[000:00:00;00] and uh, with these actions we show young people that they shouldn’t forget their history, because whoever doesn’t have history, who doesn’t remember it, has no future . innovative sweets belgospishcheprom plans to produce about 2.5 million new year’s gifts. this season, many new products were presented in minsk at the food industry business forum, among innovative products : chewing marshmallows, cookies for children , ultra-thin chocolate and natural snacks for children. belarusian enterprises pay a lot of attention to the development of an assortment for school and preschool nutrition. today we are progressively addressing issues of increasing imports of substitute products. and our rate is approximately 25-30% annually in terms of production volume of import-substituting assortment. in general, today in the structure of enterprises that produce food. we can already safely call 1/3 of our products an import-substituting assortment

and this share. this share is growing more actively every year, probably in this direction. we are working in the confectionery the theme of the professional holiday of the guardians of the book world and book lovers in belarus today is library day. the holidays have been celebrated annually since 2001. the date was chosen in honor of the founding of the country's main book depository , the national library. the diamond of knowledge has long and deservedly become the calling card of the capital. today the national library. belarus has prepared a number of interesting events and the main event will be an exclusive excursion, previously inaccessible to prying eyes , anyone in gomel will be able to see the storage facility with their own eyes the updated fire rescue unit was inaugurated ; the fourth part of the gomel city emergency department will be stationed here; the main functions and tasks that go to the scene of emergency incidents. now the personnel have in their arsenal a fleet of completely new specialized equipment and a modernized

training communications point. everything so that, if necessary, specialists are on time, where they are needed and provide assistance to those who need it conveniently. comfort, everything is there, we are looking to compare the old building and now it’s ourselves you see, this is a two-story beautiful building, large rooms, everything is bright. everything is beautiful. everything is cozy. there are all the conditions to come and take a shower after a fire. rescuers of a firefighter, if he has good living conditions and a high spirit, as it were, and therefore we carry out our official duties much easier than the service; we have actively taken up the improvement of green areas. about one and a half million annual chrysanthemum plants have already been planted in minsk. decorate with floral panels. opposite the palace of independence on the territory of the park on pobediteley avenue and also in drozdy park in addition, about 20,000 trees and almost 140,000 shrubs will be planted in minsk in the fall.

in the breakfast of champions project, we will tell you how to start your morning right by looking at the ingredients? i honestly can’t even imagine what you and i are cooking today ; you’ll be making oatmeal pancakes with eggplant. and i will cook stuffed zucchini. today we have friends of the belly festival, we will help you choose quality products for a healthy breakfast. how to choose quality thyme first? pay attention to the packaging. it must be sealed let me remind you that you absolutely cannot buy sprouted garlic. he's quite unique. i would even say the taste is unpleasant. yes, and there are practically no useful properties in it, so we’ll do some light but effective exercises and the first exercise will be, uh, jumping off the pedestal. this exercise is necessary to strengthen the knee joint and foot and prepare for the jumps themselves, you can go to

stretching at yoga, any movement will help you lose weight, which is extra, watch on the belarus 24 tv channel. each of them chose their own path and managed theirs correctly talent, successfully realizing it in the homeland, serves to collect a lot, because it is enough that the range is enough. today they are the pride of the hope of belarus. these are new children who can adapt immediately from rest to goals, immediately to study, immediately to new knowledge. let's share the story, and their creative path with all the successes and failures and daily work on themselves is not afraid. she's not shy about anything. he likes it, he enjoys what he does. watch in

the new people project on the belarus 24 tv channel hello, you are watching the distortion program , be silent in the studio svetlana smolonskaya and tatyana shcherbina and today our guest is the honored artist of belarus andrei dushechkin. good afternoon. good afternoon. hello. andrei andreevich yesterday i am glad to see you in our mutual. thank you and we are meeting with you on the eve of the national unity day, a new holiday for belarus. how do you feel? this unity in society is unconditional. eh, wonderful holiday hmm i was very happy. when he is young, we have it very recently.

i was very happy. when this date was approved by the president hmm national unity day, that is, for me this is again a definite milestone in the formation of our republic as a state of a sovereign, beautiful eastern european republic. and these holidays are needed simply because the word is one. for example, it is in society, it will act, the word has very strong energy. it enters the consciousness of people of different ages and different generations. and now people will celebrate the day of national unity, schoolchildren will hear adults can participate once again. he will remember that there is only one motherland. there won't be another one. at the subconscious level

