is possible only under the condition of the sole power of the people. september 17 is a date that teaches us that the belarusian people have endured a lot, they tried to divide them, they tried to destroy them, dividing first one part, then another, despite the most difficult inter-war situation, despite the conditions of the riga peace, despite the start of the war , world war ii in europe, the belarusian people in these? we returned to each other, we created our common home, now they will try to separate us again in order to destroy us one by one, therefore, we need to understand very clearly: belarusians as a people, as a nation have become established, we must now not allow anyone, along any lines of division, to alienate us from each other, neither along national, nor linguistic, nor religious lines, if we are clear understand that we have our own country, our own state, our own nation, for interests that... we are ready

to fight to the end, and the only red line, as our president said on september 17 , is our state border, and we will not give it up go, then we will save, thank you very much for this conversation, that ’s all for today, see you in a week, happily.

hello, you are watching the program say don’t be silent, in the victoria studio. and today our guest is the honored artist of russia, chief choreographer of the bolshoi theater of belarus, igor kolp. good afternoon, good afternoon, hello, igor pavlovich, you are already accustomed to being called by your patronymic name in the theater, in our artistic environment everything is like that, igor, there, sveta, tanya, lyuda, yes, it’s not accepted, but here how to get into the administrative environment, immediately already palchi, i became igor palochem much earlier, i came to minsk, so for

me this is such a natural environment in which i find myself, at the beginning of december at the bolshoi theater you take the next balletmey exam, present the premiere of the ballet illusions of love and they are already in full swing rehearsals, but looking at the photographs, we notice that your face is quite tense, walking heavily, well , i wouldn’t say tense, first of all, i didn’t come to be silent, to say about it, about what we started, for me this is such an interesting part of my life, because throughout for a long period of time i was in the capacity of an artist from whom other choreographers sculpted, and this function was so interesting to me, with each of the subsequent guys with whom i worked, i discovered something new in myself, now i just started to the fact that i discover some interesting moments in others and see this transformation, the photographs that we see, this is really the first day, for

me it was such a moment, on the one hand , a little strange interaction, on the other hand, i understood that i'm walking strangely enough from the final. it so happened that in my life, everything that does not happen, it begins first of all with a conscious ending, and then the path to the beginning, so on the first day there is a rehearsal at which we make the ending, no matter how strange it may be , many artists asked the question, what is here, and what, and where will we go, and what? i’m like, calmly, we have to do the main thing today and no one understands why the final? igor, the finale is spring, right? the finale is spring, so are you here? you start with spring, we start with that nothing in life ever ends, and that one state flows into another state, and there are no situations from which you cannot get out, allow yourself a dead end, i think that few people can, because since we are all, both in relationships,

in ordinary situations in life, we are still looking for options, for me the illusion is important, because today the transition of morning into day, day into evening, it’s interesting, the state when it’s twilight, when it’s foggy morning and so on and so on and so on then, basically the same thing happens in the relationship between a man and a woman, how they are built, why they are built one way or another , what is led to in the finale, i won’t say about the ending, now a strict viewer will ask us whether igor pavlovich was too carried away by illusions, no, not too much, because that the intermediate state is much more interesting than a clearly realized relationship, but then it’s not... love is still falling in love, so we’re talking about an illusion, you don’t yet know whether these relationships will work out or they won’t work out, that’s what they say my favorite actor anisenko, valery, she approaches him, but there is no kiss

, so this state, it seems to me, is the most interesting, expressing love is much easier, something in between is much more difficult and it also makes the viewer, i myself find it interesting to look at the guys with given tasks , because part of the performance, i would say, even probably 50% has already been staged today, because i ’m not in a hurry for a lot of time, uh, the current repertoire of the theater is on, in which artists are also naturally busy and this is the ratio that the season was finally calculated, how much time is needed, but who can give guarantees that it will be delivered exactly within these deadlines, so it’s even interesting for me to watch. what happens every day when you say, no, there is music, there is such and such a task, you love, you don’t love and how it happens, and you understand how we all sometimes want freedom, but when we get it, we don’t know what to do with it, we all want to fall in love, we all want to be loved, we all

want a lot, but as soon as we get it, sometimes we get lost, for today day, looking at the guys in the hall, i understand which of the pairs moving at the same time, finds that contact improvisation for interaction and for relationships, for the beginning of relationships, on the second, on the third day i sometimes change pairs, this also creates some kind of trembling and i see what to do next, because i don’t know how to work, when i said, let’s do it, that is, this is not an option, the option is when you jointly involve a large number of people in the process, at the end of the performance there will be, the whole troupe of the stage, the whole the female cast of the ballet, that's the one dissolving illusion of today, it will embody create an atmosphere in which, first of all, my task is for the audience to leave thinking, in this performance, igor

