e croatia-poland lithuania latvia estonia tune your satellite dish to the express am8 satellite, the tv channel signal is broadcast in the clear and is available 24 hours a day every day. be with the tv channel belarus 24 and discover belarus the most

popular question on this show, how does he do magic, art or technology, well, it’s time to feel the magic of illusion before it disappears with you yulia burlov. and this is a cultural fashion project. from time immemorial, magic tricks have been considered one of the arts, the history of which dates back more than 4.5 thousand years in all centuries and they were very popular among all peoples. this can be explained by the fact that people have always been attracted to everything mystical, unusual, mysterious and inexplicable. he always wanted to fly like a bird, appearing and disappearing unnoticed. he dreamed of subordinating objects to his will, and it is the art of illusion that gives him the feeling of his own power. the appearance of a man from the fire, hypnosis of mind reading, levitation of huge objects, the mysterious disappearance of a girl on stage and her appearance among

magic with multi-colored pigeons and teleportation illusion, the circus and variety genre consists of demonstrating tricks and tricks that, despite all the mystery , are obvious, and logically create the impression of complete authenticity and reality. this is a violation of logic, from which a wow effect arises, for example, the child does not know the laws of logic, for him everything around him is beautiful. and when an object takes off , adults are more surprised because they know that it shouldn’t fly, but kids don’t have this understanding. they are more surprised surprises, the most magical profession - an illusionist, he is a director, a choreographer, an inventor and an artist in one person, in order to make the impossible possible to create sincere emotions that are remembered by the audience for the rest of their lives, all the devices of the illusionist are carefully disguised, his actions as well as the actions of his assistants. thought out in detail and practiced, each gesture has its own meaning.

hello good afternoon focus, how would you define this concept? i would characterize the concept of focus as an emotion, if a focus does not evoke emotions, it is either a bad focus or not a focus at all. it should evoke some feelings in the viewer. this is, for example, surprise, the joy of experiencing. sometimes, maybe even sometimes, disgust is such a genre of magic tricks, but in any case , each trick, each trick should resonate with the viewer right in the heart and evoke some kind of emotion. is it difficult to become an illusionist? is this available to everyone in our life? it’s impossible to do everything, no matter who you want to become, if you really want it, you dream, you do everything to to achieve your goal, you will definitely do it. an illusionist is a very difficult profession. this is not just some kind of sleight of hand trick. no, this is also psychology is choreography. this is a speech scene, acting

, directing, it turns out that the art of illusion contains many different things. my professional background is as a holiday director, and this helps me a lot in organizing illusion shows and various events. it’s just interesting how you came to this art. my parents and i flew to turkey when i was 4 years old and had just turned five. during a show in turkey in one of the hotels, he performed in focus. i watched behind the scenes how he did everything there. i tried to figure out this or that trick during the performance of the next artist. i'm like a child by accident. i took this magician's details without asking. as a matter of fact, he came on stage during the performance of another artist behind him and did this trick. it turned out that the audience

applauded me, my parents did not interfere with this, and not just behind the scenes. well, they kind of scolded me a little, but they realized that we need to support our son in this area, and all at the age of 6 for graduation in kindergarten. i performed my improvised magic act, during which even the teachers looked skeptical at first. well, what can a child do, and then why didn’t they believe it? yes, they didn’t believe it at first. this is how i gradually started. matza performed magic tricks and at the age of 11 began to directly engage in the art of illusion and perform on stages professionally. i liked it very much. and i firmly decided to connect my life with this how important it is to develop a story and presentation for a number and trick. this is a very good interesting question, because i always believe that even the most boring trick can be presented. so people will watch and

admire every trick you need to present. eh, with a bit of modernity , i’ll give you an example, and harry houdini , a long time ago, everyone knows, freed himself from the chains of handcuffs, boxes, chests, and so on, but it was all, let’s say, in the old way. and if we make, for example, not a metal chest, but a glass one and fill with his water or, for example, at full feasts there or something else. or, for example, uh, not just. this person will, let’s say , free himself from the chains, but he will also teleport and appear somewhere else. that is, in fact, the same trick, but with a new theme and presentation to do its job, that is , an artistic atmosphere is necessarily created in my show, in each number a magic atmosphere is created that helps the audience to be completely immersed. here in this situation there is a miracle and

