails me, the motor for this wind muscular instrument is 3/4 in size, because here is the tactic there are 3 shares of one, two, three tickets , the superfinal will be received by the one who can answer the maximum number of questions. the question is rather complicated, but something prompted me to answer exactly no alexey what is the formula for air? each of them chose his own path, correctly disposed of his talent, successfully implementing it in his homeland. she probably serves to play a lot, because the acting range is not wide enough. today they are

the pride hope of belarus here are the new children who can per. settle on the target immediately to study immediately for new knowledge, we will share history, and they are not afraid of their creative path with all the successes and failures and daily work on themselves. nothing is shy. he likes, he enjoys what he does, see the new people project on belarus 24 tv channel. in the ninety- eighth year, an offer to head the national art museum. uh , it became unexpected for you to some extent yes, and mini sculptures, sosnovsky alexander vladimirovich and rusakevich. vladimir vasilyevich, deputy prime minister, i was offered that you prepared director, but i was honestly afraid of this and the position. why? because i

haven't worked in a museum for a day, even in a regional museum, and i didn't have such a museum experience, but i was told that you have such an administrative resource. you are candidates for an artificial average chechens for artists since the eighty- fourth year. you know everyone, well, in general, i'll tell you that i agreed and even for the first 5 years i even went on vacation, because it was necessary to delve into this matter to raise the museum. well, thank god, somehow it happened thanks to. that's probably his biography, including work in the apparatus from this side in the komsomol. i did it. i found a non-standard solution for approaches in terms of invite. including the head of state in 1999. so, too, there was such an intrigue, well, the nineties, clearly , they became a real test for the public sector, especially the creative one. here's the condition you got it in. uh, the national artistic day went so

badly, i’ll tell you, but for 8 years the extension was at the level of the base of the birch trees grew and it was necessary the decision of the uh head of state, and i 'll tell you now behind the back of the minister of culture and the vice-premier organized the visit of the head of state. the presidential decree on art has been published here. come on funding. went control. we made an extension and opened it in the sixth year solemnly so the directors arrived. and then the idea of ​​a museum quarter and the head of state got carried away, then the ideas were approved under his patronage, and now the construction continued. vladimir ivanovich you worked as director of the national art museum 25 years is a quarter of a century. here are the achievements. eh, you are the proudest of all. well, firstly, the most important thing is to strengthen the material and technical base. we have created a restoration center today, thanks to this quarter. our exhibition space has expanded. so today we do not

constantly touch the exposition, but earlier the exhibition comes to the tretyakov gallery. we are changing yes , because, but there should be climate control and so on and so forth. well, today, during this time, uh, we have made unique projects for the exhibition museum of the vatican in richtenstein an exhibition of orthodox icons and a new edition of a series of albums appeared. here. now we are working on a masterpiece of the national art museum. so, many projects were received by the president's guarantors, so we are working on the museum today. i'll tell you. on such an upsurge so, first of all, we have increased the staff who today make exhibition projects at a very high professional level. therefore, i think that over these years, especially over the last 10-15 years there. we have prepared and train personnel. these are mostly exhibitions. uh

university of culture of arts. yes, they come to us for internships, they come to practice, we grow them, what is called from the third fourth year, then we hire them. they already come ready. they don't need to be retrained. they are already like volunteers, like some kind of assistants work. today we don’t take out work on for restoration, these forgings during the floor, as it was before 30 years ago, i came, in my opinion, there were two restorers, and today there are 30 restorers of 14 unique restoration workshops equipment. it seems a unique museum in each. i think that if this base did not exist, then, of course, the opinion would be our branch. yes, mine is 12 years old. uh , construction, moreover, it was on the head of the museum, i mean, i had the functions of customers, which means that i was responsible for the day for my prohibition for my money, a vile

castle. this is what we did and made music for 12 years. it was 23 years old. it was our branch , so we went through a very serious school, so i'm glad that you know, here, uh, i have these years , uh, left something like this for the country for a museum native to the people, therefore, i believe that my work has not been in vain these 25 years. well, anyway, when an artist runs a museum. uh, your own creativity recedes to the second floor, right? this is because you need to think about others to exhibit paintings by other authors, but it hits the ego. you know the fact is that if you came to work, but it is impossible to be both an artist and a director from him, especially when construction is going on in parallel, more than one construction goes to an art historian. besides, well, i tried to find time for some small-format things. books. so i wrote works, i have accumulated

a lot of work during this time, of course, i didn’t implement something, i didn’t write my doctoral dissertation. let's say. yes, but most importantly, it was necessary to concentrate on the main thing for the development of the museum. well, i had self-esteem and it is. like any creator. and i still have an excellent student complex. do you understand? i have to do the project of the museum myself, employees, it must be impeccable, starting from the poster, and the streets and up to the shot down to the etiquette, so that they are not the same, therefore, depending on what self-love must be me. that e any leader without such a creative pride, e, he will not be able to advance in advance in his field. yes, uh , every artist has vladimir ivanovich. e, can be traced in the work of such periods as which most clearly reflect his ideas , experiments, the search for his own style. now, if

