circus director mikhail mikhailovich brusalov when i talk about someone, you know , i immerse myself at the time when all this was happening. imagine may 1968 . i am 30 years old. i am crossing the bridge from gorky park. i'm walking through the courtyard of the minsk circus, then it was a checkpoint floating towards me, well, in other words, the movement of its powerful figures. i can’t name the director of the circus. mikhail mikhailovich morozova greet him all of a sudden i suggest you become part-time chief director of the minsk circus. how will you react to this? i speak.

yes, of course, i'll be happy to help you. he says, we immediately agree, and for many years i hold the position of the chief director of the minsk center as part-time filmmaker. the russian people from tbilisi, therefore, in their speeches, they retained this two-octave melody of the georgian language of georgian speech and retained the phonetics of the georgian language, where there are no stresses in the words in the forty-ninth year, it ended, but the donkey did not return to tbilisi in moscow over time moved there settled her mother in cherkizovo, and when later, visiting moscow he always stayed with her, although

he always had the suite in the best hotels in moscow, too, and was also used for different purposes. he began to occupy administrative positions in various entertainment enterprises in moscow at the opera house , he looked after the beauty. lida and married her, she became his constant assistant and gave birth to a groomer, his two sons slavik and misha were his last job . when the eater needed to hold creative evenings in minsk, he organized the auditoriums for him. there were not many of them. the house of officers or the palace of trade unions across the road since the pre-war years, the director of the minsk circus was boris efimovich, the booth

immediately after the war and the circus. i stood in gorky park from the main entrance on the left side there and now it is still quite a spacious place. here, there was a semi -stationary circus, but at the intersection of yanka kupala street and the avenue, it was renamed many times. and then named after stalin director and the architect zhukov, as if according to a jointly agreed project, began to build the new circus, the residents of minsk wanted you to build the new circus in the city, and now it is ready with an auditorium for 1700 seats. with his team of the belarusian circus pipe but the circus was not able to open this goal to the beads

, the circus was opened by a thirty-seven-year-old man with good administrative experience, mikhail marusalov, who arrived from moscow. he created the first belarusian circus team and a new program with a new team opened the new minsk church. under the dome of the circus aerial gymnast team. someone he inherited from the former director, he got someone else, forming this team of his. they were devoted to the cause, devoted to the leader. people are

professionals, each in his own place. and you know now, except for me, no one will remember these people and using this first and last thing. i want to list them all for you, deputy director alexander nikolaevich belyaev, i knew him from the youth theater. there he was the director of production. here is the deputy director in the absence of a morusal. he committed the impossible. he took out a colossal shortage of facing tiles and tiled all the stables and received the gratitude of the director. this is the supply manager stepan petrovich dergachev, a man who, by some unknown means, could get everything in a country of total shortages in winter, when we knew from citrus fruits only from the song, chew coconut, eat bananas, suddenly, when the attraction of trained monkeys

by valenta ivanov arrived, a covered truck suddenly rolls up and from there unload boxes of oranges tangerines. it was said that stepan, by some unknown means, emptied the closed departmental warehouse of the council of ministers of the bssr stepan minovich, than hands? some kind of lifelong permanent party organization of the communist cell from members of the circus party and visiting artists. he was the director of the hotel. the rooms were always clean, warm, well-groomed and two reserve suites. you never know why the administrators of the circus viktor grigoryevich mazeets, about whom i was told to the program , love and remember circus and innokenty bentsianych, dilettsky, who replaced him. well everyone

artists are all animals. everything was always provided for. and, of course, the full house - it was all the concern of the administrators of the church tamara efimovna feldman, a round, always smiling engineer of the building. it was she who warned marusalava, said mikhail mikhailovich, do not take the circus on the water program. you know water - it's damp and and then we'll have to in a year and a half. to put the circus on a major overhaul and the morusals listened to it , it was the conductors boris ipolitych paradise who replaced him, dmitry matveevich sokolov, both shanghainese and who replaced them for 17 years. misha finger. they made our orchestra the best among 70 stationary and seventeen circus orchestras and everyone knew that this was the best orchestra

in the system. secretary typist nina grigorievna yurchik she is part-time part-time involved in personnel issues artists arrived artists left artists came new man resigned and it was from this position of hers. in the distant future , this undermining of the director and his shameful expulsion from minsk will begin .

