the president of etiquette got acquainted with the educational laboratory buildings and the exhibition of the best projects developed by the graduates of the technopark alexander lukashenko expressed confidence that such centers should be expanded to the limit, so that more young belarusians could have them. there was an opportunity to prove oneself. studying the experience of russia first of all, and then the whole world experience, we began to create this center here, i must tell you that this is only the beginning. i know that there are much more people who want to study here, but if they are left behind, talented three people per place. who this technopark should be expanded to such limits and possibilities so that all the guys who strive to get more modern and knowledge at a higher level have such an opportunity. the only thing, frankly, that always holds me back, making such a decision, so that you work for your country,

so that you live on this land on the land that raised you, where your parents live one hundred percent. this worries me, of course. although i understand that you are people of the future, you are people of science, but science cannot close today within the framework of even the largest advanced state. america china is not there the united states, especially belarus is a science. nationally, but wherever you are, you must remember that this is your earth, that this earth has done everything so that you grow up literate and advanced and can work in any country. knowledge day today celebrates across the country classes in the new academic year will begin in 1865 schools, across belarus this year 5.5 thousand young professionals will join the school

more than a million students, including 110,000 will go to the first grade, the theme of the first lesson, belarus and i, the dialogue of peace and creation , is recognized this year as an expansion of profile education. today, engineering and railway classes will be opened, while maintaining the already popular pedagogical agrarian and military-patriotic pride , our pride was that for 3 years we have been implementing a project to use interactive educational laboratories in mathematics, physics, physics and already not such classes are officially functioning and open at us gymnasiums, so we will train future engineers, with whom we have been talking for 3 years already today we are ready for this. in the brest region, for the first time, more than 17,000 children sat down at their desks in 31 schools of the city above god at the start of the educational path 63 first-graders. the president’s order was fulfilled today by all schools that will participate in the academic year as planned, prepared by us, 472

schools 244. we repaired very well, and we put things in order for the rest , tightened the material and technical base , dealt with equipment for feeding with the arrival of autumn in belarus will increase the salaries of state employees. they are tied to the base rate, which today has added more than 11% and amounts to 235 rubles. approximately 5% will increase labor pensions and their average size after the increase. will reach, 7. 37 rub. this is 15% higher than a year ago, and some belarusian banks have made important changes by increasing the commission for servicing foreign currency accounts, new tariffs will apply in belarus from the first day of autumn, and for postal services, bakeries in the gomel region begin processing oats and buckwheat of the new crop, according to the management of the enterprise, the harvested grain will be enough to fully meet the needs of the domestic market for novobelsky. the plant daily receives up to 1,000 tons of oats, which

allows to fully load the production capacity, oatmeal and porridge are already in the trade network of belarus called large products will begin to work on september 4 . and i hope that we will fill the full need, even with the harvest in 2023. i think that we ordered it fulfilled. basically, of course, this is for food targets for large products. well, it is also used for fodder purposes for the production of animal feed, belarus may cancel the visa regime with the distant exotic country of the dominican republic, these intentions were confirmed at a meeting of the foreign minister with the dominican ambassador to russia and belarus concurrently.

hello, you are watching the program distortion be silent in the studio of victoria popova and tatyana shcherbina and today our guest is the architect and laureate of the state prize of the republic of belarus galina levina hello galina leonidovna hello galina leonidovna well , you have implemented a lot of architectural projects. among them are the reconstruction of the memory memorial on dzerzhinsky avenue in minsk the building of the synagogue in the capital memorial signs holocaust victims in minsk bobruisk trostians blouses and dzerzhinsk but, perhaps, a special story in your life is the preservation of memory, but about your father, the famous architect leonid lenin and are we right we understand that he bequeathed to you to bring to mind. here are those memorials. uh, complexes on which he began work, but in due to various reasons could not finish. thanks for the question. i don't think it's right to say bequeathed or not?

