that it will be so easy. try this recipe. thank you very much, sasha, and you, dear tv viewers, cook with us and enjoy your meal. bye-bye, goodbye. the best way to unforgettably spend a weekend is to take a short trip. it seems to me that i have found a unique corner of belarus, which will become a place of power for many. together we will visit a belarusian village. i returned to the village to my grandmother, just look, this is the ideal option for a complete reboot, no gadgets and blaccialization. will visit.

at the largest boulder in the volozhinsky district, if you believe folk superstitions, in order for your wish to come true, you need to leave a coin on top of the stone, we will learn all the intricacies of wood carving, well, in fact, it’s just like some kind of meditation, because when it’s good exactly it is going, it’s very nice, look in the program, the route is built on the belarus 24 tv channel . belarus is dynamically developing interregional cooperation with russian regions, today we are on the list of key partners of the pskov region, transport issues are being resolved messages, import substitution is being worked on. experts call the current time the battle for africa. the continent is gradually clearing itself of the colonialists of the past and is ready for cooperation. africa is objectively our field of opportunity; people can and want to cooperate with us. the nato countries almost

immediately decided to conduct exercises in the baltic and black seas. during the maneuvers , landing operations and strikes from the sea on land will be practiced. we invite the polish military to our training. refusal, in return a helicopter provocation. we do it without visas, we get closed borders. someone else has the impression that we are pushing it. main topics on the main broadcast. watch on the belarus tv channel. 24. belarus is endless forests, blue rivers, lakes, pristine nature, from which it is impossible to take your eyes off, and also, belarus is people, and we open their destinies for you.

we carry traditions through generations at the same time changing views on familiar things, all this makes the world a better place, we tell you about different people, but they are united by one thing: love for belarus. belarus 24. ilya, describe your happiest day in your life. honestly, i don’t even know what to remember, such is our work that often holidays become your work, uh, my happiest day in life, the moments when you return home, such a simple answer: but at the same time,

it’s deep for me , because all our human lives, we are in search of home, and when you return to some place, theater, home, hometown, you understand that this is your home, this is the happiest moment of your life. he calls my guest in the theater where he serves our star, in his repertoire pavlinka, marriage, warm heart, many people dream of such a start, lucky, or everything was destined by fate, now we find out, my guest is the actor of the kupala theater ilya krug, ilya, hello, hello, ilya, i know that in your life a lot is connected with the yankee. fell and what exactly? yes, there is such

a small mystification of my life, it turned out that in my hometown of brest, where i was born, i lived on the street all my life, despite moving... yanka kupala at the university together with my classmates took part in the filming of a film about the fate of our belarusian poet, at the moment i am working at the kupala theater, which directly bears his name, such a small mysterious mysticism that accompanies me all my life, which i probably only thought about now , coming to your theater. well, in general, the acting profession, it’s a little like that, it contains some mystical signs. it seems to me that all people, artists, are all believers, i always tell everyone that we are all people are dependent actors on energy, on receptivity, because to an ordinary person this may seem somehow wild, strange, but for us this is such an absolute norm of how we communicate with each other and how we work, life has repeatedly hinted to you

about your future connection with the kupala theater, but nevertheless, as a young student at the university of culture and arts, i became an artist of the kupala theater, to be honest, that's... i never thought that life was hinting at the fact that i would be an artist of the kupala theater, uh, that's always , for some reason, even when the time came closer and closer to placement at the university, i thought about many theaters in minsk, but never thought about kupalovsky, we got there absolutely by accident, we were invited to the casting for the restoration of the play pavlinka, we went through it like this i still remember, at the university - they sent a paper from the ministry of culture with the distribution of roles, and how the guys ended up in the crowd, but my last name was not there, i was a little so scared, offended, because well, like, am i really the worst of all, really i something was missing, and so was i asked, i said, why did they forget about me, but they brought me, they said that kim and i were forty, for me and the master of my course, it

was a big surprise, because neither i expected this, nor she expected this, well i also wanted to clarify, because the director also played an important role in your fate... courses zina mikhailovna pasyutina, yes, now zina mikhailovna , unfortunately, is not there, but i always remember how i say that i often dedicate all the performances played to her , still very often, when i don’t know what to play, i always imagine how if she had done it, uh, it was incredible training, it seems to me, from such a master in belarus. no longer, you are a director by education, because the theater department of the university of culture, it graduates directors, your director’s education, it helps you in working on a role or, on the contrary , hinders you, you include someone there, i don’t know, you criticize the director in yourself, probably , sometimes it helps, sometimes it hinders, on the whole i’m very glad

