this is where our usmertsy uzmahu hands and such a native lake. just happy moments are formed by the accompanying traditions of our protok, we appreciate the past for our terrible belarus 20.

the most popular question on this show, how does he do the magic of art or technology, well, it’s time to feel the magic of illusion before it disappears with you yulia burlov. this is a cultural fashion project. from time immemorial, magic tricks have been considered one of the types of art, the history of which goes back more than 4.5 thousand years in all centuries and they have been used by all peoples very popular. this can be explained by the fact that people have always been attracted to everything mystical, unusual, mysterious and inexplicable. he always wanted to fly like a bird, appearing and disappearing unnoticed. he dreamed of subordinating objects to his will,

and it is the art of illusion that gives him the feeling of his own power. the appearance of a man from the fire, hypnosis, mind reading, levitation of huge objects, the mysterious disappearance of a girl on stage and her appearance among the audience, magic with colorful pigeons and teleportation, illusion, circus and variety shows the genre consists of demonstrating tricks and tricks, which, despite all their mystery , are obvious and logically create the impression of complete authenticity and reality. this is a violation of logic, which creates a wow effect, for example, a child does not know the laws of logic, for him everything around him is beautiful. and when an object takes off , adults are more surprised because they know that it shouldn’t fly, but kids don’t have this understanding. they are more surprised by surprise, the most magical profession is an illusionist, he is a director and choreographer. inventor and artist in one person

to make the impossible possible to create sincere emotions that are remembered by the audience for a lifetime; all devices of the illusionist are carefully disguised, his actions as well as the actions of his assistants. thought out in detail and practiced, each gesture has its own meaning. and good afternoon focus, how would you define this concept? i would characterize the concept of focus as an emotion, if the focus does not cause emotion, it is either a bad focus or not a focus at all. it must cause some the viewer's feelings are, for example, surprise, joy of experience. sometimes, maybe even sometimes, disgust is such a genre of magic tricks, but in any case, each trick, each trick should resonate with the viewer right in the heart and evoke some kind of emotion. is it difficult to become an illusionist? is this available to everyone in our lives? everything is possible, no matter who you

want to become, if you really want it, you dream, you do everything in order to achieve your goal, you will definitely do it . an illusionist is a very difficult profession. this not just some kind of sleight of hand tricks. no, this is also psychology is choreography. this is a speech scene, acting , directing, it turns out that the art of illusion combines many different things. my professional background is as a holiday director, and this helps me a lot in organizing illusion shows and various events. it’s just interesting how you came to this art. my parents and i flew to turkey when i was 4 years old and had just turned five. during a show in turkey in one of the hotels, and came into focus. i watched behind the scenes how he did everything there. i tried to figure out this or that trick during the performance

of the next artist. i'm like a child by chance. i took this magician's details without asking. as a matter of fact, he came on stage during the performance of another artist behind him and did this trick. it turned out that the audience applauded me, my parents did not interfere with this, and not just behind the scenes. well , we kind of scolded him a little, but we realized that we need to support our son in this area, and all at the age of 6 at his kindergarten graduation. i performed his improvised trick act, during which even the teachers looked skeptical at first. well, what can a child do, and then why didn’t they believe it? yes, they didn’t believe it at first. this is how i gradually started. matza performed magic tricks and at the age of 11 began to directly engage in the art of illusion and perform on stages professionally. i liked it very much. and i firmly decided to connect my life with this

, how important it is to develop. uh, the story and presentation for the act and the trick. this is very good interesting question, because i always believe that even the most boring trick can be presented. so people will watch and admire it. that is, every trick needs to be presented. eh, with a bit of modernity, i’ll give you an example, and harry houdini , a long time ago, everyone knows, freed himself from the chains of handcuffs, boxes, chests, and so on, but it was all, let’s say, in the old way. what if we make, for example, not a metal chest, but a glass one and fill it with water. or, for example, it’s filled with piranhas or something else or for example, uh, not easy. the person, let's say , frees himself from the chains, but also teleports and appears somewhere else. that is, in fact, the same trick, but with a new