pavlovich, you will solve the secret riddle of the three sha, it so happened that the music of shastakovich, shapin and suddenly leonida shirin, from those. thousands of composers who are now members of our composers' union and dream of performing at least once on the stage of the bolshoi theater of belarus, do you choose them by last name? actually. i haven't had it for a very long time the musical component of the performance was taking shape, since the idea was not big, uh, one-act ballets, but at some point i thought, well, why not take a chance on a larger form right away, when, especially since i obviously received information that one-act glasses are not so popular, they are not in demand in our country, in the big theater, so i doubted for a very long time whether it was necessary to make a large form or take small steps into this profession, when one day shestakovich was already selected,

already at that i didn't even know that it turns out that shestakovich did not perform on the ballet stage of the bolshoi theater, it was actually just a choice for me, after the fact information came that shestakovich would also have a premiere, oddly enough, on the stage of the bolshoi theater in the ballet, shapin is a natural selection , since we have no other romantic composer to perceive the illusory. relationships, and of course, when you understand that it is not possible to unite shestakovich and chapin, even though times change, the attitude changes a woman's view of relationships, this is exactly how i build a performance, one evening , lenochka bolabanovich brings leonid leonidovichin to my office, this is the press secretary of your theater, this is how leonid came to me.

embarrassed, self-conscious, all so tremulous, gesticulating, articulating a lot, brittle, tall, handsome, and i had such a state, at the end of the working day, absolutely, i think, that’s what he’s fussing about like that, fussing, the complete opposite of my condition, that he broadcast that i was shocked by all the fame, incredible modesty, in communication, delicacy, uh , having introduced myself, i’m sitting, listening through some kind of prism, through a veil of fatigue, uh, i ’m saying, and you have some kind of... then a fragment, listen, yes, yes, yes, and i understand that he has it here, now somewhere in his phone and he cannot cross this threshold, and i say, so maybe we are doing something now let's listen, so why waste time, but he puts on a fragment, i understand that intonationally, this is built-in music that can

integrate into the performance, and then i understand that shostakovich, shapin, i say, what is your last name, thus the third sha arises, other composers, except leonid shirin, do not offer their works for the bolshoi theater and you, in particular, last season ekaterina nikolaevna dulova organized a meeting with composers of belarus and it was, as it seemed to me... quite fruitful, maybe not as lively, not as active as i would like, but uh, after the meeting it wasn’t that i wanted to, it seemed to me , what when such opportunities open up, the big theater opens its doors, uh, write music, bring ballets, ideas, interact , it seemed to me that it should burst into flames right now, but nevertheless it so happened that, in addition to the liyan, this inertia is very offensive, really listen, on the one hand there is inertia, on the other hand, perhaps the necessary comes at the right moment. leonid is responsible for here, now, for today,

for us now living and perceiving these very illusory relationships that are so are interesting to me today. i will remember one story and allow myself to gossip with you about leonid shirin. i remember him almost every day when i’m driving, once we were driving in the same car, and he really doesn’t like speed. and he tells the driver all the time, on the highway. our 90, well, i hope that when working on the play he will also observe, he just doesn’t follow the speed limit, because somewhere there are some rough edges, he immediately offers options day and night, it’s amazing, here no , the question is that we can somehow delay something, after all, leonid motivates me to move a little faster, despite the fact that i’m not standing still, and... and thanks to him that

including, well, it’s quite hot in the theater’s sewing workshops now, your craftswomen are sewing 230 costumes for the new one for the premiere, are you serious, 230, well , first of all, we have quite a large number of characters, we employ all the folk, honored beginners and intermediates, i beauty is necessary, if we talk about love, first of all it is beauty, we are not even talking about some external... moments, since we all know perfectly well that being beautiful does not mean being happy, in this regard, the periods that i touch upon shestakovich, the beginning of the last century, we live at the beginning of this century, the pioneers are close to all of us , which is also included, it seemed to me that this is very relevant today , and well, in general, the uniform, you see, is beautiful, firstly, it’s beautiful, and secondly, this is my childhood, which is directly connected with minsk, that’s why the number - that's not the biggest thing number for performances, even though there are currently 115 people in the troupe, but

