[000:00:00;00] on the right, this lava, this other chamber of the eighth city magistrate of taxam, and we can also say that there were memories for voight, who is the original magistrate, for the launika, the burmistr, this people, who is the magistrate. і ў warehouse of the rada, the town hall carried out the functions of the cultural institution. at the front halls of another roof, acres of pasadzhennya are happy, there are theatrical impresuses and concerts. darechy, memory. the other top had the most riches, but ours was not stocked with the next hour. and all the way up we magli uznyatstsa forests, which began from the very top and so everything looked and went to the top. and all this dachshund would be like this, well, this is rare, if we all eat the whole forest.

we are used to these forests. yakіya razvarochyutstsa ў our ladies, gatu ў zel ekanoyi sloshchy, i am so eight as lyvytsa, kab pabachylі, geta, well, ozda at our hour redkasz, and there it was, i was zdaets, gata, well, so special as yak well this is the story of a negligible russian, that is , a chalavek, no, you are a gentry, you are not such a russian, you are paid for the prices of the whole way. it’s not like at home, where it spins and falls on top of others, on top of the other side. its function, the symbol of the garadian self-sacrifice, the town hall began to succumb to the clock of the russian empire, and since then they began to struggle against the different garadian establishments. for the sake of the razburalnaga pajaru of the 1830s, the bastards motsna

pashkodzhany budynnak na... did not become adnaulats. without the renovation and the previous cleanup , the town hall disappeared within two centuries. there have been two wars and times of war. then they left the library and the house again. only in the 90s of the stagodzia municipality the city hall was decorated with a feather-colored look, looking like the celebratory year of garad.

everything that modern belarus lives with. today watch on the belarus 24 tv channel. this is news from the country and abroad, broadcasts of particularly important events, live broadcasts from the scene, current interviews with famous belarusians, exciting travels around the country. feature films for all ages. in the countries of finland, sweden, norway, denmark, the netherlands, germany, france, spain, portugal, cyprus, austria, switzerland, italy, greece, romania, serbia, croatia, poland, lithuania, latvia,

estonia. satellite dish for the express am8 satellite. the channel's signal is broadcast in the clear and is available 24 hours a day every day. be with the belarus 24 tv channel and discover belarus. a very difficult, complex operation, and when she came to her senses after anesthesia and realized what had happened to her, she fell into hysterics and began screaming to her husband: you deliberately made me disabled, because all your life you were jealous

of me for cinema, for my profession, for men and i started screaming that i cheated on you with other men. she was dying in terrible agony at the age of 41, an actress. mikaela drozdovskaya, who starred in my film, but to my unfortunate fate , you keep at least a drop of pity, just to hear your speeches, say a word to you, then that’s it... think, think about one thing, day and night until we meet again. vavgik, the great russian actress vera nikolaevna poshennaya, came to the show of student works, and after watching, she

said to drozdovskaya, girl, now in your youth you won’t play much, not be upset, with age, you are on stage on the screen. you won’t become a brilliant old woman, she acted, well, i won’t say that a lot, well, in episodes, in supporting roles, and she played the only main role in a belarusian film, originally from here. she was born in moscow, in a family of intellectuals, of course, like all the girls, they staged performances, of course, with themselves in the leading role, and... and right from the very first show she entered vgik at the institute of cinematography and she was still a student invited to act in the film there is a comedy film behind the window of univerbad. her partner was oleg

anofriev. it was a kind of slightly funny relationship between them that was supposed to set off the serious relationship of the heroine she played. such a bright supporting role, what did i do that you don’t know, yes, i think your action is outrageous, i think that you have no place in komsamo, that’s your opinion, and my opinion, i’m breaking off friendship with you, and never i will never talk to you in my life, okay,

goodbye, you know, at that time, in the fifties, seventies, in soviet cinema, there was a huge selection of these actresses from the shadows, the beauty and inaccessibility of the main character, these were supporting actresses, a typical role , or something, such little girls with laughter, well, even remember nadezhda rumyantseva, rosa makagonova, lucyena ovchinnikova, lyudmila shagalova, maya krepkogorskaya, svetlana kharitonova, alla budnitskaya, beauty . a friend, by the way, of mikaela drozdovskaya, they were all supporting actresses, almost none of them had leading roles in films,

and among them was mikaela, do you love him, i hate him, i’m saying, what you you love him, you love him, after the role, leningrad symphony: irina, otaman kodr, natasha, heirs, nadya, semnyanik, maya, romeo, my neighbor - shura. give me the complaint

