and here at the enterprise yes, damn it, i worked here. i enjoy working here. and because the plant is developing here, work is going well , i ordered a lot of work. there is always time for those who want to work and i raise our wages when it is necessary in our homeland or builds a house differently, and here i learned a lot from practice. eh, like, well, how to build a house, where it climbs in what terrain, because we have a different earth there, and here it’s different, and this is in this temple. i have learned a lot during this time. i learned a lot and the boss is seen in me how i try. lots of things to learn. you know a lot of things, as i already have, this is aiming at the factory. i'm doing a great job here, because it's maybe i've long dreamed of working, it's a builder. see how,

well i can arrange a house useful people i will go. i see my work, which i separate with my hand, i am pleased , so when i work here, every time i like the work more, and i gain a lot of experiences here that i didn’t have before. although i'm on i have already graduated from my homeland. this professor, but i will learn more here than when i go to my homeland in my specialty. we are at the faculty of international relations of the belarusian state university. i have been working here at the faculty, namely at the department of international relations since 2014 to this day, when i decided, uh, to return from the court service permanently. yes,

it was not easy to get a job even before working at the faculty of international relations. i came to work. uh translator, uh construction company and haven't found out yet about vacancy. there was only zero. five, probably, and surprise. when i found out, i was in germany uh, when i found out about the vacancy. i called right here. they recognized me because i graduated here, they said graduate school, dafi since we know you. well, you know, this is 0.5 first you need a trial period. and then we'll see, i dropped everything, i came here, they took me to work. already 9 years. it can be said that i work stably calmly at the department of international relations, when i came here in 1998 i immediately entered the preparatory

faculty. there it studied one year further. e at the faculty of translation, in my opinion. 5 years, that is, this is the second step, the third is a magistracy of 1.5-2 years, i don’t remember now, and the last was postgraduate study. that's just ended graduate school in 2011, when i was hired, i realized that this is not an easy task. i studied here. i know our department. what highly qualified teachers work and i was really scared that i would not get better with this task and not to let anyone down that i like on the faculty of international relations, firstly, itself the department of international. well, in general, without a faculty, i work with a wonderful team that provided

any support, thanks to each of them i achieved self-realization the second. then i like this to communicate with the student, because i tell the students, you are my friends and communicate with them. very nice. i believe that i not only teach and even learn from them, because one is a wise person. said the teacher learns from his students first of all, as i always say, the most important thing is to be man. after all, a person is to understand people to respect people to put themselves in his or her place with students. i say, i consider myself judges there, speak freely with me like what you don't like to eat. artfully. you tell me, we will take a break and then we can continue, so we understand each other, which means that the students are very strong. i know when i communicate with them, when they

ask questions that are sometimes difficult for me to answer, so my advice to them. plead your abilities. each of you has potential. just put in the effort and you'll be fine. and as i always say. i don't want you to be better yourself, but the most important thing is to be better every day after every lecture after every seminar you will be for every day. what i like about my work is that, despite the fact that i have not seen my parents for 10 years, but when i am here, i feel that they understand me, they respect me. i respect them very much very much. in fact, everyone knows, especially those closest here. do you know about the beauty of minsk regarding me?

i like everything, but my favorite places. this is nature, i am good friends with nature. vanya russian bath. yes, my job, my love. this is the faculty of international relations training and home. here are my favorite places. now belarus knows, everywhere, as well , belarus will say everything i know for their culture of nature. everything is beautiful here. everything is. that's why it was for this that i personally arranged everything to live in belarus, i do not regret anything. i can now. well, how is my hometown, firstly, it is small, the city is beautiful, and i know everything where everything is and people could do everything too to breed and people start to rush to not dark skin, nothing, no skin. i don't play

anymore. i am free. i feel when i walk between belarusian. i don't feel like he 's going to offend me or anything, there's no such thing anymore. i am happy about this and have become like my hometown. i told her history, nature, culture.