magic. is it possible to feel an illusion? illusion? there is only one way to come to me, i found in each issue there is, let’s say, a climax. this is a magical note that flies by, as sparkle the audience catches it and gets simply incredible sensations. this is magic, joy, laughter, but most importantly, when the viewer sees this illusion and a note of miracle, he is like an adult . teleports to childhood, this is the most important thing, without which it cannot be a focus. i will say this: any trick, any performance, any action on stage is a huge merit. not only the artist himself the performer, but also the entire team, the entire team of workers, uniforms, assistants and show ballet assistants, and so on, because even i perform on stage alone. well, for example, we take some number, then the viewer does not see the work of my entire team and

this is exactly the engine that is the engine for the miracle that they notice for work. absolutely right. as they say, the viewer sees only the tip of the iceberg, but no one even guesses. what a colossal amount of work has been done to realize what is happening on stage now, because we still we create an illusion. if, for example, a juggler goes on stage and juggles, his ball falls. he always has a second opportunity to repeat this trick. i won’t say if i can’t do a trick. okay, guys. stop. stop, forget it. now i’ll do it differently, because everything is yes. yes absolutely true. how important is the role of assistants? the role of assistants is no less important than my role on stage. i have to completely trust my team to do everything clearly, because, well, you yourself understand the trick, and somewhere somewhere someone needs to distract attention. i'm in

it's time to do something secret assistant. at this time something else is about to happen. this is a symbiosis on stage between the main illusionist and a team of assistants. and when this symbiosis occurs. well, even the audience feels it, it’s energy. what is microgia micromagic is one of the types of illusionary art. this is when tricks, let’s say, are shown at arm’s length, that is, there are coins, rings, money, some cards, for example, there are many different types of illusionary art. the entire sphere of illusion. it is divided into several segments of necromanga - this is the smallest there are big illusions. this is when the girl is pierced there, she disappears, is sawed , teleported, freed from the chains of handcuffs, and so on, and freed from the chain of handcuffs is even skateology. now, this is even a separate global topic that needs to be studied. uh, mental magic, mental magic. these are psychological

tricks and methods of hypnosis imposing on a person. if some and then control them, well, stage magic stage magic is some medium-sized tricks, classics of the genre, let's say, that is, tricks with pigeons, there are candles, there is something else, fire of some kind of flash. this is stage magic and , strictly speaking, comic tricks, you can’t live without it. we don't even have clowns in the program. we have a comic illusion duo, they work like magicians, but commercial magicians. that is, sometimes something doesn’t work out for them. something turns out, drops, falls, and this makes all the spectators feel funny or easy, and then i go out and show real tricks. and here on our show is based on this contrast in the play of emotions. but there are also very interesting props, as i already said, there is a genre of big illusions, big illusions are when some big props are used, special boxes, special devices and so on

, i don’t see anything special to say about them. because you just need to come to the show and see it with your own eyes. you need to keep a secret, probably the most important rule of a magician is to never , under any circumstances , tell anyone the secrets of a magic trick, that’s why it’s a magic trick. absolutely right. not everything that flies. an airplane is not everything that is incomprehensible; it is worth reading with a trick . the trick must necessarily have a technique in itself, as in any type of human activity in the art of illusion. there are some tricks. for example, forcing or substitution. they are based on the psychology of the viewer’s ways of thinking and in the office physiological characteristics, which is what the illusionist works with with balls, scarves and boxes. no, he works with a person with a spectator of canes and top hats - these are only auxiliary props in order to in order to achieve a trick, the viewer must be

attentive, looking at the action taking place, the focus does not occur on the stage or arena, but in the mind of the viewer, his perception of the action taking place. is it true that the entire modern illusionary world is a remake of old tricks? this is a very interesting and sensitive question. there is a lot of controversy surrounding the illusionary world, in particular among magicians. someone says that it is impossible to come up with some new number, someone says that the opposite is possible, and i kind of support that side and i’ll explain my own position. you can take some old trick and show it with some new special effects, for example, laser installations with tesla coils with different special effects. there's smoke, sparks, flashes, anything. but if we use some new nanotechnology. by the way, you can use some kind of artificial intelligence on robots. now this is very popular,