this is rather my decision, because i saw in the whole life in which he lived, uh, what he created uh in belarus and not only uh, in the field of architecture and not only, because it seems to me that his architecture, it wears more like that. uh, capacious general human uh, the character is very philosophical and uh, of course, he did not give a will. he didn't write it, but uh, he taught me to read and see the meaning and i told him for it gracious, and of course, these meanings are laid down by hmm them in unfinished projects that have not been completed for me. and e responsibility for what has been started by him and us and together must be completed unconditionally. uh gave me an impetus and

strength to continue those works that were not completed, but you felt some kind of inner, yes desire to do this. you know it is very difficult to answer these questions. we worked together. we thought together. we breathed, uh, history and architecture together, so that was it for me. naturally, from the fact that after it care managed to do causes you the subject of a special city, that is, no. the annunciation of the annunciation this is the place, which, because the work on uh, trostyanets to perpetuate the creation of the memorial, was already by 2014 already, as if they were going and there was already a bookmark there, yes, part was already open. eh, the gates were opening later. e in memory of the project

by konstantinov kostyuchenko and, of course, it was very important to do the work and complete the e. the last way to the annunciation and please explain these gates of memory, the first i remember part, we opened. yes, in the fourteenth year in the eighteenth on the anniversary, what has changed there? how would that in this second part in order to understand what that was. uh, concentration camp, uh, trostenets, for this you need to come there once and secondly know the history. it's not uh, that's some traditional place hmm traditional in terms of. well, uh. the creation of concentration camps by the nazis in the occupied territory in one place, like drifts the territory of one belarusian village. the

trostenets camp was a large area, and it may not always be perceived. well, who does not know the history. it may not be perceived as a whole, but it must be visited and studied this place of integrity. no, where was the camp itself uh, shashkovka and blagodovshchina, and therefore uh in golovshchina at that time. that's when it was done, and the project was created by the creative team led by leonid levin in 2013. hmm architects kopylov participated in this group, i also participated in sculptors. e salikhanov shopo and e, petrul. eh, in something that was proposed, in my opinion, very important and very, and innovative, even in memorialization.

uh, not only in belarus but also in such a european context, the last road was shown, uh, 150.000 people who were there, well, the figure is updated by the prosecutor's office agent. now this is very important. this is very important. we are saying these numbers because they appeared at that time. although we understand that over the years when it works, who the prosecutor's office is, including the consistency of the numbers hmm, because they killed not only belarusian jews, precision vaselist knife. i know, yes, and we showed it all, because belarus i always say the belarusian sky has become. and the last what did the european jews who came here see? well, i would also like

to highlight one of the great works of your father. this is a memorial complex for the children of the victims of the war in the village, red coast. e, for the first time i saw a story about him in the program of svetlana borovskaya, kind before belarus with svetlana borovskaya. and well, without tears it was impossible to watch a story about how you in general, all the architectural and historical metaphors of this place told the idea. let's see a small snippet. on the black ray there is a school board and on it is a letter from a fifteen-year-old girl katya with a mustache, her father was looking for. here's what text to put on this board. he even turned to the eviction by the bykovs, so that he could write, uh, but when vasil bykov read a letter to katya susanina, which u provided the museum of the great patriotic war. he said you better not write a few words about your mother

when you return, your mother is not looking for more. i still want you to go through it yourself, because i'm just afraid to burst into tears, too, like any normal person, so i read it for you . read it for yourself, right? and ends my heart believes the letter will reach there is always hope. and we go out on a black beam. we go out to the square, the round square is the square of the sun. let me remind our viewers what kind of place this is. it was a collection point where children were gathered in order to take their blood and , uh, save the wounded germans, but there is not only blood. eh, collected. there they worked hard , they were beaten, everything in this letter. kate susanina. yes, the cries of despair can be read. and how children and teenagers experienced, it

really is. well, such a terrible page of history, mmm, i wanted to ask you a question. why here in comparison with hotynyu? yes , another great work of your father, this memorial complex is not so famous, did i fail or not? yes you are right and i am grateful. and the fact that you are raising this topic and svetlana e. s borovskaya made a very subtle and uh story about this place, but hmm you have to recognize that the theme is the fate of the child. children during the war years, she e before the monument was opened 16 years ago in 2007. before that time, she was not very well. so she was, and at the discussion site they talked more about exploits about exploits. yes, yes, torment, and, uh, leonid levin wrote that there are monuments to the heroes of military events, uh

