tv [untitled] BELARUSTV September 25, 2023 2:35am-3:05am MSK
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a little girl dreamed of becoming an artist fashion designer, i am a denier of the seventies, so to speak, our dolls were cinderella, a blue dress and a pink dress, little red riding hood. and, probably, that’s all, and there were also these naked merchants, such funny dolls, i always wanted something of my own, maybe, this is where my craving for creativity manifested itself, because well, it got to the point where i took ordinary cardboard and drew i cut out a doll on it, then i outlined it, drew the model, and made these bookmarks for hangers. well , i experienced it periodically. that is, you hairstyles and hats. yes it was. i got great pleasure from this. so there was such a story, when the film with office romance appeared, then all the women en masse sewed this dress that
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alice freindlich was wearing. my mother also sewed her own dolls and cut them. this is my mother’s dress , i understand her perfectly today, because, well, all the years. it was impossible to buy this. this is custom tailoring only. i took a risk, i did it. i sewed a dress for the doll. well, i'm probably still a child they say while i’m playing that the doll is still a little girl. i was born in minsk , my mother was born in minsk. grandmother, great-grandfather, he is a rock, and during the war he restored the belarusian railway. i am a railway worker and stayed in minsk, that is , i reached minsk with restoration and stayed here to work on the railway. and in principle, we now have the sixth generation of zheleznodorozhny. my mother is not connected with creativity at all, she graduated from trade college, she majored in kovrovets
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and worked for 30 years in the zheleznodorozhny palace here's another railway generation for you. my father was a simple mechanic, as if no one in our family was so connected with creativity. and when i entered trade school. i can say. in our family there were no traders and there never will be, and maybe that’s why it’s so difficult for me to sell, because, but i don’t know how to trade. i know how to create, but managers should sell. that is, for now i simply create because i like it and people like it. i love it when i put it on the sidelines at some exhibition. it's as if i were like this i'm just standing here, uh, in order to understand emotions, because if things evoke emotions, then it's different. it doesn’t matter whether
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it’s negative emotions or putting them down, and i noticed three types of emotions. uh, one emotion is childish, usually children. oh, why do she have such crooked legs? oh, such crooked hands or something else, that is, children have perception. these are the kind of dolls that look like they should be exactly the same. here is a model of a person. yes, although if you take the same doll lol this big head is an incomprehensible lollipop, well, for children, this is what opinion and two opinions of adults, either i really like it, or it’s scary and scary, not because the dolls are scary, but because they frighten. here are human faces. these eyes here start there. oh, there’s a soul there, it can move in . like this one. yes, yes there were such cases, well , this opinion also has the right to be. it’s not for nothing that our ancestors, when creating dolls, used amulets and painted faces. well, in this regard, i always say that i make them with such love
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that they cannot be evil, because i have already noticed more than once that i have to work. it’s just necessary, but if i’m in a bad mood, if i need something here, then i’ll never sit down to work in my life, because i know that i’ll either ruin it or nothing will work out. in general, i don't even go close to dolls. and when you’re in such a mood, you make a drive like it’s born. here's how these eyes appear, when you put on cosmetics, when you start removing your hair, what is she like, what does she scream? no, i don't want to be a redhead, i want to be a blonde. the doll itself begins to tell me from the very beginning, when i wanted to make the seasons collection, that is, it’s spring for me, i
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assumed ryzhik because spring is fire. everything blossoms on its own. but when i tried it on, it was this red color. i realized that this is not what it is. i see her as a blonde. here. well, no way, otherwise you start to sit there slowly. choose your hair color and see if it suits you. it doesn’t suit me , whether she wants to be like this or not, that is, well, she chooses for herself and despite the fact that they don’t just sit there like that. that is, i take several photos with different hair and only then specifically in the photo. i look at the color. well, she dictated to me that she would be blonde, but blonde means pink earrings. blue eyes, but with names the same story, but taking into account the fact that i have this from the four seasons collection. it's spring, oyster. there is
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a summer girl and snezhana is like that, the coldest, the most detached. probably because it’s winter after all, and i also have a collection of little pots, because, well, i’m working with the stove. especially in winter, because it takes a long time to dry, so i try to do several hands at once, then polishing. it’s all been all white for a very long time, because the work is dirty, it’s called rough work, and then when it begins. yes, this is the most beautiful thing when you start picking out earrings, because i, as a rule, immediately see my husband and i see some interesting chains of earrings. i buy it right away. i see something, i say it myself, that the doll dictates what it should be? and as for these unborn ones
