very very effective, most importantly with soul , uh, often, you can hear in belarus that it helps, including bringing children for health improvement from various regions of our world, there are a lot of hot spots today. why not, in spite of all this political confusion and turbulence, these are not the easiest times. well, belarus is always on the front line, always one of the first to respond , invites and doesn’t mind anything, not for children, not for adults, not for migrants, not for anyone. you know, our country is special. in my opinion, firstly, it is a very peace-loving country. you already know this trend and brand - this is the first second. our country, in principle, is itself socially oriented and lives. this is the law of generosity. and i already said that there is no limit to generosity. in our country, the citizens of the republic of belarus

simply do not have it. belarus shmatem prostrate can be laughed off by those who threw here there is a ball in the lake for a non-random name, call god's water, out of spite the lake tore off the dyakuya with his obrys and they shit a wolf in the lake maya the shape of the correct ones and the circle i’m not like that changes for a long time in horror there is in the distance that the wok will weave behind the right people from heaven and the shmat of their such choir chandeliers in belarus

secrets of good morning and good mood do not forget that a smile is the most inexpensive way to look better meeting amazing people. you have all the artists , you look at each one, you can make a movie, that if everything is strewn with apples, just cover everything, can i be an artist for 5 minutes. in any profession i can only do an injection, i don’t know how yet, but there are many more useful and interesting information and bees

also have a look at the good differences in belarus 24. hello, you are watching the program, tell me, don’t be silent in the studio svetlana smolonskaya. and tatyana shcherbina and today our guest is the honored artist of belarus andrei dushechkin. good afternoon. good afternoon. hello, glad to see you . thank you in return. we are meeting with you on the eve of

the national unity day, a new holiday for belarus. how do you feel? this unity in the society of its cohesion is, of course, a wonderful holiday. i am very was glad. when he was young with us quite recently. i was very happy. when this date was approved by the president hmm national unity day, that is, for me this is again a certain milestone in the resolution of our republic, as a sovereign state, this is a beautiful eastern european republic and these holidays are needed simply because the word of childhood, for example, it will be in society act the word has very strong energy. it enters the consciousness of people of different ages and different generations. and now the holiday day of national unity, people will schoolchildren will hear and participate, adults will once again remember that

the motherland is one country. there won't be another one. at the subconscious level , this holiday, which is common to our country, our republic, will certainly be postponed. i remember last year the minsk arena and our wonderful forum with and. i still performed francisco, but also how, well, of course, a citizen of belarus who knows its cultural history and yet a person still involved in literature, for me there was such a responsibility and joy so beautiful, we did it all, and then i saw the video and forum were amazing. he was very handsome and this unity was directly vital. yes , it was simply brilliant. i think it's a holiday. necessary and god grant him the strength to gain strength, but we are talking about unity, but in the twentieth year there was a certain split in

society. it happened after all. do you have an explanation for why this happened ? firstly, i must say that today i see the reasons why so many difficulties arose in society back then in 1920. they are now the state consciously and quite successfully are being resolved, namely our republic has raised questions about its history in its identity. systematically, we need to consciously remind society and citizens of our country. what kind of country did it come from? how it was formed, what happened, when a person understands this systematically, he often runs away in all directions, without understanding. why won’t he go there? secondly, we need to understand the reasons, and the reason

for the emergence of a certain negative. for example, the fact that, again, our republic systematically raised the issue of genocide of the belarusian people. it's not just tribute great patriotic war. this is also a system reminder. the reasons why this could arise, so that there is no split in society. the country must know its history, be a single state and protect it. this is the state and this is the systematic work every day. and now she has been leading this split for the last 3 years, by the way. it seems to me that he is leaving in many ways. it ’s not that people change their opinions . but for god’s sake, a person has the right to his opinion. but due to the lack of understanding of what a state, a country, and a peaceful sky above one’s head are

and what a nightmare it is to lose, and i observe this in different generations, and i, as a person, am a generation who has already lost a state once, because i will never forget the ninety-first year and the anti-state coup. e of the soviet union when all norms for the destruction of the country were violated. they just didn’t care about the all-union referendum and so on. and what nightmare happened next and how long did it last? by the way, i remembered in those hot august days, and in the twentieth year on one of the russian tv channels in a talk show, uh, our political analyst alexander shpakovsky directly. and hmm expressed himself so emotionally and said, “i’ve already had one country taken away from me.” i won't allow this to happen a second time. you have the same, yes the same, because people have lost