you can show the old trick. so it will seem new. but i still try to come up with my own tricks, develop it. the brain develops thinking and i like it when i i perform on stage with a magic trick, a secret that no illusionist knows. unfortunately, there is a stereotype that a magician will definitely deceive a person, what to do if the viewer is negatively inclined. let's say there are two types of deception. so the first type of deception is when, for your own good, you deceive someone; this person becomes ill. and it's good for you, this is a black deception. this is not even an illusionary art; unfortunately, we often encounter this in life. this is a deception. and when people come to the show, they buy a ticket, they accept the rules of the game. they understand that they are going to a show where

they will be. to tell something differently, not to finish, to divert attention, and so on, but as such a lie on an illusion show . no, in fact, many people come to our show simply to be deceived. this is called honest deception, when i, well, sort of deceive the viewer, but the viewer gets pleasure from this, but still on stage, i do not deceive. i'm simply demonstrating sleight of hand, ability to read minds, ability to control the minds of the audience. i’m demonstrating some special devices, some secrets after all, but a secret. let me remind you for a moment that this is not a hoax. this is still an art, the art of surprising the viewer, how important it is for the illusionist to be able to avert the viewer’s eyes. now, if we divide all the illusionary art into two parts, we throw away the sphere of mental magic, where

some psychological tricks actually happen, and take stage magic, for example, when , as i already said, pigeons appear there, there are some... then objects appear and disappear. here here the sleight of hand of facial expressions is important, and acting skills are important to distract attention from the viewer. i make a gesture with this hand. and with this hand i have already taken something in this particular context in the context of stage magic - this is very important right here. one of the most one of the most important aspects of illusionists is talented people. thank you anyway. what is the main goal of art in general, illusions and illusionists, my ultimate goal, as an illusionist, as an artist, is to make people believe in a miracle, the audience, when they begin to believe in magic, is inside in their hearts a small child wakes up and begins to rejoice and sincerely rejoice and forget his problems. life simply

disconnects from the whole world and receives this childish sincere pleasure. and when i see that i touched these thin threads in the viewer, when i realized that the viewer is already inspired by my program. i also get tremendous pleasure. i love it. and this is the most important thing. monitor multiple activities at once. people cannot master the magician's skill and lies in that several of his uncoordinated movements occur simultaneously during the performance. it seems that everything that the magician does is seen by the public, but in fact, this

is not so, he simply knew how to distract the viewer, concentrating his attention on what he needs, these are the so-called elusive movements of illusionists in order to distract the audience from the main thing, some magicians look into the eyes of the viewer, as if we are hypnotizing others prefer to manipulate objects for this purpose, the illusion does not allow mistakes, you need to control every yours. and to perform tricks accurately and clearly in the performance of this genre , safety precautions, the serviceability of the equipment and the responsible attitude of the artists to their work are important - masters of illusion. during the performance, as if they hint to the viewer, we are not doing anything magical, but it is not easy to expose us in this genre, in which the only limitation is your imagination. you know why some magic tricks are impossible to solve because there is simply no secret to them. julia burlon was with you, we are following the cultural path

together. see you again in exactly a week. removed from the city mitusni here is your edge and your strength. fall down and take a special one minute. and let the elements help you get wet.

skinny croc and one not with nature , wild, guarding its own yelnya belarus hello, dear tv viewers, time to find out how our country lives and what the broadcast offers for the week belarus 24 for the next 20 minutes. a virtual journey awaits you to one of the pearl of belarusian architecture, a new place for healing and improving the tone of the body, as well as

traditionally significant dates, current events and the best projects of our tv channel. you watch the broadcast 24/7. my name is yulia, we are starting. yesterday, september 21, was the international day of peace, and today in our country, as on the entire planet, there is a day without a car . traditionally, its elements are urban bike rides in minsk and a number of other cities , with drivers offering free travel in public transport, according to the ministry of natural resources. one such day can eliminate up to 200 tons of carbon emissions per year. we will find out what other events marked the outgoing week right now in our traditional section. 19 in september 1967, the national polotsk historical and cultural museum-reserve was founded; it represents a unique

historical territory, including more than 100,000 storage units of 65 objects included in the state list of historical and cultural values ​​and 11 museums; a local history museum of belarusian book printing, traditional hand-made quality; a museum of architecture st. sophia cathedral and others thanks to its unique acoustics.