mary little one, you can receive god’s indescribable gifts. atrymaitse zh. nyahai ruzhanets will become a little of our families, our parishes, our citizenship and our assabism, wash away from the gods. the tayamnitsy gunner of the saint will overcome the strength of the spirit of the evil one. at tsiabe ratuunku we are searching. parazhuzhanets summer. let's chat ruzhantsova panna marya. on this happy holiday , i bless the saints of ruzhannyatsy and the holy father. the name is aitz, and the son, and the holy spirit. amen.

secrets of good morning and good mood, don’t forget that a smile is the most inexpensive way to look better, you have all the artists , you look at each one, you can make a movie about each one, but what if you cover everything with apples, just cover everything, can i be an artist for 5 minutes, i can any profession, i just don’t know how to do injections yet, but there is also a lot of useful and interesting information , pumpkin flour, where we get it, take a seed, take a seed, squeeze the oil out of it, this high country cuisine begins, mosquitoes bite... only females, and

who bites bees? bees too, look good morning belarus with svetlana borovskaya, on tv channel belarus 24. hardworking people of our country, the main apiary is located here, there are many modern hives, now let’s see how they are ready for winter, the bees are not ready, they will talk about their hobbies and life in polesie , i have been doing this for over 25 years. collecting these exhibits, there are 45 decks of all my grandfathers and great-grandfathers, all the sculptures are made of oak, we chose this oak, we traveled through the forests of our, our ivanovo region and chose the material for in order to make these sculptures, watch poleshuka’s project on tv channel belarus 24.

remove the hell of the garadian metusna, here are your punishments and your strength, go ahead, in order to recover for yourself, conquer the hell of the moment. kozhny krok yadnannya s pryroday, dzikaya, old-timey, svaya elnya, belarus nathnyae.

in the spring of 2021, for some reason i suddenly remembered him and sat down to write scripts, i was writing, i suddenly came to my senses, i thought, what am i doing, he ’s probably still alive, and i quickly typed in the internet, exactly the date of death, no, i put it off the script, began to occupy me... i put it aside, as it turned out, not for long, in the fall of the same year a message came that he was gone, and i remembered one day, one meeting, one of his films, but what a day it was, but what a meeting it was , but what kind of film it was, we are talking about a film director, his name is nikolai rasheev.

spring kiev, chestnut trees are blooming again, you can hear the reaches of the dnieper, about 20 people from all over the soviet union gathered in kiev , either some kind of plenum, or a seminar, or a festival, i don’t remember that the first day was watching films of the hosts, opened the meeting, people’s artist, timofey levchuk, this is their classic, such a leader of the national... well, it’s kind of like with us vladimir vladimirovich korsablin wished us to work well, have a good rest and disappeared, and as if a handsome, slightly grayish young man with glasses, it means he should

to lead the first day of our meeting, work there for some events, well, the first to introduce film director roman efiminka, he presented... a full-length feature film, by the way, it was a film adaptation of the play seven crosses the sun by our menchansky, my fellow doctor and playwright, anatoly delendik, the play was performed with success throughout the soviet union in our kupala theater, they watched it, applauded, a really good , solid adaptation, and then a documentary film, since it was just before lunch, yeah. the documentary was presented by odessa resident anatoly with the double surname mamond zavyalov. yeah, well, from the first frames we realized that this would just be a review film, odessa, the famous school,

the stolyarsky music school, and so, in general, dozing off, pissed off, we’re looking at why, well, because everything was yesterday.. .tired, here we go showing one class, brunette children fingering, second class, playing violins, blowing on clarinets, we look, they move from class to class, well, yes, now we understand, the whole thing is already nearing the end, really. at the coda, as the musicians say, for the finale, a choir, about 100 people, lined up on stage, a boy, a soloist , was standing, singing, starting a song from the recently released film the elusive avengers, and the choir thundered, chorus,