you will joke once and you will not forget more nicole has collected. at lyubov, the road of ukraine was recognized and many are stretching out to confess on this skill. and fly. i showed somewhere near the sculpture and was able to convey no one we

ukrainian prodest in the literary museum of maksim bogdanovich where it goes into the composition of the sculpture about the heart to everyone, just don’t give it along the edge, where any road of belarus seeps with a charlotte thread, we ask you for an amazing light of the sculpture, if you fucked the dad, and the son with two fishing lines and try to shoot off any dear ones. we joked yana and you alina not royina them, this is a fashion for culture. sculpture is one of the oldest and most accessible views in the village the image of a hut, tired deyalks skledochem in the history of belarus, sculpture of the twentieth stogodze, was formed to fill up in different mostat schools. and what names, orphans, their snotty place is occupied by the sherah today, leo and sergey gumilios are so literary museum. maksim bogdanovich , asking for the exhibition of the mostat yards cut by utvordzh, the tandem of the father and

the son of the father demonstrate the diversity of the genre of sculpture and are united by one theme theme of love and their darling their thieves. yes at new and went to the mourner of belarusian culture. at the entrance halls at the deharada for huytsu funds for the houses of the museum in belarus beyond the boundary of the vyniki with the appropriate forefather sculptor. remember, cyril of turus, gomel, vincent martinkevich, near bobruisk frontishka bogushevich, usmargoni maksim bogdanovich near yalta, and many others were pressed by the people's master of belarus, leo gumilevsky, has already left this world, the alley of the mastatskaya spadshina will live forever. i am at the iconic pratsy partizans for the land. for will, black reality and senya look relevant expressively, and besides umelevskiy chroniclers call the belarusian, the history of culture for mostat images, and i am a classic

of the belarusian literature of the bridge, and in the morning they grow up poison and pass it on, so that generations of cultural spudzhen we will get from mikhail baranovsky for a gadzhik by a branch of the literary museum of maxim bogdanovich mikhail alexandrovich good afternoon, you stave sculptures and the lion and sergey gumilevsky passes near the walls of the literary museum of maxim bogdanovich shamomin, the vitality of the face was taken for the rise of the gumilevsky family in the film people close to us according to their efforts. e , on this grave, ivans are just tired of it, now she is not pretty, uh, she remembers and what kind of ships i pass on to me. i've worn out this mood. i often visit mine and show maxim bogdanovich, because it is not surprising that

these are people. what shmat they thought about bogdanovich shmat consecrated to the hour, by firing his image about the sculptures at a time are presented in the literary museum of maxim bogdanovich, here we can swim maxim in their economy and this body. boy e often say hello so that u of a person is some kind of one template one in the image, and here we are the youngest, that both the father and the son shmat, thought they also had the image of maxim bogdanovich, uh, developed at the same time with uh. you are unknown to that certain emotion yakoen. they did it themselves. maxim bogdanovich loved his homeland and enlightened her with a piece of vershok, so i and the creative tandem of the father and the son of a lion and sergey gumilyov ocean - this is the very thing in my work showed love for my homeland and eight to this proximity i joked on your field

fiery hermits from kolya are accompanying and without showing any dabbat, that, probably, maxim bogdanovich’s outburst is god’s riddle, i would have lived a man, but i prayed and that’s it. i think to live everything in grooves, belarus and everything is smooth. a spark of ticking and love to the ore culture, but of the native land , and it developed with them and it manifested itself in his cottage cheese of this very interest in belarusian history, some, uh, belarusian forms can be treated and, uh, they put up a lion and sergey gumilevsky kaliva. go through the exposure and the lid, the moisture should be children. and the same culture. you wonder what kind of dermal ones

the bath of his history, what is it in the image and the ocean for the severity of our watchfulness, our mythology of our history and maxim bogdanovich sexed from this his edification, in fact , he hung up the internal e of what happened, he looks like he was hanging, then here we are, as it were, fixed by our hands in bronze poetry. here they expected an uprising so impulsive that a velma was laid out for us. uh, it's going to hit on nothing in particular. wow for the dollar, yosi. uh, i would like the museum to have originated in that expanse where the hour swells, fading opinions and a person has the bitterness to think about some important primed speech. and what are fixed here to their face here in the cultures presented, and all this is a new situation. 24