for us this is why such a grandiose figure, we know what it means to sew three costumes for the presenters, and 230 for... some kind of theater will have an impact, this is a change, this is, i don’t know, the designer of the role, the miller malakhova, but i’ve loved the vitebsk artist, lyudmila tarakanova, for a very long time, i’m at all the festivals, well, somehow i note that she has an affair with a man’s suit, she can do it very beautifully, yes stylize, i knew i would come today in her suit, in her suit, well, how did you and lyuda find yourself, is this her fur coat, is this her fur coat? and here is such a moment, i was categorically against it at the artistic council, because even being the main baritmester, i have to defend my right to stage it at the technical council, at the artistic council, it is precisely this fur coat that leads me to slight confusion, with its color scheme, lyudmila calls it a cyclomen, so for me it’s still

a story with three big questions, but nevertheless, each of me is like this..." i remember very well in my childhood, remember, there were such cockerels, and scarves were sold in a set, but i didn’t have this color , i had a green one, so only this reconciles me to the fact that this is really reality and this is reality, i had it exactly like this, only short, that is, she finds herself in an era, so we find ourselves in an era, and of course with lyudmila, with her there is also madness. on the one hand , it was difficult to integrate strict boundaries into the process, because how did you find it? where did you meet? we met vitya, we met first on one of the social networks, because i i also follow what is happening in our fashion world, this is very relevant, and lyudmila , such a person is timeless, she dictates the direction, it is also incredibly

interesting to follow her, i am a team player, guiding, collecting... and i believe that success is only when there is a team, regardless of who, who is the leader in it, that is, i am strong when i am surrounded by truly masters, individuals in their own areas, lyudmila, one of them, we discussed the processes at first, just some kind of purchasing things , since i was in vitebsk twice last season, and so thus, when i was at one of the famous festivals of modern choreography, we met, i offered to work on two performances, i did not understand which of them would take the palm and what would be more interesting to me, it so happened that illusions developed, despite the fact that lyudmila was interested in another idea, our set designer olga, an absolutely wonderful person, after the city of zhano, in the national art museum , i was shocked by two or three works, in my opinion

there were olins, when the perception of the female against the background, in principle, may not be the same ... lungs women's destinies in our country, i saw three absolutely bright images of women and understood that i needed to meet this person in order for us to do something further, at that moment i did not plan to do anything, and we just met olya, we talked, later olga became a key link in the design of the stage space, a person who absorbs like a sponge, because i don’t... i say this completely, rather i throw in some information, my feelings, my interests, in general, but not without specifics, olga turned out to be the person who connected us all, she connected lyudmila, who is very active, but does not fit into the format of the preparatory process of a worker in the theater, since we

know that you can attach the fabric like this, so for lyudmila - this is, in principle, ready product. in the theater we are obliged to provide clearly along the lines of how it goes, how much fabric is spent on each costume, from the segments attached to the sketch, if lyudmila has scribbled like this with a pen, she says, here this will be, this, this, this is what we are obliged to do imagine, then theater is completely different, service, so put lyudmila in such a small box with her large measure, olga partly did this, with us olga is the person who reunites the irreconcilable, at the same time... creating incredible beauty of space, fill it with your ideas, and is also responsible for the first component, because... there is not so much experience interacting with the theater, with a large number of people, especially with ballet, this is her first ballet work, olya managed to reunite us all to take the first

part, in our tandem it so happened that everyone seems to be pulling in different directions, and ulya gathers everyone, we will inflame again, she again gathers everyone with her complete calmness, lyubov sidelnikov was recently appointed chief artist of the bolshoi theater of belarus, we sincerely congratulate lyubov oktyabrinovna with this appointment, by the way, the phrase should be: the theater does not forgive failures, will you agree with your colleague? no, i don’t agree, i congratulate once again lyubov to tebrinovna, since we are on excellent terms a lot, those concerts for which i answer in the ballet summer festival is designed primarily by lyubov ktebrinovna, in this regard it is very easy to communicate with her freely, i do not agree that the stage does not forgive, the stage forgives everything, it’s another matter that something remains or does not remain after that amount of time brought in order for something to be embodied on it, we know millions of failures, however, this did not

spoil the scene in any way. and let's listen, by the way, how the honored artist of belarus, lyuda khitova, spoke about one of the failures, playing the role of giselle in your play, igor. come on, in this one i’m leaving from under the stage for the first time, that is, in previous versions. we didn’t have such a decision, my mother doesn’t need to watch this, because my mother is such a very sensitive person, i myself have tears welling up in my eyes, in the very last scene, when i’m leaving, all i have left are my hands and albert tries to catch these hands, they go underground , that is, this is such a moment that there’s even a lump in my throat, what can you say about working together with her, with the little girl, my hope is still... giving a lot of inspiration, i’ll probably even say, today, this is our everything in ballet, since one generation is passing away

