the sleeping approach is now yes, now i feel like a professional and i try to behave like a professional, multi- instrumentalism is when you play a lot of instruments, but not one completely well. we started playing because i didn’t know how to play anything, so i had to master many instruments at once, and at some point it seemed that i could master literally anything, and the violin was my kind. well, it’s not exactly a dream, but it’s something really difficult. this is something that makes you, well, musicians. if you're already playing on this. i threw myself an electric violin for my birthday, for a whole year i made completely obscene sounds from it , and a year later i realized that i had somewhat overestimated my abilities and, with god , sent it to people. not everywhere, not at all everywhere. you can be a good drummer. i came for the same reason that we had not yet decided who would play what. in general, who strummed on the two remaining strings at boris andreev and who knocked on

the boxes of washing powder completely unimportant and in the process when we were building up some equipment. we 'll probably be playing one song for a very long time. so then we switched in a circle and played. so then again in a circle. and in general, in the end, there was a period when i decided that it was easier for me to play alone, without involving other musicians, and just write my own tracks in the studio. i had to do it a little. according to the founder , i approached each instrument, i polished my skills a little, and in general, with these skills i came to the drum group. not my main instrument. my main tool - these are guitars. but drums are the feeling that you are leading the whole process. so i have a dream to play the symphony market. and this is the feeling when you sit alone with one click. and you drive this whole car behind you. these are emotions that are worth

experiencing. that is, it’s probably impossible to explain a musician this way - this is a person who first of all writes, and this is not necessarily some kind of super-skilled musician. this is not necessarily a person with education - this is not necessarily some kind of technical level. this first of all, the person from whom he rushes, who performs his music, and the performer. more often than not, he will be a person with either education or a high level of playing, and he approaches music exclusively from a commercial point of view or not exclusively from all these concepts. they certainly overlap. these are the people. mostly they are disappointed, they are disappointed in original music, they play in a coverband and just earn their living this way. i work with a specific idea of ​​my own with a purpose. promote something that, it seems to me cool is something that can at a certain stage help some person who

turns on the music that we make or make separately. i want to get something out of this music that can support him at the moment or, on the contrary, help him get through some of his emotions, which sometimes you need to cry over your ex, in principle, people also need this kind of music, respectively my way to cope with burnout is to simply continue to do what you do, as if you burnout is not an eternal phenomenon, until it happens. creativity can sit drive some party to get a skill, all this, as if this whole thing is passing, go to a carpet band. i once played on the street with street musicians. we performed the first round there, but probably not for money. and for this atmosphere of a living, breathing city. you know, when you walk through an old city in any country, in any city, where there are preserved buildings there from some nineteenth to eighteenth century, where everything is breathing. there people walk

from establishment to establishment standing around musicians this creates the feeling that the city is living professional criticism, if we are talking about professional criticism , then this is just another industry of people who are very well versed in the issue, but they themselves are unable or do not want to create anything of their own, who are interested. in some kind of decoding, carry out a piece of music or anything else. they probably should exist, but they exist in their own world for their own audience, as if they i do not see any way of influencing directly the musical industry, because no one listens, they will never listen, we write what we want and everyone writes what they want or what they can. as for the criticism from people who actually suffered from this? i like i don't like this is all that you essentially do. you can say about some kind of music, everyone has a taste and can say that something is by definition

bad. this music is good, this is bad. well, my dear friends. this will not work; musicians are often serious people with the most reflective thoughts. well , if we mess up, we ourselves know perfectly well where we can't tell you that you're not good enough in the first place only has a negative effect. and secondly, well, it’s counterproductive and in khabarovsk, that is, please criticize. it doesn't bother me much. from this. i don't believe in samurai products. no, goals are only the path. exactly the same thing, and now i am completely focused 110%. we are probably his establishments. my plans for my own solo projects are very scattered across genres. you won't believe it. i have a project down to rap. somehow i also fell into this stream and produced something