theme and presentation to do its job, that is , an artistic atmosphere is necessarily created in my show, in each number a magic atmosphere is created that helps the audience to be completely immersed. here in this situation there is a miracle and magic. is it possible to feel an illusion? is it possible to feel an illusion? there is only one way and that is to come to me, i found in every room there is let's just say it's the climax. here is this magical note that flies by, as sparkle the audience catches it and gets simply incredible sensations. this is magic, joy , laughter, but most importantly, when the viewer sees this illusion and a note of miracle, he is like an adult. teleports to childhood, that's it. the main thing is what one cannot live without. i will say this: any trick, any performance, any action on stage is a huge merit. not

only the performing artist himself, but also the entire team, the entire team of uniform workers assistants and assistants went to ballet and so on, because even i perform on stage alone. well, for example, we take some number, then the viewer does not see the work of my entire team and this is exactly the engine that drives the miracle that is noticeable for the result. yes absolutely true. as they say, the viewer sees only the tip of the iceberg, but no one even guesses. what a colossal amount of work has been done to embody what is now happening on stage, because we are still creating an illusion. if for example, a juggler goes on stage and juggles , and his ball falls. he always has a second opportunity to repeat this trick. if i don't succeed in the trick, i won't tell you. okay, guys. stop. stop, forget it. now i’ll do it differently, because everything is yes. yes, it’s absolutely true how important the role

of assistants is. the role of the assistants is no less important than my role on stage , i must completely trust my team so that they do everything clearly, because well, you yourself understand the tricks, there is a need somewhere, and for someone to distract attention i have to do something secret assistant at this time. at this time, something else is being done , some kind of symbiosis must happen on stage between the main illusionist and the team of assistants. and when this symbiosis occurs. well, even the audience feels this energy. what is micromagic? micromagic is a type of illusionary art. this is when tricks, let’s say, are shown at arm’s length, that is, there are coins, rings, some money, cards like this, for example, there are many different types illusionary art. the entire sphere of illusion. it is divided into several segments, necromagic is the most small there are big illusions. this is when the girl is pierced there, there she disappears

and saws the teleport. liberation from the chains of handcuffs and so on, and liberation from the chain of handcuffs is even skey, pology. this is even a separate global topic that needs to be studied. eh, mental magic, mental magic is psychological tricks, techniques, hypnosis, imposing certain thoughts on a person and then controlling them. well and stage magic stage magic is some kind of medium-sized tricks, classics. let’s say the genre is like this, that is, there is a trick with pigeons, there are candles, there is something else, fire of some kind of flash. this is stage magic and , strictly speaking, comic tricks, you can’t live without it. we don't even have clowns in the program. we have a comic illusion duo, they work like magicians, but comic magicians. that is, sometimes something doesn’t work out for them. something turns out, drops, falls, and this makes all the spectators feel funny or light, and then i go out, i’m already showing real tricks, and

this is the contrast in the game. emotions shape our show. but there are also very interesting props, as i already said, there is a genre of big illusions, big illusions are when some big props are used, special boxes, special devices, and so on, there’s something special to tell about them. i don’t see the point, because you just have to come to the show and see with your own eyes, you have to keep the secret. absolutely right. the most important rule of a magician is never. no one under any circumstances circumstances do not tell the secrets of the trick. absolutely right. not everything that flies, an airplane, not everything that is not clear is worth reading with a trick. a trick must necessarily have a technique in itself, as in any type of human activity in the art of illusion. there are some tricks. for example, forcing or substitution. they are based on the psychology

of the viewer’s ways of thinking and the phygiological features of what the illusionist works with with balls , scarves and boxes. no, he works with a man with a spectator of canes and top hats - this is only auxiliary props , in order for the trick to turn out, the viewer must be attentive, looking at the action taking place, the focus does not occur on the stage or in the arena, but in the mind of the viewer in his perception of the action taking place. is it true that the entire modern illusionary world is a remake of old tricks? this is a very interesting and sensitive issue , there is a lot of controversy surrounding it. in this world , particularly among magicians, someone says that it is impossible to come up with some new act , someone says that the opposite is possible, and i i kind of support that side and i’ll explain my position on this one. you can use some old trick. eh, show it with some new special effects, for example, there are laser