, personalities, but there was no monument to the children of the war, and therefore, this is his, uh, dream to create. eh, such a monument to the memory of children, moreover, this is not a monument to children in the camp, it is in the camp. e red beasts. this is a monument to the children of war children. uh, who had their childhood taken away from their adult, how did they write and uh, he is very bright, even he is called a childish khatynyo, and there are a lot of meanings in him. but all these meanings , they are sincere, they are from a children's story, which, uh, heard the plot. whom do not look for more and the father also lost his mother. here is every word. every architectural element is everything , uh, the story of childhood is personal, while

u are close to many of those who survived the children who survived the war. you once very accurately expressed that your father was the director of the space, uh, telling about the war and suffice it to call khatyn a memorial ensemble. eh, among his work further, in principle, you can not continue. uh, well, apparently, a work on a military theme should be created by exactly those people who have, uh, a need for this. uh, because there can be no conjuncture here. and she is delusional. you will agree. yes, i agree, and we are now living in such a turning point when those, uh, who had e threads, are leaving, which have threads with this feeling of war with a sense of war and, of course, war becomes for the modern generations. it is already acquiring some uh, a different meaning and other relations from

the point of view of the story about it, and it is we who will not be able to stop this process, but war is always human destinies. and it always touches people and always wants to tell in any area. somewhere you work, you can always tell through human destinies through uh events in cinema, in painting, in literature. here we are faced with this issue. yes , art is important, that when they themselves are no longer the bearer, not the witnesses of some event , they try to create a work on the topic, whom they don’t know well or know from textbooks or, well, they don’t know at all, like, i always have a complaint about patriotic songs that appear today, but don’t touch the soul. yes, do not compare with those that were written by witnesses, then, well, is it worth it then

to take on this topic at all. there is such hatred here, if you have not felt whether you can, whether you have a moral no, you should still write in this. be with need. i think that at the school level, these may be some tasks. and when a child is already at school childhood them. uh, well, it’s kind of conditional to tell about the history of the tree that grows, uh, at my great-grandmother in the village or somewhere near the house. maybe she saw the tree. uh, was a participant witness to some events and uh, then it's just a necessity. it seems to me that this is such a sensual and, uh, touching topic that they are real artists anyway, they can in life to it. well, you are working right now. yes, you still have your father’s workshop, and the guys, you know all the young ones

, among them there are those who sincerely invest soul. here, uh, those same real artists that i left, but everything passes. eh, as he wrote, father. wait for the time, you will understand everything , everything must pass the test of time. it seems to me that an interesting work related to khatyn is more swaddled by the war, also by our belarusian artist, who was exhibited in the national archives as part of his eightieth birthday, the destruction of khatyn has such topics, and they, by the way, i watch with great interest how he talks about the war, because khatyn ahead of time and she remained modern in architecture, uh, telling about the tragedy of the burned village. it's not that easy, but stay in memory space.

constantly, but uh, significant things like go and see if we are talking about cinema about our cinema, if we are talking about schindler's list of the world, and the boy in the striped pajamas, these uh, world uh films that remain, uh, such beacons memory, and you are my memory. and uh, the red coast mayak memory they powerfully declare about what happened in belarus during the occupation during the war, in general, in fact, this is some kind of uh it’s hard to explain, because if there was a recipe, then films would be created and books would be written, and there would be many other things, and apparently there is no need for this, because some kind of society appears. suddenly wakes up. that's every time 50 years have passed more than 50 after the creation. eh, khatyn discoveries and

every time we come there, and we wake up from what happened here we wake up and open our eyes in our modern life. e. what was going on and not only us, what makes me always happy with this earth is as foreign citizens. yes delegations continue to come to the hatel and leave from there with tears and heavy hearts. she, too, as you just said, wake up remembering yes, the events that took place yesterday, one can say on the territory of belarus , they did not know them, yes, they recognize and know thanks to the hut, but these are the forces of art, because uh, if the city in zankovich had not been created, levin 's group of authors, if they hadn't won the competition for creation, it must be said that the boys were young, young 30 years old, yes , 23, when they received the award, they received 33,

and this, perhaps, honored such a long period of time working on this for me , it’s generally amazing, because it’s a young brave at that time there was work on the brest fortress, masters worked there, uh, and sculptors and architects in parallel your father. vdnkh was building here in parallel with vdnkh and they did a lot at that time, it doesn’t mean that they were a competition, it was during a non-working period and uh, for me it’s generally, well, such a great subject of study is constantly youthful time e architectural thinking, which in this period of socialism. uh, how everything would turn upside down the topic that is so told, because the burnt villages were not spoken about. and let's listen to your father directly excerpt from the documentary monologue

