the low war fades into the background. end of quote, such rhetoric from poland is not surprising, especially after the loud scandal with the trading of schengen visas by migrants from african countries. as they say, we urgently need to switch the arrows to someone else. and this is the latest news for this minute, see you at 19:00. ilya describe your happiest day in your life , i honestly don’t know what to remember. what is our work, that holidays often become your work. my lucky day in life. moments when do you come home? such a simple answer, but at the same time

deep for me, because all our human lives we have been in search of a home. and when you return to some place, theater house, hometown and i understand that this is your home. this is the happiest moment in your life. my guest at the theater where he serves is called our star in his repertoire. pavlinka marriage is a warm heart that dreams of such a start. many were lucky or everything was destined by fate. now we will find out that my guest is the actor of the kupolovsky theater ilya krug ilya hello hello ilya, i know that in your life a lot is connected with how the stops, what

exactly yes, there is such a small hoax in my life. so in my hometown , brest, where i was born. all my life, despite moving, i lived on yanka kupala street at the university, together with my classmates, they took part in the filming of a film about the fate of our belarusian poet. and at the moment i am working in the kupala theater, which directly bears his name, such a small mysterious mysticism, which accompanies me all my life. eh, and about, which i probably thought about only now , arriving at my theater. well, in general, the acting profession contains some mystical signs. it seems to me that all people are artists. it’s all the believers who always tell everyone that we are all dependent on the actor’s energy and receptivity, because to an ordinary person this may seem somehow wildly strange. and for us, this is such an absolute norm of how we communicate with each other and how we work, and life repeatedly. hinted you about your future

connection with the kubanovsky theater, but nevertheless, as a young student and the university of culture of arts of the artists of the upalovsky theater, to be honest, uh, i never thought that life was hinting at the fact that i would be an artist of the kupala theater, but for some reason i always even when at the university the time came closer and closer to distribution, i thought about many theaters in minsk but never thought about the kupala theater we got absolutely by accident we were invited to the casting for the restoration of the play peacock, we passed it and that’s how i still remember at the university, uh, they sent a paper from the ministry of culture with the distribution of roles, and and how all the guys ended up in the crowd, but my last name was not there, and i was a little scared and offended, because, well, like, am i really worse? everyone, am i missing something in gnawing? i asked, i say. what about me, why did they forget about me? well , they brought it and said that i was forty for me and the master of my course. it was a big surprise,

because i didn’t expect this, and she didn’t expect this. i also wanted to clarify, because the steering wheel is not the latest the head of the earth's course also played in your destiny. mikhailovna yes, now in the winter mikhailovna unfortunately, no, but i always remember how i said that i often dedicate all the performances played to her, i still very often, when i don’t know what to play, i always imagine how i would do it. she uh. it was an incredible learning experience. it seems to me that there is no such master in belarus anymore. you are a director by training, because the theater department is at the university of culture. she graduates the director with your directorial education. it helps you with working on the role. or, on the contrary, you turn on some kind of interference there, i don’t know the directors in myself and you criticize, probably, sometimes it helps, sometimes it interferes.

in general, i am very glad that i probably received a directing education, as it seems to me, it’s still a little richer than an artist, artists, after all, such people are focused on their inner world hmm, live here. that is , exactly how i am on stage, and i have it due to the fact that i probably have a director’s education. halnes in many ways taught me to look at the whole picture, i always even, when i’m on stage in the role of my character somehow, but i try to control the picture that happens on the theater stage, but uh, you yourself know the profession, every director is ready to accept, probably, some offers from artists can sometimes be jealous, as long as it it doesn’t bother me, no matter how, and , of course, we are also always looking for some kind of border so as not to cross that’s all. it was up to us to conceive our ideas. no. of course, we all try to ensure that, first of all, everyone sees the director’s intention, and how the director present your dramatic material. well, you’ll still gain a little theater

experience, and maybe get into teaching. by the way, this year they are starting to work with children as a speech and acting teacher, i will try it myself very excitedly soon. the first classes will begin. of course, there are a lot of doubts about the fact that i’m also smart . not at all. uh, what can i convey to her, how can i convey to them my experience, which, of course, already exists. and what will be most interesting to them in this profession and in this art and yet, uh, the fact that you are now working at the kupala theater is an event. you consider it as luck or well, the pattern of luck is called strange luck. this is possible when a person does nothing, he is unlucky, i invested a lot in the acting profession , i invested a lot in the concept of what theater is, theatrical art has always strived and studied, and, probably, it was