of the same kind as what i will now do with my projects. i don’t know, we’ll see what happens. and if, well, i got there, it will be handed over personally for each musician, since in our collective everyone has their own wishes and the project itself and a lot of its own material is produced over the course of a lifetime. if for 15 years you come with three chords and play in the style in which we get you to play nothing more. according to certain years, it takes you to do this and collect material. just some kind of heap a wild, heap that there is simply nowhere to insert; in each style there are two or three tracks lying around that will never see the light of day. and maybe, thank god, music for me has turned from some kind of protracted hobby into a certain kind of obsessive-compulsive disorder. you simply cannot not do this. basically, that is, all this rushes and you walk, some melodies emerge from all the noises around you,

some ideas appear , some forms pop out from those compositions. well, where is it? well, where should i put this? here you'll walk with it. it will tear you apart. you just go on stage to express your emotions, not even with some super lofty goal. you just go and start to get something like this, this is music. rather, it is simply impossible not to do in our situation in mine. personally, i simply cannot refuse this, because it is internally pulsating and i have not done anything about it. here at our wonderful establishment we feel our main task is to get some young start-up groups here on the local belarusian the scene was created with such pressure that, in the end, it will push someone into the industry somewhere higher, somewhere higher, or a musician, must make music, and we really want to give people this start, yes, this is the best, the most

disruptive, the most talented, some kind of... then the trampoline makes the sound of the motorcycle itself a little better. he has a certain musical taste, harrel davis has patented the sound of the exhaust of his motorcycles on his motorcycles. this, of course, is a level of pathos on the one hand, but on the other sides. they have a fairly strong connection with reality. a motorcycle is at least your freedom in space music. this is your freedom of expression, it's perfect. things are directly related to each other and it cannot be said that one does not exist; without the other, of course, all people are different. we all travel for our own reasons and we all play for our own reasons, but for me personally. these are not even two different things. it's just what i am.

fertile land in our caring hands is the main wealth, when joy comes from i really want to share what i have achieved. create and develop carefully, preserving traditions in the name of a successful and happy future, where

everyone’s contribution to the common cause is significant. and life with others in the unity of love is true happiness. it’s always warm here from heartwarming moments and family views. together at one table belarus 24 is what unites us she walks through the city, as if hovering above the ground, straight, posture, slender figure, airy white, dress, no one will say that she is 76 years old. well why not? well why not decorate

her city with illnesses and old age, she decided that this was not her destiny and mastered yoga from scratch, which she now teaches herself. when she is told that it is impossible to stop time and preserve youth, she responds. look at me. these are not miracles, but willpower, desire and self-discipline are not a burden to you, no matter how much you like others and they will already wish for you. as you wish, 60 years. what are you, what a willing blokhina from grodno, a woman who motivates a huge number of people not with words, but with her example, how can you remain in business at 76 years old? in excellent shape to keep your mind and body young

by doing what you love and leading an active lifestyle, breaking stereotypes and proving that old age can be a joy. for the sake of a beautiful view, ninel is ready to walk even over sharp stones, and literally and figuratively, she thought for a long time where she could be effectively photographed during meditation on the city embankment. grodno is truly beautiful, but walking barefoot on slippery stones is not the safest activity for a woman, who is 76 years old. well, what won’t you do

for the sake of an effective plan? ninel flea in they know grodno very well, she moved here many years ago. before that there was a ballet school, then a folk dance ensemble, a school of television presenters vozstankin for courage , life and work in military garrisons. and when the family ended up in belarus, for many years i became one of the most famous teachers of coreography for the grodno residents, but i say hello, almost everyone knows me, as it were. and how many more of my students are grateful that i sleep with your mother , many glances at her gait, perfectly fitting her figure, lace dress and her absolute freedom sets her and the crowd apart. ninel admits