leonid levin architect, in which you were one of the authors. personally, i did not have a childhood, because we are children of war, and they stole from us this childhood was stolen, it was stolen so generously. we all didn't know what candy was. we don't know what mama is , we didn't know what sugar is, we don't know what bread is. we didn't know what joy was but i'll tell you that apparently i was born. i'm under some kind of my star and it's a star. wore me or gave me or gave me or surrounded me? good people. these people were. always by my side or around me from the beginning, when my mother died in childhood during the war years , another woman took me in and became my mother. this is also the post-war period, when

i returned to minsk with my father. he surrounded me with his love, as i think katkov sergey petrovich is an artist who pulled me into this hobby. this is a review of the soul and so on. this is my family too. my wife who is also an architect understands me all by my side. this is my daughter, who is also an architect. this is my son-in-law, who is also an architect. i have a dog. no, i said that i was also an architect, therefore. well, this is the phrase that sounded at the beginning of this fragment. personally

, i didn't have a childhood. maybe, from here there is such a reverent attitude to this topic, a complete immersion in it, of course, the origins and skin - this is the loss of both the mother and the loss of the grandmother and the loss of childhood. we even have letters where dad writes to your dad to the front. uh, i learned to read and write myself, and now i’m without tears, i can’t always read them, because i understand that for the boy, uh, who stayed here, uh, they were refugees near frunze in the karabalts in the village with all the same all women women, grandmothers, aunts, sisters. uh, and, that is, only women. and how important it was to him, well, to write. as we communicate now , we can either by phone or write or

call, and then he had to study on his own in order to write to dad. here are some words for the front. this is very a touching story, but it must be said that he retained his love for the pistol genre. then he wrote letters. and we read them to you. they are also very touching, where he says that he would like your childhood to be happy and not as difficult as his and it seems to me that you did an exhibition. yes, with something double love, and it was a success exactly. it seems to me that it makes sense to repeat it while we interrupt for a while, i remind you, we have a telegram channel, say or be silent, subscribe, ask questions and suggest guests we are in touch. on air again program say, do not be silent. and today our guest architect galina levina galina leonidovna wanted to remind you of a small

excerpt from the poem three trees left on earth love, the inextinguishable daughter galya of kindness for zhenya, the peak of the peaks and the hatyn numb in the distance, these are the lines of your father and a collection of moments. you admitted that your father was a good teacher. and he sometimes told you not to demagnetize. today i often have to say these words to myself. yes, this is my favorite word, and i love it very much. and she often i tell e colleague you are demagnetizing me, but there is some kind of it in him. in my opinion, there is a lot of meaning in this word. and especially when some, well, we work all the time in the topics of decision-making in creative, that is , any demagnetization, it can only hinder, uh, the process of creativity. yes, and that's

what it is all about. i remember even his gestures when he spoke to me degaussing. and what can you drink the soil from under your feet to bring down this course in the direction that you chose there in the process, yes, and you are going, but like this a very, uh, personal question that i don't even really want to answer. you must not allow yourself. here are these breaks to expose. although this, of course, is not easy to work with, because after all, our work is an architect. she is a very serious responsibility and works on memorials. this is not only architectural design, because it is important to me and i treat this very responsibility and respect. work with whom the monument is made for, because memorial monuments are created in specific cities. there are people there. there are schools there. there are museums there. and this important. as far as contacts with them, how important and necessary it is for them, but of course, there are

moments that unsettle, but not saddles, but attempts to rewrite history. here you are offended. it seems to me that we should work more in different areas to study and tell about the war, and not to miss this continuity, which was started by the generation of our parents and witnesses. and it should be, uh, a natural process. although the fact that the view is very important, what is now. these are the obligatory visits to their atyn and others memorials. you mean for schoolchildren for schoolchildren, yes, for young people, because , uh, of course, their parents may have missed