, this holiday, which is common to our country, our republic, will certainly be postponed. i remember last year, the minsk arena and our wonderful forum with and. i still performed francisco skaryna and how, well, it’s clear, a citizen of belarus who knows its history, the history of culture, and yet a person still involved in literature , and for me there was such responsibility and joy, so beautifully, we did it all, but then i saw the video and the forum was amazing, it was very beautiful, the unity was straight through the vitals. yes, it was simply brilliant. i think it's a holiday. necessary and god grant him the strength to gain strength, but we are talking about unity, but in the twentieth year there was a certain split in society. it happened after all. do you have an explanation for why this happened ? firstly, i must say that today i see the reasons

why so many difficulties arose in society back then in 1920. they are now the state consciously and quite successfully are being resolved, namely, our republic has raised questions about its history of its identity, systemically and consciously. we need to remind society, the citizens of our country, what kind of country it came from? how it was formed, what happened when a person understands this system, he often shies away in all directions, without understanding. why won’t he go there? secondly, we need to understand the reasons, and the reason for the emergence of a certain negative. for example, the fact that, again, our republic systematically raised the issue of genocide

of the belarusian people. it's not just tribute great patriotic war. this is also a system reminder. the reasons why this could arise, so that there is no split in society. the country must know its history, be a single state and protect it. this is the state and this systematic work every day. and now she has been doing this for the last 3 years. by the way, this split is also taking place. it seems to me that he is leaving in many ways. it ’s not that people change their opinions . but for god’s sake, a person has the right to his opinion. but there is no understanding of what a state, a country, and a peaceful sky above one’s head are and what a nightmare it is to lose, and i observe this in different generations, and i, as

a person, am a generation who has already lost a state once, because i will never forget the ninety-first year and the anti-state coup. e of the soviet union when all norms for the destruction of the country were violated. they just didn’t care about the all-union referendum and so on. and what nightmare happened next and how long did it last? by the way, i remembered in those hot august days, and in the twentieth year on one of the russian tv channels in a talk show, uh, our political analyst alexander shpakovsky directly. and hmm , he spoke so emotionally and said, “they’ve already taken away one country from me.” i won't allow this to happen a second time. you have the same, yes the same, because people have lost their country. 78% expressed support for the preservation of the state, a referendum was held, this is a fact, yes , and even, even let’s say, if according to this figure it wasn’t

, well, the country lived as a single state, well, let’s say the political elite got into a crisis of their own, this is the nomenklatura. well, then solve it there, and whose is the whole state to drag? after all, they destroyed the army’s economy with them into the pit. i remember this, and all my friends served. my generation has friends, and i have half of my close friends with whom i grew up, they all went through afghanistan. i remember what they came from there. they repaid their debt. i remember how my close friend oleg , god rest upon him, passed away from his young life. we grew up differently, you were raised differently. and here we sit and talk. and suddenly i then accidentally tell him there like olezhka yes, these are not my problems, what are you telling me then this phrase arose for the first time. we didn’t have it in society. it's not my problem. uh-huh this is not a soviet phrase. we had common

problems. we lived in one house, the whole country, but we solved these problems. oleg suddenly looked at me like that and said, as you said, he came all gray. like you said, it's not your problem. with such contempt , andryukha began to talk somehow differently, because this is a bad phrase. these are not my problems, but today is not your tomorrow, someone else will tell you. go die. it's not my problem. bad phrase is not ours this is a phrase, and that’s why losing a country is worse than a nightmare. it’s just that losing your homeland is a big disaster for any person, that’s why our state is strong now. and it became even stronger. we have a very strong democratic legal system. a european sovereign country that now monitors

its statehood, it did so before, but, apparently, having drawn certain conclusions. and that's work. and i think that this schism is now simply practically unacceptable, but then in 2020 you were one of the first, uh, not afraid to openly express express your position. let us remind you what you said in the interview with our colleague. they are not mozhaika. the creativity of art is higher than politics; creativity exists and beats in the human heart. it defines a moral issue rather than a political one. viewers can't get enough of this spiritual conversation. so they must be these muses. this poem must be written, this performance must be performed even for one person in the hall. so he

came and he needed it. i only hope on one thing. what, well, my colleagues, for example, to the buy theater, whom i respect, with whom we have gone through many creative situations together, that they will sort out their problems, their appearance is awaited by the audience who love them, who only go to see them. they are waiting for their performances, which right now would be very necessary for the very same pavlinka king lear walked. they have an excellent repertoire. it turns out that he is gone, and i really hope that the kupala theater will rise up and the audience who are waiting for them and love them will come to their hall, and everything will be fine. this interview aired. uh, november 11, '20. at that moment, you really believed that these rebels would come to their senses. i will say this is how i

