[000:01:04;00] fertile land, our main wealth is in caring hands, when we so want to share the joy of what we have achieved, to create and develop, carefully preserving traditions, in the name of a successful... happy future, where everyone’s contribution to the common cause is significant, and life with others is in unity and love, this is true happiness, there is always warmth from spiritual

moments and... belarus 24, what unites us. away from the city scene. here are your punishments and your strength, going forward to fight for yourself, to fight and stop hell

moment, napramak padkazha element. yadnannya za proroday, dzikaya, old-timey pile yelnya, belarus natkhnyae, 1865, in warsaw the worldly... premiere of the opera has a terrible courtyard: the public and the roofs are hijacked, and the music is rambling, and the detective plot does not pack no way. at the center of the river there is an enchanted herd, which harbored an evil power. and few people know what they have in life. kali avtar of the opera was very small, he often visited his father's house in smilavichy, near minsk.

raptam, the people of the night are old. gadzinnik, as soon as i’m sleeping, i’m starting to add melody, the cotton ice is not very sad, but it ’s because all the partrets in the scenes are alive and well. uspamina dzyatsinstva, stanislava manyushka captured everything, like the melodies of belarusian folk songs, and then, at the height of fame, brought them to the great opera stage. falvarak ubel, dze yon naradziўsya, would not be ours. a villager's house is large, but the famous family is not rich. adzin dzyadzka stanislava daminik would be brave reformers who caused svaikh syalyan hell to the jumper. others - casimir, ours is suffused with batanika. father loves to paint. hobbies in these hours are great. how else to fix the important steps in this area. there was no smartphone.

cheslav often paints the turgid little woman, alzhbeta. from the madjar family, these yans paved us for the creation of slutsk payas, and then for our long son, stasya. cotton is very good. on a packet. only with water, because they were afraid that there would be a lot of trouble. on shchastse, yano adchuniala. na getim little one, moments are important in the history of everyday music. stasik’s fingers tap the keys of fartepiyana, i couldn’t do it, maybe the supershina, the cotton guy is disgusting. the first lessons of music gave a hole to the mother, and here it becomes clear that the expression of the flesh on the ear of the attack is not right. cotton takes over the din and is lethal on the move. fathers understand that there is a need for development. syamigadov stasik just studied in warsaw. iago is a teacher, and the famous arganist is august fraer. after all, life in warsaw is unknown. there

are three bastards here and there on radzima, yes assyadae in minsk. the nanny's mentor is here. daminik stefanovic, the creator of the archestra, which is not very good at all. on the balcony of the town hall. i love my art and love my life and music so much, he was able to create it so skillfully that from that moment music became the most important thing for me. at 15 years old the lad is writing his first creation. aperetu cantorial service. prime'era. avatsy. true, the package is only available between now and september. the theatrical dance was kvatera manyushka, like a performance. there is a salon for the minsk intelligentsia. kali stanislav was 17 years old, and his daughter-in-law was leaving for a long trip to vilnia. the most valuable citizen of the city - panenka alyaksandra müller s possible sam'i. geta could not see it

from the first glance. how did the saramlov youths achieve such a jump? mabyts, prasvyatsiў ey neki prachula ramans. a fact is a fact. taya said to borrow. as well as the sky, the hell was adapted, the matzi dzyasnya here was sicked for the legs ib apusil on zamlya, jeanitsa, and for the yaki you are a bunch of budzesh samyu'yu, the trab sperm at the throat of the atrymasy. manyushka i went to study at the berlin canservatory, as well as three bastards. aliaksandra, you might have cried all your tears, and you’re back, you’re walking through hell here, at the top. and i won’t have to worry about anyone anymore, i love you as much as i can and i regret kissing you forever, night and morning, and day and night. finish your studies, stanislava paspashy and kahanay. i love you

so much that i didn’t give a damn, being my son-in-law, i’m out of my mind. if at that time the right books would have been found, the meat frames would have killed the mania in a few minutes. arganist, campasitar, teacher, arganizatar. musical life. the little ones grazed in vilna, near muller’s house. hutka and dzetsi fell, adzin after hell, and there were dozens of noises. prakarmitsya such a here and there was right for nothing, you are in pain, what is your profession music. manyushka gives private lessons, public collections of her rambles, and plays the argan at the local university cascade. campasitar will be for many years and the skin will begin again. from them, then, they sat down for fartepiyana, the creations were enjoyed adzin after adzin, and in the evenings of love to visit good kaviarnye,