gradually, this is my generation, this is olga gaiko, this is irina eromkina, this is marina vezhnovets, these are the girls who graduated next behind me, from whom i have known since childhood, lyudmila is the key today, she is our italian star, the primabalina of the bolshoi theater, i hope that she is also behind me. counting the beginners and elizaveta musorin, anda kadroten, now barabanov, therefore, what lyudmila does and what she did to herself in giselle, i give, i take off my hat, i give her what she deserves, because it was important for me to convey that it was precisely giselle that was, in principle, that first step to illusoryness to the illusions of today, lyudmila embodied everything she could, because i didn’t believe it at the initial stage, i clearly understood when i arrived that i didn’t have giselle, that, strange as it may seem, her heroines were not hers, her heroines and how patiently, painstakingly, uh , feeling my pressure,

sometimes it may even be so bad that time goes, but she doesn’t line up, and she needed much more time to understand what exactly i need, why it’s needed , it seems to me that sometimes it’s even harder for artists than, uh, directors, choreographers, who see the finale and lead yourself. artists do not always understand what and how, that is, i understood how the second act of giselle would be built, i understood the whole outline, the entire duration of giselle’s life, both today and on the other side, therefore, and people were more difficult, this part was danced, that is, she was already done absolutely in tune with others authors, but in general it seems to me that the interest lies in finding something new every time you bring something, so luda made incredible efforts on herself, despite all my rigidity and pressure, which, no, is not so, no, not like that, no, don’t look there, no, don’t straighten your hair, no, no

, that is, it was a tough process with luda, i needed giselle, otherwise there was no point in taking on this performance, uh, so luda i would even say that she dragged the second cast along with her, this is eliza musorina, the girl, which i saw at school, and i realized that after luda, who could be, what a cruel ballet world you have, igor, our generation, he says, in our presence tatyana is already leaving, let’s take a short break, i remind you, we have a telegram channel, don’t be silent, subscribe, ask questions and suggest guests, we are in touch.

a project about sports in which the main factor of success is not strength, but knowledge. time to put down the dumbbells and upgrade your knowledge about the sport. in our program, participants will fight in a battle of the mind. and what sport is usually called a "fab five" goalkeeper? igor was the first. hockey. hockey, for correct answers they will get points, and for incorrect answers they will lose them. today we have.

there are three games to choose from, which do you like best? come on, who's cooler? twenty-time olympic champion and multiple world champion in swimming? denis, mile phelps, mile phelps, it’s absolutely true that the name of the bicycle race held for over 100 years in france, tour the france. absolutely right, watch this intellectual and entertaining show: head game on tv channel belarus 24. the program say don’t be silent is on air again, and today our guest is the chief bullet-master of the bolshoi theater of belarus, igor kolp. igor pavlovich, we settled on the fact that we are the same age and started talking a little about our generation, went on pause and i remembered what a fantastic shape you

are in, i can’t. i don’t want to mention this and i want our viewers to admire this miracle. how to understand this? how to understand this, every year has become a tradition for the second year, or rather in a row, we are gathering with the guys from the merinsky theater to honor the memory of our teacher gennady naumovichago in the pushkin mountains, if the first year it was like a desire

to go for everyone to get together, especially since i moved from one quality to another, from the merinsky theater to the bolshoi theater , from st. petersburg to minsk, of course it was such a surge for me, emotional , when you return, and you are not here and not there, and you are not here with your brain yet, with your body still there, that is, when such a state, and gennadich , which has reunited us all these years, already in this year it was a conscious decision that we... will come to the pushkin mountains for a year, many wrote about why you don’t do this in st. petersburg, why don’t you do it somewhere, the pushkin mountains is his place where surprisingly, everyone is now waiting for us, since this has become the key event of the season, when the artists of the marinsky theater come to dance absolutely free of charge in memory of the teacher, this is such a very good form of gratitude and an opportunity for me, including

the stage, because this is not an end in itself, it seems to me that i have said everything that i could say, because the repertoire that is behind, and even what is offered today, does not stop me from going out, but uh, on this path, on the path of the main i was a master of the bolshoi theater, of course, i would like to succeed primarily in this direction, and these 3 years that i have chosen for myself, including illusions created from scratch... invented for me, are a key exam, which we immediately told you about , with myself, because i believe that success is only then when you are honest with yourself and thus you are given or not given opportunities today, these 3 years for me are tests that i am going through, not some position at all, not at all a desired place to occupy, this is a clear