installations with tesla coils with different special effects. there's smoke, sparks, flashes, anything. but if we use some new nanotechnology. by the way, you can use some kind of artificial intelligence on robots. now this is very popular, you can show the old trick. so it will seem new. but i still try to come up with my own tricks. it develops the brain develops thinking and i like it when i perform on stage with a secret trick that no illusionist, unfortunately, knows. there is a stereotype that a magician will definitely deceive a person, what to do if the viewer is negatively inclined. there are two types of deception, let's say. so the first type of deception is when, for your own benefit, you deceive someone; this person becomes ill. and it's good for you, this is a black deception. this is not even

an illusionary art; unfortunately, we often encounter this in life. this is a deception. and when people come to the show, they buy a ticket, they accept the rules of the game. they understand that they are going to a show where they will somehow tell something differently , leave something unsaid, divert attention, and so on, but as such, there is no lie in an illusion show. no , in fact, many people come to our show just for to be deceived. this is called honest deception, when i, well , sort of deceive the viewer, but the viewer gets pleasure from this, but still on stage, i do not deceive. i'm just demonstrating sleight of hand and mind reading abilities. i demonstrate the ability to control the minds of spectators, some special devices, some secrets after all, but

a secret. let me remind you for a moment that this is not a hoax. this is still an art, the art of surprising the viewer, how important it is for illusionists to be able to avert the viewer’s eyes. now, if we divide all the illusionary art into two parts, discard the sphere of mental magic, where some psychological tricks actually happen, and take stage magic, for example, when, as i already said, pigeons appear there, there are some items appear disappear. this is where the sleight of hand of the mimic is important, and acting skills are important to distract the viewer’s attention. i make a gesture with this hand, and with this hand. well, what did i take in this particular context in the context of stage magic - this is very important right here. one of the most one of the most important aspects of illusionists is talented people. thank you anyway. what is the main goal of art in general, illusions and illusionists, my ultimate task, as an illusionist as an artist,

is to make people believe in a miracle, the audience, when they begin to believe in magic, is inside it the heart wakes up, a small child begins to rejoice, sincerely rejoice , forget his problems in life, simply disconnects from the whole world, receives this childish sincere pleasure. and when i see that i touched these thin threads in the viewer, when i realized that the viewer is already inspired by my program. i also get simply colossal. pleasure, i really like it. and this is the most important thing.

people cannot follow several actions simultaneously; the skill of a magician lies in that several of his uncoordinated movements occur simultaneously during the performance. it seems that everything that the magician does is seen by the public, but in fact, this is not so, he simply knew how to distract the viewer, concentrating his attention on what he needs; this is the so-called elusive movements of illusionists in order to distract the audience from the main thing, some magicians look into the eyes of the viewer, as if we are hypnotizing others prefer to manipulate objects for this purpose, the illusion does not allow mistakes, you need to control every your movement and perform tricks accurately and clearly in the execution of this. what is important is the safety precautions, the serviceability of the devices and the responsible attitude of the artists to their work. masters of illusion. during the performance , as if hinting to the viewer, we

are not doing anything magical, but it is not easy to expose us in this genre, in which the only limitation is your imagination. do you know why some tricks are impossible to solve, because there is simply no secret to them. yulia burlon was with you, let's follow the cultural path together until next time meeting exactly in a week. this is a story about a difficult time in the life of the belarusian people. property of the polish republic. the border guards

brought your mother to eat poorly. who did it, the story of the struggle for belarusian culture, language and faith , a man without faith, son, the city is good. you know, okay then, go ahead, and here and there our earth is a story that will not leave anyone indifferent. yes, go wash your body for water for 100 days. why do people live if the end still cannot happen without faith? without love, therefore , this is why we live. and if none of this no, that means i didn’t find it. forget about me. i understand, i understand, but i don’t promise to forget the premiere of the belarusfilm on the other side, watch

on october 3 on the belarus 24 tv channel . the news is live with you elizaveta lakotka, good afternoon and in this episode. new items as well as favorite products honey, grocery vegetables and fruits on i