always do it. i always believe in the best, but at that moment, at that moment, our gorky theater, given the situation around us , also bathed in the cinema. our meeting was unofficial, but any member of the team who wanted could come? and almost everyone came ; there were no indifferent people. there was practically no possibility, and we were deciding for ourselves the question of how the gorky theater should behave in that situation, firstly, how can we somehow help or take part, in the situation of the kupavlovsky theater, that these are , after all, our colleagues, we were all very connected. in any case, for the cinema, for some big projects. we cross paths. what to do and what position the

gorky theater will take. and it was important for me that i spoke at that meeting. took the floor and it was important for me that the majority was overwhelming . the gorky theater decided to work. there was no talk of any layoffs to preserve the theater's repertoire and play go on stage and do your thing. excuse the professional spirit of this gorky theater then with almost its entire staff. it has been largely preserved, even now. and he saved himself, like, well, an excellent theatrical structure, one of the best theaters of the republic in its entire history, after all, the gorky theater , he saved himself, the state supported him, because he didn’t go. it’s about

this destruction and this negativity, although in an acting theater environment. it was a very difficult period, a difficult covid time. it was heavy, we kept it. we made our decision, the gorky theater retained its staff, and it is of different people with different opinions. this is fine. and this is how we exist now. we respect each other in our team. we have a good team and work hard. and, of course, it is very important. well, we really work hard, and we have success, and this has already been noticed by the state. and of course, now in many ways it is very important to preserve this team until the end. it is important for us to maintain the team is always difficult, especially creatively, so here i am i really hope so, because we have made our decision. and we honestly carry out this decision. this was important for me, because it was open and honest, we

made our choice at the gorky theater, it was n’t easy, there were different opinions then. and to our address on this matter. we survived this. just doing my job and as time has shown. we were right, but you say that you survived. eh, let’s say, the opinion of opponents of your active civic position was probably fought with negativity. but today, looking back and after this for a long time you have forgiven those who may have cursed you. well, i am a christian, baptized, in principle, i need to forgive, but that ’s not the point. and hmm, when the team is almost unanimous. i'm telling you the truth now. standing in its position, we were not touched that much. there were definitely some opinions, like, how are you doing this? but,

just like that, someone really scared us, and we got scared. yeah, we didn’t have that, because there’s nothing to cover here, like these normal workers from the factories that i i remember the chronicle. yeah, they say something about leaving with posters, and he goes to do his shift, because he understands that if the economy improves in the republic, it will become so much fun that it won’t be enough. no one in his family has it. that's it . and in general, well, what is it for everyone , for him his own factory, just as for me the gorky theater is his home? how can he stop him? why the main thing is for what? political problems must be resolved on the political field, and not by destroying the economy and imposing sanctions with the sole thought of introducing a sovereign economy, sorry republic, into collapse. yes, solve your problems; the party

does not suit you. yes, close this party, but the theater must play, and the plant must work. and when you stand in this position, well , you listen to different opinions. well, this won't change anything. so i don't remember. i'm just answering. here's to your questions so that somehow hmm we're missing something there. we spoke out, we continued our work. where there is definitely something, as i remember, i wasn’t very interested in it. someone said something, and everything went quiet, because apparently they felt your strength collective, including it will not succeed, but if that is, there was some kind of commonality , yes, again, the only thing we are talking about is that they won’t be able to break me, and who bu - literally a few there, we had people there in different ways workshops. well, there were literally only a few people there, maybe 1-2 people. they didn't agree, but they also left honestly. yeah well, everyone is gone, well, you said, very good, but simple truths, the theater must play, the plant must

work. and how do you understand the term patriotism, in principle, maybe this is the basis of patriotism, what you said is love, because i hmm well, for example, we talked a little before recording and told the story of my family, after all, a hereditary acting family. my mother is from magnitogorsk, my father is from kiev , and i am a native because i was born. and i love this whole slavic brotherhood, our unity. i am stripes of flesh. this is a vivid illustration absolutely. well, how can i be different? and if my roots are such: ukraine is incredibly beautiful, kiev is an incredibly beautiful city. i grew up so serious at my grandmother’s on the dnieper in magnitogorsk a couple of times such a mining town, so harsh