book. masha. she definitely included these episodes in the allotted film footage, but besides the episodes there were. generally unnamed appearances on screen. goodbye boys, girl dancing with the tinsmith, tough nut to crack. captured pilot, wake up mukhina, student , legend of tila, widow of a murdered werewolf, solo for an elephant with orchestra, mother of two daughters, mimino, popishvili’s wife, drozdovskaya’s employment one for masha, dasha, natasha, tanya, irina, per

year. or even more than one, such is the fate of a supporting actress, but proud moscow in its publications does not mention the role of drozdovskaya in a belarusian film from here. let's look at the filmography of belarusian films of the 50s, even the eighties, you won't find the names of belarusian actors in the leading roles, only episodes, and you know, sinners, i also followed the lead of the people who advised me to go to...

my assistant gennady belkevich went there, well, to play the role of the main character, that same stepan zhikhar from stezhitsy, that was the name of ptashnikov’s story, based on which the script was written from here, he invited yuri kuzmenkov from the massoveda theater, he described this actor to me on the phone, approximately his role in the theater, he is still young, a beginner, and i.. . agreed with this, so for the role of his village mistress who raised his son, volka, he offered me the actress mikaela drozdovskaya, i remembered that this is the same actress, the name and surname that i remembered from my school years, and i think, well what about the moscow actress, star, at least the second

plan, but still with a name, and i agreed for mikaela drozdovskaya to come to the audition, ah-ah, a student from the capital, but didn’t learn to dance, why didn’t you plan it for yourself, have a better plan for yourself, go, go, he’s there, go , this morning, straight from the moscow... train to television, then it was the only studio on the communist one, and gena belkevich arrived with mikaila drozdovskaya. she immediately surrounded me with some conversations, some memories, some of her village thoughts, observations, we they took her to make-up, she continued to talk about something rustic, immediately showed some scenes, and even you know, not... her blitz shows and not this

translucent dress of hers, which means, you know, some kind of... then there was melancholy, there was some kind of appeal in her gaze to the director, well, choose me, well, choose me, there was something like that in her, something broken, something i felt in these slightly fussy ones of hers some shows, you know, i must say that she certainly adored me, what is there to hide, an interesting young woman, she played well, she showed everything well, she played wonderfully, just a screen test, not only that, she played without a partner, she played herself, as it were, well, i gave some remarks behind the scenes, ungrammed, she read me the first part of an unfamiliar poem, my dear friend , you are like a guard, the choice of existence comes to you, my path, it is not familiar to you, no, she

smiled, i think maybe this poem is dedicated to her, anything can happen. it turned out that while we were working for several hours in the pavilion, while we were filming it, on a bench in front of the television studio sat the boyfriend who had arrived with her, and larion galitsin, of princely blood, he obediently sat with drozdovskaya in order to coordinate with the plan of our filming. then geno, having escorted the couple to the train,

came up to me, and it turned out that droznovskaya was free until the end of the year, but there was only one yet. the month of june, the role of the volka that she had to play, well, you know, it wasn’t particularly difficult, a lonely woman with a child, in the village, working on a collective farm, you know, the situation is quite typical, i probably couldn’t help her much, i couldn’t tell her the village details, because all my village, problematic documentaries were still somewhere ahead. you’re not afraid that people will see something and tell a story, you be afraid, i was afraid of my own , in vain, war, in vain, sorry, i don’t know how to do otherwise, i got out of the habit

, forgot how to play it, she suddenly told me a lot about her moscow surroundings, oh how in her house there are directors, screenwriters, actors, there are film directors, as they are called now, producers, there, that means, fellow actors, and i thought, well, why with such connections, and since she is, in general, an unclaimed actress, her acting talent is not fully revealed. and you know, i couldn’t find the answer to this, but the answer was in one of the letters she sent me, put on fairy tales in the circus, shoot pictures about love, write songs when we play at love, find

a good script, i’m sitting without business, i voice it for the sake of money, that’s all my business, thank you for the books and clippings. i sent her something, i probably don’t remember, then something amazing happened, i was literally dumbfounded when my hotel room in rogachev, near which we filmed on location with her participation, she dragged in a huge suitcase , opened it, and there were clothes, as i later found out that they were bought in the closed moscow store beryozka, where they sold only for currency or for some other checks unknown to me, there were clothes