chase, chase, chase in the blood of garach, i crawled laughing under the chair. everyone looked at me in bewilderment, something was wrong with orlov here it’s happening, the second verse is approaching, everyone is on their guard, again the chase, the chase, the chase in the blood of the garach, the crawlers began to laugh, including this presenter, our first day, the handsome brunet, we later found out that he is a film director, his name is nikolai rasheev, everyone started laughing, can you imagine... what’s so funny about that, well , almost everyone in odessa says that, and that’s where the morning viewing of the first day of our seminar

or plenum ended. irasheev says: evening viewing at 18:30, you can now relax or walk around the city, whoever wants, i suggest going on a tour around the city. what a joy, what happiness, it turns out that i agreed to go on the excursion. to my surprise, only two other people out of twenty agreed, besides me. we got into a small car and started driving around the city. let's go. rasheev, it seemed to me, knows the history of every house in the city. and dimon says: in this house, yaroslav hashik wrote his immortal schweik, this is the first gymnasium, from here my mother carried notes from her classmate misha bulgakov with her

girlfriend, this is round, this is the besarabka market, there are three windows in the house opposite, this is an apartment... we could go to him, he is my friend, but now he is not in the city, he is temporarily absent, in general we understand everything, and here is a memorial... plaque, the writer dolph mikhailik lived here , well, we won’t stop here, we’ll drive up to the vladimir cathedral, vladimir cathedral, frescoes, paintings, icons, these are all the works of outstanding masters of russian painting, the brothers vasnetsov, nesterov, rasheev says: “do you know who invited them here? adrian

prakhov." professor of art history at st. petersburg and kiev university, he is, by the way, your fellow countryman volodya , he suddenly turns to me, for the first time i hear this name, as if a fellow countryman from belarus, adrian prakhov. then, of course, when i returned to minsk i looked, indeed, he comes from mstislavl, i read more about him later, when i filmed karatkevich’s essay , the diamond city, so... we drive further, we approach a huge house, gray and all covered with faces, heads, some monsters, some fish , some goblin, lions in general, there’s a panther there, something like that, rasheev says, calm down, they’ll put it in your ears... all sorts of legends about this house, don’t believe it, this house is just gorodets’s home, he

sold building materials, and this house is an advertisement for new building materials, concrete, cement, so he decided to make advertising with his building materials in this way, well , we won’t go to the lavra in sofia, you will have excursions there tomorrow, you know, we are now... we’ll go where there are no excursions, and the driver the usual twist. i noticed that rasheev names the streets incorrectly, as they are called now, but as they were called before the revolution, banking, reitarskaya, fundukleevskaya, yaroslav val, tsarskaya square, and he calls this capital , not kiev, but he calls it as

mikhail bulgakov called this city, with a capital letter, city, city, that's all he called it. liquidated, closed religious buildings were used in two ways in the country of the soviets, either as warehouses or as prisons. this closed kirillov monastery was used as a house. grief, stopped, nikolai left, soon came out with a huge bunch of heavy ancient keys strung on a thick wire in a ring, and rattling them, he pulled us behind him, and we walked along the corridor of the house of sorrow, you know, it was exactly reminiscent of the characters in the film sweet forman, flying over the nest of kuku. some people were standing, sitting, shouting, making noises, singing, trying

to hook us, pretending to be something, or sitting there, submerged, rasheev said, just don’t react in any way, don’t react in any way, walk calmly, don’t , and so we are a group of three people, three, we followed him, he rattled his keys i approached somewhere, suddenly, suddenly, we came up against a massive, forged oak door. rasheev warmed the keys, with a creak, he opened it, we went in there, he locked the door, and the first thing we saw, to the left of the royal doors in the altar, were the huge eyes of the mother of god, in these eyes there was some kind of joy from the fact that that the child... was holding in his arms, at the same time some kind of tragedy,

doom, some kind of premonition, as if there was something terrible, was already visible, we looked at those eyes, literally without looking up, we then we learned that this was the work of mikhail vrubel , who, it turns out, was in love with a beauty, the wife of that same adrian prakhov, who... here in the city, i don’t know if someone else’s wife reciprocated? in a ruble, it doesn’t matter, this is the secret of the two of them, and we could only admire this great work of art, great, and kolya rasheev was already somewhere behind us, somewhere rattling the keys, we looked back, he beckoned us to follow him, we went up to the choir, and there we