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, it’s all still at this stage, that is, when the rough work will already be over, when the makeup begins to be applied, so to speak. as soon as the makeup appears and the doll ’s eyes open, then you can already look at the clothes, that is, what she wants to be, what she wants. it’s not just that you remove it, and then everything else. no, you make a face first. this is a very labor-intensive and painstaking process, because to create a doll, firstly, wire is used. i have a whole drawer here with various wires. i probably have all the tools i could possibly need. i want to relieve them and not just plaster or plastic is stuck there. and i reel them in. either through foil or through fabric, depending on what kind of doll i then plaster and only then i start applying plastic so that the doll is
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a little lighter, because i always make only plaster or only plastic dolls, it turns out heavy . the history of your country is knowledge that gives the answer to three most important questions. where are we from ? why are we who we are and how, based on our historical god , we build our strategy in the future like this you need to be careful about the news you consume, and try to avoid digital fast food. and if some news makes you overly emotional and
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wants to do something, most likely you are being manipulated. we have never threatened anyone, belarus is a man of compromise, but for the time being we don’t want war, we always want to maintain peace, and we will not allow anyone to tell us how to live the project with the help of weapons, political technology, or anything else? tell me, don't be silent, don't miss new releases on the tv channel belarus 24. yes, this is in the 21st century , instead of the whole world exploring new planets, and the correct evolution is to develop technologies. we are forced to face this social monstrosity called fascism again and again. we all see how the situation is developing in the southern refuges, already in the western refuges the level of terrorist danger, indeed , provocation will be more attempts at terrorist attacks on the territory of belarus, there will be more destabilization, there will be more attempts,
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especially in 24 for the elections and by 25 it’s not possible to relax, it’s interesting to demonize that we have created such a unique model of our state, which during the turbulence in which the whole world has found itself, we ensure security and the world is destroyed and another project objectively. don't miss new episodes on the belarus 24 tv channel . i immediately see what i want, that's why i don't
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like greenhouses to go with a neighbor, let's go to the market. i don't have a goal, i came, i bought, i left. so, as for the fabric store , i can go and have a look touch. if i'm interested in something, i save it for myself. then i think whether i need it or not, if i really like it, i can buy it. you don’t need many centimeters there, 50, that is, i bought it folded and it’s lying there, that is, it’s waiting for its best times, because all the clothes are sewn directly onto the doll, that is, they make specific patterns so that later, that is, it’s the same not a person, that’s why everything is sewn directly on the doll and fabrics that don’t stretch. they are very problematic. that is, there need to be grooves do something. this is the fabric, let’s say it’s hers. it would be possible to sheathe it like this. because , that is, not along, but during the transition, that is,
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well, these are such nuances. well, it’s all part of the work process, when you’ve already gotten a little burned, somewhere on something i had a story: i went into the store and saw the fabric. well, the scales are all in my head mermaid, so i dream of just making her all a mermaid , even though this is the same thing, but in the end i didn’t get a mermaid, but she didn’t want to be a mermaid, so i had to leave the fabric the moment when i took a naked doll with me and went to stroke it in order to throw it away while they were guiding me, it’s not that she comes, the idea. there is just a chain of people who, looking at them, want to create something similar. a friend once suggested that i make a celebrity. i don’t have people there who would impress me enough to make me want to do it. well, in the end i managed to make such a celebrity, and what’s more, i even met her and
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gave her a doll. yes it was the singer lp well she has such a slightly very complex face. well, well, it’s still a portrait doll. i needed to catch it. this similarity and i caught the most difficult thing was this and the tattoo on the entire chest. she was shocked. and in general, i’ll tell you a little honestly. eh, i was lucky in the sense that they told me where to look for it, because they agreed to let me go backstage, so that i would personally give it as a gift, and they didn’t want it in any way, that is, leave it, we’ll give it to me, as the author . it was important for me to see the person’s reaction. well me they suggested that she would be on the new radio for a 3 hour interview. well, i went there with these dolls, and when she arrived, they were already standing, open in open boxes, so she wrapped them up and the first thing she shouted was this. that's all. she took out her phone and started filming these dolls and started filming me. well, well, i’ve been flying with
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wings like this for a very long time, but i haven’t met him now. i gave you a doll. i just had a period when i broke my leg. it broke so well. it was four months. here is my sister nellie, she is for me gave a master class. this was 5 years ago. she gave me a master class and paid for it. galina has a dmitruk. you are our belarusian master puppeteer. and so i attended this master class for three days. i have eyes like these. well, it got to the point where, basically, i forgot to eat, forgot to eat. well, that's it, time doesn't exist. there is only me and there are them until i got the first one. here is my personal one. yes, i couldn’t calm down.