that i probably received a directing education, as it seems to me, this is a little after all, richer than artists, artists are still such people focused on themselves, their inner world, mm. on how to live everything, yes, that is, exactly how i am on stage, and due to the fact that probably my education as a director, mikhailov taught us in many ways to really look at the whole picture, i always, even when i am on stage in the role of one character somehow, but i try to control the picture that takes place on the stage of the theater, but uh, you yourself know the profession, not every director is probably ready to accept some proposals from artists, sometimes i can be jealous, as long as it doesn’t bother me. as if, of course, we are also always looking for some kind of boundary, so that all this does not pass onto us, our ideas, plans, no, of course, we all try so that, first of all, everyone sees the director’s intention and how the director presents we need our own dramaturgical material, well, if you still gain a little

theatrical experience, maybe into teaching, but by the way, this year i’m starting to work with children, teaching them acting and speech, i’ll try. himself very exciting, the first classes will begin soon, of course, there are a lot of doubts about the fact that i’m still very young , whatever one may say, what can i convey to them, like, uh, convey to them some kind of experience, which, of course, already exists, and what will be most interesting to them in this profession and in this art? and yet, the fact that you are now working at the kupala theater, do you consider this event as luck or natural? it’s strange to call it luck, luck is possible when a person does nothing, he’s lucky, he’s invested a lot in acting profession by me, i invested a lot in general into the concept of what theater, theatrical art is, i always strived and studied, and probably it was

a gift of fate, and the opportunity that i talked about before, given to me, was already my business , to take this opportunity upon myself, to make it work for me later, to help me, or to reject it, but the decision was made to try to come to the kupala theater, to appear on the main stage in such an iconic performance, now, of course, never i regret that i did that then, and do you remember your first day at the kupololovsky theater, yes, how it was, it was, oh, it was very intense, bright, emotional, of course, you come, a young man, a little confused, as if you don’t understand the main theater of the country, in the theater is expensive, everything is so beautiful, you walk, you speak only in a whisper, because it’s scary, all the walls are breathing, it was a very pleasant day, because all the staff were happy to meet us, they

were happy to work with us, to meet us, they had also burning eyes, like ours, us everyone was interested in getting to know each other, so i remember it in such colors at the moment, but for them, we probably were some kind of intimidated chickens then, because we came, of course, we probably didn’t fully understand everything at that moment , your first role in the kupala theater was magpie in pavlinka, was it difficult to get into the role? it wasn’t easy, of course, it was very hard, firstly, i’ll say that it wasn’t me, not my master course, and we didn’t expect that this particular role would go to me, i’m still more of a joker, some kind of funny, crazy, and yakim forty, he’s probably more than that, he’s still a mentor, such an intellectual, uh, but i’m very grateful to olga valentinovna nefeodova, artistic director tamara vasilievna mironova, together with them we did it, the most difficult thing was probably that it only took us a week rehearsals on a small stage with minimal decorations

, so that i could succeed, everything was fine, but when we moved to the big stage and i saw the scale of the auditorium stage, the number of services that work with us, the light from and how it works, i, as a person, was probably very frightened by it during the first performances at rehearsals, it certainly had a slightly negative effect, i was a little cramped and scared, but now, of course , the sensations in this performance are different, i have this is the theater’s most favorite performance, because i always watch it, i always watch how it lives, how it develops, this is an incredibly warm performance for me, after all, due to the fact that it is the first work on the main stage of the country, i am especially fond of it i relate to you very strongly were you nervous before the premiere? yes, yes, i didn’t sleep, of course, the night before the first first month of the premiere went like this, like this, it was very scary, we didn’t

expect that there would be so many spectators, especially at the first showing, all three floors of the theater they were packed, people were almost standing, and it also happened that the first performances that were in the theater, i always started them, and this is so responsible, you also know from the acting profession that it is very important to start a performance, start it well, take it attention. and to this day i understand what a responsibility it is to start a performance, it was very exciting, but it worked out, and what helped you cope with the excitement? air, the guys and i very often evaluate, i don’t know if this exists, by the way, in other theaters, but my colleagues and i very often discuss the air that is in the auditorium, how we breathe together with the audience, we go out, today the air is the same as the viewer today, like this, then it helped a lot that everyone was waiting for this update, it