accountant. alik is spinning, the head of the uniform, the uniform is always high, not a single unnecessary movement, not a single task that has not been done. everything was always rehearsed. always these silently guys. everything was done in the barmaids valya and nina on the top floor, the circus buffet. you know that when the artists arrived, they knew that in the minsk circus it was not necessary to cook in a hotel; the girls had good home-cooked dinners. moreover, the payment for this was achieved by the director in the lowest category in the third category. and you could even be born with a glass of cognac or vodka olga andreevna, the nurse, was at the rehearsals of difficult numbers all the time and was always at the performance from beginning to end.

you never know, but, but next to it there was a treatment room stuffed with equipment, some kind of salt quartz, dogs, there was none of this in any circus of the soviet union where did the equipment come from? how from where from the river of the mission, director mikhail mikhailovich marusalov, having learned that new equipment was coming to the commission , asked for this equipment and, uh, installed a freelance photographer from the belarusian theater society in his church isorodian. he filmed the dress rehearsal. so you know, without spectators, but at night he developed films and printed photographs. and the next day, on the day the new program began to work, in the windows of the cash register, the lobby, there were already billboards with these inviting photographs, inspectors, an imposing manege, such a dense mikhail

fedorovich kulygin. in a black tailcoat with well -placed diction, he led the program, which replaced him, young in a white tailcoat, pavel bykov, also charmingly with jokes with such tact , very much introduced the artist, led the program, but they had a very responsible function. they were responsible for the security of each room. especially if it was connected with the equipment and for every screw, for every metal bar, for every tube, for every cable. they demanded a certificate from the artists. load certificate how much this item can withstand, if there was no certificate, they did not allow to work; they organized the arrival of

special engineers from the belarusian polytechnic institute, who made a sample and issued a stratificate. here on this screw on this tube on this plank on this cable. very responsible work alexander ivanovich says timurov veterinarian all minsk owners of dogs and cats by 8:00 in the morning, when he came to work, were already standing with a request to see their pets. it means that he, as it were , oversaw all the animals that worked in the minsk circus. he made diagnoses , somehow treated the sea lions of isidorkina , fed him with a prayer and told us all. you know capelin, this is a fish that, as it were, contains all the useful elements of the periodic table eat capelin senior inspector anna petrovna golubeva how many of the highest officials did she escort to the director's office and

to the government? how many secrets she listened to, she didn’t tell anything to anyone, without conveying morusals, appreciated her silence, her closeness and very generously thanked her, he staged a very simple but effective number for her daughter oksana. a hat and trained pigeons girls a lifelong piece of bread, i repeat once again that, probably, for the first time. the last time i remembered these people, because you made sure that i not only love, but also remember. a master

who made a great contribution to the formation of the belarusian sculptural school, although entering the technical school, he did not even think about sculpture. his works an invaluable creative heritage included in the treasury of russian culture aleksey konstantinovich glebov art and the main directions of his artistic searches. watch the fashion for culture project this weekend on belarus 24 tv channel. an intellectual show in which there is a place and for humor you know how to define a question that will never be answered the participants will answer, everything is very simple. ask anyone you will not be mistaken tricky questions and

unexpected answers. what kind of alphabet is this? the eighth character of the greek alphabet remember must know the answer oak. yes, everything, i like louder, clearly. suddenly he starts asking again. i accept the answer. each correct answer brings one of the teams closer to victory, and mistakes are fraught with the construction of a tower. i haven't been able to answer the question yet. and natasha already wrote something there. you ask me not so in a whisper, so that the tv viewer would not hear us. yes look intellectual entertainment project tower on our tv channel.