billiards, cards, cigars, but not robbed and extraordinary taverns, where people gather are simple, it’s true, there’s no way to go there, panathnenne, where you could then see folk music and a study hall i'm not making any mistakes... novaga , i am intoxicated by the spirits of folk songs. perhaps, the change is such a karchma manyushka and we recognize him with other belarusian singers, the poets vincent dunin martsinkevich. in the meantime, the idea of ​​working something new came up. this is how the tandem artists formed. 9 lutag, 1853 in garad theaters minsk, premier of the opera idylia. the public is happy, and the scene is full of belarusian language. the good spirits, and the tsar's rule , were over, the performance was cancelled. manyushka edze ў st. petsyarburg at nadzeі take the pasada

kampazitara of the court opera. no way. try to calm down in warsaw, and the heat did not go away. and here comes a strong competitor, like sturm, an additional student with the beautiful nicknames. the crucian hell is dry and the strength is given only by the support of the faithful woman alyaksandra, whom stanislava piaschtna calls alesya. oh, may alesya. sleep all the time of course, i think and that’s right, what kind of tsudouiny will be the haste of my music, drawn by the bright path of the vigil, by our kahanem. in 1858 , fartun's pit collapsed. at the vyaliki theaters of warsaw, the premiere of the opera halka. tragic story fall and throw to the evil gentlemen of the village, faucet and tears. kali praguchaya aposhni so. the lethal hall

explodes with accidents. aўtar of the opera atrymlіvae pasada haloўnaga hole і holektar theater. my name appears on posters all the time. let's go to warsaw, and don't forget great radzima. u the score of your platform, manyushka , the key melodies are familiar to the lyavonikhi. pazney, a knower of belarusian folklore rrygor shirma zdzivitsa. getai opera has such richness. songs and dances of folk dances, in order to celebrate the hour of the war, you are on the folk calendar here in slutsk and in honor of minsk. most of the yago opper pra kahanne, menavita yano kіrue svem. all the creatures of the terrible world are not so charming, they are simply a cunning competitor. yong attack the cavalier, and then attack the hand, sirsa and pasag from hell to the castle. ale sapraўdnae kahanne peramaglo. while

shepherding the prime ministers of getai opera, the campasitar becomes a sign. it's a pity, it's a haste and a bad side. there is a lot of confusion, various intrigues, unreasonable ones, and then there’s death and father’s death. manyushka is still very close and dear. ureshtse, i didn’t wash it out. 4 cherven 1872 , kampazitar raptouna pamer. usyago ў 53 bastards. the trail of the plowing cartage was followed by a dry process, 100 thousand chalaveks. it seems, the people of the pestilence, kvetak, on the yago magіla , a bunch of bunches of valoshaks are produced, from their native belarus. on it’s a pity that for a long time the creations of the amals were not humming. i forgot the dachshund's name. in 1950 , the legendary hibernating director of the belarusian opera, larysa aleksandrovskaya, came to kangres near warsaw. whoever wrote the score for the opera is a terrible courtyard,

which few people know in belarus. so manyushka’s music came to yago radzima. sennya ў gonar kampazitara ladzyats festivals i call streets. the restoration of the palace in smilavichi began. perhaps in the worst hour there will be a heavy battle with the enchanted gadget, the alarming prices of the minulaga. humanity will not survive the emergence of artificial intelligence, because the very concept of man will change forever , we are already seeing a future in which such a concept as a country, community, team,

family, it is absent, remaining in its pseudo-civilized world, at the moment, they are closing the border from everything traditional, from all those values ​​that we are now positioning from the countries of the east, making it worse only for ourselves. in order for you to understand the present, you must understand the past, read it - and accordingly, learn from past mistakes how to avoid future mistakes. you can't stress three things in life. a mother cannot be betrayed by god and the earth cannot be betrayed. markov’s project is nothing personal, just the truth, which is always more interesting than speculation. watch on the tv channel belarus 24. we began to rejoice at the shotguns, to be surprised, to let go of the tie.

just respect, every day is formed from tradition, senya, year or hundred years there, everything that was considered diligent was almost new, we ourselves do not respect it, we pass on the knowledge and experience: pracalenne, geta ў our smile, wave my hand. and with such family , in the light of simple, happy moments , our own traditions are formed, we celebrate the decline of our products, we appreciate the last minute for our

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