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that is, i needed my life so that this would finally be born, and now it’s not my first doll happened, it was alena, well , which is my personal one, but she really is like alyonushka because she’s so a little sad. she has a very long braid, such a thoughtful, slightly sad look, but she is so pretty. well, so lovely. well i don't know. now , many people still like her more than the others. i'll probably make three dolls in 3 months. that is, i was so bombarded by this, i simply can’t find another word. i just had such an extravaganza and here i am in 3 months. that is, to me was immediately donated. the stove dries like this for 24 hours, but it’s very thicker. the longer, and i needed all this urgently, because i wanted, i wanted to not be born as soon as possible, and then i got alena and
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two more, whom i have now no availability, because they were given as a gift, why am i a girl? they make me boys, i don’t know, i have a woman. this is a friend. she says luda, if you want a couple, you must make each doll a boy. i don't know why i don't do them. well, because, probably, here in my in childhood there were girl dolls, but there were no boy dolls. this is how they tell me that all the dolls look like me. i don't want a boy man. well, in the sense of a doll that will look like me. i think he will be terribly ugly. that's probably why i don't do boys. the only person who was somewhat worried about what i would grow out of, and the fact that i did not have a higher education. it was larisa
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alexandrovna, she worked with my mother. here she is to me all the time luda why aren’t you getting a higher education? well i'm 10 i finished my classes and am working on my biography as a worker. i am very broad, because i worked as a conductor and a salesperson, and in the subway i worked both at the cash register and at control , so i left my life and worked. well , i had a bit of a situation in my life that wasn’t very good, and my daughter was there to pull me out of there a little. she gave me canvas paints and said mom is painting. i say masha with the masses, what am i saying, i last drew the sunsets of russia there in deep childhood , she says it doesn’t matter, she draws here i started drawing alexandrovna started telling people to do it. i tell you what i'm doing. i’m almost 40. she says, i don’t know anything, i say, if you don’t do it, she says, i’ll just stop talking to you. well, i submitted the documents at my own peril and risk, but the most interesting thing was when i came to the university of culture for
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testing. i walked up the steps and i had a clear feeling that i was studying here. that is, i’m not just testing yet. i have a clear feeling that i am studying here. well, of course, on stream. i was the oldest, but this is not for us interfered very well. having fun while still studying at university. i was in my third year, and when i met the course, i already had to go to school, but the teachers taught the subjects. i went to teach fine art to the children of st. petersburg's eighteenth school. and this contact with children, yes, that is, when well, the features of psychophysical development, it is clear that you will not get from them that, well, how much joy they have, when they have something - it works out. even this little one, darling. this is a child. eh, thinking goes beyond the bounds. but exactly this is what is needed in creativity. so i’m
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going to tweak my pedagogy a little bit. so to speak , there are enough nuances in the work and that’s what makes it interesting. i'm like a teacher. eh, i can say one thing, my children love me very much. that's because i probably become a child with them. yes, of course, sometimes you have to shout, but in that case i tell them. i ’m going to bite you now, but they don’t laugh, but they fall silent, although i haven’t bitten anyone yet, no matter how much authority i have with them, they love me. i have one dream, though i don’t know how much it can come true; i dream of a creative center for children, but not in the sense in which we are accustomed to perceive it, that is, here is a
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drawing circle. here is a dance club and so on , and create such a center so that when a child comes there he can do what he wants to do at the moment, because here we have everything according to the program. yes, that is, today we are studying this. or maybe today the child doesn’t need this. this is not what he wants to do at all. and today he doesn’t want, let’s say, to paint something specifically there, but he just wants to pour out one paint, fill it with another paint and something there, then there is, it’s more of an art therapy program, and it’s well, here we have the program again. temples, and the flight of creativity begins when there are no frames. now, when there is no framework, then creativity begins, and uh. when i entered the university, my teacher, who