some part of the story. but you have to study and write it, you feel that they missed there is some kind of feeling. yes there is i feel like u missed. e. i think that, of course, we all strive for a happy modern life. this is natural, but knowledge and study of history is part of uh, modern happy life and uh, work in the architecture of the creation of these memorials, worthy, telling about, and the events of the great the patriotic war on the territory of belarus , it tells about belarus, for those who are outside of it. this is also a lot of work that needs to be done. sincerely and professionally

open just a conclusion. you say you need to look for new forms. recently i listened to our guest , one of the political scientists. vadim gigin. he says we need to look for new forms. we froze somewhat in some later, 100 years ago , treplev said that we must look for new forms. and what is behind this phrase, but for me, for example, e. i'm still a professional each running their own profession and making films and creating. even now, i know i 'm out. uh, multi- about the minsk ghetto yeah, there are modern forms for young people to talk about. you know what, for example. i see, let's say the danger is that the modern youth. yes, children have a slightly different way of thinking, already such a clip, and they are used to what they showed in this. they showed a film about her to

what is happening is not related to the fact that it is based on real events. it's so simple some kind of story, that is, well, a little superficial, or something, and such an attitude. uh, they don't feel it deeply, and to them, it's just the plot of some movie. i agree, but for this, uh, it's important to visit the place of memory , agree. uh, the designation of these places uh make it worthy for the next generation to see. and that our generation perpetuated the memory, er, worthy. i will allow myself here , uh, to criticize a little of this also applies to the texts on the monuments, so that they do not rust, so that the letters do not fall off, so that those who, well, after 10 years, see that yes. uh, 10 years ago people who erected monuments did it

sincerely and with dignity on september 10th. we will celebrate the international day of remembrance for victims of fascism. and again. we are confident in the khatyn memorial complex people will go, and the symbolic meaning of this place. the president spoke when he was on a subbotnik. but just in time for the question, probably, your criticism was heard by the knees whether they were there in general. the order is now observed. yes, some reconstruction was carried out , a new alley was planted and a museum was opened. open. uh church. yes, uh, in general, a lot is being done. and so the president's quote symbolism lies in the fact that today we gave a start to the renewal of this monument and we agree with its revival. you with this wording that today you can not worry about the fact that khatyn will be looked after in the khatyn complex , the memory of the tragedy, forever and the memorial to mrs. out of

time. eternal yes, he is an open-air memorial museum. it was created as an open-air museum, so i have no doubt that khatyn will live forever and it is very important that, uh, continuing to preserve the memorials. and those who perform performers? professional performers, builders , architects, they carefully treated the ideas conceived by the architect of that time , this does not apply. eh, the idea is an idea, the reconstruction is correct, it is needed and it was carried out, we understand that the modern generation is already , uh, it is not enough to come just to see. uh,

they need a memorial, uh, more interactive document document. yes, well, this time, this time, each time will contribute its own nuances, in understanding what has been created, but we are talking about works of art. we are talking about the eternal values ​​​​of memory and they should relate. this is the golden fund. uh khatyn golden fund, uh architecture. but you said that young people need interactive cartoons, uh, the texts of the document, but still , nothing works better than the silence of this alarm. this is absolutely true. is it true. this minute the minute when children come with their parents is even more important than they come with classes, and then they go badly. and you and

not only along the main, along the main village road, but bypass the forests. er, this is very important. this is what will form. here is a moment of silence with parents in the family with grandparents. you yourself said that your father was ahead of his time, maybe you should accept it, you know, this is what is happening now. well, because that's what they've already planned. we are dealing with art. it remains for centuries. but he taught you. vitya to squeeze the time you. well learned or difficult time will show. e. i think that this is a lot, that we are doing it, but is it ahead of time this year, you went to dzerzhinsk where work on the memorial is being completed. let me remind you at the site of the destruction of the koidan gett in october 1941. there, in two and a half hours, 1,900 jews were destroyed, the architects of the monument, you and alexander kopylov