saw it on a wide screen covering the entire wall. fresco of the descent of the holy spirit, seated 12 the apostles, and to each of them from some celestial body a pipe went into the nymph, as if into a pressure helmet, it turned out that it was a diploma work in rubel, here in the kirillov monastery in the choir and you probably know the future, unhappy, even sad, the fate of the short life of mikhail vrubel was somehow symbolically connected with the fact that his works are in the house of sorrow. the square in front of

sofiyka. complex monument to bogdan khmelnitsky, but rasheev says that you will be brought here tomorrow on an excursion, and let’s go to the observation deck to the great st. andrew's church was shot at bartolomeo's creation, we went out onto the site, and this st. andrew's cathedral, it was built on a cliff and it felt like it was floating in the air from the site... the whole hem, the whole city was visible, when we had seen enough, admired it, gasped, nicholas draws our attention is on the house on the opposite side of andreevsky descent, he says, this one is called the haunted house, it was described by our fellow countryman

, writer, viktor platonovich nekrasov, from here it looks good, well, now we ’ll go down a little two or three houses lower, the asphalt square ends and the cobblestone street begins. erosheyev turns to us, colleagues, filmmakers, even almost with an apology, but he says, you know, this is the only paved road in the city, he says, you know, as soon as we start making some films there about the revolution, that’s it, that’s a must.. .feet there in boots or there in boots, in shoes, in boots, stomping, but we definitely film, here it is large, we bring here extras, a camera, here on these cobblestones, here for this, well, this is the only thing cobblestone street in the city, well, we are ashamed, but what to do, this is how it should be, just according to the plot

of the film, that this is an old, old city, we go down a little further on the same left side. suddenly kolya stops us and says: now turn your gaze to the opposite side of the street , we look, there is a descent, a house stands, the house stands level, and the descent goes like this, in this triangle, expanding towards the descent, on the whitewashed foundation it is written in black, lived here... bulgakov, rasheev explains to us that it’s written in tar, the fact is that the attitude towards bulgakov had only just ceased to be somehow forbidden, there was already such a hesitant attitude towards him, he had been silent for almost 40 years, the work of the great fellow countryman of the city mikhail bulgakov

had just begun to emerge, from oblivion samizdat, the first timid publications and so in an unofficial way, they wrote in the ointment that bulgakov lived here, on the descent of two houses, converging... the walls form an acute angle, and we see a window, and this window, behind which nikolka turbines hid a bag with a revolver. that is, you see, this is how it all became, well, visible, tangible, we move to the opposite

side of the street, we go into such a vacant lot between the thirteenth bulgakov house and the fifteenth one standing above, closer to st. andrew's church, we go into the courtyard, the lower floor, the ground floor, it seems to turn out, almost as if in the basement, if you remember, according to bulgakov’s recollections, vasily listnichev, the owner of this house, lived there, silius listnichev vasilisa, as his name was, that means turbines, bulgakovs, and now, he says, she will move out, who is she, daughter, daughter

of listnichev, vasily, inna vasilievna, leafy, she says, she’s waking up now, she’ll come out now, and indeed, at his invitation, she climbs up the walkway from below and comes to us, a living woman extends her hand to us, and i understand that her little girl was being stroked by her head, the hands of the bulgakovs, the hands of mikhail bulgakov , shook her hand, and now i’m shaking her hand, that is, i’m one handshake away from mikhail bulgakov. and the character of bulgakov’s prose turbines and the life of bulgakov himself, they

became somehow real for me, they already became the embodiment of something. living, something you could touch, someone you could shake hands with. after that i was probably in the city three or four more times and of course i always came to the place where the bulgakovs lived, you know , i’ll tell you honestly, it’s the best in the world, the best in the world, and i’ve seen a lot of them, a memorial museum. firstly, there is now a wonderful museum there, i won’t describe it, because this didn’t exist under rasheev, the only thing i can say is that