it turned out that we, firstly, we were in such a little intrigue, how, how people would accept , where they would laugh, where not, we did not yet understand what would happen, and people did not understand, but at the same time there was such a reverent feeling breathing, a kind of slight excitement, pleasant happiness from the fact that we are all gathered here today... gathered on this day, opening the 101st season, showing pavlinka again, it was this air that helped him cope, and the word role, i didn’t forget, no, of course , that’s all, we are text, we treat everything very thoroughly in our theater, we especially pay attention to the language, the language, how we pronounce it, we always improve this aspect of our work, we follow our colleagues, within the walls of the theater we always try to speak the belarusian language, our broadcast throughout the theater always sounds the first bell, the first bell, another bell, another bell, a great shout for

the performance, the performance is over. ilya, do you follow what they write to you, what they say, praise, scold, yes, at the moment , of course, yes, i mostly really, i laugh, i really love all sorts of headlines, especially printed publications, yes, once in memory of me, after the premiere of the play marriage, an article came out comparing me to jim carrey, and there, well, how i love such things, there the theater actor ilya krug reincarnated as an introvert under the wheels, but for me, sometimes it just becomes funny and this is probably the specifics of the work. theaters, critics who specifically determine what we do on stage, when we ourselves sometimes come out after many years of the life of the play and still don’t understand who our character is, what is about what and why and why we have gathered here, so yes, i read , to to understand a little from the outside, moreover, it’s nice when viewers write on social networks and leave some of their reviews, as i

told you a story a long time ago, i remember that a teenage girl from school came to... pavlinka, here it is for me wrote that it was her first time in the theater and her first impression of the theater will forever be with me , with the way i played the role of jaakim, yay it was filled, this is very important, this is our fuel, the gasoline that we have for this how to continue to work, continue to live, motivate, and without this our profession is probably impossible, positive reviews are more pleasant to watch and hear, but critical, more negative reviews are probably more useful... of course reviews, yes, but i’m not offended, critical, yes, but why be offended, firstly , no matter how i am not 100 dollars so that everyone likes me, not some big amount, not a superstar, first of all, i always position myself as ilya circle, as a person, and i always want to remain this person on stage, not not an actor, and convey uh this particular humanity, yes i read if i

i understand that it is needed somewhere and that in fact it is so, i of course try to listen, change something, maybe i ask someone again about something, but i am never upset by this, this is our job, this is specific our profession, that we are, as it were, on display with people, we must accept this criticism, we must live with it, sometimes, of course, some artists perceive this very painfully, but such a profession and we knew everything that we choose copper in this difficult business, what do you most often criticize yourself for? why do i criticize myself? maybe, i like to shout, yes, uh, as they sometimes tell me, nature has given me a loud voice, very often in life my friends tell me to be quieter, but i, i don’t have any such threshold, i speak loudly, i speak low, behind the fact that sometimes i perhaps

try too hard for the audience, which is clearly visible through these efforts and efforts of mine, which is probably sometimes not necessary. for the viewer, to leave them with a feeling of life on stage, but for myself i determined such a thing that no matter how dissatisfied i am with myself, i am obliged to move on through the performance and fight, even if i don’t i liked this scene, i have to go out and do it in a new way, brightly, beautifully, so that the audience likes it, continue to fight , no matter what, on the stage of the kupala theater you go out with the masters of the theater, that’s who of them influenced you - professionally the greatest influence? we, of course, communicate with the entire older generation , i can’t help but mention my teacher now colleague , somehow strangely, vladimir mitrofanovich ragovtsov, during training, this is such a thing, if mikhailovna was a creative mother, then this is certainly a creative father, who gave us the principle of the work of artists, zinada petrovna zubkova, i always like

to talk to her, she, we play marriage together in the play and even though we don’t have a text between her... we just exchange glances with her, but she always after the performance she comes up to me and she and i discuss what was right and what was wrong, and this also has a very strong influence, and i very much admire maria georgievna zakharevich, and she is currently only acting as a presenter in pavlinka at some at events he reads excerpts from classics of belarusian literature, and the way she reads, how a person generally exists in his life, how much he endures pain and is able to adapt himself to the proposed circumstances, preserving the whole essence, deep fullness, this cannot but deserve my highest respect, adoration of this person, and moreover, what -probably her life principles, her principle of life in the theater of work, it fascinates me very much, i am always glad to see her and communicate with her. ilya, i