that it is easier and easier for her to communicate with young people than with her peers. she finds a common language with them much faster. it’s unknown what’s ahead. and when they see their grandparents and so on, it’s as if fear is developed inside them. and when they come up to me , they talk and find out that i am 76 years old and that all this can be reconstructed and directed in certain directions. here , ninel began to reconstruct herself after retiring. she remembers one day at the moment illnesses set in and depression set in. ninel went on vacation to tunisia and there she accidentally saw a rather old man who taught yoga. i

was so captivated. i forgot everything, looking at him, it’s called. i repeated everything after him, because i am a former ballet teacher. it’s not difficult for me and then after this workout i felt it. this is the ease with which marilyn monroe walks. returning home, ninel began to adapt yoga to herself, searching for information, and helping her own student, whom she taught choreography plus her own developed ballet base, and as a result, after 2 years , ninel developed her own original method of stretching yoga. and a few years later i started teaching it. hold 10-15 uninol group, small, mostly women 40 plus, but their stretch marks will be the envy of young girls, it turns out that the organs rejuvenate the most, if not

for adhesions, little blood flowed there tatyana came here after her friend, she was impressed how great she looked after just a few months training. just like advertising what she does and we see the results on it. that's all, and passing advertising. i need to talk to her, just look at her , not communicate and strive. besides. adult students admit that teacher neil is strict; she is not one of those who will simply praise and encourage. she will come up and directly say that you are not trying hard, and there is nothing to argue with a woman who is 76 years old. so maybe, but for some reason you, at just over 40, can’t. but to achieve such results

and keep yourself in the right shape. ninel, first of all, is strict with herself, every day is built according to a clear schedule , early morning rise and an hour of time that needs to be devoted to her body, gymnastics, stretching , contrast shower, facial treatment, if i don’t spend on myself, i don’t like myself. i have discomfort, i have different sensations, and now, strangely enough, i have the worst thing that can happen to me. oh well, there, i don’t have time, there’s someone there to go somewhere. self-discipline in everything and in food too ninel is not an adherent of any strict diets. she knows exactly her norm: 1200 kilocalories per day, five meals a day. rarely. he can

even treat himself to something sweet. the main thing, as she claims, is to learn to listen to your body. i immediately got a signal in some place that says, darling, what are you doing? i won't be able to cope with such a load then. i have to show it at training. how can i show you if i have a blockage somewhere, uh, intestines - that’s generally scary. i know that the nutritional system in old age is going on; many people underestimate the system body. already worn out. they don't just need to be supported. they need to be cherished and protected from unnecessary stress. those who eat late and those who watch tv have thin legs and that’s it. this is how i think, doesn’t a person understand that every 100 g after 560 goes to

the joints. they worked. they have already helped you and your children grow up, they have helped you at work. there is something to do with making a career and they helped the grandchildren and the dacha, and you still have 100,200 g and intestines. on what on your knees and feet wherever possible in social networks on her youtube channel, ninel constantly shares her knowledge and experience on various platforms. she has a total of 14,000 subscribers who admire her and write compliments, but only a few dare to follow a strict nutritional system, exercise daily, and lead a healthy lifestyle. ninel practically does not have his age at hand. that her peers look at her either with condemnation, or i simply don’t understand her and i don’t accept her yet, besides everything that i have experienced and changed the work of the country’s garrison profession. i was still constantly worried

but this image of a black sheep, but there is a core there, maybe for mom. maybe a ballet school, maybe television, because i studied at ostankino, self-sufficiency there. if you walk, then you walk, as if at the front , forward and to the end, probably, some kind of core, especially in the ballet school, they are there to overcome or drive. we continue to talk about the cities of belarus with pleasure. the starting point of our route is what most tourists have . station square, the author’s routes are hard to believe, but once upon a time on this earth there were ancient forests. and here was the largest trade route from the varangians to the greeks,

the most mysterious place. in the heart of broadway, a unique clock originally had no hands on it and later appeared, but at the correct time the clock showed no interesting myths or legends. they say that here on the central square, under the asphalt , a unique paving stone has been preserved. it was brought here in soviet times and see the skreb castle in the program of the city of belarus on our tv channel.