a gift of fate and that opportunity, oh which i said before hmm given to me and here it was already my job is to take this opportunity. e on yourself and do it. so that later she would somehow work for me, help me or turn her away, but then the decision was made to try to come to kupala. the theater will take the main stage in such an iconic performance. and now, of course, i never regret that i did that then. do you remember your first day at the kupala theater, it was it was it was very intensely bright emotionally, of course, a young man comes, so deserved a little bit, as if you don’t understand the main theater in the country, the theater has expensive renovations, everything is so beautiful. you go and say that you are just there because scary these walls are breathing, it was a very pleasant day, because all the staff were happy to meet us. they

were happy to work with us. they also had warm eyes when they met us, just like we were all interested in getting to know each other. now i remember, it’s in such colors, but for them. we were probably some kind of intimidated chickens back then, because we came, of course we were, probably, at that time not completely at all everyone understood your first roles in the kupala theater and the guinea pig peacock. eh, it was difficult to get into the role and it wasn’t easy. of course it was very difficult. and firstly, i’ll say that it wasn’t me or my master course that they didn’t expect him to get, that this particular role would go to me, i’m still more of a joker, kind of funny, crazy and and what a magpie he’s probably more like that. so , after all, he has become the intellectuals, but i am very grateful to olga valentinovna and the artistic director tamara vasilievna mironova along with them. we are this done, probably the most difficult thing. it was like a week of rehearsals on a small stage with minimal decorations was enough for

me to succeed and everything was fine. but when we moved to the big stage, and i saw the scale of the auditorium stage, the number of services that work with us, both light and sound, and how it works for me as a person. it probably scared me a lot and uh, in the first rehearsal shown. this, of course, had a slightly negative impact . i was a little scared, but now, of course, i have a feeling that in this performance there are others for me, this is, uh, the most favorite performance of the theater, because i always watch it, i always watch how it lives, how it develops. this is an incredibly warm performance for me, and yet due to the fact that it is the first work on the main stage of the country. i have a special feeling for him. you were very worried before the premiere. yes, yes, i didn't sleep. of course, the whole night. uh, before the first one it went like this. it was very

scary. we didn't expect there to be so many spectators, especially at the first show, all three floors of the theater were packed with people, almost standing, and it also happened that i was having the first performances that were in the theater. i always started them. and this is so responsible. you also know from the acting profession that it is very important to start a performance to get the attention of the viewer well, and to this day i understand that there was some kind of responsibility to start a performance, it was very exciting, but it worked out. what helped you cope with anxiety? the guys and i evaluate the air very often. i don't know, is there such a thing, by the way, in other theaters? but my colleagues and i very often discuss the air that exists. e in the auditorium, the way we breathe with the audience. we go to the figurative, yes, that is, today the air is the same as the viewer today, like this, and then it helped a lot that uh everyone

was waiting for this update, it came out, and first of all, we were in such a little intrigue, how will people accept it, where will they laugh, where will they not? we didn’t yet understand what would happen and people didn’t understand, but at the same time we felt such a trembling breath it’s like a slight pleasant excitement, happiness from the fact that we are all gathered here today on this day, opening, showing the peacock the 101st season again, it was this air that helped to cope, and i didn’t forget the word of the role. no, of course, this is all we text we learn to treat our theater thoroughly , we especially pay attention to new ones in the language, how we pronounce we always improve this aspect of our work, we monitor others for our colleagues within the walls of the theater. we always try to speak belarusian . our theater broadcast is always uh, the first pershey bell sounds, the other bell rings, the other bell rings. usin, great range