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directly guided my direction. my style is batik. she told me one thing, she says. i’m very glad that you didn’t study anywhere, because i went to university. i didn't have any artistic education at all. she says, because everyone who graduated from art college or something else, they all have frameworks and templates according to which they were taught. and you say it’s missing. this is very cool. and here is such a center for children. if all this is missing. i think this will be very cool, because the child will be able to find himself there. and his parents give him away artistically, because they want him to draw, yes, but this is more likely the realization of the dreams of the parents themselves, what does the child need, do they even wonder whether it makes a difference or not? yes i understand, we want him there achieved some results in sports or
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became a great artist. what is a child born with? but such a center, it seems to me, would help a child find himself, find his calling and do exactly what he likes. all inspiration is such a complex concept. i just might get insight at the click of a button, i might dream about something. maybe i just came in and saw the fabrics. i want a doll it is for this fabric or some event in life, perhaps, that i can be inspired by the dream of making a wedding couple, but i really want to make it large, that is, well, the dolls are quite tall , about 1.5 m, but again, the question. where should i make them then? just for myself, to have this one thing. i also have an idea. well
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, i don’t know how much it can be realized at all. i want to make a collection of belarusian dolls. that is, these gentlemen are our forerunners. so i want to make a series of works, just these costumes , yes, i always liked it when it’s something made on my own, especially if it concerns the house, that is, there must be something something that carries a piece of you, a piece of your soul, not just bought there well, in the end everything is the same. i want to be who i am. no better than others, no worse than others as she is. and this is probably the most important thing, which is why i am still searching for how these dolls are made. because, well, they turn out very heavy.
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24/7, watch on the belarus 24 tv channel. the soul has the heart of every one of us, what the nasheeds and great-grandfathers thought about, what the marys or what they loved , were afraid of, and what they wanted to tell us to their nashatki all the time by the folklore group milovitsa. we'll find out. who are the belarusians from but let's go to the refusal. no, it’s so important to keep yourself at home with you alina is not a war. theirs is a fashion project for culture. today milavitsah is a single child, shabnanye, and the dukatsins and open spaces of the capital and some of it is a noisebit of the authentic culture of the belarusians, the team members are engaged in the centers of dadot ducation of children youth of the kostryshninsky district of the city of minsk mostatsky kirovnik maria vasilievna.
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sinyakov. on the basis of the office i designed a sterilized belarusian one. the hut is a dick, you can discover authentic household items of belarusians, the adults of her naumov team, direct active affairs with the capital's republican and international festivals and competitive in the ear. you see matrazov, he showed up to the piramishians and laurat. seimau is a thunderous place folklore group. i scrub the yak pad can be dried for the body and grind with relatives of the traditions of the folk amstadts of the belarusians and yak to polish the monster of the fathers of the tires in the vast vastness. nadiya, good afternoon. good afternoon, the old-time slavs called the word milavitsa the pershuzorka in the sky and the goddess of the same name deprived herself of chemistry, the beauty of zhanoji, i’m walking, they look like ours, telegeldadsham you will have kava-dave to cham that's your name and i'm going to a.
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we came to this obedient collective to get caught, and the ceramicist mare vasilievna was filmed from your childhood and her dad will wrap her up in the sky, and he began and there the keen-eyed ones wanted, the great bear and so i said, look, little daughter, and what a great and bright zorka is in the sky everyone calls it milovitsa 18 brought this with the children’s room. here we have our collective activity, and she was doing more and more in 30 seconds. you thought your knees would be that you would reflect belarusian folklore for nikul, not i thought that among the dyatinska that i would study folklore, everyone was far from resting, but i didn’t enroll. at the college bridge she began to tear off the ducation of the choir paslyak equals or nashadrina called the university of culture to the department of ethnology and folklore, and i was velmetikakova. i immediately knew how to sense
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our traditions. i trusted that we had a lot of them too. the yans live their grass-plowing capedory in belarus, which in velma i hide, joy and culture, and i ’m sure i’m glad that i’m involved in all folklore. i take it and pass it on to the children. it doesn’t matter that children understand, others respect their culture, by the way, from the children. eh, hmm, it’s not so easy to get numb, what should i be not electronic yes and something to someone who comes to you or comes to
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