their country. 78% said because of the preservation of the state, the referendum was held, this is a fact , yes, and even, even let’s say, if according to this figure it was not, well, the country lived as a single state, well, let’s say, the political elite got into a crisis of their own, this is the nomenklatura. well, then solve it there, and who’s to drag the entire state with you into the pit? nevertheless, they destroyed the army’s economy, i remember this, and all my friends served, my generation has friends, and i have half of my close friends with whom i grew up, they all went through afghanistan. i remember what they came from there. they repaid their debt. i remember how my close friend, about the collection of his heavenly, young life, passed away. we grew up differently, you were raised differently. and here we sit and talk. and suddenly i then accidentally tell him there like olezhka yes, these are not my problems, what are you telling me then

this phrase arose for the first time. we didn’t have it in society. it's not my problem. uh-huh this is not a soviet phrase. we had common problems. we lived in one house, the whole country, and solved these problems. oleg suddenly looked at me like that and said, as you said, he came all gray. like you said, it's not your problem. with such contempt , andryukha began to talk somehow differently, because this is a bad phrase. these are not my problems, but today they are not yours, and tomorrow someone else will tell you. go die. it's not my problem. bad phrase this is not our phrase, and therefore losing the country is worse than a nightmare. it’s just that losing your homeland is a big disaster for any person, that’s why our state is strong now. and it became even stronger. we have a very

strong democratic legal system. a european sovereign country that now monitors its statehood, it did so before, but, apparently, having drawn certain conclusions. and that's work. and i think that this schism is now simply practically unacceptable, but then in 2020 you were one of the first, uh, not afraid to openly express express your position. let us remind you what you said in the interview with our colleague. they are not mozhaika. the creativity of art is higher than politics; creativity exists and beats in the human heart. it defines a moral issue rather than a political one. viewers can't get enough of this

spiritual conversation. so they must be these muses. this poem must be written, this performance must be performed even for one person in the hall. so he came, he needs it. i only hope for one thing. well, here are my colleagues, for example, to the buy theater , whom i respect, with whom we have gone through many creative situations together, that they will sort out their problems, after all, they are waiting for the audience who love them, who only go to see them. they are waiting for their performances, which right now would be very necessary for the tute peacock king, the lyre walked. they have an excellent repertoire. it turns out that he is gone, and i really hope that the kupala theater will rise up and the audience who are waiting for them and love them will come to their hall, and everything will be fine. this interview came out on the air. uh, november 11, '20. at

that moment, you really believed that these rebels would come to their senses. i will say this is how i always do it. i always believe in the best, but at that moment, at that moment, here is our gorky theater, taking into account the situation around ikupalovsky too. our meeting was unofficial, but any member of the team who wanted could come? and almost everyone came; there were no indifferent people. there was practically no possibility, and we solved the problem for ourselves, like the gorky theater i must behave in that situation , firstly, how can we somehow help or take part, in the situation of the kupavlovsky theater, that these are, after all, our colleagues, we were all very connected. at least for some film projects.

we cross paths. what to do and what position the gorky theater will take. and it was important for me that i spoke at that meeting. took the floor and it was important for me that the majority was overwhelming. the gorky theater decided to work. there was no talk of any layoffs preserve the theater repertoire to play and go on stage and perform your own. excuse the professional spirit of this gorky theater then with almost its entire staff. it has been largely preserved, even now. and he saved himself, like, well, an excellent theatrical structure, one of the best theaters of the republic

in its entire history, after all, the gorky theater , he saved himself, the state supported him, because he didn’t go. it’s about this destruction and this negativity, although in an acting theater environment. it was a very difficult period, a difficult covid time. it was heavy, we kept it. we made our decision, the gorky theater retained its staff, and it is of different people with different opinions. this is fine. and this is how we exist now. we respect each other as a team. we have a good team. we work hard. and, of course, it is very important. well, we really work hard, and we have success, and this has already been noticed by the state. here we go. of course, now in many ways it is very important to preserve this team until the end. it is important for us to maintain the team is always difficult, especially creatively, therefore