exam, it’s clear that i don’t... understand as a choreographer whether i rightfully occupy the place of the main choreographer of the bolshoi theater, but at least i will understand for myself whether there will be interest in addition to what i do while in minsk, since i would like, so that i could still rightfully be a master, once a theater director, a large, large theater, i won’t name either the name or the theater, told me that the most difficult thing in the position was to withstand the flattery and denunciations of the artists against each other, is he right? both of these are today a huge test for me as the chief political officer, this is where it began, it is being suppressed, uh, today, it is being severely suppressed by me while in this capacity. the new season, the ninety-first season of the bolshoi theater, uh, is starting with 13 young

specialists, including among them ballet dancers, but you are in no hurry to perform on stage for them, you still dance, as we see, you come out to the audience in gola concerts. can't live without it? in holoconcerts i go out at the big request of first the chief director of the bolshoi theater anna dmitrievna motor, as it was at the revival, since it was part of the concept of super-necessity, there was absolutely no such thing, uh, but nevertheless, when the story is told to me, what is what why should i be there, i don't deny myself this. regarding the project which there were a large number of them on this anniversary. season - initiated by ekaterina nikolaevna dulova as the general director and it was unexpected for everyone, we had the rostov musical theater with its performances, and this is all a continuation of the anniversary

season, it all lasts, lasts, lasts, we also had a holoconcert in honor of the arrival of the governor of st. petersburg , thus, i also did not have any desire to go out, but nevertheless, since we communicate: for a very long time with ekaterina golanova, who is general director of the now world-famous festival, which has been held in st. petersburg for many, many years, with whom i have been interacting for the same many years, in addition to even st. petersburg, this is a large touring activity around the world, an invitation that was impossible to refuse, i was forced, well, not then, in fact, in fact , yes, since my coming here was not... the main thing in order to continue, although i know such people there too, igor zelsky, being the artistic director of the novosibirsk opera and ballet theaters, appeared on the stage in performances, and also, being the artistic director of the stanislavsky gorovich

danchenko theater, also appeared on the stage, i always looked at him and analyzed, is it necessary? come on, my current interest is to succeed in a different capacity. everything has already been done there, it’s more like something for the soul, since i can’t dance, everyone knows that i record some videos with myself, i post them on social networks, i was even shocked that some of my friends told me, you you understand that your advantage is that you are a dancing chief choreographer, i never thought about it because i danced all my life, when social networks appeared, it became natural, just like breathing, does it feel? i think that this is generally part of my purpose, to open, interact, attract, a very long time ago in st. petersburg i was at the productions of the famous spanish choreographer, nacha duat, now he has released an opera at mikhailovsky, yeah, carmen,

opera, and you’re talking about that they will take place as balletmesters, you know, today it seems to me that this is a mixture of everything, styles genres, universal specialists, it is generally possible, you will agree, now the line of power in the theater has changed a little, that is, the name, if we look at the omniscient theaters in russia, there are no longer main pain masters, there are artistic directors, there are people who dictate the direction, attracting , giving the opportunity to another choreographer, most likely, this is probably the component that would be much more interesting to me, but since today in our theater we have a chief director, a chief conductor, a chief choreographer, chief harmonica master, so this is a much tougher path, when you are obliged to stage, you are obliged to say and prove to yourself that this exists, unfortunately, but are you capable of touching and staging opera with such insane courage?

koperi is not on this path yet, but i go with great interest to all the performances that are included in the repertoire of the bolshoi theater, opera, i mean, i generally dream of working, i hope that maybe this option will arise, with a director in ballet, and i'm so glad that you are from st. petersburg you’re bringing this spirit, you know, this culture, this is very, very cool, we’ll see. look, and recently you became the host of the new season of the bolshoi ballet on the russia tv channel, you passed the casting on a general basis, on a general basis, it was surprising for me, because at some point the bell rang, uh, when i was asked the question, is it possible? i have the opportunity to come to moscow to hold an event, but since we were on tour that day , we were on an international tour of the bolshoi theater in russia, i said no,

now i can’t, then i can’t, and there i can’t, and there i can’t either, they asked me if perhaps there were some videos, and if i held any events at all, i said no, there are no events there was, but there was such an advertising campaign, we had an exhibition on tourism, that this is sports, tourism in the sports palace, and so the theater sent me there, to give, talk about the theater , to hand over two tickets when tatyana and i went there. come, i say, tatyana, where have we come? there 's no one here, there's no one here, there's no one here a small piece of the stage, we have a presentation for 15 minutes, and we came somehow ahead of time, i walked around, looked, i thought, what will i do, who will i be here, what to tell about big theaters and anything in general, i i went to get acquainted with everyone about some kind of sanatorium promotions, i also began to prepare in advance, because i was afraid of failure, and i realized that i was starting... to worry, my heart began to beat, and so i went and prepared first