the premiere was usually scheduled in 3-4 days. after the start of the program, when everything has settled down, everything has already settled down, then two government director's boxes and three rows of the first sector were invited

guests. these were representatives from the central committee from the council of ministers from the supreme council from the ministry of culture. and in general , the people needed by the circus and the director, and before that , these were the first, so, uh, days, tickets were sold, but morusals were inviting beaters to cashiers trucks. wringed like this part of the tickets of the second and third sectors. this is near the forward, near the exit of the artists to the arena, and he said that these tickets are not for sale. where did these places go, and where did they go, this is where every entertainment enterprise of the soviet union , including minsk, the theater, the concert hall of the philharmonic, was supposed to hold patronage performances shefsky wringed. this is how

part of the tickets of the second and third sectors. this is about a fork near the exit of artists to the arena and spoke. these tickets are not for sale. where to these places went, and they went vodka, yes, every spectacular enterprise of the soviet union, including minsk theaters, the concert hall of the philharmonic was supposed to hold sponsored performances, sponsored performances, morusals invited students, how many cadets of the police school are children in minsk komsomol military garrison of the city of minsk military units in the suburbs of minsk, that is, all the people who were supposed to give patronage performances, were all very pleased , moreover, the box office sold tickets, starting only from the premiere in 10 days. that is, for the first

days after the premiere, tickets were not sold; there was an announcement 10 days before after the premiere. there are no tickets for these days, and people see that tickets are already being taken in 10 days. after the premiere, they already grabbed at least something, i think that all of a sudden and then tickets will not be sold, forward to the morusals. he spoke all the time. hype and where did these tickets go for the first 10 days. but where in a month or two, even nina grigoryevna yurchik sent them to all the regional departments of culture of belarus , probably around sleep. maybe more in the name personally each manager a letter with a proposal. for these first days after the premiere, tickets were received on saturday

and sunday. these are two performances on saturday and three performances about the resurrection, the buses lined up from the avenue and up to pervomaiskaya , these people from the regional centers of belarus came and were grateful spectators for the first days after the premiere. and as if they were spectators of these programs. finder when he left the circus and became

the head of the orchestra of belarus he always had a full house, and in all his the interview said i learned how to sell tickets. the artistic level of the performance in the second sector was very interestingly controlled. this is near the fororganga near the exit to the arena of artists, in the third row. never sold two seats. there, unexpectedly during the performance , the director could appear and sit down. it was as if he was behind the back of the ortists, and he was watching. yeah, this artist didn’t finish it right today. he knew which numbers to go out and look at. after that, after the performance, he called the inspector of the arena and spoke like this, let this artist will write an explanatory note to the chief

director. here, and you will pay him for today his previous rate, where he twisted two somersaults instead of those indicated by the new tariff and three. try not to mess around here. immediately , my first production, the most difficult in all of the fatherland, was dedicated to the anniversary of the formation of the ussr by morusals from various national circus groups. the union of state circuses dragged in and invited obninsk, everyone went willingly, i'll tell you later. why. he invited

artists from different soviet republics, and i i just had to come up with this packaging. how to submit this is all, and we got a very good, very interesting production. and just during the rehearsal of this program, this was my shameful

sad dismissal from the circus. i go after the rehearsal to borusalov. he says vladimir alexandrovich called from your television for personnel matters, they ask if orlov works for me as a director, i told them no today and hung up since mid-may. and all three summer months again credited by marusalov to state. i almost never appear in the circus, i received a salary and received it for many more years and later, because tv personnel did not dare to call mikhal mikhailovich anymore and find out if orlov works there

. we will load these horses, send new horses, we will come, we will unload them. but the jigits do the same tricks, that's why. and what if we dress up these same horsemen, we call them not horsemen, but all these horsemen, but horsemen in the north caucasus, you come up with some kind of trick there, something to diversify their work a little somehow i came up with, well, of course, they were all dressed up, there was a completely different advertisement, but horsemen and tricks remained the same, they are the

same for all horsemen. and that was the strategy, marusalova. he understood where he could spend money, say, by paying extra for a uniform there, for what and where he could save money by trusting. he sent me to watch the programs, kiev , leningrad, odessa, knowing that my mother was in my side and there were relatives in tbilisi. he stayed with me for a week and sent a photographer from the city center there to look at it. rooms, but in fact things to look for something that was not yet in

minsk well, of course, i sat in these cities in circuses in boxes, surrounded by my relatives. once he sent me to krivoy rog. i came from there. i told him about the program that boyar brothers were not needed. it's that one, that's all, but i say, you know, there was such a number there - bears on chepekov's horses. marusalov, wary says, so what? i say, well, you know, they walk very clumsily. they are dressed, generally beggarly, but work. do you know interesting marusya how long is the number? i i say 12 minutes. and how many people in the room speak, right? they are two only because they perform not only in the arena. and i saw what happened behind the scenes. uh, she cleaned the bear cages. he walked the horses, all of them