, the sculptor alexander shapopo. and what do you say, those skeptics that e urge not to disturb were also wounds, if we are talking about those who question. it is very important to come to belarus to visit these places, so here is any stone in place, uh, which is now uh in those places where the prosecutor’s office works the prosecutor general’s office opens new places any memorial sign small big, and it is very important for people to come and we saw and this memory is so hmm natural, woven into modern life. and uh, it's important to understand that uh, it's not the past that we're leaving behind and living in modern life. this is modern life. uh, soup knowledge

of the past. we should talk about what happened in belarus, but ask ourselves a question. how much do we know about the kolovlyut, the village burned in greece, how much do we know, huh? burned village in france , therefore, this path is very, uh, the path of studying the preservation of memory, and the fate of people about our relatives is very deep and capacious and it does not can only end in school. i am convinced that this is the path that we go through. a person goes through his whole life. you just have to look at it like a textbook. e. left somewhere in the attic in the country or left somewhere else. and what accompanies us. e every day is knowledge. this level of education is a level. e

modern thinking to know what happened here, we are meeting, just the day of knowledge on september 1st. uh, and you i know are invited to the school and will perform in front of the school audiences, and try to convey to them. i am sure that this is not your first meeting with schoolchildren. they hear i am very grateful, because for many years i have been invited to the day of knowledge at school, and this year i was also invited to one of the minsk schools. and, of course, this is money, yes, it is very exciting for everyone, for parents, for children and for family members. uh, the first day can't, right? but communication with schoolchildren is very important for me, because it is with students, because it gives me a lot more to so that i understand how e is in architecture. what

words to look for so that, uh, youth can. to feel what it is like to know to feel and in the future, uh, to keep this memory, that is, informally only here, but in order for it to be, naturally note how they feel, hear useful meetings for you. i understand why from them you know that i'm listening or not? i for myself, uh, determined it to be so important, too, uh. the process with the guys you need to meet more than once, but with them you need to be near them for some time give them time to think, yes, or maybe there are some questions that can't be told. this is the essence in an hour it is impossible to talk about khatyn in 45 minutes. and

uh tell with such uh schemes it's hmm i 'm it it's impossible. although now, in my opinion, is a very important time. uh, word search. that's how we heard leonid levin told about the war in words, and in architecture it is also very important to look. here is a word about war, its own word. and i remembered here, remember lunkin's mom really made such a monologue for 2 hours talked about the war about her childhood. she just told how she would tell her neighbors. those were millions of views. so, when i asked you about new forms, we always want to come up with something like that. yes, this is extraordinary. how are you with this film about the father, yes, the director had complaints that it was too simple, or maybe, that's it.

yes, simple human communication today is the same new form that children have already lost the habit of. yes, here is silence and a sincerely human story monologue silence monologue, oddly enough, it becomes such an important powerful capacious storyteller, but military history. because they heard it from their grandmother or great-grandmother. they did not tell it for the stands. they told me somewhere, when they had lunch there, uh, i cooked in the kitchen. she told. so we made potatoes from potatoes, cooked from potatoes from potatoes. it was the only one not collected. that is, these are also such nuances. uh, the setting of the place where children first learn about the war for the first time. let's

take a short break now after a short pause again let's go back to this studio, while subscribe to our telegram channel. say, do not be silent, and look for all our releases on youtube channel belarus 1. on the air say again, do not be silent, and our guest is the architect galina levina, we know that you would like to make a memorial workshop for your father. there is one on victory square, and so on round for you, and there is also on sukhoi there. tell us what the difference is and how the idea is progressing. in general, fix this one in the city too. and we even made such a map of minsk places associated with uh memory, associated with the work of leonid livina, and i want to thank.

uh, the mindar executive committee for the decision that a street in minsk was named after leonid levin, but on victory square krugloye for me, because it was always a round square, i knew minsk uh, there uh, huts of a creative group were created, and i worked there. e, the last days of his life , a memorial was created there, a pit is a monument in the red bank, and the reconstruction of yakub kolas square a lot of other projects for minsk and e for belarus and of course, this place creative prayers, because there were a lot of well-known cultural figures, uh , public political figures of belarus, and not only uh, i see that this is of great interest. it causes interest. and for those who come there, because we saved, we didn’t change anything and, uh, people can come to see how it was on the desktop, how

the folders were laid out, uh, what leonid mendovich worked on, see what books lay on his circle of interest? but of course, there are original sketches. and on this you can take uh, i hope, of course, it's not just my decision, it's the city's decision. and i really hope that this will be implemented very interesting place location. i would even call the house-museum. soon yes, she became in the city of minsk. why not variety? yes, life , yes, and he is like that and, uh , a lot of materials on the historical center of minsk development construction. , uh, architecture and culture.