ground, then it’s very difficult to speak when music is screaming here, an orchestra is playing there, something else, if only someone could hear us now, forum organizers, please think about your speakers, because if the music is blaring, i realized that i would fail in all of this, and thus, when i had already approached this space, our time had come, i was ready for this very fragment that tatyana recorded for me, for social networks, i sent it, after which i received another message saying that you could come to the casting, five years ago, for it would sound to me like such a casting, i'm an artist mirinsky theater, in and it would be like that, even i remember when i was invited on a tour of japan in japanese cities with a very famous one calling me... a japanese ballerina, there was her kusari, with choreography by roland pitti, she

called me for three moments to be her partner, for three fragments from the play by yarollano, and i was already inspired that i was going, i was flying, i was so wonderful, at some point i received a letter from the foundation saying that you could n’t would like to provide some of my notes, then my self-esteem immediately dropped to the plinth, and i was terribly offended then i made a disk with... my performances and i’ll say, i probably sent the kromola by regular mail, that is, in any other situation, i probably would have sent, naturally, some kind of express, in the evening, here i sent regular mail, i was going on tour with the marinensky theater and receiving an incredibly touching letter upon arrival, saying that dear igor, i liked you, and it was all in such bright colors, and then i got tired of my kind of... this ambition, it’s like i was invited, but here

omitted, so then the casting seemed to me like something like this, well, how can it be, i’m in the mirinsky theater, i and the star was wolbo, of course, and what’s surprising is that at the moment, when i was called to the casting, co-lead svetlana zakharova for the big ballet, i didn’t even have any thoughts, that is, i’ll pass, i won’t pass, i knew that i had to, i had changed, there was a personality transformation, i think that yes, and that’s natural too. because, well, firstly, i’m not a presenter, secondly, i’m not an announcer, this is not my profession, i don’t always i like it when i say, even what we’re talking about now, i’m sure that i won’t watch it on the first try, but i really like that you’re making this attempt, you ’re absorbing all the diversity of life like a sponge, i love reels , i will once again draw the attention of our viewers to the screen.

well, this is wonderful, this is reading the text before recording, reading the text, this was a difficult period for me, because i worked with a speech teacher, now, again, i don’t comply with anything that is necessary, but now i’m in a different capacity, i'm your guest so you can, you can relax, you can speak and... after filming , this is also completely unusual for me, filming was from morning to evening and it was very, very difficult for the participants themselves, it was a process when from morning, 7 am to 12 noon rehearsals in different places, the filming of the musfilm was carried out, it was not the easiest to record, especially ballet , but what a blessing that it was all,

did you come to moscow often, i would like to ask, and how does ekaterina nikolaevna feel about your foreign business trips? i was afraid of moscow all my life, twice as an option, continuing the journey, and much earlier than there was a choice before where to go to minsk or moscow, today i use moscow as an opportunity to come and see something interesting, see, listen, go to exhibitions, watch performances, ekaterina nikolaevna is one of those who -the first believes this is a necessary quality in the format in which we interact in the theater , the leader, and well, i would be a subordinate, since ekaterina nikolaevna we are the immediate leaders, just like ivania nikolaevich elizarev, but ekaterina nikolaevna initiates, among other things business trips, literally in october, i will go on a business trip to moscow, to observe young choreographers, thanks to ilzelipa , who is also in constant contact and close

contact, we still go on stage, together as artists, i must admit that you do not miss premieres, igor, i am very pleased to see you in the hall in kupalovsky, at romeo and julietto, for example, or at the opening of the philharmonic of the new season. and i’ll ask, by the way, raldugin was present at the opening, yes, and anissimov was the conductor, our beloved, admired alexander mikhailovich, as the heroine of one famous film, what does such music give you? that's it, this is synthesis, what is pain? the synthesis of music is a synthesis of the artistic component, our national art museum is beautiful, which i go to when i’m in a good mood, when i’m in a bad mood, in independence, it all feeds, makes up and thereby shapes the personality, and also, that’s how i understood today from our conversation, you get acquainted with the local cultural environment, yes,

i believe that this is necessary, then thanks to these connections and acquaintances, you are born some interesting ones. i am one of those people who need this, not only for my profession, despite the fact that i am not very sociable in life outside my profession, that is, i don’t have a need for this, i can spend my day off without leaving home, and do absolutely nothing, neither read, nor watch tv, at some moments, but what to do , lie like a star, uh, i can look out the window, i can come up with something in my head when i'm... driving , i love to be behind the wheel, let’s say i don’t fly, but drive to st. petersburg when i have one opportunity, there are terrible roads, when i’m driving, i don’t even listen to music , sometimes it’s parallel to the fact that i have a picture flashing outside the window, and what’s in my head at that moment, everything in a row, i really love the earth, i