here, between houses thirteen and the higher one fifteen, in a very narrow courtyard, there is a monument, sitting on a bench, mikhail bulgakov, well, news came recently. that the local writers' union decided to demolish the monument to bulgakov and decided to close the bulgakovo museum. you know, this is the belated revenge of writers, whose fame, whose literature, whose books do not go beyond regional boundaries, they call this... an action of decommunization, decommunization, this is in relation to bulgakov, who has not been published for 40 years, who was almost starving in general

died because there were no fees, nothing, this is decommunization, one should be proud, of course, of great writers, gogol, platonov, bulgakov, yes, they would be proud, but... they didn’t write in ukrainian, in russian, now it’s some kind of belated revenge, or something, you know , it’s very easy to rise up on your own, you have to humiliate the great, then you seem to have risen up, a very simple way, but mean, okay , that color... did not live to see this news and to see the demolition of the monument and the closure of the museum, because he is an erudite, an intellectual, very...

would have been worried, feeling this revenge of the literary pygmies. each program has new heroes, all of us what we have in common is that we study at the belarusian state medical university, so we all dream of becoming doctors, vkmo is

a belarusian... committee of youth organizations, we unite 35 youth public associations of our country, unpredictable questions, where andrei makayonok recommends putting the pill in his comedy, sublanguage, sublanguage, it’s that simple, and unexpected answers to them, build a tower, already three elements, three elements, unfortunately, for each wrong answer one element, you can throw something at him again, yes, god be with you, in general, let there be lor, and this is the wrong answer, let there be lor , an absolutely wrong answer, watch the intellectual show tower on the belarus 24 tv channel. humanity will not survive the advent of artificial intelligence, because the very concept of man will change forever, we are already seeing a future in which such a concept as a country, community, team , family, it is absent, remaining in

their pre... world at the moment, they close the border from everything traditional, from all the values ​​that we position now from the countries of the east, making it worse only for yourself, in order for you to understand the present, you must understand the past, read it, and accordingly , learn from the mistakes of the past, how to avoid the mistakes of the future, you cannot give three things in life: mother, you cannot betray god, and you cannot betray the earth, markov’s project is nothing... personal, only the truth, which is always more interesting than speculation, watch on the belarus 24 tv channel . he was born in kiev, his father is bulgarian, dean

of the polytechnic institute... very active active in such a communist organization that was based in the ussr, but like all commentator figures who emigrated to the ussr, he was repressed and at the age of two, kolya was included in the list of members of the families of enemies of the people, but he graduated from school with a gold medal, followed in the footsteps of his father, no, no, not to gulak, to the polytechnic institute. graduated from it, but then immediately went to moscow and entered the directing department at gika, in the workshop of grigory kozentsev, after the first year he was expelled from vgik, for what? he did not have two years of experience, which was then needed for the directing department, and kolya went to earn this experience, he got a job in dozens

of cities, republics, the soviet union , the far east, siberia, the southern republics, somewhere he worked, worked, worked all the time, earning this experience , according to the impressions that filled him, he wrote stories and was published in local print media, and after 2 years he returned to moscow, recovered, went to the cinema screenwriting department, and graduated from it. and after 2 years he entered and graduated from the highest screenwriting and directing courses. what kind of education do you have? there was a person, but after that there is no work again. and he again went to different studios , somewhere in perm, then from time to time returning to kiev, somewhere else at kikhostudiy, he shot short films, some documentaries, somewhere everything. and only finally, in 1971, the staff

of the dovzhenko film studio immediately shot a film that we would watch in the evening at the screening. this is kolya’s debut at 36 years old, isn’t it a bit old, his co-director, abram naroditsky, he’s actually 65 years old, he didn’t do anything on his own, i looked on the internet, he’s always with someone else, co-director director, what united them, a difference of 30 years, creators of completely different generations, then rasheev explained to us what and how norodidsky and i would agree, he is involved in administrative support for the filming of this film, and shields me from the attacks