i really hope so, because we have made our decision. and we honestly carry out this decision. this was important for me, because it was open and honest, we made our choice of the gorky theater , it wasn’t easy, there were different opinions, then dad addressed us about this. we survived this. just doing my job and as time has shown. we were right, but you say that you survived. let's say. so the opinion of opponents of your active civic position was probably fought by their own with negative hate. today, looking back and after such a long time, you have forgiven those who may have cursed you. well, i am a christian, baptized, in principle, i need to forgive, but that’s not the point. and hmm, when the team is almost unanimous. i'm telling you the truth now. stands his

ground. they didn't touch us that much. there were definitely some opinions, like, how are you doing this? but for someone to really make us afraid, and we were scared, we didn’t have that, because there’s nothing to cover here, like these normal working people from the factories, which i remember chronicle. yeah, they say something about leaving with posters, and he goes to do his own shift, because he understands that if the economy improves in the republic, it will become so much fun that no one will find it enough. and in general, well, what is it for everyone, for him his own factory, just as for me the gorky theater is his home? how can he stop him? why the main thing is for what? political problems must be resolved on the political field, and not by destroying the economy and

imposing sanctions with the sole thought of introducing a sovereign economy, sorry republic, into collapse. yes, solve your problems; the party does not suit you. yes, close this party, but the theater must play, and the plant must work. and when you stand in this position, well , you listen to different opinions. well, this won't change anything. so i don't remember. i'm just answering. here's to your questions so that somehow hmm we're missing something there. we spoke out, we continued our work. where there is definitely something, as i remember, i wasn’t very interested in it. someone said something, and everything went quiet, because apparently they felt your strength collective, including it will not be possible, but if that is, there was some kind of community, and bu - literally a few there, we had people there in different workshops. well, there were literally only a few people there,

maybe 1-2 people. they didn't agree, but they also left honestly. yeah well, everyone is gone, well, you said, very good, but simple truths, the theater must play, the plant must work. and how do you understand the term patriotism, in principle, maybe this is the basis of patriotism, what you said is love, because i hmm well, i, for example, talked a little before recording and told the history of my family, after all, a hereditary acting family. my mother is from magnitogorsk, my father is from kiev , and i am a native because i was born. and i love this whole slavic brotherhood, our unity. i am stripes of flesh. this is a bright illustration that can be completely different. and if my roots are such: ukraine is incredibly beautiful, kiev is an incredibly

beautiful city. i grew up with my grandmother on the dnieper in magnitogorsk a couple of times, such a serious mining town, so harsh, i remember, i was afraid of it, and hmm kiev was a fairy tale city, the republic of ukraine soviet ukrainian ussr it was a blooming paradise. and our bssr, soviet times, as the assembly shop of the entire soviet union was called, a powerful , strong manufacturing republic, but the most important thing is that it is very beautiful. i just really love it. our belarus has lakes, i’ve been writing poetry all my life. she directly imbues you with poetry, lakes. these forests are ours, these trees are ours, these people. we have a special culture, after all , belarus has its own cultural layer, some kind of cultural root, some kind, probably, yes, we must love it, because it’s all ours

you can’t trade this, first of all, you can’t. all this must be protected. why, when alexander grigorievich became the first president of an already sovereign republic in history , what did he do as a real man of the people, as a real business owner? dad, he did a simple thing. in my opinion. he kept what he had. i kept what i have, i didn’t sell it, i didn’t rent it out. didn't sell out. he just developed all this, he took the best in the social direction of the development of society, which was developed by the soviet the union preserved it, adapted it to the present, which is developing, developed it, strengthened it, and then i observed the modern realities of today, adapting it to today, but you can’t come up with wisdom,

moreover, we are a republic - this is separately colloquially very important peacemaker we are a good neighborly republic, but what do i i personally like how, as an adult, a very human being and a citizen, that with all this , with all our kindness, all we do is measure everyone, we extend a helping hand to everyone , our president says, guys, yes, let’s live together. yes, what are you doing? taking everything into account. the difficult situation around is added to. we will be friends. well, god forbid, and this is very important. because we don’t need to be patted on the shoulder by a strong, sovereign european country. the historian igor marsoluk recently visited us, and he said yes. he said that there is no need to, uh, uh,