really like plowed fields that we have now on the way to the airport, so i’m driving and it inspires me, i’m resting this way, so basically. in principle, i don’t always need something like this, being just a person who is not an artist there, managers, choreographers, so i probably have some kind of internal necessity, release from the emotional component, which sometimes weighs down every day, so somehow , well, i abstract myself and enjoy it. today i understand that the opportunities that russia provides are much wider, on the one hand, on the other on the other hand, in the smaller number of opportunities that we have in belarus, they form and concretize the possibility of movement, which is also very important, when at first i was asked the question, what did you do, what did you do, and what did you come, and why

you came back, i say, firstly, i didn’t return anywhere, secondly, i didn’t just come , i came with interest in myself, with the opportunity to realize myself in a new capacity, despite the fact that it wasn’t me who made the choice, thus it turned out that they chose me, they said, stop, i’m using this opportunity, we just recently met with makarsanovich baziev, in moscow i flew sadko, the bashkir theater on the stage of the bolshoi theater, and so we met with makarsanovich, and i told him, well, you you understand that you pushed me into this an abyss in which i’m still flying and don’t understand where i should form, how to land and whether this abyss will push me somewhere, so today for me being here means concentrating in order for something to happen, and the circumstances in which i find myself, they give me this opportunity , that is, possible restrictions, they also create a form, which is sometimes necessary, so i

realized that the advantage of belarus is the form, it is more formal, there are also opportunities here, because today, we talked to you about the fact that i want to get acquainted in order to have the opportunity, acquaintance comes of itself, it was a surprise for me that i was invited to do something for the bazaar, something happened unexpectedly on september 17, thanks to the fact that i the opportunity comes, i give the artists the opportunity to also go in a form that is strange for them, because we are used to the fact that at all events there are amateur groups that build the concept of the director and work under the director, but as i understand it, the big theater did not take part for a long time, under director, i also liked that you... are a forgiving viewer, the premiere of romeo and juliet was very difficult to evaluate, everyone thoughtfully went out onto the veranda, so to speak,

to get some air and only igor said, what the hell, but i like it, i clearly formulated that this is trash, in which i am interested in being in which it is interesting to watch, and now we will take a short break, after a short pause we will return to this studio again, for now subscribe to our telegram channel, that’s what it’s called, say don’t be silent, all our releases search on... youtube channel belarus 1. on the air again say don’t be silent and our guest is the chief choreographer of the bolshoi theater of belarus igor kolup. let's reveal a little television secret. recently you became the hero of the program 100 questions for adults on channel belarus 1, the program has not yet aired, but we have already seen how you wriggled like a snake under the fire of children's questions, let 's see.

we intentionally do not show content about how you communicated with children, but the question is: is it easy for you to communicate with them? it’s incredibly interesting to communicate with children. on today i understand how important it was to do this, due to the fact that i now regularly meet with someone, somewhere, who comes and says: i was on your filming, i was on your filming, this is the experience that necessary, especially as a headmaster, i want young people to come to the theater, i want it to be interesting, i’m interested in them, even after the eifman academy, those 12 of my students who graduated, one of them is here with us in the theater, now dancing, no, this is andrey boriev, this is the last thing that the premiere

nikolaevichkihot, ispada - this is my student, so in this way the communication that is their perception of the world at their age is interesting to me, well, it seems to me that you are generally easy with everyone, igor, let's see how you are with our colleague, olya medved they put it on the floors, and for us a personal master class from the main balletman igor. flask, kudi p'e, kudi, kudi, kudi, kudi p'e, і one, і two , the same, kudi, kudi, pa, brilliant, and the moment of truth, bear on pointe shoes, half-toes, and oh, i'm standing , very inspiring video, you can

tatyana and i also came to your master class, of course, in fact there was another very good event, an open day, when there was an open master class, a large number of both journalists and those interested in theaters came, and it was such a big deal for me day of revelation, i didn’t prepare, it was an absolute impromptu, i thought that there would be a couple of people there, someone would come and we ’d talk. it was for me, it all inspires me, i don’t know, maybe it ’s some kind of open day at the theater with you somehow it goes very well, but your son nestor recently turned 21 , have you realized when he grew up? no, absolutely not, for a very long time i could not understand that there was another pillar, and very , very, very much of everything that took place against the backdrop of, uh, growth as a person of nestor, how