, i remember being afraid of it, and kiev was a fairy tale city, republic of ukraine soviet ukrainian ussr it was a blooming paradise. and our bssr, soviet times, as the assembly shop of the entire soviet union was called, a powerful, strong manufacturing republic, but the most important thing is that it is very beautiful. i just really love it. our belarus has lakes, i’ve been writing poetry all my life. she directly imbues you with poetry, lakes. these forests are ours, these trees are ours, these people. we have a special culture, after all , belarus has its own cultural layer of some kind your own cultural root, some kind, probably , yes, you have to love him, because it’s all ours , you can’t trade it, first of all, you can’t. all this must be protected. why, when alexander grigorievich became the first president of an already sovereign republic in history

, what did he do as a real man of the people, as a real business owner? dad, he did a simple thing. in my opinion. he kept what he had. i kept what i have, i didn’t sell it, i didn’t rent it out. didn't sell out. he just developed it all and took it the best in terms of the social orientation of the development of society that was developed by the soviet union, preserved it, adapted it to the present time, which is developing, developed it, strengthened it, and then i observed the modern realities of today, adapting it to today, well, you can’t get any wiser, moreover, we are a republic, this is separate conversation, but very important peacemaker we are a good neighborly republic, but what i personally like, as a very adult person and

citizen, is that with all this, with all our kindness, we do nothing but merim uh-huh, we extend a helping hand to everyone , our president says, guys, yes, let’s live together. yes, what are you doing? taking everything into account. the difficult situation around is added to. we will be friends. well, god forbid, and this is very important. because we don’t need to be patted on the shoulder by a strong, sovereign european country. the historian igor marsoluk recently visited us, and he said yes. he said it's not necessary. uh, uh, anger the average belarusian person, because we howl like mowing hay. in the meantime, we will take a short break from our telegram channel. tell me, don't be silent. subscribe suggest guests to us,

ask questions. we are in touch. sport, like life, consists of only questions , answers to which you will find in our program. this is a program about sports that needs to be watched wisely; participants in the program will fight in a battle of the mind; the answers are ready. which italian football club is nicknamed the violets? what kind of sport? according to the famous song , he doesn’t play. a coward doesn’t play hockey . absolutely true for the correct answers. they they will earn points and lose them for incorrect ones. name the most athletic female

name in the olympics. what sport? again mikhail and swimming and biathlon what color is the cue ball in snooker? stanislav bely watch the intellectual sports show head game on the belarus 24 tv channel. each of the heroes of the project is engaged in a very important matter. my name is elena alshevskaya, i am the deputy director for tourism of the berezinsky biosphere reserve. my name is alexander bogdan and i am the general director of the national olympic stadium dynamo stadium born for your victories. we will introduce you to people who have found their calling; for me, the stadium is a dynamo of life. heading such an arena well, this is not an easy matter, we suggest spending one day with specialists and learning all about the intricacies of their work. the reserve has a very large species diversity, both plants

and animals. our main task is to preserve nature for the present and future , watch on the belarus 24 tv channel. today our guest is the honored artist of belarus , actor and writer andrey dushechkin andrey andreevich well, your son alexander starred in lenta at the studio. belarus film on the other shore. it tells about the period of life of western belarusians under polish rule. let's watch the trailer. we missed the enemy, what needs to be done? fyodor sergeevich, can we do everything to prevent korobovsky from speaking in this

court? son, why do people live if the end still can’t do it alone? and if there’s nothing of this, it means i didn’t find it. the city is good, you know, okay then go ahead. the war ended long ago before me

, history is made with our hands. for belarusians can’t be broken if you have an explanation, where do these dull belarusians come from, such strength of spirit, i’ll answer about sasha in literally two words. you know, in general, well, he is certainly a graduate of the academy of arts with honors . but i saw that he is more of a film artist. not everyone can find themselves in the theater. it's not that easy, no, because you have to find yourself where you found yourself. well, what i like about sasha is his work in cinema in belarus, by the way, he starred in three films that are almost fundamentally important in recent years of our belarus, he starred, firstly, we are united. he didn’t film korotkevich chernozam kolshany now, and now he’s on the other side. that is, he got involved in three very serious projects. i'm sincerely happy for him.

let him work with her and promote himself as a film artist. this is his path. well, yes, god, he can’t be broken about this. i still mostly start from the fact that our belarus already received statehood and became a state on its own. and this is known. may you forgive me for the slightest inaccuracy, and igor is deeply respected. this happened after all, in 21 vladimirovich was indicated. when did belarus receive its first statehood independently? and since then , as a country. she developed independently. and to the extent that historical truth has shaped us like