because i understand that sooner or later it will be, uh, in demand and important. it is as long as possible to save and not demagnetize. let's listen to leonid mendovich again, you can't live all the time with your head turned back. you have to live with your head turned forward. and now the whole head is turned forward. and you look ahead. you, too, i must see the future bright. and if all the time with your head turned back, you will not do anything. you stay put, especially. uh, realizing that he survived the war, having lost his mother, he came out of this war story very kind person. he came out as an architect. he built not only the city, he created not only

memorials, but he also created. shame understanding and he opened. uh, this pain in belarus, military pain in belarus, ah, for those who didn’t feel, didn’t know what could happen on the territory of belarus, therefore, but this humanism of his , open dialogue, uh, belt, u ways to preserve peace for me, a very important lesson and the creation of the reconstruction of the historical workshop named after leonidov, which is located on sukhaya street 25, a project that we developed, and it is very important for the world to know what was going on.

forty-first in forty-fifth we will take years on the territory of belarus, including the 80th anniversary of the minsk ghetto this year, and this center, which will be created, which will be reconstructed, is a historical building. it is in my opinion. e too. there is a lot of controversy in minsk minskers ahead of time. there it is a new development of the old. remember when new hotels appear. this is just a tragedy for the old residents of minsk and a great joy for the youth, because that this is a good location for instaphotos. how do you feel about the new building? that's when they demolished vdnkh yes, and there is now a hotel that was designed by my father. i'm now in the hotel building sickness on yes. e, vdnkh i and i have my own point of view.

you understand, i didn’t concern the matter with demolition, if it is necessary to develop the territory, if it is necessary for the city to develop, we understand all this, but the question is how to treat what is on this site can be demolished, and you can find the possibility of architectural solutions of the means to be included in the new concept buildings. eh, city a lightness with demolition and the creation of a new one. maybe then it will turn out that there will be no place of memory, so, uh, i really like it when in the old ones milovich i love some places in gluzsk where at least it is preserved. i'm always good, but keep and at least a little street, so that they can love. we i think it is important to love.

past and u dream and love. uh, the future we had recently was vladimir ivanovich prokoptsov, the former director of the national art museum. he talked about how it would be nice shagalovsky quarter has yes, yes, this was also your dream, it was a dream and survived this project and investors. he found some crazy millions there, yes, but unfortunately, this is not realized, but it is important that we create a dream for someone and it is important that what is left to us here, if someone left his dream to us , it keeps us very much just like this story of minsk it is. well, i still think it was a mistake. it was the sixties, the architecture is very significant and certainly. the farther we will be

move it away from that time, the more we will regret, what is a unique modern object, also ahead of its time , was demolished at that time and i immediately recall the film for family reasons. remember, hurry up, draw, eat old moscow, go. write quickly , there is also a project. how similar. yes you, but uh, no one told me, write aha, this is a case, yes, of course, and a journey. in belarus i always draw. uh-huh and so and this is a lot of drawings made by the eighties. the exhibition is called uh, the city is written in steps reverse perspective, and she had already driven over she was you karats was the opening. uh, many years ago. uh, at the heim soutine museum. in smilovichi she was great and she

was the last. uh, in the museum in the gallery in zhodino, she was in slutsk, uh, in a hoof. here you are, the golden youth calendar, you grew up in minsk in such a family. eh, you communicated with such people, and write the province , moreover, love it. where does this love come from? you ask very difficult questions. because when you start looking for an answer, you understand that everything is so complicated, so i love i fall in love, maybe for this silence uh-huh and for this, for this, natural , uh, conversation with local residents, and uh, in a week i have an exhibition in the back of the local history museum, also a place that is very important to me, because together with all the theater alexander kopylov maxim petrov is a sculptor. we created

a monument there at the site of the extermination of the jews on december 2, 1941. 3,000. uh, the jews, in the wilderness, were destroyed, probably, in the maslochanskaya mountain. and uh, it's also important for me to present my work, it's creation. eh, there are portraits of the gluz people. e houses. i made a large series of portraits of houses. even in what you call it, love is felt, and something that cannot be expressed in architecture. in painting, you can sometimes express in poetry what place it takes in your life, but it is in every hour , it is in every minute in every breath. uh, because, after all, hmm, apparently, we have such a hereditary, uh, feature of architecture, it is based on literature, not on music, as is commonly believed, no, on music on music. this