heard that some viewers are confused by the appearance of your undercarriage from your marriage, yes. indeed, our performance begins with the fact that i, as the main character of this play and action, am on stage only in a coat and underwear. each one, of course, responds differently, these are modern glass shows, you know the reaction of the audience to some modern solutions, but we, of course, do not cross any line of what is permitted, no, we keep it all within the framework of what we somehow we try to bring it even a little into the historical era that existed in order to justify the character. that he is not just because we wanted, this is how he starts the performance, this is his lifestyle, it helps you in the role, yes, it helps in the role, it helps as a person, because... i’m generally that kind of person, a little bit, i don’t like all these stories, i don’t go to public beaches, it’s always difficult for me, i’m so closed off to myself a little , but here it’s like you need to go out, and for me,

even as a person, it’s a great feat that i was able to take it off yourself clothes, no matter how rude it may sound and went out on stage, it serves a little of my adrenaline, gives a little justification for the character of how i can act with this and further my role. why have children become a bargaining chip for ukraine? yes, because this country is bankrupt and today the west can only pay for weapons with black soil and be its own. ukrainians who find themselves in european union countries tell scary stories. i have never heard of such a monstrous drinking incident

anywhere, when the house is trashed, right away, it’s just like a commodity. at mariopol they gave me several books about ukrainian nationalism. appearance one of them is dated 1950. this is only confirmation that after the announcement of the victory of the ussr over nazi germany, the banderaites continued. it’s good that there is lukashenko in belarus, he saved , it would have been the same, maybe even worse, the author’s project of ksenia lebedeva is different, watch new episodes on the belarus 24 tv channel. we talk about the most interesting things from the world of science, the history of the first means of helping to relieve pain begins in ancient times, but then healers could not even imagine what could be relieved: an unpleasant feeling in a person, which something hurts. in ancient rome, attempts to relieve pain were completely inhumane. the patient was beaten on the head with a club until he came to, and

operations were performed. let's share interesting facts. diogenes defined memory as a process, the process of uniform distribution of air in the human body. we ask the most exciting questions and look for answers to them. it's easier for some to understand. visual information, for some auditory information, how does the assimilation of information occur, you know the rule of advertising, in it you must repeat three times what you want to remember, watch in the science project nearby, on the belarus 24 tv channel. ilya, you are one of the youngest artists of the kupala theater, you already have fans who regularly go to your performances, yes, they have appeared, which is nice, people come, there have been

many cases when and after the performance people came up at the service entrance and left some gifts, memorably , just recently two girls came and said that we saw you in the play marriage, they came now with a warm heart, we liked it so much... and we like would come from india we’re leaving tomorrow and we’re giving you incense and people once wrote that they’ve been there for a while, so we thought you’d come out there, but we wanted to see you, so we’re glad that you came out in this performance, we’ll come again, of course, this is very pleasant, your idea of ​​love, how much it coincides with the ideas of love, let’s say your heroes, there in marriage, in a warm heart, i think that they differ, but each hero still carries a little era, which is mine what i have in common with my heroes is that i’m still a romantic, yes, i’m that kind of person,

i romanticize life very much, very strongly, and all the events of my life, and this is also inherent in my heroes, they are also all romantics, they are all dreamers, they are all imagineers, they are all dreamers, and i am probably exactly the same in love, but that’s all -probably, my concepts, together with the characters, differ, others are written in such a way that probably for each character it is clear what love is, i personally probably still have a lot of questions about this feeling, about how it works in our lives , why does it happen like this, and i’m still looking for answers to them, have you ever looked after the girls as beautifully as your heroes on stage, no, no , it’s still completely different, on stage you have to fight yourself very often in this regard, because after all, in life... i try to do all this a little differently sharing the stage personal life like this, in this regard, such a very closed person, there are many secrets and mysteries in himself, well, probably the bad

actor is the one... you are trying to act in a movie, have you already had any first auditions? yes, i’m probably not a good actor here, i don’t really like cinema, i had auditions, i acted, but i’ve been thinking about this often lately, the value of theater is that people come and see real emotions, cinema, but after working a little, i already see that of course, this is unconditional, this is sincere art, it is the strongest, but still in it there is a lie, a little bit, that you can film somewhere, put music somewhere , somewhere this, somewhere that, in the theater i like to create that very air, and for me it ’s a little difficult when they call some projects, i see, i understand that they are not mine, i understand how i can deceive people, they still the screen and through the camera they will see what’s inside me, and if i show something completely different, but do you have some kind of dream