all over me from head to toe, suits, lights, shirts, jackets, shoes, then i remembered that even during the audition, she casually asked me what my shoe size was , she said forty-one there, right? two or three pairs of shoes. she says: this is all for you. i i say: michaela, now i have a small child, my wife is on maternity leave, we are paying for a cooperative apartment, there is a contribution, she says, nothing, pay back when you can. you know, it was impossible to refuse, because well, she wouldn’t have brought it back, well, of course, i... thanked this suitcase and then brought it home to minsk, and it was very difficult for me to explain to my wife where i got this from that's all. moreover, moreover, in the suitcase there were several very elegant, beautiful, colorful, small sparklers for my, just recently

born son olesya. then it turned out that she delivered several things, two or three, on the same terms with subsequent payment to my assistant genya belkevich, well, to me, probably, in order to film her in future films, and genya, in order so that he would remember her, in gratitude for inviting her to this film by karlova, and so that he would recommend her to another director. on the first free evening in rogachev, she pulled me into a seat. cemetery, i was somehow perplexed that she walked around, looked at something there, then that’s it, i didn’t i started asking if she might have some relatives. i was looking, i don’t know, then the same thing was repeated in the villages where we filmed location, in particular, i remember in the village

of gusarovka, a very nice picturesque village, also in a cemetery, i also started looking for something, i couldn’t resist asking her , and what is she looking for, she said, maybe there are ancient metal crosses or folded enamel icons on the graves. i thought, well, what if they are, so what? you know, you know, i was raised on my mother’s commandments and grandmothers, believers, who told me from childhood that you can’t take a berry or a flower from a cemetery, this is their property. those who lie here do not need to take anything, and michaela, as it turned out, was not going to take a berry or

a flower from the cemeteries, these expensive metal crosses, folding icons, but you know, in belarus somehow all the burials were post-war and the metal was only on the fences of the graves, it’s probably because the dead didn’t run away or something, i don’t know where such a generally strange ritual came from, or something custom, the same thing happened again in vilnius, she also dragged me to the old cemetery, but catholics don’t have such rituals, and there we also found nothing, nothing, then i began to understand where michaela got all these imports from. things, those that she brought me, those that genya brought, and how she herself was dressed

, she always came in something new, she generally arrived at the voice acting in some two, in my opinion, unimaginable noises, in some in a small essay after her death, the following slippery phrase was written: michaela was interested in i was interested in icons, but you can’t call it that, she just ...... tore them off, collected them, brought them home, restored them, and you could understand where this connection with currency stores came from, she sold it all to foreigners, you know, foreigners in those years, in the sixties and seventies, they were very interested in russian ancient art, they bought icons from the mortar, for some reason the mortars were of particular interest to foreigners, and they were sold in thrift stores,

these icons floated abroad, you know, and good, very good because i've been for abroad, well, in dozens of museums and i saw hundreds , hundreds of russian, orthodox, ancient icons, some of my height, in general these names stood in the monasteries there in mantsirat in spain on the mountain, from where, from where? and this is all, probably, emigrants exported and exported by foreigners, and it’s good, because there it was preserved, but here, and here , the ten-year reign of khrushchev, the iconoclast, who destroyed the churches that began to be destroyed in the twenties and thirties, has just ended. and there was no guarantee that this would happen under some new leader of the country, i will repeat, in general, i could not imagine then that

in my destiny there was a meeting with a person whose some kind of very twisted, very complicated fate would be associated with my fate for some time, and that i i will become a witness to life and... this beautiful, very talented, but such an unhappy woman. at the beginning of her personal life there were such breakdowns of a romantic nature. she fell ill, and her parents admitted her... to the clinic of the second medical institute, and there

the cardiology department was headed by professor vadim smolensky, also a man with secular manners, liked each other, an affair began, he had a family, she was married , as she later told me, there was an architect, her husband, well, he says, some kind of komsomol figure, but such a cynic, she got divorced, and he got divorced, they started a family, lived, i must tell you, very amicably, they had two girls, built a four-room apartment in the center of moscow, and you know where, tverskaya, the current, former gorkovo street, vasilyevskaya street, well, not wider than the passage, here we have

in front of the entrances in the courtyard, here is the entrance to the cinema house, and here is the entrance to the house where... drozdovskaya lived, literally across the street, you understand, when in the cinema house, in a bohemian restaurant, but still in a regime, according to soviet laws, it closed at 22-30, they didn’t have enough time there, then they carried everything half-drunk and half-eaten across the street, took the elevator to drozdovskaya’s apartment in smolensky, and there it continued... of course, there wasn’t enough food to grab, but in this house there was always something to treat guests, and most importantly, what to put on the table in bottles, and these were imported drinks were scarce, even then in moscow, mikaela and her husband, vadimach, had