and how difficult it was for him including being with a father like me... there is some kind of high standard for children, well, quite famous people, when everyone around determines that he is also obliged, at some moments you don’t always understand how hard it is for them, because starting from kindergarten, your child has no hearing, your child has no voice, your child has something else, and at first we are completely calm, well, well, no, well, no, no. happiness is not in this, then, when you agree , let’s say there are some problems at school, i went to all the meetings, as much as possible, not my wife, but i went, when you understand that something is not being studied very well there , this doesn’t work out, then it doesn’t work out, and you understand that you are too biased, because you have such dad or do you have such a mother, uh, i understand how

it’s not easy for him that... even when he studied at the school where shnurov, sergei, uh, since i, dad, nestor, they initiated some meetings , with schoolchildren, so i also gave the go-ahead to come and hold a certain format of a creative meeting. eh, my nester was so upset that he got sick, god, and i did everything to make him feel good, that now i ’m coming, you don’t have to call me. well , you realize how hard it is for a child, and you realize, and how much time it takes, like for me it seems that it was missed that it would have been necessary to understand this a little earlier, earlier , uh-huh, this is, uh, some kind of my guilt in front of him, because today, uh , all that he has achieved is colossal, because in addition to everything else, he has been studying for a very long time, today he has an official place of work, in addition to all

this festival activity, which i am also involved in, which remained behind me in st. petersburg, in novgorod, uh, we -we continue to win grants for the festival, which i started, which was supposed to be in my future, not here in st. petersburg, nestor has been doing this for a very long time, he wanted to find his starting point, his life line in which he would be interested, and after going through a certain number of interviews, castings, he didn’t lucky, every time i said, it’s not yours, that means it’s... not yours, that means you’re not here, that means it hasn’t started yet, and what’s surprising is, uh, the last two castings, two interviews for two companies in which he would like to work, he was in full confidence that it will not pass, today, he chose, that is, that very moment happened, that very happiness when he chose where it is better to go, somewhere to be in the office, that is, he, somewhere we are similar in

in terms of what i need to know, my place, that is, i cannot be a freelancer, i need to know that this is my place, everything else i can use, that is , some ideas and suggestions that come in addition to nester, thank you god began to take shape at the age of 21, i still can’t believe that he is 21 years old, because when we were in st. petersburg i used to get into the elevator myself on the fontanka, i took him to school in the morning, and then went to the fitness center in the theater, usually i kissed him on the back of the head on top of the subject. yes, yes, and literally here a few years ago, i was already like this, we go up home, in the elevator, our elevator is very small , it is built-in, since the house is from 1865, the elevator is built-in, not from the outside, inside due to the apartments going along, in the front , at the expense of the landing, and i understand, we enter the elevator,

and so he lowers his head and kisses, and i understand that i am on my nose at the level of his chest, and it was something like this, i feel right now a lump, a lump, a lump, a tear for now, a tear will come, because of course he treats me with trepidation, understanding how difficult it is, that period when it seemed to him , what sparkles in me, uh, that it was natural, this period when he went through, trying to find himself today, he somehow protects me, on the contrary, understanding how it is, i’m very glad. that we heard the answer to the following question: are you happy igor, your previous monologue is complete confirms our guess, and we heard the word ceremonial, and the curb next time, thank you very much for this meeting, we really hope that the premiere will take place, you will pass the exam before yourself, for some reason, even tatyana and i have no doubt about this, strength to you,

inspiration of self-confidence, thank you, absolutely everything. i’ll tell you later, because i probably won’t have the strength to remain silent, come, tatyana sherbina, victoria popova, we say goodbye to you for today, goodbye, goodbye, and now igor kolup is speaking. i know for sure, that it is impossible to remain silent when you are in love, i know for sure that happiness is in silence, uh, but this does not mean that you cannot talk about it, please come to the theater, we will definitely talk about it.

review of the most important sporting events main... national team coach carlos allas perera has named an extended list of players for the september qualifying matches for the european championship 2024. two gold, silver and three bronze. this is the result of the belarusian wrestlers at the world youth championships, which was hosted by jordan, exclusive interview with athletes. tell me, this result of 10:92, you repeated and surpassed in the training process, well, i was ready to show faster than a second, right there in athens. yes. if it was one race, not four. bright moments, real emotions. thousands of fans came to celebrate the spanish women's team, which won the world cup. the impressions are only positive, one of

the most spectacular, one of the most exciting sports. all this is in sports projects on the tv channel belarus 24. 24 hours a day, 7 days a week, we work to keep you up to date with current events in the country and the world. in addition, our team of journalists obtains valuable knowledge from experts on how to maintain and increase health. there is also room for entertainment. every friday we bring to your attention the best projects and films of our tv channel. this and much more awaits you in. weekly project ether 24.7, watch on the tv channel belarus 24.

live broadcast of the main news at noon, in the studio olga kalairova, hello and briefly about the topics of the issue. state support.