the future, let’s say for today i repeat strongly. i think so is a european sovereign state. the belarusian people have gone through everything. and mother russia and the polish lords and the fascist occupiers. well, this is the great patriotic war, which choked in blood its contribution the belarusian people contributed enormously to the victory. i survived everything. this is what genetic power has already been invested in history in our memory in our country. in our people , after all this, it is no longer possible to defeat us. and it will no longer be possible to deceive, that is, our republic, given its historical experience, is a difficult experience of survival, which it has already overcome. i think it will go. only forward, on the contrary, developing and

gaining even greater inner strength. i think more and more people will come to us who want to live with us, who will join in and be interested in the economics of culture, with anything, because we have prospects for normal human existence and normal realization if you work. and if you work, you will definitely realize your potential, because in our republic all the conditions have been created for this. she is educational. we have a very strong education sector, practically a republic of universities, because we have so many foreign students. we have a good education. it is advantageous to obtain it from us, that is, this genetic code of a belarusian. he is strong, he was formed in the struggle and in the struggle for one’s identity, the belarusian word asks for kupala’s, self-identity. our people went through this path, they walked towards their

identity, towards their sovereignty, towards their state, they left with such historical complex moments. but well, without them, not a single strong state was built. you know, what i noticed is that you mentioned igor aleksandrovich morzelyuk. yes , i mentioned alexander shpakovsky but these are the names. uh, they weren’t so well known before the events of 1920. that's for the last 3 years. u we have a lot of public opinion leaders, expert analysts. eh, they are in demand by society. what do you think, of course, of course, we are different from igor, i try to listen, as i say, to his lectures and in his original television programs. i began to listen to an adult, because he reveals such facts in the history of our country that i did not know, sorry, first of all. secondly, it is interesting and explains a lot, and everything falls into place. you should definitely listen to such people.

he's professional stories, he reveals a picture of the creation of the state in which you live. i try to listen to political analytics and find it interesting. i now love our proprietary programs. again, i must say that after the twentieth year, when our republic faced these enormous difficulties, it moved forward in many ways for the better. our television has entered a new stage of its existence in a new period, it began to work more with people , communicate more, talk. after all , quite a large number of people watch the programs, which means they think trying to figure it out. the people who do this are absolutely professional and have information, and truthful information at that. after all, how many of these information technologies, how much harm they have brought , after all, this word fake is already so worn out by and large, simple lies, thought out, informational lies that are presented in a way

that is beneficial to someone, but there are facts. and professional stories are these facts. they will offer it to society in its original form, and not in a twisted way, since in this case it is interesting to a certain group of people. that's it person awareness and gets confused. yeah, but we need to show the picture as it is. therefore, there are not very many conclusions drawn to this day. hmm, society has become much stronger, our media sphere is working much stronger, and is tracking. sorry for this word, the information flows that pass through us, because they work in the human consciousness and filter this whole thing. but he still tries to convey to people the truth, as it really is. but the truth makes it possible for society to develop, further from you, too, would make a good analyst, or political scientist, but you have already mentioned that you yourself are from the theater family, and widely. it is known that

your mother, alexandra klimova, served in the gorky theater for almost 50 years, and her father was an actor and teacher, andrei dushechkin, who gained fame as a leading actress of a heroic type. korsakovsky also served at the gorky theater and taught at the theater institute. you didn’t have a single chance to become an engineer or a doctor , you only had a chance to become a musician, i graduated from my beloved one in life, to the fourth secondary school in minsk, which has always had a musical bias and i started studying guitar in a music class. this is my soviet time, and my soviet time is , as you know, a world rock revolution in the world of music, which largely determined, well, tastes. and hmm, some principles of existence, but in any case , the main thing she instilled was a love of music. every school and every university had its own vocal and instrumental ensemble. this happened

in our fourth school, where i played for 5 years. i absolutely love it, basically music. i grew up on it. and i still play some kind of performance, basically, i listen to some melody in my head and tune in to some musical theme. she gives me the mood she gives me a push, but i acted. at the age of 17, i became a first-year student at our theater and art institute, and he took away all the time. that is, basically, all my time. and since music was always nearby, i didn’t consider it possible to somehow radically tear something away, especially since i got to the training site at the institute, and was the master of the course. i had valery nikolaevich raevsky is a wonderful director , a legendary director. i found myself in my own water. that is why to choose some other path that is radically different outside the sphere

of creativity. i had no thoughts. well , tell me, what about being the son of such famous parents? is it a big responsibility, or is it an honor or a privilege or privileges are privileges no, this is 100%, because i received a lot of positive things. eh, because i am the son of alexander vannoy and at one time this offended and hurt me very much, but since coming from the institute bench in the theater named after gorky in his eighty-first year. i haven’t left the stage until today. and he played. i mostly play big and leading roles, but somehow gradually i just got tired of paying attention to it. i became part of my family, my mother and father, who put a profession in my hands, like parents, for which i am grateful to her for life. and this is the main thing. i respect them for the fact that they worked all their lives. they