performance, performance, over or are you following what they write to you, what they say, praise , scold at the moment, of course, yes. i'm basically very uh, i laugh, that's it, i really love all sorts of headlines, especially print ones. yes, once in my memory after the premiere of the play. the marriage came out. the article compared me to jim carrey, uh, and there, well, how i love people like that, uh, theater actor or i krug turned into an introvert under the wheels. yes for me it just becomes like that sometimes. it’s funny and this is probably the specificity that works. all the poison of critics who specifically determine what we do on stage, when sometimes we ourselves, leaving after many years of the life of the play, still don’t understand, who is our character, what is it about and why and why have we gathered here, therefore yes, i read to understand a little from the outside; moreover , it’s nice when viewers write on social networks and leave some of their reviews. i

even told you this story that i remember a teenage girl with school we switched to the peacock, and she wrote to me that it was her first time in the theater and her first impression of the theater will forever be with me all the way i played the role of yakima. i filled it in and it’s very important. this is our kind of gasoline , which we have for how to continue to work, to continue to live, to motivate, and without this our profession is probably impossible. positive reviews are more pleasant to watch and listen to. well, it ’s probably more useful for the critical ones to be negative. of course, reviews yes, but i’m not offended and critical yes, but why be offended, firstly, as if i’m not 100 dollars, so that everyone likes it, not some big amount, not a superstar. first of all, i always position myself as ilya krug as a person, and i always want to remain this person on stage, not an actor, but convey e - this is precisely this humanity. yes, i read if i understand what

is needed somewhere and what actually exists. of course, i try to listen and change something. someone. maybe i’m asking something again, but i’m never upset. because of this, our work is specific our profession, that we seem to show people. we must accept this criticism. we have to live with it. sometimes, of course, some artists perceive this very painfully, but this is a profession and we knew everything that we were choosing when going into this difficult business. and what do you most often criticize yourself for? why people criticize me, i guess i like to shout. yes, uh, as they sometimes tell me, nature gave me a loud voice and very often in life my friends speak to me more quietly. but i don’t have any such threshold, i say. i i say loudly, i’m low for the fact that sometimes i, perhaps, try too hard for the audience, which

is clearly visible in these efforts of mine, that, probably, sometimes it is not necessary for the audience so as to leave them with a feeling of life on stage, but for i defined myself in such a way that no matter how unhappy i was with myself. i have to move on with the performance and fight, even if i didn’t like it, it’s a scene, i have to go out and make it bright and beautiful in a new way, so that the audience likes to continue to fight, no matter what, and everything is not kupala’s the theater you leave, uh, from the maestromityar. this is who of them had the greatest influence on you, professionally, hmm. well, of course , we communicate with the very older generation. i can't help but mention my teacher. now it’s somehow strange to oleg, vladimir mitrofanovich rogovtseva during training was like this 10 mikhailovna was a creative mother, then this is certainly a creative father who gave us the principle of an artist’s work. eh, zena before petrovna zubkova, i always don’t like

talking to her. she and i play together the play marriage and although we don’t have blue text between us and only exchange glances with her, she always comes up to me after the performance and she and i discuss what happened like that. and what’s wrong? and this also has a very strong influence. and i very much admire georgievna zakharievich in mine, and now she’s coming out, then at the moment only the leading peacocks and at some events read excerpts from the classics of belarusian literature, and the way she reads how a person generally exists in his life, how much pain he endures and knows how to accept the proposed circumstance and retain the whole essence of deep fullness. it can't. to live with my highest respect for the adoration of this person and, moreover, some, probably, of her life principles, her hmm principle of life in the theater of work. he fascinates me very much and we are always happy to see and communicate with her ilya i heard

that some viewers are confused by the appearance of your undercarriage and marriage. yes, indeed, our performance begins with the fact that i, as the main character of this play of action, am on stage only in a coat and in underwear in everyone, of course , responds differently. these are modern performances. you know the reaction of the audience to some modern decisions, but we, of course, do not cross any line of what is permitted. no, we all keep it within the framework of what we are trying to move even a little. yes, in that historical era , which was so that the character, uh, well, justified that he was there for a reason, because we wanted him in this appearance , the performance begins. this is his lifestyle. it helps you in the role, yes, it helps you in the role and it helps as a person, because i’m generally such a person and i don’t like all these stories a little. i don't go to public beaches. this is always difficult for me. i’m so closed off to myself a little bit, and then

you kind of have to go out, and for me, even as a person, it ’s a great feat that i was able to take off my clothes, no matter how rude it may sound, and went on stage. it gives a little bit of my adrenaline, it gives the character a little bit of justification for how i can deal with this and further develop my role. about people, the knowledge of obyazsky's zyakim will be remembered we got up, went to work together, then came and lay down together. this is 24/7 a day. that is, when we are together, is every person creative? i think yes. it’s just that at the moment of school a person loses interest, profession and history. what are the harvests in terms of dream roles? i have already played a lot and, probably, almost everything that exists, even ostap bender played in musical theater