have no one. he says so. called we put on a rap rehearsal period, we dress, we do tricks for them, we add, we rearrange, we sew costumes. we do plastic surgery. you come up with something to lengthen their number. another 10 minutes is not for 15 and we will make an attraction and we will finish the program with it. new advertising for the first time in the world bears on horses, as i say, chipik chepikovy, what do you think, they came to us and everything happened the same thing, what the morusalov moroz spoke about, allah, with his authority, achieved that the state circus union from moscow came to the commission to watch the attraction of the chepikovyh billed them as

attraction artists and added to them two assistant attendants who cleaned the cages. the artists began to perform with great success in the circuses of the soviet union. but, unfortunately, they died in a car accident for a very short time. here's what it was the foresight of this director, how he knew how to foresee the whole thing, to organize and feel the potency of even a small stature. every day i had two places for the performance under the director's official lie, i had to have four for especially dear guests. he always gave me places in his director's box. moreover, my wife and son were attached by klitschko to the mission as

the chief director. i barely got an apartment on kakhovskaya. i didn’t have a heating light yet, in my opinion, i didn’t even have water, but i already had a telephone. why? well because the head of the minsk city telephone networks sat in the office, sat in the bed of the mind, mermaid. the mermaids must have told him all these phone calls to the chief director. well, according to the official need to poverty. i already had a phone to you now, not that it's hard, it's just impossible to imagine what a home phone was like, people have been for decades. we stood in line, wrote petitions there from all organizations, they are not there, wait. queue. everything will turn out in 10 through 12 years. and in general, the certificate of the chief director of the minsk circus signed by the baby.

salova opened many doors and not only in the circus of the soviet union. the publishing house of the people's world offered to write a book about the morusal circus. they give me a ticket for 10 days in the nesvizh sanatorium. of course, i wrote this book there. i hope you have already guessed that the chief physician of the nevsky sanatorium, visiting minsk , was always invited to the director's box with a subsequent dinner. in the reception room behind the director's office

each of the heroes of the project is engaged in a very important matter. my name is elena olshevskaya. i deputy director for tourism of the berezinsky biosphere reserve. my name is alexander budyusain and i am the general director of the national olympic stadium dynamo , a stadium born for your victories. we will introduce you to people who have found their calling for me the stadium is a part of life. leading such an arena is not an easy task ; we suggest spending one day with specialists and learning all about the intricacies of their work. the reserve has a very large species diversity, both plants and animals. our main task is to preserve nature for

watch the present and the future on belarus 24 tv channel. the west editors club has completely isolated its information space from the non-domestic belarusian and russian media, the enemy is very smart, very rich and acts very effectively, so not just this frantic propaganda, but by showing stories, sorting through the shelves, you can figure it out in this case, and here are the viewers and the task of ours. think while they write their manuals. we, too, should look at this and write our anti insect training manuals in europe states, that is, reduction to the level of insects. what kind of justice are we, in principle, talking about if the united states of america has not acceded to, er, the rome statute internationally, not only perverted, it simply does not exist. yes, and it has never been possible to agree on international law, capital will always deceive and go to any violation. miss on

tv channel belarus 24. magical dates of his birthday marusalova in the lower hall of the zhuravinka restaurant, i am responsible for the artistic part of tamara raevskaya. i wrote couplets, the musicians were on the motive of a long road song from theaters and concert halls. everyone is in a hurry for the circus season. on the days of the prime director of the mermaids , i turn off the personal phone pass and put it on. we will urgently ask the hero of the day, we will rush, i say