loved again. mom, for example, was generally an absolutely patriot of her country, she is a simple woman from a peasant village family the post-war generation , which at that time left magnitogorsk on the first victory train in 1945 for moscow , achieved everything itself, entered the most prestigious university and uh, i just began to feel like part of my family, having the right to do so. today i have 45 years of work experience . congratulations. thank you for being a shining example of the fact that this is a statement that nature rests on the children of genius. but this is an exception. how does your son feel about the fact that he belongs to such a legendary dynasty? i really like sasha that he is very simple guy. he is simple and sincere in his inner essence, and an athlete professionally engaged in sports. a very

strong and normal guy. since i was 16 years old. he was already working. he has a labor record for 16 years. he graduated from several studios, a modeling agency, he has a technical specialty, and he graduated from culinary college. he's been through a lot, he's been auditioning and acting in films since childhood. how many talents one person has gone through a lot. he entered the institute with honors and graduated, but he is not yet comfortable in the theater. found, but he found himself in cinema. he works honestly. he exists with dignity, and he respects the memory of his grandparents, but he behaves very modestly. he is, in principle, modest, but there is no such thing in him that he is somewhere like this, he does everything through his own labor. this is how he was originally brought up to work. the credit goes to you or your wife. i think that

after all, our family, that is, this is common, because lyudmila is my wife. she is also 67 years old. she still works at the school. she worked all her life. and this is a separate topic children look at their parents. our family has worked all our lives. sasha looked at this. he works all his life. so let him work like a man and stand on his own two feet, but in his work book the first place is work and what kind of minsk cafe is that? yeah, some minsk cafe, where he was a 16-year-old schoolboy in the summer, this is, in my opinion, the eighth grade. well, he told me, dad. i want to earn money for myself in the summer and i went to a waiter, yeah , i worked there during the school holidays, i earned money for myself, i bought something for myself. here, please, approach, and you had here is some kind of color. maybe in front of the parents in front of their uh, stardom, so to speak. here, firstly, father andrei valentinovich, he was

an extremely reserved, intelligent person. he left the theater for the minsk gorky theater quite quickly, because with his mother, her glory was enormous. which alexander klimova had, he felt uncomfortable, he left our then theater art institute, found himself, as it seems to me, a very good teacher and showed himself in pedagogy, so to speak, until the last days of your life. here it is, mom. well, this is a very big value in our art. by the way, i remember this wonderful anniversary of her 75th birthday, when grigorievich himself and uh, hmm, her anniversary, and how solemn and wonderful it was. and when the two of them stood on stage. i thought, here you go, two people who did everything themselves have achieved their olympus and reverence. well

, what, well, in front of such a life, absolutely transparent and honest, except respect for nothing at a certain point. you, uh, circumstances so happened that you began to call your mother not mother, and alexandra ivanovna and in the theater, because i was afraid and i was afraid not to come up again. i started calling her by her patronymic name. nobody asked me to do this. nobody taught me how it turned out, because i didn’t understand. well, in general, i was strictly brought up in the profession. there are no moms and dads there. the stage is not a tough place, come out and show that you can, mom and dad won’t play for you. therefore, there is a clear structure of existence. even now i look at the theater in this way; we must understand that this is not a charitable foundation. show business roughly speaking, this is a very rigid structure

of existence and the strongest survive there. and only this should be a priority. well done well. you went to the institute through connections, but even if you graduated from it creatively, then you will go on stage and that’s it. or sorry, move on or leave, but the story of your placement and getting into the theater was interesting. when they asked you if you were related to alexandra klimova then at the gorky theater yes, yes, this is one of my favorite teachers. ilya lvovich kurgan is our legendary announcer. it was my stage speech teacher at that time at our institute and ilya lvovich who took me back from the second year. he literally took me by the hand and took me to our state radio, because he saw somehow, apparently, in me a penchant for a radium microphone, some speech qualities , an ability to think logically in some way. in general, he was a high -level professional and saw in me the ability to work

on radio all my life with me. i madly love our radio broadcast in all its manifestations in all its manifestations and that’s love when my course arrived. this is my time, and this was the soviet union, 150 people per place. i remember the corridors of our theater and art institute, there were crowds standing there, crowds were packed into the acting department. ilya lvovich conducted the audition in advance. so i jumped out , i was so curly-haired then i always carried a guitar with me, because i had time to do something, i jumped out and began to read the poem that i had prepared there. and suddenly i raised his head at me and he sat like that the entire audition. suddenly he lifted me up like that head, tell me what is your last name, i say darlings. and you have