, the worst thing that was and remains for me is a live broadcast. i don’t know why, but i started live broadcasts. i'm afraid of everyone still. look at the belarusian project on our tv channel about a project in sports, in which the main factor of success is not strength, but knowledge of time and participants can upgrade their knowledge about sports in our program. and will fight in a battle of the mind, which sport is usually talked about the fab five and goalkeeper igor was the first hockey hockey for the correct answers. they will earn points, and lose them for incorrect ones. today we have a choice of three games, whichever you prefer. let's who is cooler than twenty three-time olympic champion and multiple world champion swimmer denis michaels michael phelps absolutely right.

what is the name of the bicycle race that has been held for more than 100 years in france? absolutely right, watch the intellectually entertaining show head game on the belarus 24 tv channel. ilya , you are one of the youngest artists of the kupala theater, you already have fans who regularly go to your performances. yes they appeared. it's nice that people come. eh, there were many cases when people came up after the performance and left some gifts at the service entrance. memorably, just recently two girls came and said that we saw you in the play marriage. they came now with a warm heart. we liked it so much, and it’s like we came from india and are leaving tomorrow. and we give you incense and people once write that

it’s been there for a while. but we thought you would come out there, but we wanted to see you. we are glad that you appeared in this performance. we'll come again, of course. it is very nice. your idea of ​​love, to what extent it coincides with the ideas of love, say, your heroes, there is a hot marriage heart. they may differ, but each hero still carries a little bit of the era. what i have in common with my games is that i am still a romantic. yes, i very much romanticize such a person’s life, very strong events in all my lives and my heroes. this is also inherent, they are also all romantics, they are all dreamers, they are all imagineers, they are all dreamers, and i ’m probably exactly the same in love, but still, probably, my concepts along with the characters differ, and dramaturgy is written that way that, probably, for each character it is clear what love is. i have personally, there are probably still a lot of questions about

this feeling about how it works in our lives. why does this happen? and hmm i still, but i didn’t want to , have ever courted girls. just as beautiful as your heroes on stage. no. no, it’s something completely different on stage; you have to fight from yourself very often. in this regard , because, after all, in life i am a little different , all this i try to separate the stage of my personal life. just like that. uh, in this regard, i’m such a closed person, i keep a lot of secrets to myself. well, that actor is probably bad who doesn't dream of acting in a movie. you've already had some first auditions. well, it’s probably bad, i don’t do that much, i love cinema. the sample was filmed. but, and i’ve been thinking about this a lot lately, the value of theater is that people come and see real emotions. movie. and so i worked a little. i already see that, of course, this is unconditional.

this is sincere art, it is the strongest, but still, there is a little lie in it, because you can put some music somewhere , put music somewhere, something like this, somewhere this, and in the theater i like to create, that same air, and for me it’s a little difficult when some projects are called. i see i understand that it’s not mine. this is how i can deceive people. they will still see through the screens and the camera what is inside me and if i show something completely different. and you have some. here is a dream to play some kind of, maybe specific, maybe undefined role. this is the plan you would like, if i am not mistaken about that, but you have already played what you wanted, and at the end of her life she says, of course no. no, and such an acting essence, she is greedy, greedy for herself, greedy for the profession in the good sense of these words.

that when you play one thing you outgrow these problems that were inside you and you have new ones and you are already waiting for something new to come to you, so it is very difficult for me to answer this question. for me, there is probably material in which i would like to exist in any role. this is the cherry orchard, my favorite play. chekhov is a treasure trove for me. eh, my world, the building of my worldview, a storehouse of how everything works in the world. how people live and in i am ready to exist in this material in any video that concerns your life in the theater. she is so bright and scenic that she infects you with creativity. think. yes, i have. yes, i'm trying now. i'm especially greedy. this event and new places, new people, new acquaintances, events, i go to all sorts of events , activities, lectures, choreography