of playing something, maybe specific? maybe an undefined role, what kind of plan would you like? i think ranevskaya was asked, if i’m not mistaken, about, well, you’ve already played what you wanted, at the end of her life she says, of course, no, no, and such an acting essence, she is greedy, greedy for herself, greedy for profession in the good sense of these words, that when you play one, you outgrow these problems that were inside you, you have... something new and you are already waiting for something new to come to you, so it is very difficult for me to answer this question, for me , there is probably material in which i would like to exist in any roles, this is the cherry orchard, my favorite essay by chekhov, for me it is a storehouse of my universe, my worldview, a storehouse of how everything works in the world, how people live, and i am ready

to exist in this material in any role that concerns yours life outside the theater, it is just as bright and scenic as infects you with creativity, i think yes, i always try, now, i’m especially greedy for events, i’m looking for new places, looking for new people, new acquaintances, events, i go to all sorts of events, activities, lectures, i do choreography, somewhere a little -i’ll take up some vocals, a little bit, somewhere i’ll read something, i always try to make my life varied. and moreover, i really like it when there is literally no free minute in my schedule, and i often talk to my mother about this topic, so i say, oh mom, that’s it, i’m tired, i say, there’s so much of this, i don’t want anything, she says, well, i know you, you can’t live without it, and yes, i have a bit of a temperament that i can complain, but deep down i’ll understand that i like it, and where can you most often be seen in minsk, i will name, besides the theater, most often

, of course, in the theater, but i think that the victory square area, i really like the architecture of this area of ​​​​the district, its infrastructure, how everything is built there, walk, these small houses, and at the same time the fact that this is the city center, some places, a sandbox that is open there, where a lot of young people gather, discuss their interests, just have a good time , that is, in fact, sometimes i just like to come to a place, sit, be silent, listen to it and let the pace of life of this place take over. so, a new theater season is approaching, which will surprise the kupolovsky theater in the new season. at the moment, as our artistic director said, we can boast that we have proudly restored the theater's repertoire, in our two seasons, we have there is a full-fledged repertoire, like every theater, kupalovsky is going to surprise with its tours, its guests and new productions. now in september

the kaza comes to us. the kochalov theater, unique events for the cultural life of belarus, this is their first tour to belarus and , in general, the first such large-scale tour in the history of the kochalov theater, when the theater comes to us for a month, they open their season with us, this is such a surprise for the belarusian audience, we will also go to kazan, we will show our pavlinka in moscow we’ll already go where we’ve been several times with screenings. premieres of performances are planned, now, of course, we have bombed all the seasons, showing five, six premieres a year, now we, of course, as plans were announced to us, will slow down the pace a little, but we will work on a very good quality product, and of course kupalovsky will continue to surprise people in the regions of belarus, we travel a lot to even the smallest cities, sometimes we go to some villages, surprise people there, take their reactions, smiles, laughter, applause and... and

this is a very important mission of our theater, to generally show people in such cities our belarusian theatrical art. our program is called the meaning of life, so for you, now, what is the meaning of life? i thought a lot about this question, due to the fact that i am still young, of course, i can name many deep things, love, faith, strength, really, but this will be insincere from me, because i probably i haven’t fully lived through all these emotions in my life, and thinking about what i ’m doing in my life now, what i’m trying to bring into this world, what is the meaning of life now? for me it is to live and please the people with whom i communicate, the loved ones who come to our performances, to give them my energy, my emotions, my joy and do everything so

that they rejoice with me. thank you, ilya, thank you, this was the meaning of ilya kruk’s life. belarus is a country with a lot of history. eight geta pabudova, yana shined to the punishment of mindaug, to the first caranavanam to the punishment to whom our present land appeared. geta kalegium, educational establishment 16 centuries,

this happened all over belarus. adukatsiya was free of charge. unique and remarkable things can be found literally at every step. church of saints peter and paul. when entering it, you can literally touch antiquity, the doors of the main entrance of the klyamka have existed for more than 200 years, and rubyazhevich scales on sunny days acquire the traditional production of medicines from grains, such pharmacies, such as there, you don’t know, navat in the post-soviet space, and the blue-eyed soul is people, hello, good afternoon to you, with us on the belarus 24 tv channel.

sometimes, in order to see the most interesting thing, you need to consider it in the array of other interesting things. i believe that at all ceremonial events the national anthem should be played in full. independence is a relative concept, but we, we have this independence, we have sovereignty, while we sovereignly diversify our dependence, which is called multi-vector, but in essence it is just logic. the global goal of our sovereign right is to create combinations of interdependencies, to make sure that our interdependence with the world was most beneficial to us. igor's author's view of the main events. watch on tv channel belarus 244