, by the struggle, because we all know exactly the forms. he always has movement with him. fluffy suits. bright childhood captivates us. this world is artists, glorious horsemen. hot ordinations, our soviet cheese, by the way, horsemen. hot one hot horseman from tamerlan nurzarov's attraction. he seduced the chief accountant of the minsk circus, married her and took her so well-groomed. standing taciturn tamara what does it mean, touring around the world in the largest cities of the soviet union in all the union republics, he did not find a better woman for himself a better wife than the belarusian tamara from minsk , the opera bass, the favorite of the public, viktor

maksimovich chernobaev, reminded all his curiosity in the manege three years ago, when he sang couplets of don quixote while sitting on a horse. uh, it means the gifts and the horse began to spin and he got tangled in the microphone cable, and both the horse and victor himself reminded of this curiosity, the standard of don quixote sang to you in a hurry for the anniversary. i thought without looking back, misha will ride a horse. everyone in glavka knew that there was such a password in minsk boris gustavovich, who was boris

kustanovich boris gustavovich was the director of a grocery store diagonally from the circus there now, in my opinion, they sell some very expensive hope of mermaids. picked up the phone. i told boris gustavovich something and a moscow official, accompanied by a uniformist, because we had something hard to carry, then they went to boris ustaloevich and that one with delicacies that were not on the counter, well, they were supplied to this store. he left for moscow with minsk delicacies, which were not available in a fairly well-provided moscow. well, i'm not talking about the fact that all the artists simply wanted to work in minsk, work in the minsk circus. the minsk circus under the marusaliv

flourished with its zeal, three belarusian teams were released. here is the last one let out, i in the seventy second year. umarusalov, as a leader, had very successful foreign trips with circus groups, moreover, somewhere. hmm, in my opinion, in the early sixties, he brought a complete set of finnish saunas with stones from finland, even. well, two stables have been vacated. there was a steam bath and the highest officials. the belarusians of minsk used this

whim of the director. then it was generally unattainable such. here, perhaps, the procedure and, of course, after the steam room, many again went up to the director’s reception room for his office and cooled down there for a long time after the act of soaring into the director's apartment. they stretched yanka kupala across the street. telephone cables from the office telephone of the city from the internal from the turntable from the government telephone, and therefore, whenever the marusal did not call him from abroad from moscow, he was always, as if at his workplace in the seventieth. he was awarded the high title of honored artist in the ussr somewhere in the beginning of 75

. i habitually came to him to discuss the script with him. there, then, the latest programs season and suddenly he says vladimir alexandrovich and you didn’t notice anything unusual. now look, we are sitting with you, we have been talking on the phone for an hour. silent, he smiled sadly, like old hottabych made of marble. remember before, we could not talk to you during the endless calls . and now we've been sitting with you for an hour and not a single call. this was our last conversation with him, he was going to go to karlovy vary for treatment and he was no longer taken away with limited passports, they canceled

round-trip train tickets. there were no accusations. you know, the remnants of the former team were whispering in the corridors and they told me that some kind of looked after this position. a high official, because he was in here, and this one is all. service, that's all honoring the director. they thought that all this would come by itself, and therefore they removed the wonderful director of a good organizer. i also worked as the new director, as before. left the program 10 years after the release of the first belarusian team to all parties in 82nd made a film with the participation of our graduates of the third belarusian team of roun acrobats film, as well as

cheese. worked for her under the third director. well, you know, it was already a person who was not something that was not from the circus, not from art at all, and the circus somehow withered, fell, revenues fell, the spectator turned away. and in general, i was not interested. yes. and anyway, this is history. not about marusalava, while still having an apartment in minsk, he worked for some time in the gomel circus. there makarov is a local director and his friend gave him some position as director, or whatever, and then allied with his organizational skills offered him to lead the burnt-out completely lying there on his side.

i went there, and i was preparing, at least by mail , to send him my such comic message for his sixtieth birthday. but i found out that he was gone a month before his 60th birthday. i am very grateful to him for such trust in me , for the experience that he gave me, for the ability to communicate, for the ability to keep oneself at a certain level, and also for a life lesson, which he taught me his fate. life is a minefield. and you have to go all the time, looking back, and trusting people, but you still

have to be ready all the time for something to happen. someone will betray you, someone will offend you. and for this life lesson , an example of which was his bitter and such an unfair fate. that's why i am mikhail mikhailovich rusalova. after so many years of separation. i love and how did you make sure?

rain make do leaves shine, the sun, like

holy fractions, our lives are formed. i would like to have a closer look at this world. and every day to discover something new, and this tactician is for us. 'cause we cut it out with love.