anger the ordinary belarusian person, because we howl like mowing hay. in the meantime, we will take a short break from our telegram channel. tell me, don't be silent. subscribe suggest us guests, ask questions. we are in touch. every week the heroes of the project go on a journey of such architectural solutions and you will probably not find such monuments in any corner of belarus according to the rules of the project. they must complete all tasks and complete the quest. so, i received a rather interesting task: find a cork tree plantation , together with them we will visit the historical places of our country and admire the sights. this historic

holy place was created and illuminated in honor of st. nicholas behind me. the same amulet that was erected at the beginning of the 20th century. this is the big ben of this city. wow, there's even a freemason sign here. here he is, look in the program, scissors, paper, people live on our channel. in harmony with nature for the hungry, well, that's it, green usik, our cart of such weights in rings is not a lot. we all have gardens and yards. what a beauty. this is polesie this is nature here, quietly and calmly. well, it seems to me that the tenacious hamster belarusians, and the cunning leaves are the main wealth of their humanity and liberty. my favorite pastime was to take the holey cats and walk them. just like that , small crucians found their way through the grass.

why did my mother give me a hard time, watch the draft policy on the belarus 24 tv channel. you are watching the program, tell me, don’t be silent. today our guest is the honored artist of belarus , actor and writer andrei dushechkin andrei andreevich well, your son alexander starred in lenta at the studio. belarus film on the other shore. it tells about the period of life of western belarusians, and under the rule of poland let's watch the trailer. we missed the enemy, what needs to be done? fyodor sergeevich, can we do everything to prevent korobovsky from speaking in this court? man,

why do people live if there is only one end? the city is good, you know, okay then go ahead. the war ended long ago before me , history is made with our hands. the belarusians cannot

be broken, if you have an explanation, where do these pale belarusians come from, such strength of spirit? i’ll answer about sasha in just two words. you know, in general, well, of course, he is a graduate of the academy of arts with honors. but i i saw that he was more of a film artist. not everyone can find themselves in the theater. it's not that easy, no, because you have to find yourself where you found yourself. well, what i like about sasha is his work in cinema in our belarus, by the way, he starred in three almost fundamentally important films in our belarus recently . firstly, we are one. he starred in korotkevich chernozam kolshasky now a lot and here on the other side. that is, he got involved in three very serious projects. i'm

sincerely happy for him. let him work with her promotes himself as a film artist. this is his path. well, yes, god, he can’t be broken about this. i still mostly start from the fact that our belarus already received statehood and became a state on its own. and this is known. may he forgive me for the slightest inaccuracy, igor is a vile man who is deeply respected. this happened after all, in the twenty-first year, vladimirovich olenin was indicated. when did belarus receive its first statehood independently? and since then , as a country. she evolved on one's own. and to the extent that historical truth shaped us like

the future, let’s say today is strong, i repeat. i think so is a european sovereign state. the belarusian people have gone through everything. and mother russia and the polish lords and the fascist occupiers. well, this is the great patriotic war, which was choked in blood and the belarusian people made a huge contribution to the victory. i survived everything. this is what genetic power has already been invested in history in our memory in our country in our people after all this, it is no longer possible to defeat us. and it will no longer be possible to deceive, that is, our republic, given its historical experience, is a difficult experience of survival, which it has already overcome. i think it will

go. only forward, on the contrary, developing and gaining even greater inner strength. i think more and more people will come to us who will want to live with us, who will join in and be interested in economics , culture, whatever, because we have prospects for normal human existence, normal realization, if you you are working. and if you work, you will definitely realize your potential, because in our republic all the conditions have been created for this. she is educational. we have a very strong education sector, practically a republic of universities, because we have so many foreign students. we have a good education. it is advantageous to obtain it from us, that is, this genetic code of a belarusian. he is strong, he was formed in the struggle and in the struggle for his selfhood he asks for the belarusian word, he asks for kupala’s self-identity.