a relationship with alexandra klimova, my mother, so go ahead and do it. well , that’s all , i did not want to be assigned to the gorky theater. i wanted to go to the state of belarusfilm. i auditioned and acted already from the fourth year. and then there was a belarusfilm staff and there was no film actor’s studio theater yet. it was not created and at home i say, i want to go to the state, belarus, a film, and my mother told me, don’t be stupid. if you want to become an artist, you need to act, and not work on dubbing. come home now. so i went to the theater gorky a year later, the state of belarusfilm was reformatted into a theater-studio of a film actor. but that’s a different story, so my mother gave a very good advice. well, here i am at the gorky theater for 45 years and i really stayed and became a home and a family, of course, but still you see, and my son prefers cinema. he is there, his nature is more than a film actor, what i

see is that i was also a teacher in some ways. and now i’m trying to return to this profession in parallel with the theater. i mostly see him on the screen. yeah theater, not every actor it may not be so easy to find yourself in the theater. well, the main thing is that he is a professional and has received an education. now i'll take a long break. after a short pause, we will return to this studio again, while subscribe to our telegram channel. it’s called say don’t be silent, and all our issues. look for it on the youtube channel, belarus alone again tell the program, don’t be silent, and our guests are the honored artist of belarus andrei and dochkin andrei andreevich well, besides acting talent. you have the talent of a writer, a year ago, your poetry collection came out, the wheel on the side of the road, and your peru also owns political

collections of reflections on the other side of the mirror, and letters from the moon and just recently from the press, your new collection bonfire came out, right? may your poems be born and what do you write about most often? i want to say right away that i am lucky. i am very grateful as i say godfather to my literature. somewhere in the first place, this is amrutina anatoly yuryevich , whom we have been friends with food all our lives, we were friends with families at one time, when my mother was still, uh, yes, mikhail pavlovich pozdnyakov with whom i am on a constant basis. uh, i’ll erase it, i’m friendly, i’m walking around from our city union, creative meetings for writers. now there are a lot of them. this is great for libraries. to the schools in the squares, we read directly the traditions , we return the soviet ones, when the poet from the squares was read, when yevtushenko akhmadulina voznesensky was read. now we have become here i am at the town hall for 2 years in a row. i’m participating, and i’ve been involved in literature almost all my life , it’s been with me, but i came. oddly enough, with

some stories, essays and aesthetics , memoirs, fiction, but they aroused my interest and began to be published. and since i all my life i still write poetry, but i also began to publish as a poet. and so successfully that i was asked to join the writers' union, because, well , there were a lot of publications at a time when authors, well, they sort of counted publications a little, when i suddenly realized that i already had about fifty publications, they told me, you have so many publications, while not all professional writers have them. i am, after all, a writing artist and have always positioned myself that way. come on, come on, i joined, this activity did not stop. and here, except for our official media in which i published anatoly avrotin. he offered me the publishing house that he supervised and to publish separate collections there. this is how my small, but very beautiful , high-quality collections of prose of the elements began to appear, there and so

on to a greater extent. naturally, i studied lyrics. and so on, but lately it is possible that such difficult times have begun to appear for me, for example, front-line cycles. i have a lot of poems on the theme of the great patriotic war, and i can’t explain it, what do they have to do with you sorry for my indiscretion, i’m kind of good at them. with understanding and quite serious form, i began to perform with them more often. at creative meetings, they simply talk about the motherland in a cycle in the understanding that what is happening now in our united slavic world should not. we have the same root of breaking away from each other. we should be together, probably as adults, understanding the problems

of the day around us. i began to reflect this to a greater extent. i have many poems on this topic. that's why they are different for me. and let's, by the way, let's listen. as you read one of your poems, please, i am proud of your birches, belarusian land, my native land, the quiet forest like a crane wedge and the path leading into the distance to the lake, where the boat looked at as a child. at the pier i pray softly with a breath. nothing and i want to stay in that land, where i was born, where my life has passed, and i want to be called by a name that is simply called a person, in your environment there are many people, uh, to whom this word “man” is applicable. you can call him a man with a capital letter.