hours a day, 7 days a week we are working to ensure that you are aware of current events in the country and the world. in addition, our team of journalists extract valuable knowledge from experts. how to maintain and increase health there is a place for entertainment every friday. we bring to your attention the best projects and films of our tv channel. this and more. waiting for you in the weekly project broadcast 24/7 watch on the tv channel belarus 24. people who inspire i like the path itself. when i achieve some goal, i don’t have such that i start to be proud of myself. no, i achieved this so much, that the next one was driven by people who have something to tell about the way to lose weight

- this is a refrigerator with a lock. well, somewhere the fastest and plus another run. well, then everything will be fine, despite the fact that i have long been a qualified coach. i am a coach because i can’t always adequately assess myself, distribute the load and make a plan, uh, nutrition and workouts. look at the project belarusians again on tv channel belarus 24. sergei gumilyov shmat shamonov studied with the father, however, with a share of his creative individuality, sergei debited in 1983 and declared the psabek a poetic and romantic master. a special place is occupied by sculptural images of the blacksmith's will to tune the human

soul, and god, the concepts, which openly stumble and subdue the skin of us geta and clothes, dug up motovs in their poetry to maxim bogdanovich, sculpture, symbols. bump. no, eternal dove, we are the market for you melody training and imshi especially sergey gumilevsky. tired of the jacohast foret with its sculpture, he gives out a rustic rosewood stone, flatness of form. there are characters from the material and into images so self-assertive to expose the archikha melelevsky, presented gray graphic works, translucent to creativity in data and belarusian poet. and what was important that the sculptor himself wanted to convey to the chill of the show . sergey lvovich good afternoon, we are at your master dena, your

creations of sculpture are born. let tell wheelchair. you practice at the monumental tank sculpture. and with what you have more small compact forms, those with large-scale sculptures, mary is embarrassed somewhere in the city, not baskov, these are some great ones, remember, not only to force your mania, but ivana’s knee tummy or people did not get tired. they say i think this is what a marathon is like. in general, the masters of your laboratory. where do you come and stick a skin day and it doesn’t lie down , this one won’t be here at all and you stick it anyway. this is how my dad turned out fish we have, such as the kindness of the collar, well, i'm here i'm picking up the collar, yes, and the knees of this collar. i

'll show you, do not wash, do not jam. you are a chest of drawers, you will still carry everything sergey lvovich at the literary museum of maxim bogdanovich your exhibition is being held, and your heart is all over the window. let's casco to the edge, and de- belarus has your place in the world and the place of your power. hmm, i love shmat the place of belarus and see the most favorite place where we are from batik, well, with sideburns there on leather, well, for a day to the father's homeland, we went to see me for everything, because the tul did he mend his way such creativity studied with the grays, and we fell in love with his city, but why is he so? well, you need it, just started your work. after the war, in the forty-fourth year, or he got into my retinue, shatul, in general, he stopped his entire path to stay at night all the time according to our acquaintance. well, it just hit. i'm thick already. in a grove very familiar to ferdinand, and he

evaded him. i studied there, it is important not that you chop with a stone, but that the stone is with you, that you wash the palettes in your hands your creation? yes, with a stone, i like to protsevat i can, if you drag some and you hit some right hand with it, so i myself, and at a drill at a certain deck in this i am more of a certain. and what do we have to remain special? i'm talking about the saber deck, only the type in it has some kind of ticking material. you poke - these are the materials, of course, this is the reva bronze stone based. these are the classic stuff. well, maybe it’s how to swing on it. my most favorite material was a tree, well , i ask them in advance and at the stones to solve the same topic, come to that blue material. i'm so annoyed by fishing, that some kind of openwork operation, and it's like, except for bronze and all the silumins there. well don't crush that