, i do a little bit of vocals somewhere, i read something somewhere. i always try to make my life varied and, moreover, i really like it when literally i don’t have a free minute in my schedule and i often talk to my mother about this topic. so i say, and so does my mother. i’m still tired, i say so much , i don’t want anything. she says they know you to me. you can’t live without it and yes, such a poor temperament that i can complain, but deep down i will understand that i like it. and where can you see it most often in minsk, ha, i obviously forgot, except the theater most often, of course, in the theater. well, i think that i really like the victory square area, the architecture of this area, its infrastructure, how all these small houses were built there for walking. and at the same time, this is the center of the city, and some 100 sandbox, which is open there, where many young people gather to discuss their interests. just having a good time. that is, in fact, sometimes

i like to come, just sit in a place in silence, listen to him and take it. eh , take over the ten in the life of this place. so , a new theater season is approaching, what will surprise the kupala theater in the new season, and at the moment, as i said, our artistic director. we can boast of. we proudly restored the theater's repertoire in our two seasons. we have a full repertoire. how every theater has bathed and is going to surprise with its tours, its guests and new productions. it's september now. the kazan theater named after kachalov is coming to us, unique events for the cultural life of belarus - this is their first tour to belarus and , in general, the first such large-scale tour in the history of the kachalov theater, when the theater comes to us for a month and they have opened their season. this is such a surprise for belarusians spectators, we will also go to kazan to show

our peacock and we will already go to moscow, where we have been several times with performances and premieres of performances are planned. now, of course, we have bombed, all seasons have shown five to six premieres a year. now , of course, as we were announced plans, we will slightly slow down the tempo, but uh, we will work on a very good quality product. and, of course, kupalovsky will continue to surprise people in the regions of belarus; we travel a lot to even the smallest cities. sometimes we stop by in some villages we surprise people there, we get their reactions, smiles, laughter, applause, and this is a very important mission of our theater in general to show people. eh, in such cities we have belarusian theatrical art. our program is called the meaning of life. now for you, what is the meaning of life? i thought a lot about this question and due to the fact that i am still young and, of course, i can name many deep things, love, faith

, strength, truth, but it will not be sincere from me, because, probably, i haven’t fully lived through all these emotions of my life and thinking about what i am doing now in life. and what i’m trying to bring into this world now, the meaning of life for me is to live and make people happy. with whom i communicate, uh, loved ones who come. come to our performances to give them my energy, my emotions , my joy and do everything so that they rejoice with me. thank you ilya thank you. this was the meaning of ilya krug’s life , the market is recovering, what the numbers say we

achieved before the pandemic period, according to the past 22 years. we have reached before the pandominic period. and they probably even surpassed him. if we talk about tourists, people start and, probably, even in money, however , you should not be too deluded by these figures. although we definitely need to rejoice before the pandemic, we were still able to achieve serious diversification, and in addition to the russian flow and the cis countries, we worked well in western europe with our neighboring countries, a serious flow was from turkey, it began with just such a good interesting one from the arab states. and in principle, we have come to the point of starting to systematically work with india ; chains from china and others have proven themselves well countries there was a serious version that in the twenty-second we did make money. in most cases, this is a russian monotok. the federation needs to be taken into account, of course. this is a very good answer within the framework of sanctions pressure, which is difficult for everyone and the logistics

of the infrastructure. we went through a very difficult twenties - the first twenty years for us, but domestic tourism. it is the capacity of our belarusian market. she still won't allow it. uh, close all our infrastructure opportunities, countries like belarus, belgium, czech republic, they still focused on and export flow. that is, we cannot afford the fact that ahead of the pandemic there could be in china russia united states of america where there are enough tourists for their own infrastructure, so the numbers for the twenty-second year are good. well, stopping and working with the only country is not enough traditional markets in terms of exports for us, i would like to divide them into target and potential targets - this is where under any conditions and under any circumstances. there will be people from there anyway drive. let there be only a logistics opportunity in a small flow, of course. for us it is always the russian federation in any case.