common interests, they wanted to somehow win over the directors and screenwriters, so that mikaela would be filmed more, so that she would be more busy in her main profession as a film actress , well, this just didn’t work out very well, not very well, immediately take the initiative, talk to konstantin konstantinovich, you tell him this, tell him, i want, you know, i dream of being in the theater, but you’ve already... prepared a fable , prepared to record music for our film from home from here, the composer, my friend, zhenya glebova and i came to moscow, the orchestra recorded the music, after that we were at michaela’s, he had dinner, zhenya went back to minsk by train, and i, still on film business, stayed in for several days moscow,

four-room apartment, fresh flowers in flowerpots. two girls, foreigners come, i met everyone, got along with vadim semyonovich, the dog dartanyan, on the mouth, in some room, i see, there are stacks of dark wooden boards, these are the icons she brought from the expedition, which she has not yet i managed to restore, there were icons everywhere in the apartment , the restored ones were already so ready for sale, the walls were draped with robes, priests, bishops, crosses, these huge icons of the chetia menaion, the whole apartment was filled with this, suddenly one day she gives me the keys and

he says i won’t be home for 2 days, well, i was minding my own business, i had some other meetings in... across the alley, across vasilievskaya, suddenly one night i woke up from some kind of excited, unrestrained conversations in the kitchen, and lyask metallo, this is her in the villages in the north of russia with prince galitsin, she climbed through these very abandoned, abandoned cemeteries, these...foldings, old icons, she collected and now at night she showed her husband, who had become drunk, vadim semyonovich, this loot of hers that she had brought. of course, we started a correspondence with mikae, she sent me photographs of her endless screen tests, she really wanted to star in director alexander ptushko’s film of the fairy tale ruslan and lyudmila, they

tried her for the role of nana, the old one. and young, she attached a photograph of herself in a creepy make-up, in general, senile, so is the letter, i’m attaching a photo of what i’m doing now , and... ruslan and lyudmila, naina, i’m auditioning, and the old actress cecilia mansurova, wants to take her into the carcass, i’m worried, she’s his old friend, they were already working, i was idle, and as always, i was miserable, in this photo, where she is in monstrous old age makeup, the notes about how beautiful she is, i like her, they didn’t take her. they didn’t approve, this again hurt painfully, painfully wounded the actress, but again the nightly feast gatherings in her house, she is

majestic, proud, happy, the mistress, mistress of the house, mistress of life. directors alexander allov and vladimir naumov were preparing for the launch of their great film running according to mikhail bulgakov. mikhaela had already starred in their film about the legend of tili. in the film gori-gori my star, a white guard officer was played by vladimir naumov, and she played his wife, you can’t even call

it that, there’s only one line in the panorama, seryozha, well , where will he spend the night, well, right here the systeli , well, and you again don’t cry dotor, but you know it won’t work, the soldiers need to place fodder, ask the horses, and you can see in one of during the feasts, michaela pressed one of the directors so hard, most likely naumov, that they, in order to sort of, well, maybe even just get rid of her, said, oh well, take it on the run, write a role for yourself, but of course, not the main one, compose it for yourself, she suddenly turned to me with this request, at that time i had some kind of business trip to moscow, i probably handed over some kind of painting, came to her dacha, she told me about this.. .’ volodya, write my role for me somehow through the entire script, through the entire film, i immediately had an idea, i think, what’s in

moscow perhaps doesn’t have any friends, screenwriters, craftsmen who would do this, but i liked the idea, well, then mikaela finally asked, and i got down to business, and i conceived of some kind of poetess of the silver age, tsvitaeva there , berberov, odoevtsev, such a star of the salons, the officers are fighting for the right to dance with her, capricious, with a long cigarette , in khit’s style, then they were called, in feathers, majestic, like this, here she is with the suitcases of these outfits, ballroom, salon, rolls along with the retreating,

fleeing from the reds with a white army, across the dusty steppes, on chaises, on carts, losing these suitcases, she increasingly becomes one of these unfortunate people fleeing to the south, she is looking for acquaintances, there is no one whom she recognizes, everyone brushes her off, that everyone they are saving themselves, everyone is running, she, having completely lost her former self, this gloss, shine, beauty, even her own, she becomes just a sliver in this bloody military whirlpool, becomes nobody, useless to anyone, absolutely doomed, that’s how i conceived her, i arrived in moscow. to the dacha grozdovskoy brought these two or three pages in total, well, knowing the script, she understood where it all should go , she retired, began to read, i played with her