our people walked this path, they went to their identity to one’s own and sovereignty to one’s state went away with such historical complex moments. but well, without them, not a single strong state was built. you know, what i noticed is that you mentioned igor aleksandrovich morzelyuk. yes , i mentioned alexander shpakovsky but these are the names. uh, they weren’t so well known before the events of 1920. that's for the last 3 years. we have a lot of public opinion leaders, expert analysts. eh, they are in demand by society. what do you think, of course, of course, igor we are separated, i i try to listen to his lectures as i speak and in his original television programs. i began to listen to an adult, because he reveals facts in the history of our country that i did not know, sorry, first of all. secondly, it is interesting and explains a lot and everything falls into place

from such people, you should definitely listen to professional stories, it reveals the picture of the creation of the state in which you live. i try to listen to political analytics and find it interesting. i now love our proprietary programs. again i have to to say that after the twentieth year, when our republic faced these enormous difficulties, it pushed forward in many ways for the better. our television has entered a new stage of its existence in a new period, it began to work more with people , communicate more, talk. after all , quite a large number of people are watching the program, and it means they are thinking and trying to figure it out. the people who do this are absolutely professional and have information, and truthful information at that. after all, how much these information technologies , how much harm they have caused, because this word fake is already such a worn-out, by and large , simple lie, thought out, informational lies, which are presented in a way that

is beneficial to someone, but there are facts. and professional stories are these facts. they will offer it to society in their original form, in a twisted way, since in this case it is interesting to a certain group of people. this is how a person’s consciousness is beaten hmm and we need to show the picture as it is, therefore, there are not very many conclusions and to date. hmm, society has become much stronger, our media sphere is working much stronger, and is tracking. sorry for this word, the information flows that pass through us, because they work in the human consciousness, filter this whole thing. but he still tries to convey to people the truth, as it really is. but the truth gives the opportunity to develop society, then you would also make a good analyst or political scientist, but you have already mentioned that you yourself are from the theater family, e widely. it is known that

your mother alexandra klimova, she served in the gorky theater for almost 50 years, and she gained fame as a leading actress of a heroic nature; her father is an actor and teacher, andrei dushechkin. korsakovsky also served at the gorky theater and taught at the theater institute. you didn't have a chance to become an engineer or a doctor, you had a chance to become a musician. i graduated from my favorite school in life, the fourth secondary school in minsk, which has always had a musical bias and started studying guitar in a music class. it is mine soviet time, and my soviet time is , as you know, a world rock revolution in the world of music, which largely determined, well, tastes. and hmm, some principles of existence, but in any case , the main thing she instilled was a love of music. every school and every university had its own

vocal and instrumental ensemble. this happened in our fourth school, where i played for 5 years. in general, i absolutely love music. i grew up on it. and i’m still playing some kind of performance, basically, i’m listening to some kind of melody in my head, tuning in to some kind of musical theme. she gives me the mood she gives me a push, but i acted. at the age of 17, i became a first-year student at our theater and art institute, and he took away all the time. that is, basically, all my time. and since music was always nearby, i didn’t consider it possible to radically tear something apart, especially since i got to the training ground at the institute, and was the master of the course. i had valery nikolaevich raevsky, our wonderful director , a legendary director. i found myself in my own water. that's why choose one and another

a radically different path outside the sphere of creativity. i had no idea. well, tell me, what about being the son of such famous parents? is this a great responsibility, or is it an honorable or a privilege or a privilege that is a privilege no, this is 100%, because i received a lot of positive things for being the son of alexander vannoy and at one time this offended and hurt me very much, but since coming from the institute bench at the gorky theater in 1981. i haven’t left the stage until today. and he played. i mostly big and leading roles, then somehow gradually i just got tired of paying attention to it. i became part of my family, my mother and father, who put a profession in my hands, like parents, for which i am grateful to her for life. and this is the main thing.