of the administration, and i am engaged creativity, actors, everything, here’s the film, for some reason rasheev, before watching it, without naming the title , says that we filmed this picture in the places where arkady gaidar fought in the civil war, i think what all this is for, but clarity came immediately as soon as it caught fire screen. it’s written, based on an early story by arkady gaidar, yeah, it’s clear, that means there will be a revolution, that’s it, the second name appears, the screenwriter, evgeny mitko, wow. the name is familiar to me, this is the author of the script republic shkid, and this is gennady poloka, and this is a different level of dramaturgy and probably another level of the film that we are about to see, interest, the first frame,

an intersection, a stationary camera and through this intersection replacing each other they pass, bela says: red army soldiers, some tsarist troops, makhnovists, bandits, atamans, tochanki, horse, foot, kaiser soldiers in helmets with cones, and finally appears in broken, red letters, title, nonsense, what is it and the spectacle has begun ,

the actor mikhail kononov auditioned for the main role in this film very successfully, but he turned out to be a non-singer as an artist, they invited zolotukhin, well, besides the fact that he is a good artist, valery. he also turned out to be not only a singing artist, who sang not only on stage, but in church, but he also played the harmonica, and he has already starred in a film by viktor turov in minsk, in the film history nobleman chertaphanov according to turgenev, where turov, in a very smart move, inserted singers from hunting stories. and zolotukhin, this is a concert number, how he sings there, look it up on the internet, look, it’s a must , it’s amazing, absolutely, here zolotukhin appears, sitting on the first tray of some kind of steam locomotive, singing, i don’t care, i’m tired

of fighting, i quietly turn to the person sitting behind my back i say to rasheev, the author of the text is mikhailov, who is mikhailov, what kind of folk songs, these are folk songs. sharp, naughty songs, very spicy, which were sung in our closed companies, but as in every company there were filthy ears , filthy tongues that conveyed where they needed to go, and yuliy kim essentially became, as we say, banned from traveling abroad, that is, his work should not have flashed, so talented songs the talented text writer was hidden under the pseudonym yukhailov, then

the chieftain appears, sophie, etoile, vasilyeva was invited to play this role, when she read the script, she asked. what about her hello? rasheev said yes, and this is what she played, this little smile of hers with the corners of her lips pulled down, this i'm tired of this. everything, as she says there, when she is already leading her gang into battle at a standing pace, with a phonograph playing, straight to death at the bayonet, it seems to me that she is this, well, like a facial expression, or something, this is some kind of acting mask , she then carried through all the roles, and even i noticed this in the film the visit of the lady , which was directed by my friend, misha kozakov, you know, these are the acting works,

further, zolotukhin from the taganka theater, lyubimov was very reluctant to let his artists go, to filming, he always set the conditions that there was a good script and a good director, and it was during this period that he was very dissatisfied with the participation of vladimir vysotsky in a very weak comedy, and before zolotukhin , yuri smirnov from the taganka theater had already been approved for such a positive role, rasheev took a closer look at the role of a white guard soldier, alexander filipenko, the third artist, what to do, how can it be to snatch three artists, repertoire artists , from the nataganka theater, and filipenko suggests a way out, says: kolya, invite

the director of the theater dupak to any small role, he says, he is an actor by training, erosheev invites a dupak, lyubimov could not resist, all these three actors and the director , all these four actors played brilliantly in this film, i won’t lie to god, oh my god, in an aerial balloon, oh my god, like an ortania. and i see the whole picture, like an archangel i’m carrying, and i see the whole picture, he’s sitting dumb , well, of course, i couldn’t stand it, wow, my god, i’m taking aim at the german, wow, my god, you ’ll be awesome, you’re hitting without me, you why are you storming vigorously, without me what are you hitting,

club of editors, we are seeing today in a civilized, truly cultural, truly enlightened europe, a slide into medieval hatred, which was caused by the desire to live better, our friends in washington and london, they did great work, they did a very high-quality job without wasting... practically none of their resources for our own money, they pitted us here against the belarusians and russians generally have nothing to be ashamed of; our historical past, as they say, is much better than that of many other nations; we not only have nothing to be ashamed of; we need to learn to invest patriotism and love for our children country and knowledge of the history of their country. we are actually working for peace in europe, europe should be grateful to us, because of us there is no war, external.