yes, i was lucky, i was lucky with people, with real people. kind, not mean, capable of helping, guiding when it’s difficult for you to support, unlucky, but i also came to them with probably sincerity, because i’m a person. it does n’t matter, no matter how capable he is of help, and sometimes even of self-sacrifice , a person is such a big concept. you won't be able to fool him either. not everyone will be hugged by a person. here a good line is born. although you can now read something to us from a new collection of poems from a new one, it seemed forever, the length of the road, but the path has been passed. and

all that remains is to ask god for just a little more. may the night shadow not hide the sky. come on god, at least have some faith. what day was it shining? very beautiful lines andrei andreevich well, we are talking to you. the whole program. i remember the statement of a journalist, say, cultural journalists who write about the culture of yulia andreeva and when she tried to analyze the events of the twentieth year. she said that we have a creative environment. it's a little bit like a loose swamp, but you don't give the impression of a person. from this loose swamp. well, why so why anyway? there is an opinion that the creative environment is people who are influenced by the creative environment. she is, in principle, quite dependent. this gives rise to some kind of moment.

now i do not in any way condemn any of my colleagues, for example, an actor. this is a very difficult and dependent profession, you depend on everyone whether they will give you a video or not. excuse me, will your contract be renewed or not, will they even hire you or not? your whole life depends on you. you are tertiary they wrote for you they put it for you. and you just came on stage, why did i always consider the author’s work, and creativity is superior to anything? where are you the master, where do you compose? perhaps this gives rise in some situations to the moment of, well, not one’s own position, but to grasp the moment of the conjuncture. yeah , she came, and suddenly she’ll lead you somewhere. without thinking about it. if you take this path, you

may lose something more. here you are attracted by a momentary impulse, well, roughly speaking, what if i’m lucky and i rise somewhere higher or slip past. it may be, this, in principle, is in everyone. and uh, again, to a greater extent, i always knew people, i encountered and worked with people with internal goals in creativity, who did not change their positions, it was precisely such people that i looked at, tried to communicate with them , and again, they helped me in my life, but i understand this trend. it's a complex world. and here again again. the state , first of all, should protect creative people a little in some ways, regret something , forgive something difficult, vulnerable life, but this is not

denies your own. the rationality of honesty and understanding that a career is a career, and there is nothing higher than the motherland, yes, because we observed in the twentieth year. yes, when before the twentieth year he was treated kindly by the authorities, and after the events of the twentieth year he began to spit in the back and in the face there are things that are higher than you, no matter how dear one’s fate is and a person has the right to this, but there are higher things that more valuable than you, for example, is the peaceful sky above your head. think in which direction are you working? you can lose this sky ; there will be no other country. if a person has this in himself carries and lives with this understanding, then the state will see you too. he will see your work first. everything will be ok. after today's conversation. we realized that we should push elbows for roles. this is not about you.

although you have played a lot of roles both in theater and in cinema, if it is your dream to play someone who has not yet been played to date, hmm, there is no such dream. there is a desire to play the repertoire that i like, that suits me, just to get a role that i like, i generally have, uh, a wonderful repertoire. we are very we are in great creative contact with sergei mikhailovich kovalchik. he is also in some ways a child of the gorky theater, given his family, and we have been working with him from the first day he came to the theater from running, burgakovo.” and therefore, having found each other, as like-minded creative people, i play in almost all of his performances, so my dreams seem to have ended. at university. now i’m just interested in decent material in which i could, so to speak, have my level today and so on.

well, we wish you that it will still be like you want. thank you. good luck to you both on stage and in your creative work in literature. thanks a lot. thank you, and we are tatyana shcherbina and svetlana smolanskaya. we say goodbye to you until the next broadcast. goodbye. goodbye. and now andrei dushechkin speaks, belarusian brothers, dear, my fellow citizens, friends, relatives, everyone. there is nothing and cannot be more valuable than your homeland, your country. this is our common home and peaceful skies, nothing will be more expensive above our heads. let's always remember this. take care of the country, and that means each other. loving friend

respect your friend and everything will work out. every week the heroes of the project go on a journey of such architectural solutions and you will probably not find such monuments in any corner of belarus according to the rules of the project. they must complete all tasks and complete the quest. so, i received a rather interesting task: find a cork tree plantation , together with them we will visit the historical places of our country and admire

the sights. this historical holy place was recreated and illuminated in honor of st. nicholas nevsky for my back. the same amulet that was erected at the beginning of the 20th century. this is the big ben of this city. wow, there's even a freemason sign here. look, watch him in the rock, paper, scissors program

on our tv channel. against the backdrop of ongoing pressure, moscow is building close cooperation, working on import substitution and dispelling rumors about the supposedly escalating situation. this is what the leaders of belarus and russia talked about at the scheduled meeting in sochi for the parliamentary elections. in poland, even before it has begun, they can already go down in history as