i respect them for the fact that they worked all their lives. they loved again. mom , for example, was generally an absolute patriot of her country, she is a simple woman from a peasant village family of the post-war generation, who left magnitogorsk on the first victory train at that time at forty fifth year in moscow, she achieved everything herself , she entered the most prestigious university and uh, i just began to feel like part of my family, having the right to do so. today i have 45 years of work experience. congratulations, thank you very much. i personally, you are a vivid example of the fact that this is a statement that nature rests on the children of a genius. but this is an exception. how does your son feel about the fact that he belongs to such a legendary dynasty? what he likes about sasha is that he is a very simple guy. he is simple and sincere in his inner essence. athlete, professional involved in

sports. a very strong and normal guy. since i was 16 years old. he was already working. he has a labor record for 16 years. he graduated from several studios, a modeling agency, he has a technical specialty, and he graduated from culinary college. uh, he's been through a lot, he's been auditioning and acting in films since childhood. how many talents one person has gone through a lot. he entered the institute with honors and graduated, but he hasn’t found himself in the theater yet, but he has found himself in cinema. he works honestly. he exists with dignity, and he respects the memory of knowing his grandparents, but he behaves very modestly. he is, in principle, modest , but there is no such thing in him that he is somewhere, but he does everything through his own labor. this is how he was originally brought up to work. this is the merit of you or

your wife. i think that after all, our families, that is, they are common, because lyudmila is also my wife. she is also 67 years old. she still works as an accompanist at school. she worked all her life. and this is a separate issue: children look at their parents. our family has worked all our lives. sasha looked at this. he works all his life. so let him work like a man and stand on his own two feet, and in his work book the first place is work. what kind of minsk cafe is this? yeah, some minsk cafe, where he was a 16-year-old schoolboy in the summer, this is, in my opinion, the eighth grade. well, he told me, dad. i want to earn money for myself in the summer and became a waiter. yeah, did you work through the school holidays and earn some money? i bought something for myself. here you go, the approach, and you had some kind of color. maybe before parents before their uh, stardom, so to speak, firstly, father andrei valentinovich

, he was an extremely, reserved, intelligent person. he left the theater for the minsk gorky theater quite quickly, because with his mother, her glory was enormous. which alexander klimova had, he felt uncomfortable, he left our then theater art institute, found himself, as it seems to me, a very good teacher and showed himself in pedagogy, so to speak, until the last days of his life. here it is, mom. well, how is this a very large value in our art. by the way, i remember this wonderful anniversary of her 75th birthday, when grigorievich himself and uh hmm were present at the anniversary and how solemn and wonderful it was. and when the two of them stood on stage. i thought, here you go, two people who did everything themselves have achieved their olympus and reverence. well, what, well, in front of

such a life, absolutely transparent and honest, well, nothing but respect at a certain moment. you, uh, circumstances developed so that you began to call your mother not mom. and alexandra ivanov yes in the theater, because i i was afraid and i was afraid not to approach them again. i started calling her by her first name and patronymic. nobody asked me to do this. nobody taught me how it turned out, because i didn’t understand. well, in general, i was strictly brought up in the profession. there are no moms and dads there. the stage is not a tough place, come out and show that you can, mom and dad won’t play for you. therefore, there is a clear structure of existence. even now i look at the theater in this way; we must understand that this is not a charitable foundation. show business, roughly speaking, is a very rigid structure

of existence and the strongest survive there. and only this should be a priority. well done well. you went to the institute through connections, but even if you graduated from it creatively, then you will go on stage and that’s it. or sorry move on or leave. well, the story with your placement and getting into the theater was interesting. when they asked you if you were related to alexandra klimova then at the gorky theater . yes, yes, she is one of my favorite teachers. ilya lvovich kurgan is our legendary announcer. this was my stage speech teacher of that time at our institute and ilya lvovich who took me back from my second year. he literally took me by the hand and took me to our state radio, because he saw somehow, apparently, in me a penchant for a radium microphone, some speech qualities , an ability to somehow think logically. in general, he was a high -level professional and saw in me the ability to work

on radio all my life with me. i absolutely love our radio broadcast in all its works in all its manifestations, and here is albovich, when i entered my course. this is my time, and this was the soviet union 150 people in place i i remember the corridors of our theater and art institute - crowds were standing, crowds were packed into the acting department. ilya lvovich conducted the audition in advance. so i jumped out , i was so curly-haired then i always carried a guitar with me, so i could do something in time, i jumped out and began to read the poem that i had prepared there. and suddenly i still raised his head at me. he sat like that the entire audition. suddenly he raised my head like that, tell me what is your last name i say darling and to alexandra klimova you have relationship, my mother, go ahead and do it. well,