passed in the sport of sailing, which grew into youth, well, it already turns out that i have been here for half a century in my favorite sport , we are ready to share knowledge, my name is sergey morozov, i am the senior coach of the national sailing team, now the athletes are taking similar courses, called fordevent, show one day from your life, an important element of the museum’s work it is declared not only the possession of material culture, artifacts, but also non-herital cultures, then side made of folk

names, abradau, and exactly this year we can look at dozhinki, now speed tests are standard, for winds, radial from under the wind, eight segments along two minutes, watch on the belarus 24 tv channel, the film ended, the lights in the hall turned on, we sat, complete silence, we did not understand what we saw, it was all there. comedy, tragedy, melodrama, burlesque, musical, popular print,

what kind of... genre, i only realized it when at my request, at our cinema house, for a private viewing, my old friend, yan poloka, kidnapped somewhere and brought his picture of the intervention, and kolya rasheev probably looked at it, shocked by this picture , he made, well, i won’t say that he borrowed from the poloka picture, but some kind of breathing was felt, everything was felt. and then i watched kolya’s intervention later, and comparing these two films i realized that this genre

was called vsezhanovosti. for the unique film, director nikolai rasheev was immediately showered with awards, diplomas there, prize after prize, in tashkent, in gabrovo, capital of european humor. nikolai gains fame, everyone expects him to be more than a bombshell, and he shoots, shoots picture after picture, good actors come to the name of rasheev , nikolai korachentsev, armen dzherkhanyan, valentin ggaft, mikhail kazakov, all the best ukrainian

actors, he is looking for drama, then this leonid andreev, with his mysticism. either humor about henry, or some little-known writers contemporary to him at that time, everyone goes to the name nikolai rasheev, everyone thinks something will happen again, kolya films, hare reserve - 73, theater unknown actor, 76, kings and cabbage, 78, amulet, it seems to me that he lost, somehow , after bumbarash, he lost the vector of creativity, he lost the vector of creativity, you know, that’s why these throwings, comedy, circus, mysticism,

and suddenly i find out that it turns out that for the last 30 years, he... didn’t film anything, he died at 86, 86 -30, it’s that at 56 years old, the very peak, the very flowering of creativity, he stopped filming anything, rasheev , apparently, having looked at his work, he somehow believed in himself, he understood that he was not a second fool will create, the stars no longer aligned, he no longer lined up, the horses are looking for water, but they don’t go to the river, the bank is too steep,

since his fifty-sixth birthday, when he stopped making... films, he lived another 30 years, he was far from retirement , what he lived on, what he earned, how in 2000, for no apparent reason, they awarded him the title of honored artist, yes, of course, of course, the fact was that he lost faith in himself, gave up, stopped working, faded, faded away. disappeared on october 5, 2021, having received communion , nikolai flew away, and his body lay in the ground the city where he was born, this is a rare happy

occasion in our hectic times, now no one will tell how misha bulgakov passed a note into the hands of his classmate, mother, kolya rasheeva, how she stroked her son kolya with these hands. and kolya then shook my hand with this hand, you see, here again this chain of handshakes is short, remembering kolya rasheev once in a conversation, gennady poloka told me, since urasheev was morally enough for only one picture, on bumbarash, but what a picture, yes and i think, i give... i only had with him one day of communication, one

day of impressions, one viewing of everything, but what a day it was, what impressions it was, what a viewing it was, i remembered him as young, thirty-six years old, wearing large horned glasses, and that’s how i remembered him, only that way . oh, where can i go, let me look around, in front there is an outpost with a trap, white, green, gold-trimmed, and they all have the same head, like mine, a crane is flying, a ship is sailing on the sea, who is taking me where in the world? and where is the reward for me and where is the ambush for me, go for a walk, little soldier, look for the answer, pie in the sky

flies, i fly you, i know you bastards, months, centuries, but at the same time the rivers have been created and captured by our ancient charms, menavita there we do not throw down the ruins of the prastors, we are a folkloric expedition with a paradoxical numar am 563. sennya kirunak gantsalitsa district, further and again and again in the past.