daughters, the girls were very good, they were so funny, she left another room of this dacha, completely shocked, she began to thank me so much, well, hugging me there in front of the children, thanking me for... doing all this, and then i understand that she rushed to the director with this, they of course accepted it. but everything further is clear from her letters to me. i ’m filming with alov and naumov in sevastopol. they don’t do anything interesting to me, they are afraid, time passes, i want to work, play, i cry. write a letter, volodenka, make mikaela happy, it’s sad. and here is a letter already dated seventy. after finishing

work on the film. volodenka, sevastopol was very difficult and a waste of time. every day they took me out to film without filming almost anything. i'm idle and moping as always. plus we are all suffering from severe flu, bronchitis, kisses. roma, roma, roma. hello, it's me. feed, roma, take feed, if you please join me, you know he always in a hurry, we last met on dmitrovka, and he was also in a hurry, but in our rare letters, in even rarer telephone conversations, in very rare meetings in moscow, i did not remind her about the film running, i

understood how painful it was , she sold. something flashed somewhere good in the film mimino, these ladas, what they think, i don’t know, it’s spinning, spinning, spinning under your feet, but we don’t have a lada, a volga, he’s lying all the time. sorry! at the very end of the seventies, while filming on belarusfilm, there was a beauty in my house, actress regina, at that time the wife of my friend, film director, gennady poloka, she told me about michaela’s recent passing from life, in addition to regina, the details of

michaela’s death. i found out from various sources, here is the official version, she was invited to act in a large, quite large role in a film directed by arthur merkun, write letters, the filming took place in the northern caucasus , all the actors were settled near vladikavkaz in tourist houses, in the foothills, somewhere there the houses were not heated. filming has already begun and on november 7, 1978, the actors are all free day, a holiday, we went on an excursion to the city of vladikavkaz, well, we probably had lunch there, and mikaela stayed in this house, and mikaela was given two lighting lamps, one larger, the other smaller,

turned on, she remained in this house of hers, when after a few about an hour later, the film crew and actors returned, they immediately smelled harry in this house, there was smoke coming from under michaela’s door, they knocked, she didn’t answer, they broke down the door, they saw that mikaela’s blankets were smoldering, they were burning, they threw off the blanket. they grabbed michaela, she didn't come to herself, she was sleeping, she was sleeping, they immediately put her in a car to vladikavkaz , the doctors were terrified, they couldn’t do anything, they called her husband, a professor , a plane to moscow, she was urgently, in my opinion, even some kind of special flight, brought to moscow to

vadim semyonovich met her at the airport, she was met by a whole cohort of doctors, professors, they quickly looked at her, quickly she was taken to the clinic, on the operating table, the consilium recognized that the only way to save her life was to amputate both legs, which was done when michaela came to herself, realized who she had now become, she fell into became hysterical and began to scream wildly... that her husband had deliberately made her disabled, that all his life he had been jealous of her for the cinema, for the rabbits, in general for all the men with whom... she acted with her partners, but this one was dying, her dying cry, because she really died, she died barely over

40 years old, when i informed the director of my long-standing film from here, sergei antonovich goncharo, about michaela’s death. he said, what did you not know, that you didn’t know that michaela, even then, here in rogachev, everyone uses evening, strong sleeping pills, i, communicating, working with her, living nearby in the rooms, did not know that 11 years ago she had already taken sleeping pills heavily, probably over the years these doses increased, why did she sleep without feeling that she is already burning, the prediction of the great faith of nikolaevna pashenna did not come true, michaela left without living to see the second

half of her life and is not a shuttered old woman, having, in general, played one of the main roles in our belarusian film from the holidays. and she exhausted all her talent, all the energy that simply, simply oozed, from her, i want to act, i want to act in films, i want to remember these letters of hers, i cry, i’m sad because there is no work, i keep thinking, why did this happen to this talented person, maybe the circumstances turned out this way, maybe it was the wine itself. in something, but in what? she was kind, sincere, welcoming, hospitable, helpful, and

helpful. unless he is an unbeliever, otherwise he would not have left his final resting place. picking not only berries and flowers, but tearing out images of god, maybe

that’s the only reason, but i love her, review of the most important sporting events: the new head coach of the national team, carlos alas ferrera, named an expanded list of players for the september qualifying matches

for the european championship 2024. two gold, silver and