that’s all i did, but i didn’t want to be assigned to the gorky theater. i wanted to go to the state of belarusfilm. i auditioned and acted already from the fourth year. and then there was a staff of belarusfilms and there was no film actor’s studio theater yet. i created it and i speak at home. i want to go to the state of belarus for a film and my mother told me, don’t be stupid. if you want to become an artist, you need to act, and not work in dubbing. yeah, go home now. okay , the gorky theater went a year later, the state of belarus, the film was reformatted into a theater-studio for film actors. and this is another story, so my mother suggested it very correctly. well, i’ve been at the gorky theater for 45 years and i really stayed and became a home and a family, of course, but still you see, and my son prefers cinema. he

is there, his nature is more than that of a film actor, what i see is that i was, after all, a teacher in some ways. and now i’m trying to return to this profession in parallel with the theater. i mostly see him on the screen. yeah theater, not every actor can find himself in the theater, it’s not so easy. well, the main thing is that he is a professional and has received an education. now i'll take a long break. after a short pause, we will return to this studio again, while subscribe to our telegram channel. it’s called say don’t be silent, and all our issues. search on the youtube channel, belarus alone again tell the program, don’t be silent, and our guest is the honored artist of belarus andrey dochkin andrey andreevich well, besides acting talent. you have the talent of a writer a year ago, your poetry collection came out, the wheel on the side of the road, and

your peru also owns political collections of reflections on the other side of the mirror, and letters from the moon and just recently out of print, your new collection bonfire came out, right? may your poems be born and what do you write about most often? i want to say right away that i am lucky. i am very grateful as i say godfather to my literature. and this, first of all, is in the rotina anatoly yuryevich , whom we have been friends with food all our lives and were friends with families at one time, when my mother was still there, and mikhail pavlovich pozdnyakov with whom i am on a constant basis. uh, i'll erase the commonwealth from our city union, writers' creative meetings. now there are a lot of them. this is great for libraries. to the schools in the squares, we read directly the traditions, we return the soviet ones, when the poet from the squares was read, yes, and to dushenko. akhmadulina voznesensky read. now we have stood at the town hall for 2 years in a row. i’m participating, and with him and literature

, it’s been with me almost all my life, but i came. oddly enough, i was with some stories , essays, memoirs , fiction, but they aroused interest and they began to publish me. and since i've been all my life anyway, i write poetry, but i also began to publish as a poet. and so successfully that i was asked to join the writers' union, because, well, there were a lot of publications at a time when authors, well, they sort of counted publications a little, when i suddenly realized that i already had about fifty publications, they told me, you have so many publications, while not all professional writers have them. i am, after all, a writing artist and have always positioned myself that way. come on, join in. and i joined, this activity did not stop. and here, in addition to our official media in which i published, anatoly avrotin offered me a publishing house that he oversaw and publish separate collections there. this is how my small,

but very beautiful, high-quality collections of prozonality began to appear, there and so on to a greater extent. naturally, i studied lyrics. and so on, but lately it is possible that such difficult times have begun to appear for me, for example, front-line cycles. i have a lot of poems on the theme of the great patriotic war, and i can’t explain it, and they you will excuse my indiscretion, they are some kind of success for me. with understanding and quite serious form, i began to perform with them more often. at creative meetings, they simply talk about the motherland in a cycle in the understanding that what is happening now in our united slavic world should not. we have the same root of breaking away from each other. we should be together, probably as adults,

understanding the problems of the day around us. i began to reflect this to a greater extent. i have many poems on this topic. that's why they are different for me. by the way, let's listen. how are you read one of your poems, please, i am proud of your birches , belarusian land, my native land, the quiet forest like a crane wedge and the path leading into the distance to the lake, where the boat looked at as a child at the pier i pray softly with a breath. i want nothing. i will stay in that land, where i was born, where i spent my life, and i want to be called by a name that is simply called a man, and in your environment there are many people to whom this word man is applicable. you can

call him a man with a capital letter. yes , i was lucky, i was lucky to have real people of people. kind, not mean , able to help guide when it’s difficult for you to support i was lucky, but i also came to them probably sincerely, because i’m a person. it doesn’t matter, no matter how capable he is of help, and sometimes even of self-sacrifice, a person is such a big concept. you won't be able to fool him either. not everyone will be hugged by a person and a good line is born. can you now read something to us from a new collection of poems from a new one, it seemed forever,