already apparently, it depends on those who hear, nevertheless, literature in architecture is also important for me, because it should generate. especially in memorial works. she must wait for the feeling. hmm, these are some moments that should touch the surrender of questions. and so, of course, we, even here in dzerzhinsk, about whom you spoke, we took such steps of memory, that is, every step. he conscious every step you come up with. to the place of destruction. you still see silhouettes of people, skirts, hats are visible, torah is visible, a woman is visible, a man , the next step, when you are already on border, pits, where to shoot them? you turn and you see, cropped , uh, such a silhouette, that is, a war that, uh, erases erases and cuts life before and after,

therefore, of course, when reading history, we are looking for documents. well, of course, it does. yes, you are right, a literary narrative from the point. and yes, to the point before, that is, we tell a story , we tell a story, yes, and this also applies to the synagogue in minsk. this is also a story told. uh, and that's any building we make. it's history. we congratulate you on the past beautiful anniversary, which you in june. we answered and wish you, of course, leonid wore, so that you have a smile, your charming and not demagnetized. and we went ahead. as taught to you, your great father is not afraid of this word, and we are unconditionally grateful to you in your family for what i believe, well, those objects that you do and he did certainly glorify. belarus is better than

texts, better than literature, sometimes. thank you for this conversation. thank you shcherbina victoria popova we say goodbye to you today. goodbye. goodbye. and now he says galina levina dear friends of wisdom. the happiness of silence in your every day any journey can be exciting exciting and rich in adventure.

this is the western gate, belarus , but this gate is guarded by a symbol of the city, an eleven -meter force, which, in my opinion, can be a symbol of our entire country, the natural beauty and rich architectural heritage of belarus today, our amazing journey will pass through the wonderful city of sights. dreamed here since the cold war and on second floor on the night of november 22-23, 1812 . travel with us to belarus 24 we talk about the most important things from the world of science, so that it is understandable and accessible, so that

no one gets confused cowardice in belarus began in the 15th century, they were only at the rich nobles on the tables of princes, we share interesting facts. you probably brought lemons to belarus earlier than potatoes, according to experts , residents of megacities spend about 6 months of their lives waiting for its permission. surely you have already guessed what i am saying? i'm asking about traffic lights the most exciting questions and looking for answers to them. why do traffic lights shine for us with red, yellow and green, and not, for example, blue or purple? by what principle are electronic traffic controllers installed on the roads of our country and who exactly controls them , see the science project nearby on belarus 24 tv channel. we will talk about the main enterprises in our country, the uniqueness of our enterprise lies in the fact that we are

the largest processor of polymeric materials in the republic of belarus. here number six produces bakery products rich confectioner. let's get acquainted with the people who work there. the most valuable thing for our company is our team. these are his people who are trying to let you pass through themselves , after all. then i should be ashamed. we have a very interesting team. i like to be a sorceress, of course they root for their undertakings. and, of course, we will talk about the achievements in their work, if we do not but apply modern knowledge. modern technologies. eh, here, then we won't have future. and i assure you of the future we are, see the quality mark project on belarus 24 tv channel children's curiosity is sincerely interesting to you in life, something was given by

pull. do you believe in anyone in our modern world? does your recognition give you any privileges absolutely honesty and efficient emotions of children's heroes you can never deceive only rights if she loves she she can be hopeless at the moment when i stop feeling love this will be the moment of my my end of the talk show in which famous people answer tricky children's questions. why are we gone for me social networking is gone you easily with your children easily with them up to 12 years old. so, when the eldest daughter turned 12, it immediately became very difficult. watch the project

100 questions for an adult on belarus 24 tv channel. this is a live panorama, and i will tell you the main events of friday, september 1, sergey lugovsky hello

, the whole country smartly met the festive knowledge day , we will visit various regions on school calls. the doctrine of dkb is officially open. our traditional pre-announced and open maneuvers began solemn ceremonies in the brest fortress and the base rate is up again today in belarus increased wages, pensions and allowances. see also.