you analyze your work, what periods would you divide it into? well, first of all, periods. i've been the first job i had, which received an exhibition. this is in the eighty- fourth year dedicated to bogdanovich. at i had such a frankly realistic period. now he is. eh, the freer the more im at the synthetic one. yes, more impressionism. so more such rascons it comes with experience. and, of course, as a director, i influenced, looked at myself from the outside and tried to realize myself somewhere too. well, with age. probably every artist develops, if he wants it, like any artist, he develops and something remains from the former. that's why i think that i, too, now you have become more so liberated and with age, how would this period yes? yes, well, such a freer such a near-sonistic such

a development plan attracts impressionism. well, you know, flowers arrive with relationships. here are these. sami yes, with this play of colors, with this light, there is some kind of movement, such magic that here's how, from inside, you can show nature there, show light, color, that 's why it beckons. and even when it’s still beautiful to expose it and lighting. here, let's say, as we have in the museum today. yes, the color is unique. there we did, then it is unconditional and you get some pleasure from what you have done. yes, even if open. yes, yes, it's new. yes , yes, it's not literally just about back i made this album. here i want to donate. and here, please, bathhouse. here is native. bathhouse. this is the tail, this is the light of the winter , even the overflow of the sun of snow and the game, yes, yes. yes, yes, yes, spring is like, but it already ends with it. come on, now, uh, after leaving

the art museum, you have more time. what do you prefer? here you know now i'm doing it. so i was preparing a personal exhibition, which will now be in vitebsk in gomel now, and some of my projects have remained unrealized. so i founded in the twelfth year a series of words, the tamastatist of belarus means nikolai kazakevich, there are four books there. you are farther than belarus. we have already released more than 50 of them. here are four. i give three books to my employees, i take one and write it myself. and, of course, now it is necessary, probably, and that's what i didn't finish, being the director, there was enough time. this is painting. this is art history undoubtedly. well, you need to, maybe somehow comprehend. here is this twenty-five-year period of the museum of interesting facts, historical here to write a book, my museum life. and, of course, you need to do something a little bit. so, how would you pass on the experience to your junior colleagues

so that they continue. here is the museum business further. well, do a little. love is in the sense that somehow, somewhere, and some personal projects in the open air, which invite you already more calmly, you can leave, yes, something that was not there in nature. being a director was not possible. yes? yes i had to work on saturday and sunday. that's why, unfortunately, i had to. uh, the director's role. she is very responsible, very difficult, although honorable, but very responsible, so that you are always in sight of any project, any exhibition. it all seems to converge on itself. well, the museum must be kept in such order in everything so that it is very difficult to be the head of such a museum as our national art museum. in

the breakfast of champions project, we'll tell you how to start your morning the right way, by looking at the ingredients? i honestly, i can’t even imagine that today we are cooking with you, you will cook oatmeal pancakes with eggplant. and i will cook stuffed zucchini. today our friends belly holiday will help you choose high-quality products for a healthy breakfast. how to choose a quality thyme in the first place? pay attention to the packaging. it should be airtight, i remind you, it is absolutely impossible to buy sprouted garlic. he has a rather idiosyncratic one. i would even say bad taste. yes, and there are practically no useful properties in it, and we will do it light but effective exercises and the first exercise will be, uh, jumping off the pedestal. this exercise is necessary to strengthen the knee joint and foot and prepare for the jumps themselves , you can go for stretching to yoga, any

movement will help you lose weight, which is superfluous. my name is elena alshevskaya. i am the deputy director for tourism of the berezinsky biosphere reserve. my name is alexander bodryun and i am the general director of the national olympic stadium dynamo stadium born for your victories. we will introduce you to people who have found their calling for me stadium dynamism part of life. heading such an arena well, it's not an easy thing, we offer to spend one day with specialists and learn all about the intricacies of their work. the reserve is very rich in species diversity, both plants and animals. our main task is to preserve nature for the present and future , watch belarus 24 tv channel. everyone in

your family is connected with art, and one of your sons pavel he continued your tradition also became an artist. did it happen by chance or is it the result of your upbringing? no, it's not by accident. why because the father of vera pavlovna, my wife polosovich maslennikov, is an artist, she herself is a musician , therefore, they decided that anton, the eldest son, will go as a mother’s line, as a musician, and pavel will go as an artist and they studied at school. that's specialized so, then enrolled. uh, that means the academy of arts, and anton entered the network culture. that is why we were all brought up in art and , of course, all the talk was about art , and of course, when polosilyevich was still alive, my children went to his studio back and forth. therefore, all this

certainly left its mark on people in this regard. eh, they understand that they love art, both in general and in the performance. here we go and at the exhibition and so on, in your opinion, how do they differ. let's say from you, but the fact is that they are more inclined more such more, i would say, on their own, or something, well, the time is such that they are more they probably know more than i do, because the world is open, that we once traveled to moscow there as students from vitebsk, today you can see it all on the internet, yes, and life is more active. they have a completely different one. it seems to me that this is the philosophy, so to speak, of life, they have more opportunities, but is it customary for your family to criticize each other's work? well, you know, yes, they criticize me as an example, especially pavel, he is like that with us.