the road was long, but the path has been passed. and all that remains is to ask god for just a little more. not at all the night shadow will hide the sky. come on god, at least have some faith. what day was it shining? very beautiful lines andrei andreevich well, we are talking to you. the whole program. i remember the statement of a journalist, say , cultural journalists who write about the culture of yulia andreeva and when she tried to analyze the events of the twentieth year. she said that we have a creative environment. it ’s a little bit like a loose swamp, but you don’t give the impression of a person from this loose swamp. well, why so why anyway? there is such a thing the opinion that the creative environment is people who are influenced by the creative environment. she is, in principle, quite dependent. this gives rise to some kind of moment. now i do not in

any way condemn any of my colleagues, for example, an actor. this is a very difficult and dependent profession, you depend on everyone whether they will give you a video or not. excuse me, will your contracts be renewed or not, will they even hire you or not? your whole life depends on you. you are critical, they wrote for you , they assigned you. and you just came on stage. why have i always considered creative work to be superior to anything else? where are you the master, where do you compose? perhaps this gives rise in some situations to the moment of, well, not one’s own position, but to grasp the moment of the conjuncture. yeah, she came, and suddenly she’ll lead you somewhere. without thinking about it. if you take this path, you

may lose something more. here you are attracted by a momentary impulse, well, roughly speaking, what if i’m lucky and i rise somewhere higher or slip past. this can be, in principle, it is in everyone. and uh, again, i've always been more an acquaintance came across and worked with people with internal goals in creativity, who did not change their positions , it was precisely such people that i looked at and tried to communicate with them; again, they helped me in my life, but i understand this tendency. it is a complex world. and here again again. the state , first of all, should protect creative people a little in some ways, regret something , forgive a difficult, vulnerable life, but this does not

negate your own. reasonableness , honesty and understanding that a career is a career, and there is nothing higher than the motherland, yes, because we observed in the twentieth year. yes, when before the twentieth year he was treated kindly by the authorities, and after the events of the twentieth year he began to spit in the back and in the face there are things that are higher than you, no matter how dear one’s fate is and a person has the right to this, but there is a higher one like things, which are more expensive than you, for example, the sky above your head. think in which direction are you working? can you lose this sky? there will be no other country. if a person carries this within himself and lives with this understanding, then the state will see you too. will see your work in first of all. everything will be ok. after today's conversation. we realized that we should push elbows for roles. this is not about you.

although you have played a lot of roles both in theater and in cinema, if it is your dream to play someone who has not yet been played to date, hmm, there is no such dream. there is a desire to play the repertoire that i like, that suits me, just to get a role that i like, i generally have, uh, a wonderful repertoire, in- we have a very large creative contact, we find everything with sergei mikhailovich kovalchik. he also in some ways a child of the gorky theater , given his family, and we have been working with him since his first day of coming to the theater with running, which i love very much. and therefore, having found each other, as like-minded creative people, i act in almost all of his performances, so my dreams seem to have ended. at university. now i’m just interested in decent material in which i could, so to speak, have my level today and

so on. well, we wish for you that everything will be as you want. thank you good luck to you and stage and in creativity in literature. thank you very much. thank you, and we are tatyana shcherbina and svetlana smolanskaya. we say goodbye to you until the next broadcast. goodbye. goodbye. and now andrei dushechkin speaks, belarusian brothers, dear, my fellow citizens, friends, relatives, everyone. there is nothing and cannot be more valuable than your homeland, your country. this is our common home and peaceful skies, nothing will be more expensive above our heads. let's always remember this. take care of the country, and that means each other. love each other, respect each other and everything will work out.

each of them chose their own path , used their talent correctly, and successfully realized it in their homeland. today they are the pride of nadezhda belarus, whose ability to rebuild immediately from relaxation to goals , immediately to study, immediately to new knowledge of the entire history. and they

like their creative path with all the successes and failures and daily work on themselves, they enjoy what they do. in the project new people on the tv channel belarus 24

midday news for belarus , i’ll tell you about the main thing by this hour. i'm vladislav bundare. hello, watch the episode of national unity. murderous cynicism like the united states with its defense budget through ukraine